Serenading Louie (1970) by Lanford Wilson Gabrielle
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GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I. -
Talley's Folly Studio Arena
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State Studio Arena Programs Studio Arena 4-24-1981 Talley's Folly Studio Arena Follow this and additional works at: http://digitalcommons.buffalostate.edu/saprograms Recommended Citation Studio Arena, "Talley's Folly" (1981). Studio Arena Programs. 58. http://digitalcommons.buffalostate.edu/saprograms/58 This Book is brought to you for free and open access by the Studio Arena at Digital Commons at Buffalo tS ate. It has been accepted for inclusion in Studio Arena Programs by an authorized administrator of Digital Commons at Buffalo tS ate. For more information, please contact [email protected]. STUDIO ARENA THEATRE I 1 S F J v V .S O JEN ON THE MOVE Vi UP WITH ADIDAS® Serving Western New York since 1893. Downtown, Thruway Mall, Boulevard Mall, Seneca Mall, Eastern Hills X NOTES OS! THE PLAYWRIGHT it s new . It’s exciting THE ALL MEW Premier Center _____' 1— 3445 DELAWARE 2 BLOCKS SOUTH OF SHERIDAN America’s largest Hospitality Entertainment Complex and The New Home of Lanford Wilson was one of the first playwrights of experimental theatre to PREMIER find critical acclaim and commercial success beyond the Off-Off-Broadway stage. His uncanny ability to write strong, LIQUOR naturalistic, fluid blends of dialgoue is The largest Wine and Spirit the foundation on which his Outlet in the United States with a extraordinary perceptions into the 500,000 bottle selection and over 1 spiritual and physical decay of people, mile of display of Whiskies, Gins, individually and collectively, are built. -
A Background to Balm in Gilead
A Background to Balm in Gilead: A little bit of information to give you a deeper look at the time, place, and themes in the play 1 | Page Table of Contents Lanford Wilson ............................................................................... Page 3 Balm in Gilead ................................................................................ Page 6 Book of Jeremiah ........................................................................... Page 7 1960s ............................................................................................... Page 9 History of New York City (1946–1977) ........................................ Page 30 Classic ‘New York’: The 1960s .................................................... Page 35 Important Events of the 1960s .................................................... Page 37 Heroin ............................................................................................ Page 46 2 | Page Lanford Wilson (1937- ) American playwright. The following entry provides an overview of Wilson's career through 2003. For further information on his life and works, see CLC, Volumes 7, 14, and 36. INTRODUCTION A prolific writer of experimental and traditional drama, Wilson launched his career at the avant-garde Caffe Cino during the off-off-Broadway movement of the 1960s. He later co-founded the renowned Circle Repertory Company, for which he wrote many of his major works, including the Pulitzer Prize-winning Talley's Folly (1979). Through his dynamic characters, many of whom are misfits of low social -
Download 2012–2013 Catalogue of New Plays
Cover Spread 1213.ai 7/24/2012 12:18:11 PM Inside Cover Spread 1213.ai 7/24/2012 12:14:50 PM NEW CATALOGUE 12-13.qxd 7/25/2012 10:25 AM Page 1 Catalogue of New Plays 2012–2013 © 2012 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Fall 2012 Dear Subscriber, This year we are pleased to add over 85 works to our Catalogue, including both full length and short plays, from our new and established authors. We were particularly fortunate with nominations and awards that our authors won this year. Quiara Alegría Hudes won the Pulitzer Prize with WATER BY THE SPOONFUL, and the two runners-up were John Robin Baitz’s OTHER DESERT CITIES and Stephen Karam’s SONS OF THE PROPHET. The Play Service also represents three of the four 2012 Tony nominees for Best Play, including the winner, Bruce Norris’ CLYBOURNE PARK, Jon Robin Baitz’s OTHER DESERT CITIES and David Ives’ VENUS IN FUR. All four of the Tony nominations for Best Revival are represented by the Play Service: DEATH OF A SALESMAN (the winner), THE BEST MAN, MASTER CLASS and WIT. Other new titles include Rajiv Joseph’s BENGAL TIGER AT THE BAGHDAD ZOO, David Henry Hwang’s CHINGLISH, Katori Hall’s THE MOUNTAINTOP, Nina Raines’ TRIBES and Paul Weitz’s LONELY, I’M NOT. Newcomers to our Catalogue include Simon Levy, whose masterful adaptation of THE GREAT GATSBY is the only stage version to be authorized by the Fitzgerald Estate; Erika Sheffer, with her vivid portrait of an immigrant family in RUSSIAN TRANSPORT; Sarah Treem, with her absorbing and thought-provoking THE HOW AND THE WHY; and Tarell Alvin McCraney, with the three plays of his critically acclaimed BROTHER/SISTER TRILOGY. -
Download 2018–2019 Catalogue of New Plays
Catalogue of New Plays 2018–2019 © 2018 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: Take a look at the “New Plays” section of this year’s catalogue. You’ll find plays by former Pulitzer and Tony winners: JUNK, Ayad Akhtar’s fiercely intelligent look at Wall Street shenanigans; Bruce Norris’s 18th century satire THE LOW ROAD; John Patrick Shanley’s hilarious and profane comedy THE PORTUGUESE KID. You’ll find plays by veteran DPS playwrights: Eve Ensler’s devastating monologue about her real-life cancer diagnosis, IN THE BODY OF THE WORLD; Jeffrey Sweet’s KUNSTLER, his look at the radical ’60s lawyer William Kunstler; Beau Willimon’s contemporary Washington comedy THE PARISIAN WOMAN; UNTIL THE FLOOD, Dael Orlandersmith’s clear-eyed examination of the events in Ferguson, Missouri; RELATIVITY, Mark St. Germain’s play about a little-known event in the life of Einstein. But you’ll also find plays by very new playwrights, some of whom have never been published before: Jiréh Breon Holder’s TOO HEAVY FOR YOUR POCKET, set during the early years of the civil rights movement, shows the complexity of choosing to fight for one’s beliefs or protect one’s family; Chisa Hutchinson’s SOMEBODY’S DAUGHTER deals with the gendered differences and difficulties in coming of age as an Asian-American girl; Melinda Lopez’s MALA, a wry dramatic monologue from a woman with an aging parent; Caroline V. McGraw’s ULTIMATE BEAUTY BIBLE, about young women trying to navigate the urban jungle and their own self-worth while working in a billion-dollar industry founded on picking appearances apart. -
Catalogue1516.Pdf
Catalogue of New Plays 2015–2016 © 2015 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: Once again, the Play Service is delighted to have all of this year’s Tony nominees for Best Play. The winner, Simon Stephens’ THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, based on Mark Haddon’s best-selling novel, is a thrilling and emotional journey into the mind of an autistic boy. We acquired Ayad Akhtar’s Pulitzer Prize- winning play DISGRACED after its run at Lincoln Center, and we are also publishing his plays THE WHO & THE WHAT and THE INVISIBLE HAND. Robert Askins’ subversive, hilarious play HAND TO GOD introduced this young American writer to Broadway, and the Play Service is happy to be his first publisher. Rounding out the nominess are Mike Poulton’s dazzling adaptations of Hilary Mantel’s WOLF HALL novels. THIS IS OUR YOUTH by Kenneth Lonergan and perennial favorite YOU CAN’T TAKE IT WITH YOU by Kaufman and Hart were nominated for Best Revival of a Play. We have our 45th Pulitzer Prize winner in the moving, profane, and deeply human BETWEEN RIVERSIDE AND CRAZY, by Stephen Adly Guirgis, which is under option for Broadway production next season. Already slated for Broadway is Mike Bartlett’s “future history” play, KING CHARLES III, following its hugely successful production in the West End. Bess Wohl, a writer new to the Play Service, received the Drama Desk Sam Norkin Off-Broadway Award. We have her plays AMERICAN HERO and SMALL MOUTH SOUNDS. -
Catalog 033 Adstoyscoinopp
September 19 & 20 2015 • I II • Potter & Potter Auctions Public Auction #033 Advertising, Toys Coin-Op, and Posters Including Vending, Arcade, Slot, and Gum Machines; Vintage Chewing Gum Advertising; Circus Posters and Ephemera; Movie Posters & Memorabilia; Autographs, Photographs and Ephemera; Vintage Battery-Operated and Wind-Up Toys, Puzzles, and Vent Figures; Porcelain and Trade Signs, Vintage Advertising, Antiques, and Miscellaneous Collectibles Auction September 19 & 20 2015 v 10:00 Am Exhibition Sept 14 - 18 2015 v 10:00 am - 5:00 pm Inquiries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 1 3 4 5 6 2 7 2 • Potter & Potter Auctions 8 SESSION ONE - SEPTEMBER 19, 2015 AT 10AM CINEMA - BROADSIDES 5. Town Hall Hartlepool. Theatrical broadside (35 x 11”) 1. Argyle Theatre of Varieties. Liverpool, England: S. Griffith, for September 16, 1907, in a film exhibition by the Excelsior Printer, 1897. Theatrical letterpress broadside (30 x 10”) Animated Picture Company, including The Giant Cunard Liner advertising “The Marvel of the Century” – Edison’s latest Lusitania, released several years before the vessel was sunk; La Novelty: the Autograph, Life Size Pictures, 20 feet square. Ten Milo; and Life in the Sandwich Islands, a Hawaiian documentary; different Edison movies advertised. Edge-wear with some plus others. Very good condition except for edge chips not darkening, linen backed. B. affecting printed image. Linen mounted. B. 150/200 200/300 2. Palladium News Theatre. Hartlepool, England: F. W. Mason 6. Town Hall Hartlepool. Theatrical broadside (35 x 11”) for the Printer, ca. -
Study Guide For
Study Guide for Written by Sophie Watkiss Edited by Rosie Dalling Rehearsal photography by Marc Brenner Production photography by Hugo Glendining This programme has been made possible by the generous support of The Bay Foundation, Noel Coward Foundation and Universal Consolidated Group 1 Contents Section 1: Cast and Creative Team Section 2: Lanford Wilson and a New American Theatre Off-Off Broadway The style of Lanford Wilson’s work An introduction to SERENADING LOUIE The quartet of characters Section 3: Inside the rehearsal room Design concept A conversation with Ben Woolf, Associate Director Section 4: Practical work Act One, Scenes One and Two Section 5: Bibliography and endnotes 2 section 1 Cast and Creative Team Cast Charlotte Emmerson: MARY Theatre: includes Wallenstein (Chichester Festival), On the Rocks (Hampstead), The Children’s Hour, Great Expectations (Manchester Royal Exchange), Therese Raquin, The Coast of Utopia, The Good Hope, The Cherry Orchard (NT), The Daughter-in-Law (Watford Palace), Postman Always Ring Twice (Playhouse/ WYP), The Seagull (Edinburgh Festival), Our Song (TEG Productions), Baby Doll (Birmingham Rep/NT/Albery), The Crucible (tour). Film: includes The Last Minute, Smile, Weekend Bird, Food of Love, Wangle. Television: includes Casualty 1909, Berry’s Way, The Innocent Project, Stan, See No Evil, Midsomer Murders, Vincent, Outlaws, The Brief, Foyles War, The Alan Clark Diaries, Holby City, Peak Practise, Just Desserts, Noah’s Ark, The Lives and Crimes of William Palmer, Underworld, Staying Alive. Jason -
Lemon Sky Studio Arena
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State Studio Arena Programs Studio Arena 3-26-1970 Lemon Sky Studio Arena Follow this and additional works at: http://digitalcommons.buffalostate.edu/saprograms Recommended Citation Studio Arena, "Lemon Sky" (1970). Studio Arena Programs. 52. http://digitalcommons.buffalostate.edu/saprograms/52 This Book is brought to you for free and open access by the Studio Arena at Digital Commons at Buffalo tS ate. It has been accepted for inclusion in Studio Arena Programs by an authorized administrator of Digital Commons at Buffalo tS ate. For more information, please contact [email protected]. STUDIO A r e n a THEATRE =JlllllM!!!lill!lii!!!liI!liiijlilN!ll!niiN!i!!IIII!!l!i!li!!il!!lilill!!!!‘~ STJDIO arena THEATRE O c f o r / e s s EXECUTIVE PRODUCER NEAL DU SROCK ADMINISTRATIVE STAFF = 752 Eimvvood Avenue = William Firestone, Executive Assistant Kathryn Kingdon, Assistant Director = Buffalo, New York = Gail Johnson, Executive Secretary Blossom Cohan, Director of Publicity 1 est 1925 SS5-0205 | William E, Lurie, Business Manager Kate Selover, Publicity ^ll!llllllllllllllllllllllllll|l!llllllillllllll|l!lll!lllllllll|||||||||||||||i Eleanor Albertson, Maintenance Secretary Marion Copeland, Theatre Party Representative Patricia Jo Nagel, Garda Miller. Box Office Managers Frank Szaba, House Manager Warren Enters, Associate Director Jane Keeler, Director Emeritus Norma J. Sandler, Theatre School Director PRODUCTION STAFF Steve Andersen, Stage Manager Gary Mueller, Assistant Stage Manager Peter J. Gill, Electrician Richard Mueller, Property Master Pearl Smith, Wardrobe Supervisor Jerry Brace, Technical Director Perry Lee, Assistant Technical Director Steve Sobell, Technician Marie Rogers, Wardrobe Mistress BOARD OF TRUSTEES Welles V. -
At Play Spring 01
representing the american theatre byy DRAMATISTS publishing and licensing the workss Doug Wright on QUILLS PLAY SERVICE, INC. of new and established playwrights.. Actor/Playwright Laurence Fishburne a Wit on HBO tpIssuel 7,a Spring 2001 y HOLLYWOOD ISSUE AN INTERVIEW WITH JEFF DANIELS Director of Professional Rights Robert Vaughan has a conversation with Jeff Daniels, star of stage and screen, founder of Chelsea, Michigan’s Purple Rose Theatre Company — and now a DPS playwright. VAUGHAN. Purple Rose is about to have an anniversary. DANIELS. Oh yeah, we’re ten years old now. We’re real happy with not only the level of talent and the development of the talent out here but also with people like Lanford [Wilson] coming through and Steven Courtesy of International Creative Management, Inc. Dietz and others.We’re really devel- oping into a nationally recognized regional theatre company that does new work. Continued on page 2 What was the first experience you had here in all over the plays that you guys have published, and if That’s great. New York? Was it with Circle Rep? you look, you can see his influence on me, the way I Yeah, and even the guys I had to replace, because of Yeah, I moved to New York and went straight to overlap. You know, you create action at times by over- the age factor, even those two guys ended up in the Circle Rep. Marshall Mason had found me out here lapping dialogue. film. So everybody that was in it on stage is in the in a college production that he was directing. -
The Hot L Baltimore Program Layout
Untverslfy of Houston ~ Downtown Production Staff Unlverslfy Theatre Production Manager I Light Board Operator . Kataneh Haklmzadeh presents Stage Manager . • • • . Kam Pattfsapu Sound Board Operator . Rick Moreno Program Cover Design . Troy E.. FaJdyn The Hot L Baltimore Program Layout . Zlrot Graphic Designs by House Managers I Ushers . Alisha Breakfield Lanfbrd Wilson Angela Standish Box Office Staff. Brenda Belmares Director Thomas J. Lyttle This semester's recipients of the Rockwell Drama Scholarship Set Design Lighting Design are Miss Kacy Pollock and Mr. Troy E. FaJdyn. Jonathan Middents Jonathan Middents We congratulate them on this honor. and Ondy Day You are cordially Invited to meet the cast and crew Costume Design Sound Design In the theatre lobby fbllowlng the performance. Pat Covington John Peeples Cast Aboyt the Playwiight Born In 1937 In Lebanon, Missouri, Lanford Wilson originally wanted to be an (In order of appearance) artist. After studying painting at San Diego State University, he got a job with an adver Bill Lewis . Troy E.. Faldyn tising agency In Chicago doing layout work and writing copy. His ultlmate plan was to quit his job and support himself by writing short stories whlle pursuing his painting. Girl . Angela Konzem One day he had an Idea for a stoty. He began writing It out on a layout pad Millie . Shawny Tubbs when It suddenly occurred to him that the stoty might work better as a play .. By the time Mrs. Bellotti . Lisa M. AyaJa he got to the bottom of the first page he knew he was a playwright. He took an lntroduc April Green ..........................Ka~ Pollock toty play writing dass at the University of Chicago to learn the rudiments of theatre and Mr. -
Serenading Louie
The American Century Theater presents Audience Guide Written and compiled by Jack Marshall July 23–August 21, 2010 Theatre II, Gunston Arts Center March 26-April 1 7 Theatre II, Gunston Arts Center Theater you can afford to see— plays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called ―the American Century.‖ The company‘s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts.