Campus Lacks Food Service for Summer Bulletin Will Become

Total Page:16

File Type:pdf, Size:1020Kb

Campus Lacks Food Service for Summer Bulletin Will Become The Trian: Vol. 70, No. 32 The Student Newspaper ofDrexel University June 30,1995 Papadakis era Campus lacks food begins Aug. 1 service for summer An early start will have new Drexel president After July 3 , Penn will offer temporary meal Hackney. focus on enrollment and fundraising. plans to interested Drexel students. Previously, Student Life was hoping to work out a summer An^ Dang discuss marketing strategies to Anh Dang As a result, the Division for contract with Aramark to con­ News Editor enhance enrollment and an eval­ News Editor Student Life offered makeshift tinue providing food services. In just over a month, the uation of the Physical Education A rude awakening welcomed meals for the first week of this That also proved be too costly, name “Papadakis” should sound Athletic Center. some students back to campus term at Grab-n-Go, and will said Hackney. a little less foreign. Tackling decade-long enroll­ when they found out the offer none afterward. Students The Penn plan, which offers On August 1, Dr. Constantine ment declines and starting an University will not provide a who want to be on a meal plan several options, will start on July Papadakis, engineering dean at aggressive fundraising campaign food service program during for the rest of the summer will 5 for Drexel students, who will University of Cincinnati, will will be among Papadakis’ first summer term. be arranged to be on plans pay the same price as Penn stu­ become Drexel’s 11 th president. priorities as president. Besides The Handschumacher Dining offered by the University of dents. Interested students should Papadakis vi^as on campus working closely with Vice Facility had been shut down Pennsylvania at its facilities. contact the Creese Information June 26-27 to learn “who’s who President for Enrollment because the current food service This summer plan alternative Desk for additional information. and how things work at Drexel.” Management Don Dickason and provider, Aramark, will leave was decided after pursuing sev­ Other University groups, such as Included in his itinerary was a Senior Vice President for July 3, and a replacement was eral other avenues, said Vice campus conferences and fresh- senior management meeting to see PAPADAKIS on page 2 not found in time. Provost for Student Life Diana see FOOD SERVICE on page 2 Commencement upsets attendees Kristi Ciliano Drexel student after seeing how C om ics E d ito r rowdy the students were.” Drexel’s 108th commence­ On June 18, the Philadelphia ment was supposed to honor Civic Center was filled with students’ achievements. Instead, Drexel graduating seniors enthu­ it was more like an example of siastic about completing their students’ misachievements. designated degrees. The excite­ “The general behavior of the ment and noise started at the students was unacceptable and beginning of the ceremony and certainly insulting to University did not end. guests, especially [feature speak­ One graduate said, “It was an er, Unisys chairman and chief embarrassment the way the executive officer James A.] see GRADUATION on page 3 Unruh and other studertt speak­ ers,” stated College of Arts and Sciences Dean Thomas Canavan. In This Issue This opinion was shared by a large majority of Drexel admin­ Ed-Op.......... ,page6 istrators, students and parents Datebook................. 9 who felt this year’s commence­ MELANY HUNT/r/w Triangle ment had gotten out of hand. Comics................... 10 The Drexel class of 1995 graduates June 18 at the Civic Center. Said one current undergraduate, Classifieds..............12 “I was embarrassed to be a Entertainment....... 16 Bulletin will become shopping complex Anh Dang In addition to Caldor and Modell, News Editor which have signed the lease agreements, One Drexel Plaza, better known as the four supermarkets are negotiating with former Bulletin building, is being sold for the developer, Metro Development $12.5 million to a real estate development Corporation and Jeffrey M. Brown firm, which is turning it to a shopping Associates, for leases. The building has complex headed by a Caldor and a Modell about 100,000 square feet of office space sporting goods store. and about 300,000 square feet for retail Bought by Drexel at a Federal Deposit use. Insurance Corporation auction for $7 According to Landau, the University million in January of 1994, the University has received over $600,000 up front, and will make a $5.5 million profit from the the deal is to be completed in the fall. deal. The money will go back to the Landau said the proposed shopping com­ University endowment, said Vice plex will add convenience to Drexel’s President for Finance and Admmistration campus, since currently there isn’t a near­ Bert Landau. by general shopping area. The 6.2-acre property includes the Landau said Drexel tried to no avail to 555,000-square-foot Bulletin building, a find “commercial tenants” to rent the CoreStates branch office and two paring building, which has the benefit of being lots on the corner of Market and JFK. across from 30th Street Station. Under During the past year and a half, Drexel’s management, Philadelphia CoreStates has paid rent to Drexel, while Newspapers Inc. and the School District KRISTIN LAINQ/7^0 Triangle the parking lots have been operated by the of Philadelphia had contemplated leasing University until the deal is complete. the building. The Bulletin building will soon become a shopping center. 2 * The Triangle«June 30,1995 Aramark eyes new contract FOOD SERVICE from page 1 Corporation and Canteen Corporation. man orientations, will need to go- According to Hackney “The outside the University for cater­ University desires the successful ing services. This v^ll not violate bidder to implement other ele­ union contracts, said Hackney. ments of a modern campus food Drexel was service program, notified of including a food Aramark’s inten­ Competing court comprised tion to end its of brand name contract on April against Aramark food outlets, 3, and on May 3 for the contract carts and/or Aramark officially trucks to pro­ decided to leave are Gardner vide convenient due to substantial Merchant Food service for the remote campus operating losses. NOAH ADDIS/77)e Triangle The two-month Services, Wood locations; quali­ The newly renovated Barnes and Noble bookstore reorganized its merchandise to notification was ty catering and Dining Services, make shopping easier for Drexel students. in accordance to concession ser­ Aramark’s con­ Marriott vices for break­ tract with Drexel. Corporation and out meetings, Aramark is sporting events, among the bid­ Canteen parent/student ders who will be orientations and on campus be­ Corporation. convenience tween July 10 and stores.” Dean Canavan won’t 13 to present their campus food A final decision on a new food service programs. contract, Hackney said, will be Competing against Aramark made before Sept. 1, and she for the contract arc Gardner expects to have a campus food Merchant Food Services, Wood program installed by the start of be interim provost Dining Services, Marriott the fall term. PAPADAKISfrom page 1 which was searching for a new left to become president of provost. Now that the search is Clarkson University. Clarification Institutional Advancement completed, he said he could Dean of the College Arts and Barbara Spiro, Papadakis said he afford to leave his current Sciences Thomas Canavan was June 9: In the article “Brawl Interrupts Jam,” Charlie Rot>erts was mistakenly refenred to as a friend of Chris Marshall. The two had never met prior to the will personally be involved in the employer earlier. previously appointed by altercation. recruitment efforts. At Drexel, a provost is also Pennoni and approved by the Another priority for needed. Papadakis said the Board of Trustees as interim Papadakis is work on strategic University is starting an “imme- provost, but after Papadakis’ planning. He has asked CEO first senior management meeting Chuck Pennoni to chair the Tackling decade- on June 26, Canavan will not The Trian^B Standing Committee to review take the position but will remain and update the University’s long enrollment at his post as arts and sciences 32nd a CheMnut Straoto • PMIatMphla. PA 19104 Strategic Plan, which was dean. Voica: (215) 895-2585 • Fax: (2i5) 695-5935 approved by the Board of declines and Papadakis said that in order Trustees in January of 1993. starting an for Canavan to be interim According to Papadakis, provost, another interim would EditorinI strategic planning will start firom aggressive be needed to take over his cur­ Editor-in-Chief John Gruber the faculty in September. He will fundraising rent position. The decision was Managing Editor Patricia O’Brien ask all 25 University depart­ agreed upon by Canavan and Production Manager Nick DiFranco ments to decide what’s best for campaign will be Pennoni, said Papadakis. Production Manager Larry Rosenzweig the future of Drexel. among Papadakis* “It is my desire to build a per­ News Editor AnhDang His August 1 starting date is sonal relation with deans,” said Ed-Op Editor Jonathan Poet three months ahead of his previ- first priorities as Papadakis. “I want to deal with Entertainment Editor BradWible ously announced date. president ‘real’ deans. ... We don’t want Comics Editor Kristi Ciliano Papadakis explained, “The earli­ too many interim positions.” Photo Editor Noah Addis er I start, the better off [Drexel] Papadakis is working with will be.” Initially, he chose to diate search” for someone to Pennoni and the Faculty Senate Business & Administration start on Nov. 1 to give time to replace the former Senior Vice steering committee to appoint a Business Manager A Gina Di Vincenzo complete his ongoing tasks at President for Academic Affairs search committee to find a per­ Classifieds Manager ▲ Kristi Ciliano the University of Cincinnati, and Provost Dennis Brown, who manent provost.
Recommended publications
  • Come All Ye Faithful
    P earl R iver D elta Follow Us on WeChat Now Advertising Hotline 400 820 8428 COME ALL YE FAITHFUL 城市漫步珠三角 英文版 1 月份 国内统一刊号: Religion on the rise in China CN 11-5234/GO China Intercontinental Press Plus: Interviews with Sven Goran Eriksson, Sarah Brightman and Chen Man JANUARY 2014 《城市漫步》珠江三角洲 英文月刊 主管单位: 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位: 五洲传播出版社 地址: 北京市海淀区北三环中路31号生产力大楼B座7层 邮编100088 B-721 Shengchanli Building, No. 31 Beisanhuan Zhonglu, Haidian District, Beijing 100088, PRC http://www.cicc.org.cn 社长 President: 李红杰 Li Hongjie 期刊部负责人 Supervisor of Magazine Department: 邓锦辉 Deng Jinhui Chief Editor Tom Lee Deputy Editor Jane Kent Shenzhen Editor Gary Maidment Events and Web Editor Will Wu Staff Writer S. E. Smith Editorial Assistant Van Fan Contributors Marianna Cerini,, Andrew Chin, Lena Gidwani, James Griffiths, Matt Horn, Ned Kelly, Tom Kelly, Gary Maidment, Trevor Marshallsea, Zoey Zha Interns Alice Wang Urbanatomy Media Shanghai (Head office) 上海和舟广告有限公司 上海市澳门路872弄10号 邮政编码: 200050 No.10, Lane 872, Aomen Lu, Shanghai 200050 电话: 021-2213 9018 传真: 021-2213 9010 Guangzhou 上海和舟广告有限公司广州分公司 广州市麓苑路42号大院2号楼610室 邮政编码: 510095 Rm. 610, No. 2 Building, Area 42, Lu Yuan Lu, Guangzhou 510095 电话: 020-8358 6125 传真: 020-8357 3859 - 816 Shenzhen 深圳业务 电话: 0755-8623 3220 传真: 0755-6406 8538 Beijing 北京联络处 北京市东城区东直门外大街48号东方银座C座G9室 邮政编码: 100027 9G, Block C, Ginza Mall, No.48 Dongzhimen Wai Dajie, Dongcheng District, Beijing, 100027 电话: 010-8447 7002 传真: 010-8447 6455 General Manager Henry
    [Show full text]
  • Elliott Smith Son of Sam Mp3, Flac, Wma
    Elliott Smith Son Of Sam mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Son Of Sam Country: UK & Europe Released: 2000 Style: Indie Rock MP3 version RAR size: 1801 mb FLAC version RAR size: 1135 mb WMA version RAR size: 1593 mb Rating: 4.3 Votes: 221 Other Formats: DMF MP4 DXD WAV MIDI AUD ASF Tracklist A Son Of Sam 2:59 B A Living Will 2:23 Companies, etc. Phonographic Copyright (p) – SKG Music LLC Copyright (c) – SKG Music LLC Licensed To – Polydor Ltd. (UK) Published By – Spent Bullets Published By – Careers-BMG Music Publishing, Inc. Pressed By – SNA Credits Art Direction, Design – Autumn DeWilde, Dale Smith Lacquer Cut By – JA* Management – Margaret Mittleman Mixed By – Rob Schnapf, Tom Rothrock Photography By [Photos] – Autumn DeWilde Producer – Rob Schnapf, Tom Rothrock Recorded By – Rob Schnapf, Tom Rothrock Written-By, Producer – Elliott Smith Notes Managed for M3. From the Dreamworks album Figure 8. Available on Compact Disc (450 225-2). The copyright in this sound recording is owned by SKG Music L.L.C. and is exclusively licensed to Polydor Ltd. (UK). A Universal Music Company. Track durations not on release. Barcode and Other Identifiers Rights Society: BMI Barcode (Text): 6 00445 09497 0 Other: UN 102 Label Code: LC 07266 Rights Society: BIEM/MCPS Matrix / Runout (Side A): JA 450 949-7 A¹ [SNA symbol] Matrix / Runout (Side B): 450 949-7 B¹ [SNA symbol] Other versions Category Artist Title (Format) Label Category Country Year Elliott Son Of Sam (CD, DreamWorks DRMR-13527-2 DRMR-13527-2 US 2000 Smith Single, Promo)
    [Show full text]
  • Elliott Smith Free
    FREE ELLIOTT SMITH PDF Autumn De Wilde | 224 pages | 09 Nov 2007 | CHRONICLE BOOKS | 9780811857994 | English | California, United States Either/Or (album) - Wikipedia N o one could honestly claim to be surprised when they heard Elliott Smith had committed suicide. Plenty of folky singer-songwriters have a reputation for making introspective, melancholy music, but none quite like Smith's. He was the "unhappiest man in the land", a singer you didn't so much Elliott Smith to as commiserate with. According to his friend, singer Mary Lou Lord, Smith was the heir to the tragic mantle of her former boyfriend, Kurt Cobain: he was making records for "the sad kids". His gloom was more than sulky posturing: when Smith sang about heroin addiction or alcoholism or depression, he was singing about things he had experienced first-hand. The cover of his second, eponymous solo album, released in Elliott Smith, features a grainy image of bodies Elliott Smith from a high building. As one tribute article wryly noted, you couldn't say that Smith didn't warn you. That is Elliott Smith to say the circumstances of his death were not shocking. Last year, just before lunchtime on Tuesday, October 21, Elliott Smith apparently had an argument with his girlfriend, fellow musician Jennifer Chiba, at their home in Silverlake, Los Angeles. As the row got worse, Smith threatened to commit suicide. Like most of Smith's close friends, Chiba was used to him making melodramatic threats about ending his life. After all, this was a man who, when he decided to relocate from Portland to Brooklyn in the late s, bade farewell to his Oregon friends by informing them that it was likely he would never see them again because he was "probably going to kill himself".
    [Show full text]
  • Baixar Baixar
    ARTIGO Crowdsourcing na música - análise de caso do projeto song reader do cantor Beck Hansen Crowdsourcing in music - Case study of singer Beck Hansen's Song Reader project Cristiano Max Pereira Pinheiro* Luciana Leie** Mauricio Barth*** RESUMO ABSTRACT Este estudo busca analisar como o This study aims to analyze how the Song projeto Song Reader do cantor Beck Reader project of singer Beck Hansen Hansen utilizou o Crowdsourcing e como used Crowdsourcing and how os participantes sentiram-se ao fazer participants felt to be part of it. parte do mesmo. Para isso, foram Interviews were conducted with YouTube realizadas entrevistas com usuários do users having posted on their site their Youtube que postaram no site suas versions of the songs in the project; two versões das canções das músicas do reviews of news sites were also analyzed. projeto; também, foram analisados dois The focus of the analysis was to identify reviews de sites de notícias. O foco da the profiles of the people who análise buscou identificar quais os perfis participated in the project, to understand das pessoas que participaram do projeto, what types of participation/interaction entender que tipos de were generated with the project, to participação/interação foram geradas analyze the motivations that led people com o projeto, analisar quais as to participate in the project and finally to motivações que levaram as pessoas a understand how these people evaluated participar do projeto e, por fim, entender the experience. At the end of the study, como essas pessoas avaliaram a we can make it clear that in the music experiência.
    [Show full text]
  • Elliott Smith Free Download
    ELLIOTT SMITH FREE DOWNLOAD Autumn De Wilde | 224 pages | 09 Nov 2007 | CHRONICLE BOOKS | 9780811857994 | English | California, United States Elliott Smith 25th anniversary edition: a careful tribute which lays an artist bare For this article, interview requests to both his former British label and his US publicist went unanswered. From Wikipedia, the free encyclopedia. Some are more acousticbut there aren't too many like that. One friend, Mark Flannigan, who owned a Hollywood club where Smith regularly performed, went so far as to question whether Smith had committed suicide at all. Smith had begun his solo career while still in Heatmiser, and the success of his first two releases created distance and tension with his band. Well Rounded Entertainment. Smith then played two more live shows in his adopted hometown: three months later at The Derby and once at the L. The internet is catnip to cranks and conspiracy theorists, and few areas of music attract them like a rock star's death. Elliott Smith An Introduction To Trouser Press. Those red envelopes keep coming, like video valentines, and the only way to watch a zillion of them without getting August 15 Features 13 Show All. Following this appearance, Smith was signed to major label DreamWorks and started work on his fourth studio album, XO. The 50 Best Albums of From a Basement on the Hill V. The Best Albums of the s From M. Smith, however, had no "hesitation wounds" Elliott Smith cuts made as the victim works up the nerve to force the weapon through - and had stabbed himself through Elliott Smith clothing.
    [Show full text]
  • Recording Skint: How Recording with Limitations and a Low Budget Can Influence the Recording Process Between Producer and Artist
    University of Huddersfield Repository Bowling, Calum Recording Skint: How Recording with Limitations and a Low Budget Can Influence the Recording Process Between Producer and Artist. Original Citation Bowling, Calum (2019) Recording Skint: How Recording with Limitations and a Low Budget Can Influence the Recording Process Between Producer and Artist. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/35341/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Recording Skint. How Recording with Limitations and a Low Budget Can Influence the Recording Process Between Producer and Artist. CALUM BOWLING A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts. University of Huddersfield May 2019 Abstract. The role a music producer brings to recording has been studied extensively by many academics; however, previous literature discusses the integral essence of recording and briefly investigates the role a music producer has whilst recording on a low budget/limitations.
    [Show full text]
  • 7Th January 2014 for Immediate Release
    7th January 2014 For Immediate Release: Toadies Announce Release of 20-Year Anniversary Edition of Platinum Selling Breakthrough Debut Album Rubberneck – Out April, 1st 2014 on Kirtland Records New York, NY – Fort Worth, Texas’ Toadies kick off 2014 with the announcement of the April 1st release of the 20-year anniversary edition of their platinum-selling breakthrough debut album Rubberneck on Kirtland Records. Originally released in the summer of 1994 on Interscope, the anniversary edition has been remastered and will include three additional songs from the Rubberneck recording session with producers Tom Rothrock (Foo Fighters, Elliott Smith, Jimmy Eat World) and Rob Schnapf (Tokyo Police Club, Saves the Day, Beck) as well as two rare live songs – fan favorite “Tyler” and their most popular single to date “Possum Kingdom.” When asked about the reissue, drummer Mark Reznicek commented: Hard to believe it's been 20 years since “Rubberneck” was released. It seems like yesterday, but at the same time it was a lifetime ago. Of course, we never dreamed people would still be listening to the album 20 years later or that it would become a staple on radio after all this time. So, as a thank you to all our fans for supporting us through the years, and as a way to celebrate this milestone, the time seemed right to remaster and reissue the album. To enhance the package and complete the “Rubberneck” experience, we've included some cool bonus rarities. Three songs from the original recording sessions have been included, giving fans the complete “Rubberneck” recording sessions for the first time ever.
    [Show full text]
  • The Representation of the Feminine, Feminist and Musical Subject in Popular Music Culture
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2001 The eprr esentation of the feminine, feminist and musical subject in popular music culture Emma Mayhew University of Wollongong Recommended Citation Mayhew, Emma, The er presentation of the feminine, feminist and musical subject in popular music culture, Doctor of Philosophy thesis, Faculty of Arts, University of Wollongong, 2001. http://ro.uow.edu.au/theses/1743 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] THE REPRESENTATION OF THE FEMININE, FEMINIST AND MUSICAL SUBJECT IN POPULAR MUSIC CULTURE A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy from UNIVERSITY OF WOLLONONG By EMMA MAYEW B.A. (Hons) ARTS FACULTY 2001 CERTIFICATION I, Emma Mayhew, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy, at the University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Emma Mayhew 18 August 2001 CHAPTER TWO FEMINIST POSTSTRUCTURALISM, THE POPULAR MUSICAL TEXT AND THE AUDIENCE - THEORETICAL DEBATES 58 Introduction 58 General Concepts and Debates 58 Discourse, Power and Agency 62 Patriarchy and Power 72 Theorising Music as Social Text 74 Musical Discourses
    [Show full text]
  • Joey Jordison
    a set of Paiste Alpha cymbals Blackused and WINsigned by Joey Jordison. REMEMBERING $ RICHIE Valued HAYWARD at over 1,500 January 2011 The World’s #1 Drum Magazine GET GOOD! THE D R U M M E R S MAROON O5 F GOO GOO DOLLS DAUGHTRY ON PLAYING FOR THE SONG MD GETS REAL WITH JOEY JORDISON METHODS AND MOTIVES WITH SLIPKNOT, ZOMBIE, AND MURDERDOLLS RESTORE YOUR DRUMS R&B/GOSPEL HEAVYWEIGHT CHRIS COLEMAN ESPERANZA SPALDING A DIFFERENT VIEW REVIEWED! SABIAN PARAGON & VAULT ARTISAN CYMBALS /// LP HAND PERCUSSION MODERN DRUMMER.COM SHURE BETA 27 MICS /// CRAVIOTTO RED BIRCH KIT /// REGAL TIP SIGNATURES /// GMS PVS SNARES Volume 35, Number 1 • Cover photo by Alex Solca CONTENTS 36 Solca 28 CHRIS COLEMAN Alex “Whoa—did you hear that?” It’s been a common exclamation wherever and whenever Chris Coleman plays the drums, whether it’s at a Chaka Khan or New Kids On The Block concert, at one of his highly regarded clinics, or at an impromptu shred session at a music convention. 36 JOEY JORDISON Slipknot’s ever-active drummer—who’s recently added new Murderdolls and Rob Zombie projects to his already significant workload—puts down the mask and gets us closer to understanding his unusual methods and motivations. 46 MICHAEL CARVIN He’s played with the best. And he believes you can too—but only if you have the guts to meet your true inner self. NEW SERIES 57 GET GOOD: PLAYING FOR THE SONG Playing drums well in most forms of music comes down to this: The song is king—learn what it wants from you, and you’ll be the kind of drummer everyone wants to play with.
    [Show full text]
  • PROCESS-ORIENTED AESTHETICS in 1990S ALTERNATIVE ROCK and HIP-HOP
    SIGNIFYING DIY: PROCESS-ORIENTED AESTHETICS IN 1990s ALTERNATIVE ROCK AND HIP-HOP Brian Jones A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2014 Approved by: Mark Katz David García Jocelyn Neal Philip Vandermeer Albin Zak © 2014 Brian Jones ALL RIGHTS RESERVED ii ABSTRACT BRIAN JONES: Signifying DIY: Process-Oriented Aesthetics in 1990s Alternative Rock and Hip-Hop (Under the direction of Mark Katz) This dissertation posits and demonstrates a framework for analyzing how sound recordings convey meaning in rock—considering how listeners experience recordings, not only as fixed products, but also as sonic evidence of implied actions. I call this framework process-oriented aesthetics, and I define it as a sensibility in which musical meaning is conveyed in a record’s sonic foregrounding of its own production process. In this sensibility, recordings sonically evoke what I call a production myth—a real or imagined backstory, nurtured through the surrounding discourse, that adds meaning to the musical sounds. Production myths encourage listeners to aestheticize practices of musical creation and help facilitate intellectual and creative engagement in listening. The effects of process-oriented aesthetics rely upon the interplay between the nuances of recorded sound and the assumed (or imagined) circumstances of their production. I investigate these aesthetic sensibilities in the music and discourse of 1990s alternative rock and hip-hop. Alternative rock in the 1990s harbored an enduring tension between the small- scale, non-commercial values of its indie roots and the music’s eventual mass-mediated popularity.
    [Show full text]
  • The MPU1 Is My Piano of Choice; It Sounds Great, and It's Very Reliable—It's Lasted Through a World Tour!
    Because I’m British, I’m emotionally stunted,” jokes singer-songwriter “James Blunt. “So I couldn’t express myself or capture what was going on in my mind. But through music, I found I could say what I was feeling.” 18 yamaha all access winter ’07 19 Blunt’s path to pop music success was an unconventional one. Before charming the world with insightful, moody ballads like “You’re Beautiful” and “Goodbye My Lover,” he served in the British Army for four years, including several months as a 22-year-old peacekeeper in Kosovo. In 2002, James left the army to face another kind of adversary: the music industry. Armed only with some “dodgy demos” showcasing his formidable songwriting talents and arresting voice, Blunt quickly found management and publishing deals, and soon crossed paths with songwriter/produc - er Linda Perry (Pink, Christina Aguilera), who signed him to her Custard label. With the help of producer Tom Rothrock (Beck, Elliot Smith, Badly Drawn Boy), Blunt recorded his wildly successful 2005 debut album, Back to Bedlam , and has since toured almost continuously. We caught up with him as he prepared for yet another North American tour. You’ve been touring incessantly since your album came out. Yes, and we’re about to do another two and a half months—it’s our third time in the States this year. I suppose that means I’m having too much fun there! I’ve been on the road for two years now. It’s been kind of a long camping holiday. I’m always in [ a bus, and my bandmates are quite smelly, but I’ve enjoyed it—we have a really good band and crew, so it’s been fun.
    [Show full text]
  • Beck Loser Mp3, Flac, Wma
    Beck Loser mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Loser Country: US Released: 1994 Style: Folk Rock, Lo-Fi, Indie Rock MP3 version RAR size: 1152 mb FLAC version RAR size: 1702 mb WMA version RAR size: 1400 mb Rating: 4.2 Votes: 742 Other Formats: AUD VQF AAC TTA WMA ASF VOC Tracklist 1 Loser (LP Version) 3:55 2 Corvette Bummer (Previously Unreleased) 4:57 3 Alcohol (Previously Unreleased) 3:51 4 Soul Suckin Jerk (Reject) (Previously Unreleased) 6:09 5 Fume (Previously Unreleased) 4:29 Companies, etc. Phonographic Copyright (p) – Geffen Records Copyright (c) – Geffen Records Manufactured By – Uni Distribution Corp. Distributed By – Uni Distribution Corp. Manufactured By – Matsushita Universal Media Services Credits A&R – Mark Kates Design – Robert Fisher Photography By – Ross Harris Recorded By – Karl Stephenson (tracks: 1), Rob Schnapf (tracks: 3), Tom Grimley (tracks: 2, 4, 5), Tom Rothrock (tracks: 1, 3) Notes Track 1 recorded , Track 2,4,5 recorded at Poop Alley , Track 3 recorded . "Loser" From The Forthcoming DGC Album "Mellow Gold". Available on Cassette and Compact Disc (DGCC /DGCD-24634). Cover /insert is a fold out slip, but the inside is blank. Packaging: Jewel Case Barcode and Other Identifiers Barcode: 7 20642 19302 0 Matrix / Runout: DGCDM21930 0698514868 MFG BY MATSUSHITA UNIVERSAL MEDIA SERVICES Mastering SID Code: IFPI L771 Mould SID Code: IFPI 2A08 Other versions Category Artist Title (Format) Label Category Country Year Bong Load BL5 Beck Loser (12", Single) BL5 US 1993
    [Show full text]