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Title Director Screening Section Premiere Status
Title Director Screening Section Premiere Status An Evening With Sacred Bones Records Jacqueline Castel Special Events World Premiere Bernie Richard Linklater Special Events Best of Vimeo Shorts: Vimeo Loves Various Special Events Big Star: Nothing Can Hurt Me Drew DeNicola Special Events Casa de mi Padre Matt Piedmont Special Events Coffin Joe's "This Night I Will Possess Jose Mojica Marins Special Events Your Corpse" Girl Walk // All Day Jacob Krupnick Special Events Re: Generation Music Project Amir Bar Lev Special Events Adam Russell, Renga Special Events North American Premiere John Sear SXSW & The Alamo Drafthouse present: Special Events World Premiere Epic Meal Time The Oyster Princess (1919) Ernst Lubitsch Special Events with live score by Bee vs. Moth when you find me presented by Canon Bryce Dallas Howard Special Events U.S. Premiere George Dunning, Yellow Submarine (1968) Newly Restored (UK) Robert Balser, Special Events Jack Stokes Title Director Screening Section Premiere Status Phil Lord, 21 Jump Street Headliners World Premiere Christopher Miller BIG EASY EXPRESS Emmett Malloy Headliners World Premiere Decoding Deepak Gotham Chopra Headliners World Premiere Girls Lena Dunham Headliners World Premiere Killer Joe William Friedkin Headliners U.S. Premiere MARLEY Kevin Macdonald Headliners North American Premiere The Cabin in the Woods Drew Goddard Headliners World Premiere The Hunter Daniel Nettheim Headliners U.S. Premiere Blue Like Jazz Steve Taylor Narrative Spotlight World Premiere Crazy Eyes Adam Sherman Narrative Spotlight World Premiere Fat Kid Rules The World Matthew Lillard Narrative Spotlight World Premiere frankie go boom Jordan Roberts Narrative Spotlight World Premiere Hunky Dory Marc Evans Narrative Spotlight North American Premiere In Our Nature Brian Savelson Narrative Spotlight World Premiere Keyhole Guy Maddin Narrative Spotlight U.S. -
Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out -
Beijing, a Garden of Violence
Inter-Asia Cultural Studies ISSN: 1464-9373 (Print) 1469-8447 (Online) Journal homepage: http://www.tandfonline.com/loi/riac20 Beijing, a garden of violence Geremie R. Barmé To cite this article: Geremie R. Barmé (2008) Beijing, a garden of violence, Inter-Asia Cultural Studies, 9:4, 612-639, DOI: 10.1080/14649370802386552 To link to this article: http://dx.doi.org/10.1080/14649370802386552 Published online: 15 Nov 2008. Submit your article to this journal Article views: 153 View related articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=riac20 Download by: [Australian National University] Date: 08 April 2016, At: 20:00 Inter-Asia Cultural Studies, Volume 9, Number 4, 2008 Beijing, a garden of violence Geremie R. BARMÉ TaylorRIAC_A_338822.sgm10.1080/14649370802386552Inter-Asia1464-9373Original200894000000DecemberGeremieBarmé[email protected] and& Article Francis Cultural (print)/1469-8447Francis 2008 Studies (online) ABSTRACT This paper examines the history of Beijing in relation to gardens—imperial, princely, public and private—and the impetus of the ‘gardener’, in particular in the twentieth-century. Engag- ing with the theme of ‘violence in the garden’ as articulated by such scholars as Zygmunt Bauman and Martin Jay, I reflect on Beijing as a ‘garden of violence’, both before the rise of the socialist state in 1949, and during the years leading up to the 2008 Olympics. KEYWORDS: gardens, violence, party culture, Chinese history, Chinese politics, cultivation, revolution The gardening impulse This paper offers a brief examination of the history of Beijing in relation to gardens— imperial, princely, socialist, public and private—and the impetus of the ‘gardener’, in particular during the twentieth century. -
Weird Al Yankovic Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 9-29-2007 Weird Al Yankovic Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Weird Al Yankovic" (2007). Center for Performing Arts Memorabilia. Book 223. http://opus.govst.edu/cpa_memorabilia/223 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. fOR PffifORMINC flftTS Governors State University presents The Center for Performing Arts' 2007-2008 Season I i n o i i lARTS is sponsored in part by a generous grant from: •Council The STRAIGHT OUTTA LYNWOOD tour also features: Stephen Jay (bass) Jon "Bermuda" Schwartz (drums) Jim Kimo West (guitar) Ruben Valtierra (keyboards) Exclusive to this engagement, two local dancers from the American Dance Center in Orland Park, Trace/ Villari and Danielle Latorre, also help back up the show! "Weird Al" Yankovic's "Straight Outta Lynwood" tour is an all-out multimedia experience featuring Yankovic's full band, video, and costumes. The best-selling comedy recording artist in history, with unparalleled acclaim for his musical satire, Al is famous for his parodies of the biggest stars in the musical universe. Eminem, Nirvana, Madonna, Michael Jackson, U2, P. Diddy, Greenday, Britney Spears, Chamillionaire, Mick Jagger and Sting are just a few of those who have been awarded the "Weird Al" treatment - and all with the full blessings from the artists themselves. -
ANTH 223: Contemporary Chinese Society Instructor
ANTH 223: Contemporary Chinese Society Instructor: Julie Y. Chu Email: [email protected] Phone: x2935 Office: PNE 348 Office Hours: Tuesdays, 10:30-11:30 AM; Thursdays, 12:30-1:30 PM Course Number: ANTH 223 Course Location: PNE 349, Mondays and Thursdays 11:10 AM-12:20 PM Course Description: This course draws from anthropological and cultural-historical frameworks to explore the contemporary terrain of China in relation to an emergent “New World (Dis)Order.” While introducing students to key concepts and major historical developments in twentieth-century China, the course will focus largely on ethnographic studies of social change and everyday life betwixt and between the Mao (1949-1978) and Post-Mao (1978-Present) eras. Topics examined include nation-building, Chinese modernities, capitalist development, gendered desires, class inequalities, religious revivalism and cosmopolitan identities. Students will be asked to critically and creatively think about change and continuity in contemporary China not only in terms of the organization of Chinese political institutions, but also in relation to the role of Chinese diasporic populations and other transnational and globalizing forces in producing spatial-temporal imaginaries. Course Objectives: 1. Heighten student appreciation of historical change and continuity, cultural diversity and the complexity of social issues in contemporary China, including China’s interconnectedness and positionality in the world order. 2. Broaden student knowledge and appreciation of anthropological approaches to the study of contemporary China, with an emphasis on ethnographic participant-observation across a diverse range of settings. 3. Develop students’ understanding and mastery of key concepts and analytical frameworks for examining China from an anthropological perspective. -
2D Animation Software You’Ll Ever Need
The 5 Types of Animation – A Beginner’s Guide What Is This Guide About? The purpose of this guide is to, well, guide you through the intricacies of becoming an animator. This guide is not about leaning how to animate, but only to breakdown the five different types (or genres) of animation available to you, and what you’ll need to start animating. Best software, best schools, and more. Styles covered: 1. Traditional animation 2. 2D Vector based animation 3. 3D computer animation 4. Motion graphics 5. Stop motion I hope that reading this will push you to take the first step in pursuing your dream of making animation. No more excuses. All you need to know is right here. Traditional Animator (2D, Cel, Hand Drawn) Traditional animation, sometimes referred to as cel animation, is one of the older forms of animation, in it the animator draws every frame to create the animation sequence. Just like they used to do in the old days of Disney. If you’ve ever had one of those flip-books when you were a kid, you’ll know what I mean. Sequential drawings screened quickly one after another create the illusion of movement. “There’s always room out there for the hand-drawn image. I personally like the imperfection of hand drawing as opposed to the slick look of computer animation.”Matt Groening About Traditional Animation In traditional animation, animators will draw images on a transparent piece of paper fitted on a peg using a colored pencil, one frame at the time. Animators will usually do test animations with very rough characters to see how many frames they would need to draw for the action to be properly perceived. -
Commercials Issueissue
May 1997 • MAGAZINE • Vol. 2 No. 2 CommercialsCommercials IssueIssue Profiles of: Acme Filmworks Blue Sky Studios PGA Karl Cohen on (Colossal)Õs Life After Chapter 11 Gunnar Str¿mÕs Fumes From The Fjords An Interview With AardmanÕs Peter Lord Table of Contents 3 Words From the Publisher A few changes 'round here. 5 Editor’s Notebook 6 Letters to the Editor QAS responds to the ASIFA Canada/Ottawa Festival discussion. 9 Acme Filmworks:The Independent's Commercial Studio Marcy Gardner explores the vision and diverse talents of this unique collective production company. 13 (Colossal) Pictures Proves There is Life After Chapter 11 Karl Cohen chronicles the saga of San Francisco's (Colossal) Pictures. 18 Ray Tracing With Blue Sky Studios Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S. 21 Fumes From the Fjords Gunnar Strøm investigates the history behind pre-WWII Norwegian animated cigarette commercials. 25 The PGA Connection Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates. 28 Making the Cel:Women in Commercials Bonita Versh profiles some of the commercial industry's leading female animation directors. 31 An Interview With Peter Lord Wendy Jackson talks with co-founder and award winning director of Aardman Animation Studio. Festivals, Events: 1997 37 Cartoons on the Bay Giannalberto Bendazzi reports on the second annual gathering in Amalfi. 40 The World Animation Celebration The return of Los Angeles' only animation festival was bigger than ever. 43 The Hong Kong Film Festival Gigi Hu screens animation in Hong Kong on the dawn of a new era. -
From" Morning Sun" To" Though I Was Dead": the Image of Song Binbin in the "August Fifth Incident"
From" Morning Sun" to" Though I Was Dead": The Image of Song Binbin in the "August Fifth Incident" Wei-li Wu, Taipei College of Maritime Technology, Taiwan The Asian Conference on Film & Documentary 2016 Official Conference Proceedings Abstract This year is the fiftieth anniversary of the outbreak of the Chinese Cultural Revolution. On August 5, 1966, Bian Zhongyun, the deputy principal at the girls High School Attached to Beijing Normal University, was beaten to death by the students struggling against her. She was the first teacher killed in Beijing during the Cultural Revolution and her death had established the “violence” nature of the Cultural Revolution. After the Cultural Revolution, the reminiscences, papers, and comments related to the “August Fifth Incident” were gradually introduced, but with all blames pointing to the student leader of that school, Song Binbin – the one who had pinned a red band on Mao Zedong's arm. It was not until 2003 when the American director, Carma Hinton filmed the Morning Sun that Song Binbin broke her silence to defend herself. However, voices of attacks came hot on the heels of her defense. In 2006, in Though I Am Gone, a documentary filmed by the Chinese director Hu Jie, the responsibility was once again laid on Song Binbin through the use of images. Due to the differences in perception between the two sides, this paper subjects these two documentaries to textual analysis, supplementing it with relevant literature and other information, to objectively outline the two different images of Song Binbin in the “August Fifth Incident” as perceived by people and their justice. -
Venice Gap Financing-Market
VENICE GAP – FINANCING MARKET BOOK OF PROJECTS FICTION AND DOCUMENTARY FEATURE FILMS VR, INTERACTIVE, WEB AND TV SERIES 01 – 03.09.2017 www.labiennale.org VENICE GAP– FINANCING MARKET BOOK OF PROJECTS FICTION AND DOCUMENTARY FEATURE FILMS VR, INTERACTIVE, WEB AND TV SERIES 74. Mostra Internazionale d’Arte Cinematografica Cinema Department Director Venice Gap-Financing Market La Biennale di Venezia Alberto Barbera VR, Interactive, Web and its collaborators and TV Series for Book of Projects The Venice Production Bridge welcomes the Cinema Department Valentina Bellomo th Managing Director Consultants Erika Giorgianni 47 selected teams and their projects to the 4 Luigi Cuciniello Lucas Rosant Elena Mantoan Eva Morsch Kihn Chiara Marin Venice Production Bridge Sara Mazzucchi edition of the Venice Gap-Financing Market Pascal Diot Collaborators Alessandro Mezzalira Savina Neirotti Violetta Bava Nikolas Montaldi Paolo Bertolin Since last year, the Venice Gap-Financing Market has expanded to host a larger number of projects [email protected] Matthieu Darras across different audiovisual forms. A total of 47 projects have been selected for this years' edition: www.labiennale.org Giacomo Durzi Francesco Giai Via feature fiction and documentary films, TV & web series and VR films. Elena Pollacchi Michel Reilhac Our hope was that this would bring variety, diversity, and the possibility for many decision makers that Liz Rosenthal were usually working only in one field to crossover to another, building bridges – as the new name of Jane Williams the Venice market suggests. We are proud to say that this has happened – and that in addition to the many feature films that in the past 3 years have closed their financing here in Venice and have then gone on to premiere at festivals worldwide, we can also celebrate the completion of documentaries, web series and virtual reality films. -
POUILLON Chef /Owner of America’S First Certified-Organic Restaurant
FALL 2019 2019 GR ANDE DA ME POUILLON Chef /Owner of America’s First Certified-Organic Restaurant ALSO INSIDE ... GREAT FUNDRAISING EVENTS FROM BRITISH COLUMBIA, CLEVELAND AND ST. LOUIS HOW GRANDE DAMES STAY RELEVANT OVER THE YEARS GREEN TABLES EVENTS FROM COLORADO, KENTUCKY AND NASHVILLE LDEI BOARD MEETS IN NEW ORLEANS Philadelphia's Deputy City Repesentative Margaret Hughes presented the Mayor’s Citation to Natanya DiBona (current president) and Claire Boasi (first president) in honor of the Philadelphia Chapter's 35th anniversary (see page 7). Laura Rodriguez prepares reception food at Bear Creek Farm for Nashville's Tour de Farm Green Tables fundraiser (see page 13). At Seattle Chapter's GCI event (see page 30), Jane Morimoto and Judy Lew stand between students at the Seattle Culinary Academy. FROM THE EDITOR If We Can Put a Man on the Moon… FALL 2 O19 I’m showing my age when I say that my eldest son Robert just celebrated his 50th birthday. In fact, he was three months old when Neil Armstrong and Buzz Aldrin took men’s first steps on the moon July 20, 1969. I held him in front of the TV so he IN THIS ISSUE could see it. How did we get there? “The astro- FEATURES nauts flew to the moon aided by a computer that had 73 kilobytes of memory. Today, a single email of 4 Nora Pouillon the day’s headlines from your local Grande Dame 2019 newspaper might require twice that space.” –One Giant Leap by 7 Philadelphia Chapter Celebrates Charles Fishman. You could put the memory of 876,712 Apollo Its 35th Anniversary 11 computers into one of today’s minimum-storage iPhones. -
Animayo. Una Apuesta Audiovisual Del Cabildo De Gran Canaria
ANIMAYO. UNA APUESTA AUDIOVISUAL DEL CABILDO DE GRAN CANARIA La animación como propuesta audiovisual vive unos momentos de auge en Canarias especialmente interesantes. La Consejería de Cultura y Patrimonio Histórico del Cabildo de Gran Canaria ha colaborado con diversos autores para ayudarles a desarrollar sus producciones: con Guillermo Bueno para su obra Las Aventuras de Carlos Orugo; con Damián Perea para Podría ser Peor, candidata al Goya, o en su actual trabajo Año Cero; con Chedey Reyes en su actual producción Cool City; y próximamente con Juan Padrón para su proyecto Darkstone. Además, en el Festival Canariasmediafest se ha recogido puntualmente, en su categoría de infografía y animación, las distintas producciones que, tanto con técnicas de animación más tradicional como con herramientas digitales, han sido realizadas por los creadores de las Islas. Una vez más, a través de Animayo, Muestra Internacional de Animación que se desarrolla en Gran Canaria Espacio Digital, se pretende colaborar con el conocimiento y difusión de una parte de la más interesante animación que se produce en el mundo y reunir diversos trabajos de autores canarios. La gran cantidad de producción de animación en nuestros días no solo es debida a la gran voracidad de contenidos de las televisiones, sino a su capacidad de llegar y captar la emoción de grandes y pequeños. Como concepto artístico tiene la particularidad de haber entrado en el museo, como producto televisivo sigue siendo la estrella del horario infantil. Si a ello unimos su posibilidad de deslocalización y trabajo cooperativo, y su independencia respecto a los centros tradicionales de producción de contenidos, entenderemos más fácilmente el interés de las regiones periféricas por desarrollar iniciativas que alienten este género. -
Quarterly 3 · 2009
cover_GFQ_3_2009heller.qxp:cover_GFQ_3_2009heller 24.07.2009 15:06 Uhr Seite 1 German Films Quarterly 3 · 2009 AT LOCARNO THE TWO HORSES OF GENHIS KHAN by Byambasuren Davaa AT MONTREAL ALIAS by Jens Junker ANNE PERRY-INTERIORS by Dana Linkiewicz CEASEFIRE by Lancelot von Naso AT VENEDIG DESERT FLOWER by Sherry Hormann SOUL KITCHEN by Fatih Akin PORTRAITS Almut Getto, Niko von Glasow, UFA Cinema, Alice Dwyer Inhaltsverz_GFQ3_2009.qxp:Inhaltsverz_GFQ3_2009 24.07.2009 15:01 Uhr Seite 1 German Films Quarterly 3 · 2009 directors’ portraits 4 A STROKE OF LUCK A portrait of Almut Getto 6 SHAKING AND STIRRING A portrait of Niko von Glasow producers’ portrait 8 NEW KIDS ON THE BLOCK A portrait of UFA Cinema actress’ portrait 12 SENSUALITY WITH PRINCIPLES A portrait of Alice Dwyer 14 news in production 18 BIS AUFS BLUT Oliver Kienle 18 BLACK DEATH Christopher Smith 20 FRECHE MAEDCHEN 2 Ute Wieland 20 GLUECKSRITTERINNEN Katja Fedulova 21 HABERMANN Juraj Herz 22 DER HUNGERWINTER 1946/47 Gordian Maugg 23 DIE JAGD NACH DER HEILIGEN LANZE Florian Baxmeyer 24 LUKS GLUECK Ayse Polat 25 NANGA PARBAT Joseph Vilsmaier 26 ORIENT EXPRESS THEATRE TRAIN Martin Andersson, Steffen Duevel 27 ORLY Angela Schanelec 27 RUMPE & TULI Samy Challah, Till Nachtmann, Stefan Silies 29 DER SANDMANN Jesper Moeller, Sinem Sakaoglu, Helmut Fischer 30 SATTE FARBEN VOR SCHWARZ Sophie Heldman 31 DAS SCHWEIGEN Baran bo Odar 32 THEMBA Stefanie Sycholt new german films 34 ALIAS Jens Junker 35 ANNE PERRY – INTERIORS Dana Linkiewicz 36 AYLA Su Turhan Inhaltsverz_GFQ3_2009.qxp:Inhaltsverz_GFQ3_2009 24.07.2009 15:01 Uhr Seite 2 37 BERLIN ’36 Kaspar Heidelbach 38 CHI L’HA VISTO Claudia Rorarius 39 DEUTSCHLAND NERVT MADE IN DEUTSCHLAND Hans-Erich Viet 40 DER ENTSORGTE VATER THE DISCARDED FATHER Douglas Wolfsperger 41 FLIEGEN FLY Piotr J.