GAME CAREER GUIDE July 2016 Breaking in the Easy(Ish) Way!
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The Star of a Fantasy RPG Adventure
SPOTLIGHT ON INDIE RPGS NOV./DEC. 2020 THE MAGAZINE FOR PHYSICAL GAME PLAYERS $0.00 or Zeboyd Games’ Robert Boyd, the “RPGs give a lot of bang for your the idea to make each battle self-contained Eldritch Enterprises! appeal of the role-playing genre isn’t buck—at least 20-30 hours, as with no long-term resource management was Zeboyd’s RPG hits! hard to pin down. “As a kid, JRPGs opposed to an action game” inspired by Final Fantasy XIII. Desperation really appealed to me,” he says. “They mode—negative HP—was inspired by Bor- had fun stories and characters mixed “With Cosmic Star Heroine, we were trying derlands. Having cooldowns instead of MP Dragon Fantasy... Fwith strategic gameplay, in an era where to make a spiritual successor to Phantasy was inspired by the Xenoblade games. Items F You Got Your most games had minimal stories and action- Star IV with visuals reminiscent of Chrono that recharge after combat may have been focused gameplay.” That made them an easy Trigger,” Boyd says. “Our upcoming magical inspired by Paladin’s Quest or Dark Souls— Quest in My buy, despite their often being more expensive girl RPG, This Way Madness Lies, is heavily and ailment HP was definitelyinspired by Final Trigger! than other 8- and 16-bit games: “They gave inspired by the later Persona games, while Dark Souls.” a lot of bang for your buck, with the average having combat visuals reminiscent of the It can be tricky to navigate the one being 20-30 hours, as opposed to an ac- Shining Force & Golden Sun games.” line between homage and retread, but games ALSO IN THIS ISSUE tion game that might only last a day or two.” At the same time, Boyd says, like Cosmic Star Heroine and Cthulhu Saves “The star of a RPGs no longer need to ship on there’s much to be learned about modern Christmas prove it’s possible. -
Creating Accessibility in VR with Reused Motion Input
Replay to Play: Creating Accessibility in VR with Reused Motion Input A Technical Report presented to the faculty of the School of Engineering and Applied Science University of Virginia by Cody Robertson May 8, 2020 On my honor as a University student, I have neither given nor received unauthorized aid on this assignment as defined by the Honor Guidelines for Thesis-Related Assignments. Signed: ___________________________________________________ Approved: ______________________________________ Date _______________________ Seongkook Heo, Department of Computer Science Replay to Play: Creating Accessibility in VR with Reused Motion Input Abstract Existing virtual reality (VR) games and applications tend not to factor in accommodations for varied levels of user ability. To enable users to better engage with this technology, a tool was developed to record and replay captured user motion to reduce the strain of complicated gross motor motions to a simple button press. This tool allows VR users with any level of motor impairment to create custom recordings of the motions they need to play VR games that have not designed for such accessibility. Examples of similar projects as well as recommendations for improvements are given to help round out the design space of accessible VR design. Introduction In many instances, high-end in-home virtual reality is synonymous with a head-mounted display (HMD) on the user’s face and motion-tracked controllers, simulating the hand’s ability to grip and hold objects, in a user’s hands. This is the case with all forms of consumer available HMD that is driven by a traditional computer rather than an integrated computer, including the Oculus Rift, Valve Index, HTC Vive, the variously produced Windows Mixed Reality HMDs, and Playstation VR with the Move Controllers. -
Achieve Your Vision
ACHIEVE YOUR VISION NE XT GEN ready CryENGINE® 3 The Maximum Game Development Solution CryENGINE® 3 is the first Xbox 360™, PlayStation® 3, MMO, DX9 and DX10 all-in-one game development solution that is next-gen ready – with scalable computation and graphics technologies. With CryENGINE® 3 you can start the development of your next generation games today. CryENGINE® 3 is the only solution that provides multi-award winning graphics, physics and AI out of the box. The complete game engine suite includes the famous CryENGINE® 3 Sandbox™ editor, a production-proven, 3rd generation tool suite designed and built by AAA developers. CryENGINE® 3 delivers everything you need to create your AAA games. NEXT GEN ready INTEGRATED CryENGINE® 3 SANDBOX™ EDITOR CryENGINE® 3 Sandbox™ Simultaneous WYSIWYP on all Platforms CryENGINE® 3 SandboxTM now enables real-time editing of multi-platform game environments; simul- The Ultimate Game Creation Toolset taneously making changes across platforms from CryENGINE® 3 SandboxTM running on PC, without loading or baking delays. The ability to edit anything within the integrated CryENGINE® 3 SandboxTM CryENGINE® 3 Sandbox™ gives developers full control over their multi-platform and simultaneously play on multiple platforms vastly reduces the time to build compelling content creations in real-time. It features many improved efficiency tools to enable the for cross-platform products. fastest development of game environments and game-play available on PC, ® ® PlayStation 3 and Xbox 360™. All features of CryENGINE 3 games (without CryENGINE® 3 Sandbox™ exception) can be produced and played immediately with Crytek’s “What You See Is What You Play” (WYSIWYP) system! CryENGINE® 3 Sandbox™ was introduced in 2001 as the world’s first editor featuring WYSIWYP technology. -
Academic Worksheet 1St YEAR
1st Fall WU TRANSFER YEAR COMM 120 Public Speaking 3 2019-2020 FOUN 101 Beginning Drawing 3 GAME 101 Game Design Fundamentals 3 Academic Worksheet GAME 106 Game Code Fundamentals 3 GAME ART & DESIGN WRIT 111 Academic Writing 1 3 Design Emphasis ANIM 112 Portfolio Review Workshop 1 Spring GENERAL Core Competencies GDES 107 Digital Practice 3 EDUCATION GAME 105 3D Game Art Fundamentals 3 Breadth GAME 112 Game Design Documentation 3 Principles GAME 114 Introduction to Game Engines 3 LSCI 105 Information Theory and Practice 1 WRIT 112 Academic Writing 2 3 Name WU TRANSFER nd YEAR Fall ID# Matriculated 2 FOUN 102 Design and Composition 3 ____________________________________ GAME 211 Game Level Design 3 Minimum Unit Requirement 125 GAME 221 Game Prototyping 3 GAME 224 History of Games: 20th Century 3 Major 67 INDS 1____ Interdisciplinary Core Course 3 General Education 49 __________ Social Science Course 3 Unrestricted Electives 9 ____________________________________ Spring Preparatory Requirements __________ Ethics Course 3 WRIT 100 Bridge to Academic Writing 3 GAME 222 Game Player Analysis 3 MATH 100 Pre-Statistics 3 GAME 240 Networked Game Development 3 GAME 250 Portfolio Review 0 FILM 200 Screenwriting 3 __________ Art/Film/Design History Course 3 Fall WU TRANSFER 3rd YEAR FILM 140 Sound 3 GAME 321 User Interface Design 3 GAME 323 Story Development for Interactive 3 ENVT 220 Environmental Studies 3 MATH 2__ Mathematics Course 3 Spring __________ Natural Science Course w lab 3 GAME 304 Sound Synthesis and Design 3 GAME 332 Experimental Technology for Games 3 INDS 3___ Transdisciplinary Course 3 __________ Social Science Course 3 Work Experience 0 Fall WU TRANSFER 4th YEAR GAME 431 Degree Project R & D 3 __________ Art/Film/Design History 3 __________ Humanities Course 3 __________ Unrestricted Elective 3 __________ Unrestricted Elective 3 Spring GAME 432 Degree Project: Production 3 GAME 434 Professional Practices 3 ____3____ General Education Elective 3 __________ Art/Film/Design History 3 __________ Unrestricted Elective 3 . -
Sparking a Steam Revolution: Examining the Evolution and Impact of Digital Distribution in Gaming
Sparking a Steam Revolution: Examining the Evolution and Impact of Digital Distribution in Gaming by Robert C. Hoile At this moment there’s a Renaissance taking place in games, in the breadth of genres and the range of emotional territory they cover. I’d hate to see this wither on the vine because the cultural conversation never caught up to what was going on. We need to be able to talk about art games and ‘indie’ games the ways we do about art and indie film. (Isbister xvii) The thought of a videogame Renaissance, as suggested by Katherine Isbister, is both appealing and reasonable, yet she uses the term Renaissance rather casually in her introduction to How Games Move Us (2016). She is right to assert that there is diversity in the genres being covered and invented and to point out the effectiveness of games to reach substantive emotional levels in players. As a revival of something in the past, a Renaissance signifies change based on revision, revitalization, and rediscovery. For this term to apply to games then, there would need to be a radical change based not necessarily on rediscovery of, but inspired/incited by something perceived to be from a better time. In this regard the videogame industry shows signs of being in a Renaissance. Videogame developers have been attempting to innovate and push the industry forward for years, yet people still widely regard classics, like Nintendo’s Legend of Zelda: Ocarina of Time (1998), as the best games of all time. As with the infatuation with sequels in contemporary Hollywood cinema, game companies are often perceived as producing content only for the money while neglecting quality. -
DADIU ALUMNI SURVEY 2017 - Page 2
TABLE OF CONTENT 1. Preface by Simon Jon Andreasen……………… 03 2. Introduction………………………………………. 04 3. Overview – the main findings…………………... 05 4. Method……………………………………………. 06 5. Demographics……………………………………. 08 6. Current Job……………………………………….. 10 7. First Job…………………………………………… 11 8. Entrepreneurs…………………………………….. 13 9. In or out of the games industry………………… 15 10. Evaluation of DADIU…………………………….. 19 DADIU ALUMNI SURVEY 2017 - Page 2 1. PREFACE DADIU is based on an idea born by a group of And we should continue to change lives by educators from all of Denmark and developed developing DADIU. Two thirds of our alumni in close collaboration with the local games work in the creative industries. Half of these industry. At that point I was the founder and work in the games industry, and the other half creative director of a large game studio and in directly related industries. Some of the felt first hand the major challenge that the alumni say that they see no clear bounderies graduates from universities and art schools, between the industries, and I agree. The media although knowledgeable and skilled, lacked the are converging, and we must keep up. With the most basic skills of collaboration across rapid development of game tech and related professions. Training these collaborative skills digital media such as 360° media and co- has been at the core of DADIU from the start. creation based media, training the collaborative skills becomes more important than ever. Has DADIU fullfilled the initial wishes? The industry says yes. We hear that being a DADIU alumni automatically gets you an interview in the games companies. I am also immensely Copenhagen, October 2017 proud to read that our alumni describe DADIU as a life-changing experience and that almost all Simon Jon Andreasen, Head of DADIU would recommend participating in DADIU. -
Crysis 2 Full Hd Patch
Crysis 2 full hd patch click here to download All three Crysis 2 DirectX 11 Ultra Upgrade files are available to download via a fast, queue-free server. You are free to download the DirectX 11 update and high resolution packs, however, as they work with all versions of the game – just ensure you're patched to version before installing them. Hi-Res Texture Pack. Enhance your copy of Crysis 2 with the DirectX 11 Ultra Upgrade. This pack has three files: the Patch , DirectX 11 Ultra Upgrade and High Resolution Texture Pack. Extreme Immersive Mod v + New TOD Demostartion | Crysis Max Settings | Directx 10 | p. This is a gameplay for Crysis 2 with High Resolution Texture Pack with patch , using DirectX 11 Ho. C:\Program Files (x86)\Steam\SteamApps\common\Crysis 2 Game of the Year\patch you already have this Patches. Download the DirectX 11 Ultra Upgrade and the High Resolution Texture Pack After Installation you have to That means a complete new Story for free! The Game itself is not needed! I'm pretty sure at some point in the future, Crysis 2 will be in a Steam or Origin sale. And you might buy it and then be sickened to the core by the vile March level graphics. Ugh, I'm embarrassed that we accepted it as a game back then, with its DX11 shaders and an official HD texture pack that looks as. The high-rez pack is definitely a must if you wanna see Crysis 2 in its full glory! The DX11 patch as well, i play crysis2 and the hd pack is a hindrance on multiplayer you need best fps and they will reduce yours by a good 30%+ even when you turn everything down to minimum. -
EA and Crytek Recruit Players Into Free Trial for Crysis Wars
EA and Crytek Recruit Players Into Free Trial for Crysis Wars New Players Can Experience the Critically-Acclaimed Multiplayer Action GameFree from April 9- April 17 and Get the Complete Crysis CompilationCrysis Maximum EditionStarting May 5 REDWOOD CITY, Calif., Apr 09, 2009 (BUSINESS WIRE) -- Electronic Arts Inc. (NASDAQ:ERTS) and Crytek GmbH announced the start of a free trial period for Crysis Wars(R)*, the multiplayer game for Crysis Warhead(R), the award-winning first-person shooter originally released last Fall. Starting today, gamers can play all of Crysis Wars** online for free including each of the game's three action-packed multiplayer modes and all 23 maps. The free trial period runs until Friday, April 17, 2009. This trial is designed to give players a sample of the signature action and visuals that only the Crysis(R) series delivered. For those players that want more than just a sample, EA and Crytek will release Crysis(R) Maximum Edition, a compilation of all three Crysis games in one box (Crysis, Crysis Warhead and Crysis Wars). Available beginning May 5th for the MSRP of $39.99, Crysis Maximum Edition is the ultimate Crysis experience. "When Crysis Wars was released seven months ago, one of our biggest goals was to be able to deliver continued support to our growing multiplayer community," said Cevat Yerli, CEO and President of Crytek. "We think we have delivered on that promise, not only by releasing new content, fixes and our powerful MOD SDK, but also by continuing to offer these types of free trials." Crysis Wars supports matches for up to 32 players and contains three distinct gameplay modes; InstantAction, frenetic deathmatch enhanced by the power of the nanosuit, PowerStruggle, a hardcore team-based mode and TeamInstantAction, a mix of fast-paced action in a team-based environment. -
Hi-Bit Pixel Graphics – the New Era of Pixel Art
Hi-Bit Pixel Graphics – The New Era of Pixel Art Olli Heikkinen Thesis May 2021 Degree Programme in Information Business Systems Game Production 2 ABSTRACT Tampere University of Applied Sciences Information Business Systems Game Production Olli Heikkinen Hi-Bit Pixel Graphics – New Era of Pixel Art Bachelor's thesis 35 pages May 2021 This bachelor’s thesis studies how pixel graphics in video games are seen today, and what current trends make classic pixel graphics hi-bit. This thesis briefly covers the beginnings of pixel graphics, how pixel graphics in video games have changed over the years, as well as a few key techniques that make hi-bit pixel art. To further demonstrate the elements of hi-bit pixel graphics, a short game demo “Mr. Skullerton’s Vault” was created in the Unity game engine. In this demonstration a variety of different hi-bit pixel art techniques were tested, including pixel perfect settings, normal mapping, skeletal animation. The techniques tested in this demonstration proved to be significant elements, which distinguish classic pixel graphics from hi-bit pixel art Key words: pixel graphics, pixel art, video game graphics 3 CONTENTS Introduction ................................................................................................ 5 1 Pixel art in general ................................................................................ 7 1.1 Pixel art in video games today ....................................................... 8 1.2 Why Hi bit-pixel art? .................................................................... -
Digital Realities
DIGITAL REALITIES vienna business agency A service offered by the City of Vienna WHITE PAPER A 2 • Digital Realities: Potentials of immersive 4 technologies in the creative industries A THE LANGUAGE OF THE • Creating new realities together Thomas Ragger 8 DIGITAL REALITIES NEW FIELDS OF WORK — • Testing and exceeding limits is an integral Interview with Jogi Neufeld 12 NEW KNOWLEDGE part of the act of playing • Design is a matter of communication Efa Doringer 14 B EXPERTISE THROUGH • Augmenting construction Greg Lynn 18 EXPERIMENTATION THE ARTISTIC-CREATIVE • No longer a question of scale Interview with Julia Körner 22 PROCESS • The uncaptured image Leonhard Lass 24 • Use case Depart: The Lacuna Shifts 25 • Use case Gravity Sketch: Prototyping 27 • Giving new room to ideas Interview with Lip Comarella 28 C • Augmented fashion: Interview with Hannah Gutkauf 32 NEW REALITY WORKS Fashion at the interface PRODUCT AND SERVICE INNOVATIONS • Use case TheWaveVR: 35 A new kind of musical experience • When the headset is superfluous Interview with Markus Dorninger 36 • Technology is not the Interview with Julia Murczek 38 biggest challenge and Simon Wallner • VR means more than just gaming Interview with Michael Tisler 40 D • Fashion meets technology: Interview with 44 ENABLING EXPERIENCES, Not just a flash in the pan Sabinna Rachimova ALLOWING INSIGHTS MARKETING AND DISTRIBUTION • Use case THISPLAY: 47 The virtual fitting room • Use case Acute Art: 48 Virtual art and big names • Use case Artivive: 49 A new dimension of art E • The future is now Sara Lisa Vogl 52 THE WHOLE AND THE INDIVIDUAL PARTS • Viennese companies are competing Interview with Renate Brauner 55 STRUCTURES AND with global giants and Gerhard Hirczi REQUIREMENTS • Imprint 56 EDITORIAL DIGITAL REALITIES POTENTIALS OF IMMERSIVE TECHNOLOGIES IN THE CREATIVE INDUSTRIES Analogue is only half the story. -
DADIU ALUMNI SURVEY 2017 - Page 2
TABLE OF CONTENT 1. Preface by Simon Jon Andreasen……………… 03 2. Introduction………………………………………. 04 3. Overview – the main findings…………………... 05 4. Method……………………………………………. 06 5. Demographics……………………………………. 08 6. Current Job……………………………………….. 10 7. First Job…………………………………………… 11 8. Entrepreneurs…………………………………….. 13 9. In or out of the games industry………………… 15 10. Evaluation of DADIU…………………………….. 19 DADIU ALUMNI SURVEY 2017 - Page 2 1. PREFACE DADIU is based on an idea born by a group of And we should continue to change lives by educators from all of Denmark and developed developing DADIU. Two thirds of our alumni in close collaboration with the local games work in the creative industries. Half of these industry. At that point I was the founder and work in the games industry, and the other half creative director of a large game studio and in directly related industries. Some of the felt first hand the major challenge that the alumni say that they see no clear bounderies graduates from universities and art schools, between the industries, and I agree. The media although knowledgeable and skilled, lacked the are converging, and we must keep up. With the most basic skills of collaboration across rapid development of game tech and related professions. Training these collaborative skills digital media such as 360° media and co- has been at the core of DADIU from the start. creation based media, training the collaborative skills becomes more important than ever. Has DADIU fullfilled the initial wishes? The industry says yes. We hear that being a DADIU alumni automatically gets you an interview in the games companies. I am also immensely Copenhagen, October 2017 proud to read that our alumni describe DADIU as a life-changing experience and that almost all Simon Jon Andreasen, Head of DADIU would recommend participating in DADIU. -
Oplæg Til Lav-Et-Spil-På Workshop
Proposal for”Nordic Game Jam” (Revised by JJ 12-10-2005.) Nordic Game Jam is a weekend workshop in January 27-29th 2006 at the IT University in Copenhagen, Denmark. The workshop is about "making a game in a weekend", dealing with game design and technical issues, and meeting other people working with game design and development. The workshop is technologically agnostic, but all games created must follow the shared theme of Cooperative Multiplayer Games. Participants can sign up in groups or as individuals. Individuals will be asked to form groups during the workshop. The workshop also provides a special opportunity for working in OTEE's Unity engine. Program The weekend begins Friday with a welcome and an introduction. During the weekend, participants work in teams on creating a game prototype based on the shared theme of the workshop. On Sunday afternoon, teams show their projects. Favorite projects are selected by other participants and by a jury. Hopefully we can get a few companies to sponsor some prizes. Goal The purpose of this event is (at least) two-fold: First of all, the goal is to provide the possibility for skilled practitioners to get together in a sandbox context and hopefully explore new interesting ideas that could inspire and improve their everyday work. Second, to help bridge the gap between different agents in the game- sector in the Øresund Region which don’t often meet, e.g. the established game industry, student environments, media institutions, technology providers etc. Side 1 af 3 Attendees We aim for 50 participants from the following target groups: • Experienced developers who want to work in a smaller format and try out new gameplay ideas (approx.