Volume 129, Number 8, February 27, 2009
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Butlletí De Novetats Discogràfiques Gener - Març 2007
BUTLLETÍ DE NOVETATS DISCOGRÀFIQUES GENER - MARÇ 2007 Butlletí de novetats discogràfiques biblioteca Gener-Juny 2009 pública alicante ÍNDICE ÍNDICE DE AUTORES, TÍTULOS Y MATERIAS Índice 1 Música de tradiciones nacionales. Cantautores 2 Jazz 3 Rock, pop, música ligera 4 Música clásica 5 Música New Age 6 Música funcional. Bandas sonoras varias Índice de autores, títulos y materias PORTADA Música de tradiciones nacionales. Cantautores Música de tradiciones nacionales Cantautores ÍNDICE ÍNDICE DE AUTORES, TÍTULOS Y MATERIAS 1 Música de tradiciones nacionales. Cantautores 1 ÁLVAREZ, Javier Guerrero Álvarez [Grabación sonora] / Javier Álvarez, Pablo Guerrero. -- [S.l.] : Rosevil, 2009. -- 1 disco compacto (ca. 39 min.) : digital ; 12 cm + 1 folleto Letra de las canciones en el folleto Contiene: 1. Mesa de trabajo ; 2. Noche ; 3. Pero siempre te amo ; 4. Querido periodico ; 5. Pido las nubes que alientan mis poemas ; 6. Generoso sillon ; 7. Arde la tarde ; 8. Azar ; 9. El hombre que oculta su pasado ; 10. Mano ; 11. Botas de andar 1. Cantautores I. Título II. Guerrero, Pablo 064.7 ALV 1097022 ALI R.C.D. 6107 16 € Javier va a su ritmo y todo lo que implique presión no le interesa. Hace cuatro años de ‘Plan be’, que era un álbum doble, y ahora reaparece con un disco medio electrónico, medio rock, en el cual los textos, según dicen, son de Pablo Guerrero, que también recita en un par de ocasiones. No es un experimento: es comunión plena entre uno y otro. Javier se ha preocupado de interiorizar las letras y las ha dado un barniz personal hasta el extremo. Tanto, que no se reconoce a Pablo, lo que pretende ser un halago. -
Canvas 06 Music.Pdf
THE MUSIC ISSUE ALTER I think I have a pretty cool job as and design, but we’ve bridged the editor of an online magazine but gap between the two by including PAGE 3 if I could choose my dream job some of our favourite bands and I’d be in a band. Can’t sing, can’t artists who are both musical and play any musical instrument, bar fashionable and creative. some basic work with a recorder, but it’s still a (pipe) dream of mine We have been very lucky to again DID I STEP ON YOUR TRUMPET? to be a front woman of some sort work with Nick Blair and Jason of pop/rock/indie group. Music is Henley for our editorials, and PAGE 7 important to me. Some of my best welcome contributing writer memories have been guided by a Seema Duggal to the Canvas song, a band, a concert. I team. I met my husband at Livid SHAKE THAT DEVIL Festival while watching Har Mar CATHERINE MCPHEE Superstar. We were recently EDITOR PAGE 13 married and are spending our honeymoon at the Meredith Music Festival. So it’s no surprise that sooner or later we put together a MUSIC issue for Canvas. THE HORRORS This issue’s theme is kind of a departure for us, considering we PAGE 21 tend to concentrate on fashion MISS FITZ PAGE 23 UNCOVERED PAGE 28 CREATIVE DIRECTOR/FOUNDER CONTRIBUTING PHOTOGRAPHERS Catherine McPhee NICK BLAIR JASON HENLEY DESIGNER James Johnston COVER COPYRIGHT & DISCLAIMER EDITORIAL MANAGER PHOTOGRAPHY Nick Blair Reproduction in whole or in part without written permission by Canvas is strictly prohibited. -
Antony and the Johnsons Til Northside
2015-04-14 13:30 CEST Antony and the Johnsons til NorthSide Med tilføjelsen af i alt fem nye navne inklusive et fænomenalt nyt hovednavn, der laver en unik koncert sammen med Aarhus Symfoniorkester, er den endelige plakat klar til NorthSide 2015 Mange måneders hårdt arbejde er nu overstået, og resultatet præsenteres i dag i form af en plakat med 41 navne, der spænder fra legendariske Grace Jones, popsensationen Sam Smith, hiphop-kongerne Wu-Tang Clan, fænomenale Antony and the Johnsons sammen med Aarhus Symfoniorkester og det mest ønskede NorthSide-navn nogensinde – The Black Keys. Med offentliggørelsen af plakaten sættes de sidste fem navne på plakaten, og heriblandt finder man Antony and the Johnsons, der til lejligheden har allieret sig med Aarhus Symfoniorkester. Den unikke sanger Antony Hegarty har en kompromisløs og udfordrende karriere bag sig, hvor det Mercury Prize- vindende mesterværk ”I Am a Bird Now” og albummet ”Cut the World” står som højdepunkter. Sidstnævnte blev indspillet i 2011 sammen med DR UnderholdningsOrkestret til to roste koncerter i København, og denne fantastiske musik vil nu blive genskabt på NorthSide. Antony Hegarty får følgeskab af norske Emilie Nicolas, der har imponeret med hittet ”Pstereo” fra det forrygende debutalbum ”Like I’m A Warrior” samt de to danske navne S!vas og Rangleklods. S!vas har redefineret dansk hiphop og introduceret så mange nye ord til det danske sprog, at han sidste år blev hædret med GAFFAs Specialpris for sin banebrydende musik, og duoen Rangleklods er efter stribevis af koncerter på de største europæiske festivaler både klar med et nyt album og klar til at præsentere deres intelligente og nuancerede klubmusik på NorthSide. -
Das Große Alan-Bangs-Nachtsession -Archiv Der
Das große Alan-Bangs-Nachtsession1-Archiv der FoA Alan Bangs hatte beim Bayerischen Rundfunk seit Februar 2000 einen besonderen Sendeplatz, an dem er eine zweistündige Sendung moderieren konnte: „Durch die Initiative von Walter Meier wurde Alan ständiger Gast DJ in den Nachtsession‘s, welche jeweils in der Nacht vom Freitag zum Samstag auf Bayern2 ausgestrahlt werden. Seine 1.Nachtsession war am 18.02.2000 und seit dieser ist er jeweils 3 bis 4mal pro Jahr zu hören – die letzte Sendung wurde am 1.12.2012 ausgestrahlt. Im Jahr 2001 gab es keine Nachtsession, 2002 und 2003 jeweils nur eine Sendung.“ (Zitat aus dem bearbeiteten Alan-Bangs-Wiki auf http://www.friendsofalan.de/alans-wiki/ Ab 2004 gab es dann bis zu vier Sendungen im Jahr, die letzte Sendung war am 1.12. 2010. Alan Bangs‘ Nachtsession- Sendungen wurden zeitweise mit Titeln oder Themen versehen, die auf der Webseite bei Bayern 2 erschienen. Dazu gab es teilweise einleitende Texte zusätzlich zu den Playlisten dieser Sendungen. Soweit diese (noch) recherchierbar waren, sind sie in dieses Archiv eingepflegt. Credits: Zusammengestellt durch FriendsofAlan (FoA) unter Auswertung von Internet- Quellen insbes. den auf den (vorübergehend) öffentlich zugänglichen Webseiten von Bayern 2 (s. die aktuelle Entwicklung dort im folgenden Kasten ) IN MEMORIUM AUCH DIESES SENDEFORMATS Nachtsession Der Letzte macht das Licht aus Nacht auf Donnerstag, 07.01.2016 - 00:05 bis 02:00 Uhr Bayern 2 Der Letzte macht das Licht aus Die finale Nachtsession mit den Pop-Toten von 2015 Mit Karl Bruckmaier Alle Jahre wieder kommt der Sensenmann - und heuer haut er die Sendereihe Nachtsession gleich mit um. -
Reflections on the Mercury Music Prize in 2016, Simon Frith
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of East Anglia digital repository Popular Music Interview with Simon Frith – Reflections on the Mercury Music Prize In 2016, Simon Frith stepped down as chair of the Mercury Music Prize (MMP), a post he had held for the 25 years since the Prize was founded in 1992. During this time, the MMP – awarded to the British and Irish album of the year - became an established part of the UK music industry’s annual cycle, helping to shape musical taste and business practice. Its credibility as a prize also made it the one that musicians wanted to win. While he was chair, Simon Frith wrote Performing Rites (1996), a book that analysed, among other things, the value attributed to music and the processes by which that value is determined. The MMP could be seen as a practical example of the ideas and arguments of the book. The Editorial Group of Popular Music invited Simon Frith to reflect on his time as chair of the MMP and on the link between this role and his academic interests. The interview was conducted by John Street. The conversation began with a question about the interests behind the MMP over its 25-year history. Simon Frith: The Mercury Prize was a marketing initiative of the music industry, through the British Phonographic Industry (BPI); it was a way of selling records. The BPI understood that if such a prize was going to work, it had to be seen as independent of the industry itself. -
Ben Harper and Charlie Musselwhite Nightclub
Ben Harper And Charlie Musselwhite Nightclub Posts about Carole King written by thedailyrecord. Mostrando entradas con la etiqueta Ben Harper. “It was heartwarming, because there’s a genuine affection for the Belly Up and the artists are able to support the club with these albums. Bobby Johnson - Get Up and Dance (2013) Funk, R&B, Soul | 320 kbps | MP3 | 148. We were so pleased to recieve the message that […] Do you like it? 16. Their first album, 2012’s Get Up! , spurred, at least in my mind at the time, comparisons to other blues and jazz artists such as John Lee Hooker and Muddy Waters. It’s the coolest makeover on the record, enigmatic and slinky as its originator. El llegendari músic va pensar que tots dos havien de tocar junts. Su destino Hamburgo, donde todavía vive con ochentaytantos años. Protoje, 9 p. 15 Dec 2019 - New at #TopMusic 7 days (15 Dec): 'The Way It Used To Be' by Trent Reznor & Atticus Ross; 'Nightclub' by Ben Harper & Charlie Musselwhite;. Download Ben Harper With Charlie Musselwhite "Get Up!" Now:iTunes: http://smarturl. Ben Harper & Charlie Musselwhite "When I Go": When I leave here I'll have no place to go And it's much too late to change my name I'm gonna take y. 08/03/2018 - Ben Harper & Charlie Musselwhite @ The Gothic Theatre - Englewood, CO Ben Harper & Charlie Musselwhite played the Gothic Theatre off Broadway to a sold out crowd last night. Get Up! is an album by the American musicians Charlie Musselwhite and Ben Harper , their twenty-ninth and eleventh album, respectively. -
Psaudio Copper
Issue 41 SEPTEMBER 11TH, 2017 Welcome to Copper #41! The title isn't to announce a James Taylor retrospective---sorry to crush your hopes--- but is just what I see in today's weather reports. The Pacific Northwest, where I'm bound for a long-delayed vacation, is up in flames, along with many other parts of the tinder-dry US. Meanwhile, back in my former home of Florida...they've already had nearly two feet of rain, and Hurricane Irma is not even close to the state yet. Stay safe, everyone. I'm really pleased and excited to have Jason Victor Serinus back with us, with the first part of an intensive introduction to art song. Jason brings tremendous knowledge of the field, and provides plenty of recorded examples to listen to, and in the case of videos, watch. There are many stunning performances here, and I hope you enjoy this extraordinary resource. We'll have Part 2 in Copper #42. Dan Schwartz is again in the lead-off spot with the second in his series of articles on encounters–this one, with Phil Lesh and crew; Seth Godin tells us how control is overrated; Richard Murison hears a symphony; Duncan Taylor takes us to Take 1; Roy Hall tells about a close encounter of the art kind; Anne E. Johnson introduces indie artist Anohni; and I worry about audio shows (AGAIN, Leebs??), and conclude my look at Bang & Olufsen. Industry News tells of the sale of audiophile favorite, Conrad-Johnson; Gautam Raja is back with an amazing story that I think you'll really enjoy, all about Carnatic music, overlooked heritage, and the universal appeal of rock music; and Jim Smith takes another warped look at LPs. -
Uncovering the Cover
Uncovering the Cover Reading Authenticity and Subjectivity in Cover Songs Master thesis in musicology, Institute of Musicology, University of Oslo Spring, 2012 Åste Jensen Sjøvaag Contents Acknowledgements..................................................................................................................................... 3 Chapter 1. Introduction............................................................................................................................... 5 Research questions...................................................................................................................................... 6 The cover song............................................................................................................................................ 9 Theoretical concepts................................................................................................................................. 12 Method - the reading process.................................................................................................................... 24 The music.................................................................................................................................................. 29 Synopsis.................................................................................................................................................... 34 Chapter 2. “Fields of Gold”...................................................................................................................... -
Niels Van Poecke Authenticity Revisited
Authenticity Revisited Te production, distribution, and consumption of independent folk music in the Netherlands (1993-present) Niels van Poecke Authenticity Revisited Te production, distribution, and consumption of independent folk music in the Netherlands (1993-present) Ph.D. thesis Niels van Poecke 1 Authenticity Revisited Te production, distribution, and consumption of independent folk music in the Netherlands (1993-present) Authenticiteit Herzien De productie, distributie en consumptie van indie-folk in Nederland (1993-heden) 2 Authenticity Revisited Te production, distribution, and consumption of independent folk music in the Netherlands (1993-present) ~ Authenticiteit Herzien De productie, distributie en consumptie van indie-folk in Nederland (1993-heden) Proefschrift ter verkrijging van de graad van doctor aan de Erasmus Universiteit Rotterdam op gezag van de rector magnifcus Prof.dr. H.A.P. Pols en volgens besluit van het College voor Promoties. De openbare verdediging zal plaatsvinden op donderdag 2 november 2017 om 11:30 uur door Niels van Poecke geboren te Terneuzen 3 Doctoral committee: Supervisors: prof.dr. C.J.M. van Eijck prof.dr. J. de Mul Other members: prof.dr. M.S.S.E. Janssen prof.dr. D.J. Hesmondhalgh prof.dr. W.G. Roy 4 For my grandfather Marinus van Stee – a true working class intellectual. ~ For my daughter Mance van Poecke who, in writing the story she wishes to live by, may discover the power of music. 5 Tis research has been funded by the sustainable humanities program of the NWO Publisher: ERMeCC - Erasmus Research Centre for Media, Communication and Culture Design by Eyesberg (Amy Suo Wu & Tim Braakman) Printed by Peterprint.nl ISBN: 9789076665337 6 Preface and acknowledgments Tis dissertation is about indie-folk – the indie of which stands for ‘independent’. -
The Lonely City: Adventures in the Art of Being Alone
Also by Olivia Laing To the River The Trip to Echo Spring OLIVIA LAING The Lonely City Adventures in the Art of Being Alone Published in Great Britain in 2016 by Canongate Books Ltd, 14 High Street, Edinburgh EH1 1TE www.canongate.tv This digital edition first published in 2016 by Canongate Books Copyright © Olivia Laing, 2016 The moral right of the author has been asserted For permissions acknowledgements, please see the Notes beginning on page 285 Every effort has been made to trace copyright holders and obtain their permission for the use of copyright material. The publisher apologises for any errors or omissions and would be grateful if notified of any corrections that should be incorporated in future reprints or editions of this book. British Library Cataloguing-in-Publication Data A catalogue record for this book is available on request from the British Library ISBN 978 1 78211 123 8 eISBN 978 1 78211 124 5 Typeset in Bembo by Palimpsest Book Production Ltd, Falkirk, Stirlingshire If you’re lonely, this one’s for you and every one members one of another Romans 12:5 CONTENTS 1 The Lonely City 2 Walls of Glass 3 My Heart Opens to Your Voice 4 In Loving Him 5 The Realms of the Unreal 6 At the Beginning of the End of the World 7 Render Ghosts 8 Strange Fruit Notes Bibliography Acknowledgements List of Illustrations 1 THE LONELY CITY IMAGINE STANDING BY A WINDOW at night, on the sixth or seventeenth or forty-third floor of a building. The city reveals itself as a set of cells, a hundred thousand windows, some darkened and some flooded with green or white or golden light. -
Pressbook Marina Abramovic.Pdf
WITH Bob Wilson Marina Abramovic Willem Dafoe Antony Hegarty a film by GIADA COLAGRANDE DIRECTED BY Giada Colagrande PRODUCER Max Brun CO-PRODUCER Guido Cella PRODUCED BY CINEMATOGRAPHER Art + Vibes Tommaso Borgstrom IN COLLABORATION WITH EDITOR Collateral Films Natalie Cristiani WITH THE SUPPORT OF SOUND MIX Galleria Lia Rumma Pino Pischetola SINOSSI SYNOPSIS “BOB WILSON’S LIFE & DEATH OF MARINA ABRAMOVIC” “BOB WILSON’S LIFE & DEATH OF MARINA ABRAMOVIC” segue l’incontro del regista Robert Wilson, della performance artist follows the coming together of director Robert Wilson, performance Marina Abramovic, del cantante e compositore Antony Hegarty e artist Marina Abramovic, singer and composer Antony Hegarty and dell’attore Willem Dafoe, da cui nasce l’opera teatrale sulla performer Willem Dafoe, to create the experimental opera based biografia di Marina Abramovic. on Marina Abramovic’s biography. Attraverso riprese delle prove e interviste degli artisti al lavoro, Through rehearsal footage and interviews with the artists as they esploriamo dall’interno questa collaborazione unica, tracciando un are making the piece, we get an insight into this unique intimo ritratto che rivela dinamiche, entusiasmi e paure di ognuno collaboration: an intimate portrait that reveals the dynamics, di loro durante la messa in scena di questo spettacolo così poetico excitement and insecurities of making such a poetic and visually e visivamente straordinario. stunning theatre work. NOTE DIRECTOR’S DI REGIA STATEMENT Quando ho saputo che Robert Wilson avrebbe diretto un’opera When I heard that Robert Wilson was going to make an opera on sulla biografia di Marina Abramovic, mi sono chiesta “dove Marina Abramovic’s biography, I wondered “where will the master s’incontreranno il maestro dell’artificio e la madrina del reale? of artifice meet the mother of reality? Will they marry theatre with Sposeranno il teatro con la performance art o sarà una lotta tra performance art or will it be a fight between titans?”. -
ANOHNI Miracle Now Pressemeddelelse
Miracle Now 24. maj åbner Nikolaj Kunsthal udstillingen Miracle Now af den britisk-amerikanske kunstner og musiker ANOHNI. Værker på papir, malerier og skulpturer bliver ledsaget af en 9-kanals videoinstallation og skrøbelige dokumenter fra ANOHNIs arkiv. ANOHNI opnåede først international anerkendelse med sit band Antony and the Johnsons, som opstod ud af after-hours performance-scenen i 1990ernes New York. ANOHNIs videoinstallation er en udforskning af billede, lyd og tekst baseret på hendes stykke fra 1995 Miracle Now og får sin premiere i Nikolaj Kunsthals Nedre Galleri. I Øvre Galleri fremvises et bredt udvalg af ANOHNIs værker, som viser hendes sans for materialernes taktile egenskaber: collager lavet af fundne objekter og hentet fra forskellige samlinger, fotografier, skulpturelle værker i den store skala og voksmalerier. Hendes animistiske drømmerier udtrykker følelser, en bevidsthed om medskyld og en længsel efter forandring stillet over for det menneskeskabte økologiske selvmord. “Udvikler naturen sig, eller forandrer hun sig bare? Der kan nu lagres så store mængder informationer på så lidt plads. Videnskabsfolk har for nylig sagt, at traumer, som har ramt vores forfædre, ændrer vores genom på påviselige måder. Jeg forestiller mig, at man i fremtiden kan anbringe en vanddråbe i en maskine og få alt at vide om hvert et øjeblik, dens atomer har gennemlevet og alle de levende og ikke-levende organismer, den nogensinde har været en del af. Da mit stykke Miracle Now først blev opført i 1995, var min største drøm, at Naturen ville kunne fastholde en viden om alt, hun nogensinde havde været. Det rummede et fundament af håb for mig, ansigt til ansigt med det økologiske sammenbrud”.