DOCSLIB.ORG

Virtual Reality

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Independent publication by raconteur.net raconteur.net # 0356 17 / 12 / 2015 VIRTUAL REALITY 2016: the year Bringing Virtually Feel like 2016 05 shopping 06 no limit 11 playing 03 of virtual reality to life to VR away? Analysts are tipping 2016 as a breakthrough Retailers are poised to use virtual reality Ten top areas where virtual reality is Virtual reality is adding an extra dimension year for virtual reality technology to transform the shopping experience making an impact and revolutionising life to gaming and interactive cinema FB BANNER - HEXAWARE creating immersive, interactive worlds for VR stinkdigital.com raconteur.net RACONTEUR | 17 / 12 / 2015 raconteur.net VIRTUAL REALITY | 03 Getty ImagesGetty 2016: the year of virtual reality Analysts are tipping 2016 as a breakthrough year for virtual reality with major product launches on the horizon Visitors test virtual reality headsets at the Solutions COP21 exhibition OVERVIEW This is not just the stuff of science fic- ly surpassed anything VR could conjure It is not just the technology companies Investment in VR is reaching fever NIC FILDES tion anymore. Citi, the investment bank, up. Those companies that survived did getting excited about VR. The movie pitch from Kickstarter campaigns to estimates that the market for hardware, so moving away from entertainment industry is clearly excited about the put cameras on the International Space here is often a sense of déjà vu networks, software and content will and towards business applications, prospects of immersive cinema with Station to spice up science teaching in when it comes to technolog- reach a staggering $200 billion by 2020. such as 3D visualisations of oil wells. 4K screens already proving there is a the classroom to Ericsson, the world’s ical innovation and nothing The earliest forms of “artificial reali- market beyond cheap 3D glasses. The largest telecoms equipment company, T proves the case more than ty” were rooted in projects in the 1960s new Star Wars: The Force Awakens has exploring how 5G network technology the virtual reality or VR revolution that when the pioneers of the concept looked been accompanied by a VR trailer that could utilise VR to wire up decommis- is quickly building a head of steam. VR beyond early attempts at 3D cinema to The success of new has pointed the way ahead. sioning projects of old nuclear sites. headsets, helmets and immersion have create immersive computing systems. CCS Insight, the mobile research com- The prospects for VR could be end- all drifted in and out of fashion between Nasa started to develop the technology product launches this pany, says: “By the end of 2016 all major less with the ability to draw users into the 1950s and 1990s without really mak- as an advanced flight simulator in the year could determine new movies will have a 360-degree virtual spaces providing a disruptive ing a commercial breakthrough. mid-1960s, a project that came to frui- how much companies trailer. Movie-makers benefit from the element to a host of sectors. Citi high- The 1992 movie The Lawnmower Man, tion during the first Gulf War. ready-made publicity vehicle created lights remote medicine, military drills, which was built around the concept of In the late-1970s, students working outside the high-tech by the hype surrounding virtual reality pilot driving and theme parks as obvi- VR, threatened to be the apex of main- with head-mounted VR systems start- sector continue to focus experiences. They also utilise the mas- ous applications for the technology. stream interest in VR as the companies ed to consider commercial applica- on the VR renaissance sive distribution networks of Facebook Mobile shopping, where consumers that had fuelled a briefly thriving cot- tions which led to the foundation of and YouTube, which both support 360- can browse virtual shelves, and remote tage industry in arcade game VR either some of the world’s first VR compa- degree videos.” maintenance of high-value machinery went extinct or lost interest. nies, including VPL which developed Sky has been investing in a company in the aerospace and oil and gas sectors Yet almost a quarter of a century later the briefly famous Z Glove that was Yet one young man, a fan of The Lawn- called Jaunt to prepare for a world where is on the horizon. and VR has enjoyed an unexpected re- quickly adapted by Mattel and Ninten- mower Man, didn’t lose interest and re- news broadcasting is virtual, something “We expect 2016 to be the year that VR naissance. Facebook’s acquisition of do. W Industries, a British business, ignited the VR sector. This year Palmer it has already tested in a four-minute takes off in earnest,” says Citi analyst Oculus Rift, HTC’s Vive, PlayStation’s achieved some success with headsets Luckey, the founder of Oculus Rift, ap- 360-degree report on the migrant crisis. Kota Ezawa. Morpheus projects and Google’s Card- for arcade games. peared on the cover of Time Magazine Perhaps even more left-field was TGI The technology is still nascent and board have all made virtual more of a By the mid-1980s, VR was featured and VR was once again a cause célèbre Friday, the restaurant chain, offering much will depend on the public’s ap- reality for a new generation of gamers, on the cover of Scientific American and in the technology sector with HTC, diners a chance to take a virtual sled ride petite for the technology. The suc- businesses and applications. With con- National Enquirer, but it didn’t last. IBM, Apple AMD and Sony all gearing with their food. VR is quickly becoming cess of new product launches this nectivity speeds and computing power VPL went bust and disappeared into up for big things. a differentiator for a variety of business- year from Sony and HTC could deter- finally having caught up to the vision of the ether as the internet became es willing to invest and to ex- mine how much companies outside the VR pioneers, the technology is tipped prevalent. For gamers, the graph- plore whether the technology the high-tech sector continue to focus to enjoy a breakthrough year in 2016. ics on a flat TV screen had quick- is ready for the mainstream. on the VR renaissance. RACONTEUR CONTRIBUTORS Distributed in Publishing Manager Head of Production DAVID BENADY SOPHIE CHARARA NIC FILDES CHARLES SAM SHAW David Kells Natalia Rosek Specialist writer on Features editor of Technology and com- ORTON-JONES Freelance writer and marketing, advertis- Wareable.com, she was munications editor Award-winning editor, she covers a Production Editor Digital and ing and media, formerly the in-house at The Times, he was journalist, he was wide range of topics Benjamin Chiou Social Manager editor-at-large of Rebecca McCormick he contributes gadget reviewer at formerly with The including business, Managing Editor Sarah Allidina to national newspa- Stuffmagazine. Independent and Dow LondonlovesBusiness. finance, technology @SGIntLtd Peter Archer pers and business Jones Newswires. com and editor of and travel. Design publications. EuroBusiness. Grant Chapman Call us on +44 (0)2476 158222 Kellie Jerrard Samuele Motta www.seriousgamesinternational.com BUSINESS CULTURE FINANCE HEALTHCARE LIFESTYLE SUSTAINABILITY TECHNOLOGY INFOGRAPHICS raconteur.net/virtual-reality Although this publication is funded through advertising and sponsorship, all editorial Raconteur is a leading publisher of special-interest content and research. Its publications The information contained in this publication has been obtained from sources the is without bias and sponsored features are clearly labelled. For an upcoming schedule, and articles cover a wide range of topics, including business, finance, sustainability, Proprietors believe to be correct. However, no legal liability can be accepted for any partnership inquiries or feedback, please call +44 (0)20 3428 5230 or e-mail healthcare, lifestyle and technology. Raconteur special reports are published exclusively errors. No part of this publication may be reproduced without the prior consent of the [email protected] in The Times and The Sunday Times as well as online at raconteur.net Publisher. © Raconteur Media raconteur.net RACONTEUR | 17 / 12 / 2015 raconteur.net VIRTUAL REALITY | 03 Getty ImagesGetty 2016: the year of virtual reality Analysts are tipping 2016 as a breakthrough year for virtual reality with major product launches on the horizon Visitors test virtual reality headsets at the Solutions COP21 exhibition OVERVIEW This is not just the stuff of science fic- ly surpassed anything VR could conjure It is not just the technology companies Investment in VR is reaching fever NIC FILDES tion anymore. Citi, the investment bank, up. Those companies that survived did getting excited about VR. The movie pitch from Kickstarter campaigns to estimates that the market for hardware, so moving away from entertainment industry is clearly excited about the put cameras on the International Space here is often a sense of déjà vu networks, software and content will and towards business applications, prospects of immersive cinema with Station to spice up science teaching in when it comes to technolog- reach a staggering $200 billion by 2020. such as 3D visualisations of oil wells. 4K screens already proving there is a the classroom to Ericsson, the world’s ical innovation and nothing The earliest forms of “artificial reali- market beyond cheap 3D glasses. The largest telecoms equipment company, T proves the case more than ty” were rooted in projects in the 1960s new Star Wars: The Force Awakens has exploring how 5G network technology the virtual reality or VR revolution that when the pioneers of the concept looked been accompanied by a VR trailer that could utilise VR to wire up decommis- is quickly building a head of steam. VR beyond early attempts at 3D cinema to The success of new has pointed the way ahead.
Recommended publications
  • Now We Are All Sons of Bitches

    Now We Are All Sons of Bitches

    Now We Are All Sons of Bitches MICHAEL BONTATIBUS “Wake up, Mr. Freeman. Wake up and smell the ashes,” the enigmat- ic G-Man murmurs as he leers into the camera, finishing an eerie opening monologue—and so begins Half-Life 2, Valve Corporation’s flagship game. The last time we saw Gordon Freeman, the protagonist, the same rigid and mysterious (though more poorly animated, since the prequel was released six years earlier) G-Man was handing him a job offer after witnessing the former scientist transform into a warrior, bent on escaping from the besieged Black Mesa Research Facility alive. Now, suddenly, Freeman finds himself on a train. No context.1 Is it a prison train? The three other individuals on it wear uniforms like those the inmates wore in Cool Hand Luke. The train soon stops at its destination, and we realize that it is a prison train, in a way—Freeman has arrived at the Orwellian “City 17,” where the ironically named Civil Protection abuses and oppresses, where antagonist Dr. Breen preaches poet- ic propaganda from large monitors hung high above the town. In the years since scientists at the facility accidentally opened a gateway between dimen- sions and allowed a bevy of grotesque creatures to spill into our universe, Earth has been taken over by the Combine, an alien multiplanetary empire. Breen is merely Earth’s administrator—and we realize that the ashes the G- Man spoke of were the ashes of the prelapsarian world. It’s classic dystopia, complete with a Resistance, of which Freeman soon finds himself the “mes- sianic” leader (HL2).
  • Review: Advancement in Virtual Reality Device

    Review: Advancement in Virtual Reality Device

    Available online at: http://www.ijmtst.com/vol5issue12.html International Journal for Modern Trends in Science and Technology ISSN: 2455-3778 :: Volume: 05, Issue No: 12, December 2019 Review: Advancement in Virtual Reality Device Dr. Preeti Singh Bahadur 1 | Pushpendra Bahadur2 | Dikshant Delu1 | Shivam Chaudhary1 1Department of Applied Physics, Amity University, Greater Noida(U.P.), 2 Tata Steel, BSL Limited, Sahibabad, Ghaziabad (U.P.)- 201010 To Cite this Article Dr. Preeti Singh Bahadur, Pushpendra Bahadur, Dikshant Delu and Shivam Chaudhary, “Review: Advancement in Virtual Reality Device”, International Journal for Modern Trends in Science and Technology, Vol. 05, Issue 12, December 2019, pp.-40-47. Article Info Received on 21-November-2019, Revised on 12-December-2019, Accepted on 21-December-2019, Published on 26-December-2019. ABSTRACT In this paper we shed light on the advancement in Virtual Reality devices and talk about six latest developments. Virtual reality (VR) is a technology that allows a user to interact with a simulated computer environment, whether that environment is a simulation of the real world or an imaginary world. It is the key to experiencing, feeling and touching the past, the present and the future. It is the means of creating our own world, our own personalized reality. It could range from creating a videogame to taking a virtual tour of the universe, from walking through our own dream house to experiencing a walk through a strange planet. With virtual reality, we can experience the most intimidating and exhausting situations by playing safely and with a learning perspective. However, very few people really know what virtual reality is, what are its basic principles and its open problems.
  • Chell Game: Representation, Identification, and Racial Ambiguity in PORTAL and PORTAL 2 2015

    Chell Game: Representation, Identification, and Racial Ambiguity in PORTAL and PORTAL 2 2015

    Repositorium für die Medienwissenschaft Jennifer deWinter; Carly A. Kocurek Chell Game: Representation, Identification, and Racial Ambiguity in PORTAL and PORTAL 2 2015 https://doi.org/10.25969/mediarep/14996 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: deWinter, Jennifer; Kocurek, Carly A.: Chell Game: Representation, Identification, and Racial Ambiguity in PORTAL and PORTAL 2. In: Thomas Hensel, Britta Neitzel, Rolf F. Nohr (Hg.): »The cake is a lie!« Polyperspektivische Betrachtungen des Computerspiels am Beispiel von PORTAL. Münster: LIT 2015, S. 31– 48. DOI: https://doi.org/10.25969/mediarep/14996. Erstmalig hier erschienen / Initial publication here: http://nuetzliche-bilder.de/bilder/wp-content/uploads/2020/10/Hensel_Neitzel_Nohr_Portal_Onlienausgabe.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Weitergabe unter Attribution - Non Commercial - Share Alike 3.0/ License. For more gleichen Bedingungen 3.0/ Lizenz zur Verfügung gestellt. Nähere information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by-nc-sa/3.0/ http://creativecommons.org/licenses/by-nc-sa/3.0/ ­­­Jennifer deWinter / Carly A. Kocurek Chell Game: Representation, Identification, and Racial Ambiguity in ›Portal‹ and ›Portal 2‹ Chell stands in a corner facing a portal, then takes aim at the adjacent wall with the Aperture Science Handheld Portal Device. Between the two portals, one ringed in blue, one ringed in orange, Chell is revealed, reflected in both. And, so, we, the player, see Chell. She is a young woman with a ponytail, wearing an orange jumpsuit pulled down to her waist and an Aperture Science-branded white tank top.
  • Creating Accessibility in VR with Reused Motion Input

    Creating Accessibility in VR with Reused Motion Input

    Replay to Play: Creating Accessibility in VR with Reused Motion Input A Technical Report presented to the faculty of the School of Engineering and Applied Science University of Virginia by Cody Robertson May 8, 2020 On my honor as a University student, I have neither given nor received unauthorized aid on this assignment as defined by the Honor Guidelines for Thesis-Related Assignments. Signed: ___________________________________________________ Approved: ______________________________________ Date _______________________ Seongkook Heo, Department of Computer Science Replay to Play: Creating Accessibility in VR with Reused Motion Input Abstract Existing virtual reality (VR) games and applications tend not to factor in accommodations for varied levels of user ability. To enable users to better engage with this technology, a tool was developed to record and replay captured user motion to reduce the strain of complicated gross motor motions to a simple button press. This tool allows VR users with any level of motor impairment to create custom recordings of the motions they need to play VR games that have not designed for such accessibility. Examples of similar projects as well as recommendations for improvements are given to help round out the design space of accessible VR design. Introduction In many instances, high-end in-home virtual reality is synonymous with a head-mounted display (HMD) on the user’s face and motion-tracked controllers, simulating the hand’s ability to grip and hold objects, in a user’s hands. This is the case with all forms of consumer available HMD that is driven by a traditional computer rather than an integrated computer, including the Oculus Rift, Valve Index, HTC Vive, the variously produced Windows Mixed Reality HMDs, and Playstation VR with the Move Controllers.
  • Navigating the Videogame

    Navigating the Videogame

    From above, from below: navigating the videogame A thesis presented by Daniel Golding 228306 to The School of Culture and Communication in partial fulfilment of the requirements for the degree of Bachelor of Arts (Honours) in the field of Cultural Studies in the School of Culture and Communication The University of Melbourne Supervisor: Dr. Fran Martin October 2008 ABSTRACT The study of videogames is still evolving. While many theorists have accurately described aspects of the medium, this thesis seeks to move the study of videogames away from previously formal approaches and towards a holistic method of engagement with the experience of playing videogames. Therefore, I propose that videogames are best conceptualised as navigable, spatial texts. This approach, based on Michel de Certeau’s concept of strategies and tactics, illuminates both the textual structure of videogames and the immediate experience of playing them. I also regard videogame space as paramount. My close analysis of Portal (Valve Corporation, 2007) demonstrates that a designer can choose to communicate rules and fiction, and attempt to influence the behaviour of players through strategies of space. Therefore, I aim to plot the relationship between designer and player through the power structures of the videogame, as conceived through this new lens. ii TABLE OF CONTENTS ABSTRACT ii ACKNOWLEDGEMENTS iv CHAPTER ONE: Introduction 1 AN EVOLVING FIELD 2 LUDOLOGY AND NARRATOLOGY 3 DEFINITIONS, AND THE NAVIGABLE TEXT 6 PLAYER EXPERIENCE AND VIDEOGAME SPACE 11 MARGINS OF DISCUSSION 13 CHAPTER TWO: The videogame from above: the designer as strategist 18 PSYCHOGEOGRAPHY 18 PORTAL AND THE STRATEGIES OF DESIGN 20 STRUCTURES OF POWER 27 RAILS 29 CHAPTER THREE: The videogame from below: the player as tactician 34 THE PLAYER AS NAVIGATOR 36 THE PLAYER AS SUBJECT 38 THE PLAYER AS BRICOLEUR 40 THE PLAYER AS GUERRILLA 43 CHAPTER FOUR: Conclusion 48 BIBLIOGRAPHY 50 iii ACKNOWLEDGEMENTS I would like to thank my supervisor, Dr.
  • Digital Realities

    Digital Realities

    DIGITAL REALITIES vienna business agency A service offered by the City of Vienna WHITE PAPER A 2 • Digital Realities: Potentials of immersive 4 technologies in the creative industries A THE LANGUAGE OF THE • Creating new realities together Thomas Ragger 8 DIGITAL REALITIES NEW FIELDS OF WORK — • Testing and exceeding limits is an integral Interview with Jogi Neufeld 12 NEW KNOWLEDGE part of the act of playing • Design is a matter of communication Efa Doringer 14 B EXPERTISE THROUGH • Augmenting construction Greg Lynn 18 EXPERIMENTATION THE ARTISTIC-CREATIVE • No longer a question of scale Interview with Julia Körner 22 PROCESS • The uncaptured image Leonhard Lass 24 • Use case Depart: The Lacuna Shifts 25 • Use case Gravity Sketch: Prototyping 27 • Giving new room to ideas Interview with Lip Comarella 28 C • Augmented fashion: Interview with Hannah Gutkauf 32 NEW REALITY WORKS Fashion at the interface PRODUCT AND SERVICE INNOVATIONS • Use case TheWaveVR: 35 A new kind of musical experience • When the headset is superfluous Interview with Markus Dorninger 36 • Technology is not the Interview with Julia Murczek 38 biggest challenge and Simon Wallner • VR means more than just gaming Interview with Michael Tisler 40 D • Fashion meets technology: Interview with 44 ENABLING EXPERIENCES, Not just a flash in the pan Sabinna Rachimova ALLOWING INSIGHTS MARKETING AND DISTRIBUTION • Use case THISPLAY: 47 The virtual fitting room • Use case Acute Art: 48 Virtual art and big names • Use case Artivive: 49 A new dimension of art E • The future is now Sara Lisa Vogl 52 THE WHOLE AND THE INDIVIDUAL PARTS • Viennese companies are competing Interview with Renate Brauner 55 STRUCTURES AND with global giants and Gerhard Hirczi REQUIREMENTS • Imprint 56 EDITORIAL DIGITAL REALITIES POTENTIALS OF IMMERSIVE TECHNOLOGIES IN THE CREATIVE INDUSTRIES Analogue is only half the story.
  • UPDATED Activate Outlook 2021 FINAL DISTRIBUTION Dec

    UPDATED Activate Outlook 2021 FINAL DISTRIBUTION Dec

    ACTIVATE TECHNOLOGY & MEDIA OUTLOOK 2021 www.activate.com Activate growth. Own the future. Technology. Internet. Media. Entertainment. These are the industries we’ve shaped, but the future is where we live. Activate Consulting helps technology and media companies drive revenue growth, identify new strategic opportunities, and position their businesses for the future. As the leading management consulting firm for these industries, we know what success looks like because we’ve helped our clients achieve it in the key areas that will impact their top and bottom lines: • Strategy • Go-to-market • Digital strategy • Marketing optimization • Strategic due diligence • Salesforce activation • M&A-led growth • Pricing Together, we can help you grow faster than the market and smarter than the competition. GET IN TOUCH: www.activate.com Michael J. Wolf Seref Turkmenoglu New York [email protected] [email protected] 212 316 4444 12 Takeaways from the Activate Technology & Media Outlook 2021 Time and Attention: The entire growth curve for consumer time spent with technology and media has shifted upwards and will be sustained at a higher level than ever before, opening up new opportunities. Video Games: Gaming is the new technology paradigm as most digital activities (e.g. search, social, shopping, live events) will increasingly take place inside of gaming. All of the major technology platforms will expand their presence in the gaming stack, leading to a new wave of mergers and technology investments. AR/VR: Augmented reality and virtual reality are on the verge of widespread adoption as headset sales take off and use cases expand beyond gaming into other consumer digital activities and enterprise functionality.
  • Conference Booklet

    Conference Booklet

    30th Oct - 1st Nov CONFERENCE BOOKLET 1 2 3 INTRO REBOOT DEVELOP RED | 2019 y Always Outnumbered, Never Outgunned Warmest welcome to first ever Reboot Develop it! And we are here to stay. Our ambition through Red conference. Welcome to breathtaking Banff the next few years is to turn Reboot Develop National Park and welcome to iconic Fairmont Red not just in one the best and biggest annual Banff Springs. It all feels a bit like history repeating games industry and game developers conferences to me. When we were starting our European older in Canada and North America, but in the world! sister, Reboot Develop Blue conference, everybody We are committed to stay at this beautiful venue was full of doubts on why somebody would ever and in this incredible nature and astonishing choose a beautiful yet a bit remote place to host surroundings for the next few forthcoming years one of the biggest worldwide gatherings of the and make it THE annual key gathering spot of the international games industry. In the end, it turned international games industry. We will need all of into one of the biggest and highest-rated games your help and support on the way! industry conferences in the world. And here we are yet again at the beginning, in one of the most Thank you from the bottom of the heart for all beautiful and serene places on Earth, at one of the the support shown so far, and even more for the most unique and luxurious venues as well, and in forthcoming one! the company of some of the greatest minds that the games industry has to offer! _Damir Durovic
  • The Future Past: Intertextuality in Contemporary Dystopian Video Games

    The Future Past: Intertextuality in Contemporary Dystopian Video Games

    The Future Past: Intertextuality in Contemporary Dystopian Video Games By Matthew Warren CUNY Baccalaureate for Unique and Interdisciplinary Studies Submitted to: Timothy Portlock, Advisor Hunter College Lee Quinby, Director Macaulay Honors College Thesis Colloquium 9 May 2012 Contents I. Introduction: Designing Digital Spaces II. Theoretical Framework a. Intertextuality in the visual design of video games and other media b. Examining the established visual iconography of dystopian setting II. Textual Evidence a. Retrofuturism and the Decay of Civilization in Bioshock and Fallout b. Innocence, Iteration, and Nostalgia in Team Fortress and Limbo III. Conclusion 2 “Games help those in a polarized world take a position and play out the consequences.” The Twelve Propositions from a Critical Play Perspective Mary Flanagan, 2009 3 Designing Digital Spaces In everyday life, physical space serves a primary role in orientation — it is a “container or framework where things exist” (Mark 1991) and as a concept, it can be viewed through the lense of a multitude of disciplines that often overlap, including physics, architecture, geography, and theatre. We see the function of space in visual media — in film, where the concept of physical setting can be highly choreographed and largely an unchanging variable that comprises a final static shot, and in video games, where space can be implemented in a far more complex, less linear manner that underlines participation and system-level response. The artistry behind the fields of production design and visual design, in film and in video games respectively, are exemplified in works that engage the viewer or player in a profound or novel manner.
  • GAME CAREER GUIDE July 2016 Breaking in the Easy(Ish) Way!

    GAME CAREER GUIDE July 2016 Breaking in the Easy(Ish) Way!

    TOP FREE GAME TOOLS JULY 2016 GAME FROM GAME EXPO TO GAME JOB Indie intro to VR Brought to you by GRADUATE #2 PROGRAM JULY 2016 CONTENTS DEPARTMENTS 4 EDITOR’S NOTE IT'S ALL ABOUT TASTE! 96 FREE TOOLS FREE DEVELOPMENT TOOLS 2016 53 GAME SCHOOL DIRECTORY 104 ARRESTED DEVELOPMENT There are tons of options out there in terms INDIE DREAMIN' of viable game schools, and this list is just the starting point to get you acquainted with the schools near you (or far from you, if that’s what STUDENT POSTMORTEM you prefer!). 32 BEGLITCHED 72 VIRTUALLY DESIGNED NYU Game Center students Alec Thomson and Jennu Jiao Hsia discuss their IGF Award- VR has quickly moved from buzzword, to proto- winning match three game about insecurity type, to viable business. This guide will help you within computers, and within ourselves. get started in VR development, avoiding some common pitfalls. FEATURES 78 SOUNDS GOOD TO ME! 8 BREAKING IN THE EASY(ISH) WAY! Advice for making audio (with or without) How attending expos can land you a job. an audio specialist. 18 ZERO TO HERO Hey! You want to learn low poly modeling but 84 A SELLER’S MARKET don’t know where to start? Look no further! Marketing fundamentals for your first game. With this guide, we hope to provide a good introduction to not only the software, but 90 INTRO TO GAME ENGINES also the concepts and theory at play. A brief discussion of some of the newest and most popular DO YOU NEED A PUBLISHER? 34 game engines.
  • Uma Proposta Para Guias Orientadoras Para O Design De

    Uma Proposta Para Guias Orientadoras Para O Design De

    MESTRADO MULTIMÉDIA - ESPECIALIZAÇÃO EM TECNOLOGIAS INTERACTIVAS E JOGOS DIGITAIS Uma Proposta para Guias Orientadoras para o Design de Interfaces Visuais Não-diegéticas dedicadas à Locomoção do Jogador em Realidade Virtual João Manuel Matos Ferreira M 2019 FACULDADES PARTICIPANTES: FACULDADE DE ENGENHARIA FACULDADE DE BELAS ARTES FACULDADE DE CIÊNCIAS FACULDADE DE ECONOMIA FACULDADE DE LETRAS 2 Uma Proposta para Guias Orientadoras para o Design de Interfaces Visuais Não- diegéticas dedicadas à Locomoção do Jogador em Realidade Virtual João Manuel Matos Ferreira Mestrado em Multimédia da Universidade do Porto Orientador: Pedro Cardoso (Professor Auxiliar Convidado) Junho de 2019 3 4 © João Manuel Matos Ferreira, 2019 Uma Proposta para Guias Orientadoras para o Design de Interfaces Visuais Não-diegéticas dedicadas à Locomoção do Jogador em Realidade Virtual João Manuel Matos Ferreira Mestrado em Multimédia da Universidade do Porto Aprovado em provas públicas pelo Júri: Presidente: António Coelho (Professor Auxiliar com Agregação) Vogal Externo: Andreia Pinto de Sousa (Professora Auxiliar) Orientador: Pedro Cardoso (Professor Auxiliar Convidado) 5 6 Resumo Actualmente, existem diversos tipos de interface para a locomoção do jogador num espaço virtual, havendo diversos métodos já implementados em produtos encontrados no mercado de videojogos. Algumas interfaces consistem em adaptações das encontradas no formato tradicional de monitor bidimensional, sendo que outras são experiências desenhadas de raiz para Realidade Virtual. No entanto, atravessamos um período de experimentação, um momento em que o jogador usufrui de experiências de jogo por vezes instáveis, por vezes irregulares ou inadequadas, em parte devido à falta de estudos nesta área. Com isto em conta, emerge a possibilidade de estudar esta área que ainda se encontra em constante mutação e num estado de experimentação devido à infância deste meio tecnológico.
  • Left 4 Dead 2 Addon Support Cracked

    Left 4 Dead 2 Addon Support Cracked

    Left 4 Dead 2 Addon Support Cracked 1 / 3 Left 4 Dead 2 Addon Support Cracked 2 / 3 1- Install Latest Rev-Emu Installer which includes left4dead2.exe and Setti masterserver.vdf. ... IniGen.exe from root folder and remove Name Enabler Addon. .... [includes cracked left4dead2.exe and Setti masterserver.vdf]. how to install more left 4 dead mods on a non-steam l4d ?? i tried ... the console command if you need help on 2 cr8 a offline multiplayer game just ask. 0 0 ... if you have the cracked version like me we cant have custom skins.. For Left 4 Dead 2 on the PC, a GameFAQs Answers question titled "Non steam l4d2 problem? ... Yesyerday I Extract Left 4 Dead 2 2.7z to my PC and i use crack too 2.0.0.3, but still ... steam is ... I have a problem with my L4D2 Add-On Support.. A Left 4 Dead 2 (L4D2) Skin Mod in the Survivors category, submitted by ciy93. ... Supported Games .... the folder and put on addon file Left4Dead2/left4dead2/Addon This is 1st time i upload the file please don look so bad Thx ... Cracked Egg.. Support us ... Chet Faliszek, the former Valve fella best known for his work on Left 4 Dead and ... Turtle Rock Studios, the mob who created Left 4 Dead, are revisiting their ..... 2014 would seem to be the year in which the games industry has another crack at making primarily multiplayer shooting games work all over again.. Hello HGT Here is guide how to get L4D2 For Free Or Garena if you want to play on our ..