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Union Election Held Amidst Charges of Improprieties Bulls Saga Continues
Holy Terrors: Duke Athletics beat a bunch of religious fanatics in straight sets 6-1,6-1, 6-0. Chris THE CHRONICLE Yankee scored a hat trick in the hat trick. THURSDAY. SEPTEMBER 27. 1990 DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15.000 VOL. 86. NO. 25 Union election held amidst charges of improprieties By ADRIAN DOLLARD by ineligible people, do not occur. Today's union election is being Scott asked the administration held despite charges of improper to allow two Bryan Center house conduct. keepers, Louis Owens and Members of the union repre Frederick Ferrell, time off from senting most housekeeping and work to serve as poll watchers. Food Services workers claim Her request was denied. The following are polling times and places for the Local 77 union officers and University ad Observers were selected from election. Employees can vote at any station regardless of where ministrators unfairly aided in the list provided by the Local's they work. cumbent candidates. Business Manager Jimmy Pugh instead. Scott claims the Univer The union, Local 77 of the LOCATION TIME American Federation of State, sity thereby violated federal law County and Municipal Employ by "improperly favoring the in West Union, basement lounge 6:30 a.m.-4:30 p.m cumbents over the other candi ees, represents 500 University Hospital North, Room 1103 6:30 a.m.-9 a.m. employees. dates." "There is no way that a fair In addition, she alleges the ad Hospital North, Room 1109 3:30 p.m.-5 p.m. ministration violated laws bar election can be held" under pres Hospital South, 6:30 a.m.-9 a.m. -
A Study of the Demand for Information Technology Professionals in Selected Internet Job Portals
Journal of Information Systems Education, Vol 13(1) A Study of the Demand for Information Technology Professionals in Selected Internet Job Portals Kai S. Koong Lai C. Liu Computer Information Systems Southern University at New Orleans New Orleans, Louisiana 70126, USA Xia Liu FYI.Net, Incorporated Houston, Texas 77027, USA ABSTRACT The demand for information technology (IT) professionals has grown rapidly in the last decade. Parallel to this increasing need for IT personnel is the continuous change in the type of skills that are brought about by innovations in cutting edge technologies. However, the type of new IT skills and knowledge needed to keep companies competitive in the global market extend beyond the ability to apply the updated hardware and software to make business processes more efficient. Communication excellence and managerial expertise are just two of the other more commonly needed skills demanded by employers. This study identifies and classifies information technology related job listings that are disclosed in the databases of two leading e-recruiting services. Two secondary variables, written and oral communica- tions and experience, were also collected and examined in this study. The results of this research should be of interest to job seekers, human resources administrators, career counselors, corporate trainers, information systems consultants, labor attorneys, immigration and naturalization officers, and agency recruiters. Educators will find the outcomes of this study useful for the design and development of new curricula that can prepare students for the job market. Stu- dents will find this study particularly helpful since the trends identified in this research can have important implications for them in their selection of elective courses and in choosing a track for specialization. -
Videoclip Del Rock Latino : Memoria Y Transnacionalidad
Diálogos Latinoamericanos Videoclip del Rock Latino : memoria Y transnacionalidad Amanda Rueda1 Una de las múltiples maneras de acercarnos a la discusión sobre la identidad, particularmente en América Latina, es a través de marcas, de símbolos o de imágenes presentes en diversos textos y objetos culturales. Estos objetos se renuevan permanentemente no sólo con el desarrollo de dispositivos de la comunicación como la televisión, sino también con la emergencia de nuevos productos culturales como el rock y sus videoclips, por ejemplo. El interés por el videoclip del rock latino aparece mirando MTV latino y dandonos cuenta que algunos de estos videoclips proponen una mirada bastante singular del territorio de origen : México, Argentina, Colombia, las grandes ciudades de estos países, y América Latina en general. Estas referencias aparecen no sólo en las letras y en la música (mezcla de músicas populares tradicionales y ritmos modernos del rock), sino también en las imágenes. Leyendo « La Colonización de lo Imaginario »2 de Sergio Gruzinsky, donde el autor describe las operaciones de resistencia presentes en las imágenes producidas por los indígenas mexicanos durante el proceso de integración de los elementos plásticos de la pintura del Renacimiento a sus modos de representación, nos preguntamos si este tipo de operaciones estéticas se encuentran en los objetos visuales contemporáneos, específicamente en el videoclip del rock latino ? Esta pregunta supone la existencia de un orden o modelo visual dominante frente al cual el videoclip, en tanto -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
Complete Band and Panel Listings Inside!
THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple. -
Distributing Liability: the Legal and Political Battles of Y2K LSE Research Online URL for This Paper: Version: Accepted Version
Distributing liability: the legal and political battles of Y2K LSE Research Online URL for this paper: http://eprints.lse.ac.uk/103330/ Version: Accepted Version Article: Mulvin, Dylan (2020) Distributing liability: the legal and political battles of Y2K. IEEE Annals of the History of Computing. ISSN 1058-6180 Reuse Items deposited in LSE Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the LSE Research Online record for the item. [email protected] https://eprints.lse.ac.uk/ Distributing Liability The legal and political battles of Y2K Dylan Mulvin* • Dylan Mulvin is an Assistant Professor in the Department of Media and Communications at the London School of Economics and Political Science – London, UK WC2A 2AE. E-mail: [email protected]. Abstract In 1999 the United States Congress passed the Y2K Act, a major—but temporary— effort at reshaping American tort law. The Act strictly limited the scope and applicability of lawsuits related to liability for the Year 2000 Problem. This paper excavates the process that led to the Act, including its unlikely signature by President Clinton. The history presented here is based on a reconsideration of the Y2K crisis as a major episode in the history of computing. The Act, and the Y2K crisis more broadly, expose the complex interconnections of software, code, and law at the end of the 20th century, and, taken seriously, argue for the appreciation of the role of liability in the history of technology. -
Variations #6
Curatorial > VARIATIONS VARIATIONS #6 With this section, RWM continues a line of programmes devoted to exploring the complex map of sound art from The Library different points of view organised in curatorial series. We encounter the establishment of sound libraries, collections explicitly curated 'Variation' is the formal term for a musical composition based for further use: sound objects presented as authorless, unfinished ingredients. on a previous musical work, and many of those traditional Though some libraries contain newly commissioned generic sounds, specifically methods (changing the key, meter, rhythm, harmonies or designed for maximum flexibility, the most widely used sounds are often sourced tempi of a piece) are used in much the same manner today from commercial recordings, freed from their original context to propagate across by sampling musicians. But the practice of sampling is more dozens to hundreds of songs. From presets for digital samplers to data CD-ROMs than a simple modernization or expansion of the number of to hip-hop battle records, sounds increasingly detach from their sources, used options available to those who seek their inspiration in the less as references to any original moment, and more as objects in a continuous refinement of previous composition. The history of this music public domain. traces nearly as far back as the advent of recording, and its As hip-hop undergoes a conservative retrenchment in the wake of the early emergence and development mirrors the increasingly self- nineties sampling lawsuits, a widening variety of composers and groups expand conscious relationship of society to its experience of music. the practice of appropriative audio collage as a formal discipline. -
Perspectives on New Wave Cumbia | Norient.Com 7 Oct 2021 06:12:57
Perspectives on New Wave Cumbia | norient.com 7 Oct 2021 06:12:57 Perspectives on New Wave Cumbia by Moses Iten Since the beginning of the 21st century «new wave cumbia» has been growing as an independent club culture simultaneously in several parts of the world. Innovative producers have reinvented the dance music-style cumbia and thus produced countless new subgenres. The common ground: they mix traditional Latin American cumbia-rhythms with rough electronic sounds. An insider perspective on a rapid evolution. From the Norient book Out of the Absurdity of Life (see and order here). https://norient.com/stories/new-wave-cumbia Page 1 of 15 Perspectives on New Wave Cumbia | norient.com 7 Oct 2021 06:12:58 Dreams are made of being at the right place at the right time and in early June 2007 I happened to arrive in Tijuana, Mexico. Tijuana had been proclaimed a new cultural Mecca by the US magazine Newsweek, largely due to the output of a group of artists called Nortec Collective and inadvertently spawned a new scene – a movement – called nor-tec (Mexican norteno folk music and techno). In 2001, the release of the compilation album Nortec Collective: The Tijuana Sessions Vol.1 (Palm Pictures) catapulted Tijuana from its reputation of being a sleazy, drug-crime infested Mexico/US border town to the frontline of hipness. Instantly it was hailed as a laboratory for artists exploring the clash of worlds: haves and have-nots, consumption and its leftovers, South meeting North, developed vs. underdeveloped nations, technology vs. folklore. After having hosted some of the first parties in Australia featuring members of the Nortec Collective back in 2005 and 2006, the connection was made. -
Folk Music Society Newsletter
Folk Music Society of New York, Inc. May, 2018 vol. 53 No. 5 May Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club; Woodside, 8pm 2 Wed Folk Open Sing; 7pm in Brooklyn 6 Sun Trip Henderson, Tin & Bone; 4pm, Good Coffee House, 11 Fri Soldier's Fancy, 7:30pm at HINY, 891 Amsterdam Ave, 13 Sun Upper West Side Song Swap at HINY; 58pm 14 Mon FMSNY Board of Directors Meeting; loc. tba, see p. 7 20 Sun Shanty Sing on Staten Island, 25 pm 23 Wed Sunnyside Singers Club; performer Russ Chandler, 8pm 2528 Spring Folk Music Weekend at Hudson Valley Resort and Spa, Kerhonkson, NY; see flier in centerfold 26 Sa Hilary Hawke & Christian Apuzzo; New World Folk Club, 46pm at the Scratcher Bar 31 Th Newsletter Mailing, 7pm in Jackson Heights, Queens June Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, 8pm 6 Wed Folk Open Sing; 7pm in Brooklyn tba Sun ; 4pm, Good Coffee House, Brooklyn 10 Sun Upper West Side Song Swap 11 Mon FMSNY Board of Directors Meeting; 7:15pm; see p. 7 17 Sun Shanty Sing; Snug Harbor, Staten Island, 25pm 20 Wed Sunnyside Singers Club; perf. Jeremy Aaron, 8pm 30 Sa TBA; New World Folk Club, 46pm at the Scratcher Bar Details on pages 23; table of contents page 5 Spring Weekend, May 25-28 Hudson Valley Resort & Spa see flyer in centerfold or register online at: http://springweekend.eventbrite.com 1 Irish Traditional Music Session: every Monday, 8-11pm Tenor banjo, harmonica and fiddle player Don Meade and friends get together every Monday night for an Irish traditional music session in the back room of this historic Hell’s Kitchen bar/restaurant. -
Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes. -
The Year 2000 Problem
Journal of International Information Management Volume 8 Issue 1 Article 9 1999 The year 2000 problem Marshal Whatley California State University, San Bernardino Follow this and additional works at: https://scholarworks.lib.csusb.edu/jiim Part of the Management Information Systems Commons Recommended Citation Whatley, Marshal (1999) "The year 2000 problem," Journal of International Information Management: Vol. 8 : Iss. 1 , Article 9. Available at: https://scholarworks.lib.csusb.edu/jiim/vol8/iss1/9 This Article is brought to you for free and open access by CSUSB ScholarWorks. It has been accepted for inclusion in Journal of International Information Management by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. Whatley: The year 2000 problem The Year 2000 Problem Journal of International Infonnatioii^lanageme^ The year 2000 problem Marshal Whatley California State University, San Bernardino ABSTRACT The purpose of this article is to discuss the root causes of the Year 200 Problem, the effects of the problem and how a systematic approach can be used to solve this problem. INTRODUCTION The Year 2000 Problem (Y2K), also known as the 'millennium bug,' may well be one of the largest problems facing organizations as they enter the 21st century. Computers are an integral component of an organization, organically of equal importance as financial resources and human resources. An organization's information system is the base on which all strategic and informa tional processes are developed, defined, and redefined. Therefore, the Y2K problem is not just a computer problem, it is a systemic business problem. A systemic approach will be needed to solve this problem. -
Dig! Discussion Guide
www.influencefilmclub.com Dig! Discussion Guide Director: Ondi Timoner Year: 2004 Time: 107 min You might know this director from: Cool It (2010) We Live In Public (2009) Join Us (2007) FILM SUMMARY In 1995, filmmaker Ondi Timoner set out to film 10 bands on the verge of being signed by major record labels in order to analyze the relationship between art and commerce. Anton Newcombe of The Brian Jonestown Massacre was included in that mosh-pit of musicians. He also suggested his friends, The Dandy Warhols, and the rest became music history. DIG! follows the bands over the course of 7 years as they traverse the turbulent music industry. Courtney Taylor- Taylor and his band, The Dandy Warhols, are filmed as they record albums, sign a major label deal with Capitol Records, make extravagant music videos, travel the wide world, and party with the hip and famous. Anton Newcombe and his band, The Brian Jonestown Massacre, are also filmed as they record albums, reject labels and listeners, and become more known for their raucous infighting and drug abuse than for their music. Pure rock ‘n’ roll viewing, the film is a well-rounded examination of a particular time in popular culture. The choices of modern-day musicians play out over the course of time. Hell-bent to create uncensored music untouched by the corporate machine, Newcombe demonstrates the hard-toiled consequences of his decisions. Taylor-Taylor and band members, on the other hand, rise from strength to strength and luxury to luxury. DIG! proves that like oil and water, money and music just do not mix for some musicians.