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International Institute of the Year – 2016
HIGHER DECEMBER 09 - 2016 THEHIGHEREDUCATIONREVIEW.COM International Institute of the Year – 2016 tudying abroad is no more a distant dream. Earlier, if Thousands of Indian students are studying abroad and with it was an extraordinary achievement, now with the every passing year, the number seems to be increasing. According growing time, it has become the vital ingredient of to surveys conducted USA, UK, Australia and New Zealand have career progression. Hence, now there is a rapid increase been the four most popular destinations for students going abroad Sin the number of students going abroad. With this, students and the recently released study shows that of the 360,000 Indian learn new cultures and get to integrate with the new societies. students studying overseas. Most Universities offer study options Getting used to a foreign culture will develop you overall as that are research informed and highly relevant to current industry an individual, as you understand how different people across expectations and standards. The Universities also have connections the globe view the world in different ways. Studies provide with the industries, which helps the students in finding employment an exposure to a new culture and lifestyle and it is one of the at the right time and even helps in providing internships during events that significantly leave a footprint in each person's life. studies for an added experience as well. However, in this highly The improvement of communication and transportation has globalized world, we cannot expect a world-class education from made such an experience much easier than it used to be in the any random degrees at abroad. -
AN UNEASY CONTRADICTION Surveying the Career of Edward Burtynsky by CAROL M CCUSKER
PANORAMIC AN UNEASY CONTRADICTION Surveying the career of Edward Burtynsky BY CAROL M CCUSKER OIL FIELDS #19 (DIPTYCH), BELRIDGE, CALIFORNIA, USA—2003 Our dependence on nature to provide the materials for our con - quarries, and uranium tailings. More recently, he has pho - This photographic trajectory, from the subtle to the shocking, says the photographer. “We are drawn by desire, a chance at sumption, and our concern for the health of our planet sets us into tographed landscapes we couldn’t imagine without his camera: is in sync with growing public awareness of critical land-use issues. good living, yet…the world is suffering for our success.” an uneasy contradiction. — Edward Burtynsky China’s relocation of millions of citizens to make way for the You could say that Ed Burtynsky and his audience have grown up Three Gorges Dam, E-waste recycling, tire dumps, and ship- together in mutual ecological consciousness, with the photogra - sing color film, a large format camera, positioning himself rom the mid-1980s to the present, photographer Edward breaking. For two decades, Burtynsky’s environmentally con - pher acting like Dickens’s “Ghost of Christmas Future,” revealing above his subject, often printing to a painterly size of 50x60 Burtynsky has made beautiful images of landscapes we’d scious photographs have grown from picturing quiet, seemingly the malevolent fruits of our collective consumption. “Between Uinches, with an eye for compositional beauty amid the Frather not see. He photographs sites that are essential to benign hillsides with houses and dogs to the flagrantly poi - attraction and repulsion, seduction and fear…these images are ruins, his photographs form a detailed archive of the present that our worldwide energy consumption: open-pit mines, refineries, sonous, in the red river tailings of Sudbury, Ontario. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Welcome to Vancouver
View from Dunsmuir Campus (Photo by Janine Armstrong) Welcome to Vancouver Vancouver lies in a region of more than 2 million people which makes it the largest city in the province of British Columbia and is currently the third largest city in Canada. Vancouver is framed by ocean on three sides and nestled inside white peaked Coastal Range mountains that rise behind the city to more than 1,500 m. Vancouver has one of the mildest climates in Canada where temperatures average 3 C in January and 18 C in July. It does rain quite a bit in Vancouver in winter, but this also adds to the high quality skiing in the surrounding mountains, some as close as a 20 minute drive from downtown. Vancouver is a playground for children and adults alike. Indulge in the award-winning restaurants and eater- ies. Stroll down the streets of one of the many trendy fashionable clothing areas of the city. Visit some of the best antique stores, museums, art galleries and theatres in the world. Some of Vancouver's most popular destinations are its public parks like the world famous Stanley Park, sandy beaches like Kitsilano beach, and natural splendours like grouse mountain or Capilano Suspension Bridge, that are easily accessible from Vancouver. Vancouver BC Climate Vancouver is fortunate to be located nestled between the Coastal Mountains and the Pacific Ocean. Since the normally harsh Canadian winters often include sub-zero temperatures in both celcius and farentheight, Vancouver has the distinction of being the largest Canadian city without having to suffer the injustices of a freezing cold winter. -
William B. Davis-Where There's Smoke
3/695 WHERE THERE’S SMOKE . Musings of a Cigarette Smoking Man A Memoir by WILLIAM B. DAVIS ECW Press Copyright © William B. Davis, 2011 Published by ECW Press 2120 Queen Street East, Suite 200, Toronto, Ontario, Canada M4E 1E2 416-694-3348 / [email protected] All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmit- ted in any form by any process — electronic, mechanical, photocopying, recording, or otherwise — without the prior written permission of the copyright owners and ECW Press. The scanning, uploading, and distribu- tion of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or en- courage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. Library and Archives Canada Cataloguing in Publication Davis, William B., 1938– Where there’s smoke : musings of a cigarette smoking man : a memoir / William B. Davis. ISBN 978-1-77041-052-7 Also issued as: 978-1-77090-047-9 (pdf); 978-1-77090-046-2 (epub) 1. Davis, William B., 1938-. 2. Actors—United States—Biography. 3. Actors—Canada—Biography. i. Title. PN2287.D323A3 2011 791.4302’8092 C2011-902825-5 Editor: Jennifer Hale 6/695 Cover, text design, and photo section: Tania Craan Cover photo: © Fox Broadcasting/Photofest Photo insert: page 6: photo by Kevin Clark; page 7 (bottom): © Fox Broadcasting/Photofest; page 8: © Fox Broadcasting (Photographer: Carin Baer)/Photofest. All other images courtesy William B. -
Course Syllabus
HCOL 185: SU: Sustainability: A Cultural History MWF 2:20-3:10; F 3:30-4:20 * University Heights North, The University of Vermont, Fall 2018; Instructor: Professor M. D. Usher; Office: Department of Classics, 481 Main Street, Room 303;Contact: 656-4431; home: 897-2822; e-mail: [email protected] Course Description: “What’s in a name? that which we call a rose By any other name would smell as sweet.” —Romeo and Juliet Act II, Scene II “Look unto the rock whence ye were hewn, And to the hole of the pit whence ye were digged.” —Isaiah 51:1 Proponents of sustainability tend to present their ideas and prescriptions as new and innovative and argue that sustainable living is a defining concern of our time. Sustainable living is indeed an urgent, pressing issue for today’s world, but students in this course will learn that many of the fundamental tenets of the modern sustainability movement are also hallmarks of ancient Greek culture and thought. This course, a foray into the genealogy of ideas, traces the trajectory of modern notions of ecological and socio-economic sustainability back through time. Through selected readings spanning over two thousand years, students will see old ideas and precepts cropping up again and again over the course of history, up to and including the present day. They will grapple with conceptual and philosophical aspects of sustainability and with sustainable living itself (and the inevitable trade-offs and contradictions therein) experientially via a field trip to the small, diversified farm my wife and I built from scratch as an experiment in sustainable living, where we raise sheep, tend a large garden, and manage a maple sugarbush. -
SMM Initial Report
INITIAL CONFERENCE REPORT AND ACTION PLAN JANUARY 2011 RINA FRATICELLI, EXECUTIVE DIRECTOR, WOMEN IN VIEW Executive Summary From October 14-16, 2010, international media leaders, theorists/scholars and stakeholders met in Vancouver to address cultural, industrial and economic opportunities and challenges facing women working in film, video, television, digital media and ICT (information, communica- tions and technology). Informed by more than a decade of research, the shift to a new digital paradigm and by current economic realities, SEXMONEYMEDIA was created to address the persistently marginal participation of women in media generally, and in leadership roles in par- ticular. The conference was prompted by two labour studies that were commissioned by the BC Insti- tute for Film Professionals with the support of Service Canada. (Appendix 1) These described how far the impressive gains of the 1970's and 1980's had begun to erode. Other research in Canada and elsewhere – by Realisatrices Equitables, Quebec’s association of female direc- tors; the Geena Davis Institute on Gender in Media, the annual Celluloid Ceiling Reports, and the Lehman Centre for Women In Business at the London School of Business to name just a few – drew similar pictures of women’s presence and absence in our ever more dominant me- dia landscape. (Appendix 2) The gathering quickly focused on two core questions: why do the stellar achievements of indi- vidual women in media today stand in such stark contrast to their statistical presence, particu- larly in leadership positions? How might this pattern give way to a more diverse, culturally rele- vant and globally relevant media landscape? Media arts and industries are powerful economic and cultural engines representing a substan- tial and growing part of the economy; yet lack of diversity in this sector undermines its integrity. -
Films for Change Educator's Guide
Films for Change A pedagogical template for sustainability education (CEL) Films for Change 2 Lynn Butler-Kisber McGill University Centre for Educational Leadership (CEL) Tey Cottingham National Film Board of Canada (NFB) Mary Stewart Leading English Education and Resource Network (LEARN) Researcher and writer Danielle Delhaes A.D. Naturalists Inc. Graphic artist Maryse Boutin Turbinegraphique.ca Cover illustration Marie-Claude Serra MCSdesign.net Copy editor David Mitchell DMitchell.ca McGill University (CEL), LEARN and the NFB acknowledge and thank the following teachers McGill University (CEL), LEARN and the NFB are not responsible for their input and valuable expertise in piloting for the availability or content of any third party Web sites that are accessible through <learnquebec.ca> and/or <nfb.ca>. Any the Films for Change pedagogical template: links to third party Web sites from <learnquebec.ca> and/or <nfb.ca> do not constitute an endorsement of that site by Danielle Couture, Riverside School Board McGill University (CEL), LEARN or the NFB. Pierre Doyon, Lester B. Pearson School Board © McGill University Centre for Educational Leadership (CEL), Leading English Education and Resource Network (LEARN) and National Film Board of Canada (NFB) 2009 ISBN 1-897341-33-4 (CEL) Films for Change 3 Table of Contents 4 — Introduction 5 — Learning outcomes of Films for Change are compatible with curricula across Canada 8 — Films for Change in the classroom 8 — 1. Before viewing the film 11 — 2. Activities 12 — * Focus on the Film 16 — * Making -
GAME CAREER GUIDE July 2016 Breaking in the Easy(Ish) Way!
TOP FREE GAME TOOLS JULY 2016 GAME FROM GAME EXPO TO GAME JOB Indie intro to VR Brought to you by GRADUATE #2 PROGRAM JULY 2016 CONTENTS DEPARTMENTS 4 EDITOR’S NOTE IT'S ALL ABOUT TASTE! 96 FREE TOOLS FREE DEVELOPMENT TOOLS 2016 53 GAME SCHOOL DIRECTORY 104 ARRESTED DEVELOPMENT There are tons of options out there in terms INDIE DREAMIN' of viable game schools, and this list is just the starting point to get you acquainted with the schools near you (or far from you, if that’s what STUDENT POSTMORTEM you prefer!). 32 BEGLITCHED 72 VIRTUALLY DESIGNED NYU Game Center students Alec Thomson and Jennu Jiao Hsia discuss their IGF Award- VR has quickly moved from buzzword, to proto- winning match three game about insecurity type, to viable business. This guide will help you within computers, and within ourselves. get started in VR development, avoiding some common pitfalls. FEATURES 78 SOUNDS GOOD TO ME! 8 BREAKING IN THE EASY(ISH) WAY! Advice for making audio (with or without) How attending expos can land you a job. an audio specialist. 18 ZERO TO HERO Hey! You want to learn low poly modeling but 84 A SELLER’S MARKET don’t know where to start? Look no further! Marketing fundamentals for your first game. With this guide, we hope to provide a good introduction to not only the software, but 90 INTRO TO GAME ENGINES also the concepts and theory at play. A brief discussion of some of the newest and most popular DO YOU NEED A PUBLISHER? 34 game engines. -
Linking Transportation Performance and Accountability
INTERNATIONAL TECHNOLOGY SCANNING PROGRAM Linking Transportation Performance and Accountability AUSTRALIA GREAT BRITAIN NEW ZEALAND SWEDEN Sponsored by In cooperation with American Association of State Highway and Transportation Officials National Cooperative Highway Research Program APRIL 2010 NOTICE The Federal Highway Administration provides high-quality information to serve Government, industry, and the public in a manner that promotes public understanding. Standards and policies are used to ensure and maximize the quality, objectivity, utility, and integrity of its information. FHWA periodically reviews quality issues and adjusts its programs and processes to ensure continuous quality improvement. Technical Report Documentation Page 1. Report No. 2. Government Accession No. 3. Recipient’s Catalog No. FHWA-PL-10-011 4. Title and Subtitle 5. Report Date Linking Transportation Performance and April 2010 Accountability 6. Performing Organization Code 7. Author(s) 8. Performing Organization Report No. Carlos M. Braceras, Robert F. Tally, Jr., Gordon Proctor, Daniela Bremmer, Leon E. Hank, Jane Hayse, Dr. Anthony R. Kane, Dr. Kristine L. Leiphart, James W. March, Steven M. Pickrell, Dr. J. Woody Stanley, Jenne Van der Velde, Connie P. Yew 9. Performing Organization Name and Address 10. Work Unit No. (TRAIS) American Trade Initiatives 11. Contract or Grant No. P.O. Box 8228 Alexandria, VA 22306-8228 DTFH61-99-C-005 12. Sponsoring Agency Name and Address 13. Type of Report and Period Covered Office of International Programs Federal Highway Administration 14. Sponsoring Agency Code U.S. Department of Transportation American Association of State Highway and Transportation Officials 15. Supplementary Notes FHWA COTR: Hana Maier, Office of International Programs 16. Abstract It is becoming essential in the United States for transportation agencies to demonstrate credibility with elected officials and the public. -
Artistic and Scholarly Approaches to Engineered Environments
Global Environment 10 (2017): 4–20 © 2017 The White Horse Press. doi: 10.3197/ge.2017.100101 introduction Manufacturing landscapes: Artistic and scholarly approaches to engineered environments Helmuth Trischler ost scholars working in the field of environmental humanities in general and of environmental history in par- ticular agree in understanding large parts of nature as altered by humans. The landscapes that we are faced with today are culturally constructed envi- ronments, most often industrialised landscapes, shaped by human interventions in one way or the other over thousands of years. Scientists, who are trained to define human introduction interventionsM into nature in a more rigorous way, have assessed that less than a mere one-quarter of the Earth’s ice-free land masses is still in a more-or-less ‘natural’ state, i.e., largely untouched by human activities. Hence, landscapes are human made, they are manufactured. In his works, the renowned Canadian photographer and filmmak- er Edward Burtynsky* has used the lens of his camera to reveal a nature altered by humans. Burtynsky’s large-scale photographs of ‘manufactured landscapes’ depict mines and quarries, oil fields and salt pans, factories and shipbreaking yards, railcuts and dams, ir- rigation schemes and aquacultures, homesteads and urban centres, agricultural fields and river deltas. His connected series of pictures are deeply rooted in the photography tradition of the nineteenth and twentieth centuries in which the industrial landscape reflects the aesthetics of the sublime; at the same time, he has ‘vigorously refo- * Photographs © Edward Burtynsky, Courtesy Galerie Springer Berlin / Nich- olas Metiver Gallery, Toronto. Figure 1.