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AN UNEASY CONTRADICTION Surveying the Career of Edward Burtynsky by CAROL M CCUSKER
PANORAMIC AN UNEASY CONTRADICTION Surveying the career of Edward Burtynsky BY CAROL M CCUSKER OIL FIELDS #19 (DIPTYCH), BELRIDGE, CALIFORNIA, USA—2003 Our dependence on nature to provide the materials for our con - quarries, and uranium tailings. More recently, he has pho - This photographic trajectory, from the subtle to the shocking, says the photographer. “We are drawn by desire, a chance at sumption, and our concern for the health of our planet sets us into tographed landscapes we couldn’t imagine without his camera: is in sync with growing public awareness of critical land-use issues. good living, yet…the world is suffering for our success.” an uneasy contradiction. — Edward Burtynsky China’s relocation of millions of citizens to make way for the You could say that Ed Burtynsky and his audience have grown up Three Gorges Dam, E-waste recycling, tire dumps, and ship- together in mutual ecological consciousness, with the photogra - sing color film, a large format camera, positioning himself rom the mid-1980s to the present, photographer Edward breaking. For two decades, Burtynsky’s environmentally con - pher acting like Dickens’s “Ghost of Christmas Future,” revealing above his subject, often printing to a painterly size of 50x60 Burtynsky has made beautiful images of landscapes we’d scious photographs have grown from picturing quiet, seemingly the malevolent fruits of our collective consumption. “Between Uinches, with an eye for compositional beauty amid the Frather not see. He photographs sites that are essential to benign hillsides with houses and dogs to the flagrantly poi - attraction and repulsion, seduction and fear…these images are ruins, his photographs form a detailed archive of the present that our worldwide energy consumption: open-pit mines, refineries, sonous, in the red river tailings of Sudbury, Ontario. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Course Syllabus
HCOL 185: SU: Sustainability: A Cultural History MWF 2:20-3:10; F 3:30-4:20 * University Heights North, The University of Vermont, Fall 2018; Instructor: Professor M. D. Usher; Office: Department of Classics, 481 Main Street, Room 303;Contact: 656-4431; home: 897-2822; e-mail: [email protected] Course Description: “What’s in a name? that which we call a rose By any other name would smell as sweet.” —Romeo and Juliet Act II, Scene II “Look unto the rock whence ye were hewn, And to the hole of the pit whence ye were digged.” —Isaiah 51:1 Proponents of sustainability tend to present their ideas and prescriptions as new and innovative and argue that sustainable living is a defining concern of our time. Sustainable living is indeed an urgent, pressing issue for today’s world, but students in this course will learn that many of the fundamental tenets of the modern sustainability movement are also hallmarks of ancient Greek culture and thought. This course, a foray into the genealogy of ideas, traces the trajectory of modern notions of ecological and socio-economic sustainability back through time. Through selected readings spanning over two thousand years, students will see old ideas and precepts cropping up again and again over the course of history, up to and including the present day. They will grapple with conceptual and philosophical aspects of sustainability and with sustainable living itself (and the inevitable trade-offs and contradictions therein) experientially via a field trip to the small, diversified farm my wife and I built from scratch as an experiment in sustainable living, where we raise sheep, tend a large garden, and manage a maple sugarbush. -
SMM Initial Report
INITIAL CONFERENCE REPORT AND ACTION PLAN JANUARY 2011 RINA FRATICELLI, EXECUTIVE DIRECTOR, WOMEN IN VIEW Executive Summary From October 14-16, 2010, international media leaders, theorists/scholars and stakeholders met in Vancouver to address cultural, industrial and economic opportunities and challenges facing women working in film, video, television, digital media and ICT (information, communica- tions and technology). Informed by more than a decade of research, the shift to a new digital paradigm and by current economic realities, SEXMONEYMEDIA was created to address the persistently marginal participation of women in media generally, and in leadership roles in par- ticular. The conference was prompted by two labour studies that were commissioned by the BC Insti- tute for Film Professionals with the support of Service Canada. (Appendix 1) These described how far the impressive gains of the 1970's and 1980's had begun to erode. Other research in Canada and elsewhere – by Realisatrices Equitables, Quebec’s association of female direc- tors; the Geena Davis Institute on Gender in Media, the annual Celluloid Ceiling Reports, and the Lehman Centre for Women In Business at the London School of Business to name just a few – drew similar pictures of women’s presence and absence in our ever more dominant me- dia landscape. (Appendix 2) The gathering quickly focused on two core questions: why do the stellar achievements of indi- vidual women in media today stand in such stark contrast to their statistical presence, particu- larly in leadership positions? How might this pattern give way to a more diverse, culturally rele- vant and globally relevant media landscape? Media arts and industries are powerful economic and cultural engines representing a substan- tial and growing part of the economy; yet lack of diversity in this sector undermines its integrity. -
Films for Change Educator's Guide
Films for Change A pedagogical template for sustainability education (CEL) Films for Change 2 Lynn Butler-Kisber McGill University Centre for Educational Leadership (CEL) Tey Cottingham National Film Board of Canada (NFB) Mary Stewart Leading English Education and Resource Network (LEARN) Researcher and writer Danielle Delhaes A.D. Naturalists Inc. Graphic artist Maryse Boutin Turbinegraphique.ca Cover illustration Marie-Claude Serra MCSdesign.net Copy editor David Mitchell DMitchell.ca McGill University (CEL), LEARN and the NFB acknowledge and thank the following teachers McGill University (CEL), LEARN and the NFB are not responsible for their input and valuable expertise in piloting for the availability or content of any third party Web sites that are accessible through <learnquebec.ca> and/or <nfb.ca>. Any the Films for Change pedagogical template: links to third party Web sites from <learnquebec.ca> and/or <nfb.ca> do not constitute an endorsement of that site by Danielle Couture, Riverside School Board McGill University (CEL), LEARN or the NFB. Pierre Doyon, Lester B. Pearson School Board © McGill University Centre for Educational Leadership (CEL), Leading English Education and Resource Network (LEARN) and National Film Board of Canada (NFB) 2009 ISBN 1-897341-33-4 (CEL) Films for Change 3 Table of Contents 4 — Introduction 5 — Learning outcomes of Films for Change are compatible with curricula across Canada 8 — Films for Change in the classroom 8 — 1. Before viewing the film 11 — 2. Activities 12 — * Focus on the Film 16 — * Making -
Conference Programme
W E VI WOMEN IN Conference Programme WWW.SEXMONEYMEDIA.COM SEXMONEYMEDIA is produced by Women in View: A national collaboration of women working in the Canadian media industry. Phone: 778-782-7978 | [email protected] | www.womeninview.ca B:22.5” T:22” S:21.5” B:28.5” S: T:28” 2 7 Give 3 times more with Shaw. For every pound .5” of food donated, Shaw and Campbell’s will match. Ad Number: SHW_BRA_P03365_STANDARD_4 Publication(s): RetailPoster This proof was produced This ad prepared by: SGL Communications for BBDO Toronto s 2 Bloor St. West, Toronto, Ontario s phone 416.413.7495 s fax 416.944.7883 by the following department: File Location: SGL_N-Z:Volumes:SGL_N-Z:Shaw_SSH COR:SHAW BRAND:P03370-TIA RetailPosters:SHW_BRA_P03365_STANDARD_4 PREPRESS JOB SPECIFICS FILE SPECIFICATIONS: PREMEDIA OPERATOR: FONTS & PLACED IMAGES SIGNOFFS: Client: Shaw File Name: Operator: Gordon Clarke Family Style OCT 14-16, 2010Creative: CreativeSEX Name: TIA Retail PostersMONEYSHW_BRA_P03365_STANMEDIADARD_4 INKS: Times Roman Agency Docket #: SHW BRA P03370 Creation Date: 9-14-2010 9:55 AM Trade Gothic Bold Condensed No. 20 Main Docket #: SSH COR P03370 Last Modified: 9-15-2010 3:41 PM Cyan Production: Art Director: None Workstation: T06-0210 MAGENTA File Name Colour Space Eff. Res (PPI) Copy Writer: None InDesign Version: CS3 YELLOW Shaw.FoodBank.1REVart.ai Premedia: Print Production: Andrea Nacinovich App. Version: 5.0.4 ShawLogo.eps BLACK Retoucher: None Round #: 3 Page Count: 1 Shaw_TIA_url_295_Pro.eps Proofreading: Live: 21.5” x 27.5” GRAPHIC PRODUCTION: OnePersonDonating.eps Trim: 22” x 28” Operator: jr Shaw.FoodBank.CharactersREVart.ai Account: Bleed: 22.5” x 28.5” Correction: None Artwork Scale: 1:1 Client: R6 Print Scale: None Welcome to SEXMONEYMEDIA It is a great pleasure to welcome each of you to SEXMONEYMEDIA. -
Artistic and Scholarly Approaches to Engineered Environments
Global Environment 10 (2017): 4–20 © 2017 The White Horse Press. doi: 10.3197/ge.2017.100101 introduction Manufacturing landscapes: Artistic and scholarly approaches to engineered environments Helmuth Trischler ost scholars working in the field of environmental humanities in general and of environmental history in par- ticular agree in understanding large parts of nature as altered by humans. The landscapes that we are faced with today are culturally constructed envi- ronments, most often industrialised landscapes, shaped by human interventions in one way or the other over thousands of years. Scientists, who are trained to define human introduction interventionsM into nature in a more rigorous way, have assessed that less than a mere one-quarter of the Earth’s ice-free land masses is still in a more-or-less ‘natural’ state, i.e., largely untouched by human activities. Hence, landscapes are human made, they are manufactured. In his works, the renowned Canadian photographer and filmmak- er Edward Burtynsky* has used the lens of his camera to reveal a nature altered by humans. Burtynsky’s large-scale photographs of ‘manufactured landscapes’ depict mines and quarries, oil fields and salt pans, factories and shipbreaking yards, railcuts and dams, ir- rigation schemes and aquacultures, homesteads and urban centres, agricultural fields and river deltas. His connected series of pictures are deeply rooted in the photography tradition of the nineteenth and twentieth centuries in which the industrial landscape reflects the aesthetics of the sublime; at the same time, he has ‘vigorously refo- * Photographs © Edward Burtynsky, Courtesy Galerie Springer Berlin / Nich- olas Metiver Gallery, Toronto. Figure 1. -
POUILLON Chef /Owner of America’S First Certified-Organic Restaurant
FALL 2019 2019 GR ANDE DA ME POUILLON Chef /Owner of America’s First Certified-Organic Restaurant ALSO INSIDE ... GREAT FUNDRAISING EVENTS FROM BRITISH COLUMBIA, CLEVELAND AND ST. LOUIS HOW GRANDE DAMES STAY RELEVANT OVER THE YEARS GREEN TABLES EVENTS FROM COLORADO, KENTUCKY AND NASHVILLE LDEI BOARD MEETS IN NEW ORLEANS Philadelphia's Deputy City Repesentative Margaret Hughes presented the Mayor’s Citation to Natanya DiBona (current president) and Claire Boasi (first president) in honor of the Philadelphia Chapter's 35th anniversary (see page 7). Laura Rodriguez prepares reception food at Bear Creek Farm for Nashville's Tour de Farm Green Tables fundraiser (see page 13). At Seattle Chapter's GCI event (see page 30), Jane Morimoto and Judy Lew stand between students at the Seattle Culinary Academy. FROM THE EDITOR If We Can Put a Man on the Moon… FALL 2 O19 I’m showing my age when I say that my eldest son Robert just celebrated his 50th birthday. In fact, he was three months old when Neil Armstrong and Buzz Aldrin took men’s first steps on the moon July 20, 1969. I held him in front of the TV so he IN THIS ISSUE could see it. How did we get there? “The astro- FEATURES nauts flew to the moon aided by a computer that had 73 kilobytes of memory. Today, a single email of 4 Nora Pouillon the day’s headlines from your local Grande Dame 2019 newspaper might require twice that space.” –One Giant Leap by 7 Philadelphia Chapter Celebrates Charles Fishman. You could put the memory of 876,712 Apollo Its 35th Anniversary 11 computers into one of today’s minimum-storage iPhones. -
Reference Guide This List Is for Your Reference Only
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA ACT OF THE HEART BLACKBIRD 1970 / Director-Writer: Paul Almond / 103 min / 2012 / Director-Writer: Jason Buxton / 103 min / English / PG English / 14A A deeply religious woman’s piety is tested when a Sean (Connor Jessup), a socially isolated and bullied teenage charismatic Augustinian monk becomes the guest conductor goth, is falsely accused of plotting a school shooting and in her church choir. Starring Geneviève Bujold and Donald struggles against a justice system that is stacked against him. Sutherland. BLACK COP ADORATION ADORATION 2017 / Director-Writer: Cory Bowles / 91 min / English / 14A 2008 / Director-Writer: Atom Egoyan / 100 min / English / 14A A black police officer is pushed to the edge, taking his For his French assignment, a high school student weaves frustrations out on the privileged community he’s sworn to his family history into a news story involving terrorism and protect. The film won 10 awards at film festivals around the invites an Internet audience in on the resulting controversy. world, and the John Dunning Discovery Award at the CSAs. With Scott Speedman, Arsinée Khanjian and Rachel Blanchard. CAST NO SHADOW 2014 / Director: Christian Sparkes / Writer: Joel Thomas ANGELIQUE’S ISLE Hynes / 85 min / English / PG 2018 / Directors: Michelle Derosier (Anishinaabe), Marie- In rural Newfoundland, 13-year-old Jude Traynor (Percy BEEBA BOYS Hélène Cousineau / Writer: James R. -
Past Film Screenings
Inaugural film: Margaret’s Museum, May 1996 Season 1 1996/1997 Season 5 2000/2001 Antonia’s Line, Sept 1996 East is East, Sept 2000 Lone Star, Oct 1996 New Waterford Girl, Oct 2000 Long Day’s Journey into Night, Nov 1996 Saving Grace, Nov 2000 Big Night, Dec 1996 Stardom, Nov 2000 Celestial Clockwork, Jan 1997 Waydowntown, Jan 2001 Secrets and Lies, Feb 1997 Chocolat, Feb 2001 Breaking the Waves, Mar 1997 Goya in Bordeaux, Mar 2001 Hotel de Love, Apr 1997 Crouching Tiger, Hidden Dragon, Apr 2001 Waiting for Guffman, May 1997 The Widow of St. Pierre, Apr 2001 Season 2 1997/1998 Season 6 2001/2002 Ulee’s Gold, Sept 1997 The Dish, Sept 2001 When The Cat’s Away, Oct 1997 The Closet, October 2001 Fire, Nov 1997 The Golden Bowl, Nov 2001 Shall We Dance, Dec 1997 The Uncles, Nov 2001 The Hanging Garden, Jan 1998 Innocence, Jan 2002 The Sweet Hereafter, Feb 1998 The War Bride, Feb 2002 The Full Monty, Mar 1998 Kandahar, Mar 2002 Ice Storm, Apr 1998 Amelie, Apr 2002 Mrs. Dalloway, May 1998 Bread and Tulips, Apr 2002 Season 3 1998/1999 Gala Opening of the new Galaxy, July 2002 The Governess, Sept 1998 Amelie Smoke Signals, Oct 1998 The Importance of being Earnest Last Night, Nov 1998 Iris The Red Violin, Dec 1998 Atanarjuat Jerry and Tom, Jan 1999 Men in Black II Life is Beautiful, Feb 1999 Elizabeth, Mar 1999 Season 7 2002/2003 Nõ, Apr 1999 Atanarjuat, Sept 2002 Little Voice, May 1999 Baran, Oct 2002 Bollywood/Hollywood, Nov 2002 Season 4 1999/2000 Nuit de Noces, Dec 2002 This Is My Father, Sept 1999 Mostly Martha, Jan 2003 Besieged, Oct 1999 8 Femmes, Jan 2003 Earth, Nov 1999 Rabbit Proof Fence, Mar 2003 Felicia's Journey, Jan 2000 The Pianist, Apr 2003 Happy, Texas, Feb 2000 The Russian Ark, May 2003 XIU-XIU: The Sent Down Girl, Mar 2000 All About My Mother, Apr 2000 Straight Story, Apr 2000 Owen Sound’s Reel Festival 1, Feb 2003 Season 10 2005/2006 Marion Bridge Ladies in Lavender, Sept 2005 Bowling for Columbine Sabah, Oct 2005 Frida Brothers, Oct 2005 Standing in the Shadows of Motown Mad Hot Ballroom, Nov 2005 Far from Heaven Water, Jan 2006 Mrs. -
Tom Thomson Art Gallery Movie Series
Inaugural film: Margaret’s Museum, May 1996 Season 1 1996/1997 Season 5 2000/2001 Antonia’s Line, Sept 1996 East is East, Sept 2000 Lone Star, Oct 1996 New Waterford Girl, Oct 2000 Long Day’s Journey into Night, Nov 1996 Saving Grace, Nov 2000 Big Night, Dec 1996 Stardom, Nov 2000 Celestial Clockwork, Jan 1997 Waydowntown, Jan 2001 Secrets and Lies, Feb 1997 Chocolat, Feb 2001 Breaking the Waves, Mar 1997 Goya in Bordeaux, Mar 2001 Hotel de Love, Apr 1997 Crouching Tiger, Hidden Dragon, Apr 2001 Waiting for Guffman, May 1997 The Widow of St. Pierre, Apr 2001 Season 2 1997/1998 Season 6 2001/2002 Ulee’s Gold, Sept 1997 The Dish, Sept 2001 When The Cat’s Away, Oct 1997 The Closet, October 2001 Fire, Nov 1997 The Golden Bowl, Nov 2001 Shall We Dance, Dec 1997 The Uncles, Nov 2001 The Hanging Garden, Jan 1998 Innocence, Jan 2002 The Sweet Hereafter, Feb 1998 The War Bride, Feb 2002 The Full Monty, Mar 1998 Kandahar, Mar 2002 Ice Storm, Apr 1998 Amelie, Apr 2002 Mrs. Dalloway, May 1998 Bread and Tulips, Apr 2002 Season 3 1998/1999 Gala Opening of the new Galaxy, July 2002 The Governess, Sept 1998 Amelie Smoke Signals, Oct 1998 The Importance of being Earnest Last Night, Nov 1998 Iris The Red Violin, Dec 1998 Atanarjuat Jerry and Tom, Jan 1999 Men in Black II Life is Beautiful, Feb 1999 Elizabeth, Mar 1999 Season 7 2002/2003 Nõ, Apr 1999 Atanarjuat, Sept 2002 Little Voice, May 1999 Baran, Oct 2002 Bollywood/Hollywood, Nov 2002 Season 4 1999/2000 Nuit de Noces, Dec 2002 This Is My Father, Sept 1999 Mostly Martha, Jan 2003 Besieged, Oct 1999 8 Femmes, Jan 2003 Earth, Nov 1999 Rabbit Proof Fence, Mar 2003 Felicia's Journey, Jan 2000 The Pianist, Apr 2003 Happy, Texas, Feb 2000 The Russian Ark, May 2003 XIU-XIU: The Sent Down Girl, Mar 2000 All About My Mother, Apr 2000 Straight Story, Apr 2000 Owen Sound’s Reel Festival 1, Feb 2003 Season 10 2005/2006 Marion Bridge Ladies in Lavender, Sept 2005 Bowling for Columbine Sabah, Oct 2005 Frida Brothers, Oct 2005 Standing in the Shadows of Motown Mad Hot Ballroom, Nov 2005 Far from Heaven Water, Jan 2006 Mrs.