Sonny-Schneidau-Acce
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Wavelength (December 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ---- Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson. -
Wavelength (April 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1981 Wavelength (April 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1981) 6 https://scholarworks.uno.edu/wavelength/6 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. APRIL 1 981 VOLUME 1 NUMBE'J8. OLE MAN THE RIVER'S LAKE THEATRE APRIL New Orleans Mandeville, La. 6 7 8 9 10 11 T,HE THE THIRD PALACE SUCK'S DIMENSION SOUTH PAW SALOON ROCK N' ROLL Baton Rouge, La. Shreveport. La. New Orleans Lalaye"e, La. 13 14 15 16 17 18 THE OLE MAN SPECTRUM RIVER'S ThibOdaux, La. New Orleans 20 21 22 23 24 25 THE LAST CLUB THIRD HAMMOND PERFORMANCE SAINT DIMENSION SOCIAL CLUB OLE MAN CRt STOPHER'S Baton Rouge, La. Hammond, La. RIVER'S New Orleans New Orleans 27 29 30 1 2 WEST COAST TOUR BEGINS Barry Mendelson presents Features Whalls Success? __________________6 In Concert Jimmy Cliff ____________________., Kid Thomas 12 Deacon John 15 ~ Disc Wars 18 Fri. April 3 Jazz Fest Schedule ---------------~3 6 Pe~er, Paul Departments April "Mary 4 ....-~- ~ 2 Rock 5 Rhylhm & Blues ___________________ 7 Rare Records 8 ~~ 9 ~k~ 1 Las/ Page _ 8 Cover illustration by Rick Spain ......,, Polrick Berry. Edllor, Connie Atkinson. -
E a R L Y I N F L U E N C
ProfessorEARLY INFLUENCES Longhair “The Bach of Rock,” New Orleans composer Allen Tous- In the period 1953-64, Professor Longhair waxed sides for a saint called him . The cornerstone of New Orleans rhythm & number of labels, but their popularity was limited to the New blues piano, Professor Longhair’s astounding music influenced Orleans area at least in part because of the artist’s unwilling the work of Fats Domino, Dr. John, James Booker, Huey “Pi ness to travel. In 1964, Longhair created the Mardi Gras an ano ’ Smith, Art Neville, and Allen Toussaint himself. Long them “Big Chief’ for Watch. But he soon sank into obscurity, hair’s unique appeal lay in his offbeat songs, his warbling and by the end of the decade was sweeping out a record shop voice and the infectiously syncopated piano style which he and playing cards for his meager living. once described as a blend of “rhumba, mambo and calypso.” Unbeknownst to ‘Fess* he had become a mysterious legend He was born Henry Roeland Byrd on December 19, 1918 in among blues record collectors on both sides of the AtlantltS Bogalusa, Louisiana and moved to New Orleans with his He was eventually tracked down by Quint Davis and Allison mother two years later. As a youth he tap-danced for tips on Minor, organizers of the first New Orleans Jazz & Heritage Bourbon Street, and later beat on lard cans and orange crates Festival. “He wasn’t playing at all then,” Davis later recalled. with a “spasm band.” By the early Thirties, young Henry was “He was in a totally depreciated state physically, along with frequenting the South Rampart Street honky tonks to hear bar poverty and rejection. -
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Quotable New Orleans, Part 4 Below are a number of additional noteworthy quotes on America‘s truly unique city, my fourth installment. Musicians, writers, politicians and philosophers – they all had something to offer. Hope you enjoy. New Orleans is the only foreign city in the United States. - WALKER PERCY Noisy, bustling, gossiping, and a thousand leagues from the United States. - ALEXIS DE TOQUEVILLE, who toured the United States in 1831 A restaurant is a place where dollars are exchanged for food. Neither should be counterfeit. - JULES ALCIATORE I sing God's music because it makes me feel free. It gives me hope. With the blues, when you finish, you still have the blues. - MAHALIA JACKSON New Orleans is not in the grip of a neurosis of a denied past; it passes out memories generously like a great lord; it doesn't have to pursue ―the real thing.‖ - UMBERTO ECO, Travels in Hyperreality New Orleans is like the bad-kid island in ―Pinocchio.‖ - JONAH HILL People don't live in New Orleans because it is easy. They live here because they are incapable of living anywhere else in the just same way. - IAN McNULTY, A Season of Night: New Orleans Life After Katrina Everybody started calling my music rock and roll, but it wasn't anything but the same rhythm and blues I'd been playing down in New Orleans. - FATS DOMINO There is no other place on earth even remotely like New Orleans. Don't even try to compare it to anywhere else. -
In This Issue
Vol II issue 1 Vol. II, issue 1 1 Photo / Bob Compton Where is Beat Street? There is a place in New Orleans, a figurative address that is home to all that is real. New Orleans Beat Street is the home of jazz. It is also the residence of funk and the blues; R&B and rock ‘n’ roll live here, too. When zydeco and Cajun music come to town, Beat Street is their local address. Beat Street has intersections all over town: from Uptown to Treme, from the Ninth Ward to the French Quarter, from Bywater to the Irish Channel, weaving its way through Mid-City and all points Back o’ Town. Beat Street is the Main Street in our musical village. It is where we gather to dine and to groove to live music in settings both upscale and downhome. Beat Street is where we meet to celebrate life in New Orleans with second line parades, festivals and concerts in the park. Beat Street is lined with music clubs, restaurants, art galleries, recording studios, clothing shops, coffee emporiums and so much more. New Orleans Beat Street is a mythical street in New Orleans surrounded by water and flooded with music. 2 NEW ORLEANS BEAT STREET MAGAZINE Vol. II, issue 1 3 Photo / Michael P. Smith In This Issue... Beat Street returns with a dual focus this month on the inimitable James Booker and the thirtieth anniversary of the Maple Leaf Bar. Eminent Booker scholars David Ku- nian, Tom McDermott and Josh Paxton weigh in on why Booker was so heavy. -
Wavelength (June 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio. -
New Orleans Funkin Tyylillisiä Piirteitä Joseph ”Zigaboo” Modelisten Soitossa
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by National Library of Finland DSpace Services NEW ORLEANS FUNKIN TYYLILLISIÄ PIIRTEITÄ JOSEPH ”ZIGABOO” MODELISTEN SOITOSSA Pop/jazzmusiikin koulutusohjelma Opinnäytetyö 20.4.2006 Opiskelijan etunimi sukunimi Kulttuuri- ja palveluala Koulutusohjelma Suuntautumisvaihtoehto Pop/jazzmusiikin koulutusohjelma Pop/jazz –musiikkipedagogi Tekijä Kokkinen Raine Työn nimi NEW ORLEANS FUNKIN TYYLILLISIÄ PIIRTEITÄ JOSEPH ”ZIGABOO” MODELISTEN SOITOSSA Työn laji Aika Sivumäärä Opinnäytetyö Sivumäärä + liitteet TIIVISTELMÄ Tässä opinnäytetyössä tutkimuskohteeksi muodostui The Meters -yhtyeen rumpalin Joseph ”Zigaboo” Modelisten soittotyyli. Tutkimuksen tavoitteena oli analysoida Zigaboon soittotyyliä seuraavista näkökulmista: fraseeraus, synkopointi, claven vaikutus Zigaboon kompeissa ja virvelirummun käyttö. Olen kirjoittanut 8 kpl transkriptioita sellaisista Zigaboon soittamista kompeista, joista tulee selvästi esille New Orleans funkin tyylillisiä piirteitä ja jotka tukevat tutkimukseni tavoitteita. Kappaleiden valintaperusteena oli myös se, että kyseisiä kappaleita ja komppeja on mielestäni erityisen mukavaa soittaa. Ääninäytteet analysoitavista kompeista ovat työn mukana olevalla liiteäänitteellä (salainen). Kerron tutkimuksessani lyhyesti New Orleans funkin historiasta ja siitä, miten eri kulttuurien ja sitä kautta eri musiikkikulttuurien yhteensulautuminen on vaikuttanut New Orleansin rikkaan musiikkikulttuurin muodostumiseen. The Meters -yhtyeen historiasta -
CAP UCLA Presents Butler, Bernstein & the Hot 9 at Royce Hall
Press Release Friday, December 18th, 2015 Contact: Ashley Eckenweiler [email protected] CAP UCLA Presents Butler, Bernstein & The Hot 9 at Royce Hall plus New York ‘dhol and brass’ ensemble Red Baraat to open the evening Center for the Art of Performance at UCLA is proud to present ‘Mardi Gras Bhangra,’ an explosive evening bursting with talent, and a pre-party to kick things off. New Orleans piano legend Henry Butler, trumpet virtuoso Steven Bernstein and their collaborative group The Hot 9 will play re-imagined standards as well as exciting improvisations. Brooklyn-based Red Baraat, hailed by NPR as “one of the best party bands in years” provides the opening set. The party starts on the Royce Terrace, however, with a Mardi Gras crawfish boil at 6:30, so be sure to join us early. Tickets ($19-$49) for Tuesday, February 9 at 8 p.m. are available now at cap.ucla.edu, via Ticketmaster and at the UCLA Central Ticket Office at 310.825.2101. ABOUT BUTLER, BERNSTEIN & THE HOT 9 This performance proves the power of perfectly matched musical sensibilities—that of the New Orleans singer/pianist Henry Butler and trumpeter/arranger Steven Bernstein-- two students of early jazz with decidedly modern voices. Bringing in a New Orleans rhythm section with Herlin Riley on drums and Reginald Veal on acoustic bass, Butler, Bernstein & The Hot 9 was realized. Blind since birth, Henry Butler tells stories through the rise, swing, and rumble of his fingers as they channel sounds as diverse as his Louisiana birthplace: jazz, Caribbean, classical, pop, blues and R&B, among others. -
2020 First Extraordinary Session ENROLLED SENATE
2020 First Extraordinary Session ENROLLED SENATE CONCURRENT RESOLUTION NO. 2 BY SENATOR CARTER AND REPRESENTATIVE LYONS A CONCURRENT RESOLUTION To express the sincere condolences of the Legislature of Louisiana upon the death of Arthur "Art" Lanon Neville. WHEREAS, it is with deep regret and profound sorrow that the Legislature of Louisiana learned of the passing of Art Neville, in New Orleans, Louisiana, at the age of eighty-one on July 22, 2019, after years of declining health; and WHEREAS, Arthur Lanon Neville was born on December 17, 1937, the son of Amelia (Landry) and Arthur Neville Sr.; and WHEREAS, he grew up in New Orleans and was a singer, songwriter, and keyboardist; and WHEREAS, Art Neville started on piano and performed with his brothers at an early age and was influenced by the R&B styles of James Booker, Bill Doggett, Booker T. Jones, Lloyd Glenn, and Professor Longhair; and WHEREAS, when in high school, he joined The Hawketts and, in 1954, recorded "Mardi Gras Mambo" that gained popularity and became a New Orleans carnival anthem; and WHEREAS, Art Neville joined the United States Navy in 1958 and returned to music in 1962; and WHEREAS, in the early 1960s, he formed the Neville Sounds which included Aaron Neville, Cyril Neville, George Porter, Leo Nocentelli, and Ziggy Modeliste playing at the Nitecap and the Ivanhoe nightclubs; and WHEREAS, Art Neville backed many notable artists such as Lee Dorsey, Betty Harris, and the Pointer Sisters; his band had a strong sense of "groove" and, unlike traditional groups, each instrument was free to lead and go anywhere musically … this style, over time, became known as "New Orleans Funk"; and WHEREAS, he was a staple of the New Orleans music scene for more than five Page 1 of 3 SCR NO. -
Cold Spring Election Date Moves to a Vote Questions Raised About
Serving Philipstown and Beacon FREE! Textile designer Suguru Miyagi See Page 7 Friday, February 5, 2016 161 Main St., Cold Spring, N.Y. | philipstown.info Questions Raised About Putnam Tourism Office Journal News reports Libby Pataki oversaw separate fund By Kevin E. Foley utnam County Tourism Director Libby Pataki has come under scrutiny after Pthe White Plains-based Journal News reported on Feb. 3 that besides her $70,000 county job, she also receives a salary from a non-profit county tourism organization she created and controls. The article by reporter David McKay Wilson, who writes the Tax Watch column for the Gannett-owned daily, reported that Putnam County legislator Barbara Scuccimarra, who represents Philipstown, was listed as the organization’s secretary and treasurer and signed the required documents filed with the state Attorney General’s office. Groundhogs across America seemed to agree: Spring weather’s coming early. Indeed, at the Cold Spring waterfront, the grass is Scuccimarra told Wilson she didn’t re- call her involvement in the organization, green. Only the fog is white [in this photo taken from under the eaves of a house on West Street]. Photo by Anita Peltonen Putnam Tourism Corp., which has 501(c) (3) status with the IRS that allows it to ac- Cold Spring Election Date Moves to a Vote cept tax-deductible donations. Referendum will appear on change. The issue was had been discussed Budget pressure will no doubt be a fac- The Journal News report is posted at during Ralph Falloon’s time as mayor; the tor in 2018, as well. -
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance -
Every Memory Lingers with Me Yet
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Every Memory Lingers With Me Yet I got it bad like I told you before, I’m so in love with you, Don’t leave me no more. Without ever having taken a puff, one has to be deeply moved by the haunting and romantic lyrics of Lipstick Traces (On a Cigarette) by Benny Spellman. In the canon of New Orleans’ all-time great songs, this one has the distinction of being part of one of those 45 singles that has two dynamite cuts (both sides A and B). The flip side classic is Benny’s uptempo Fortune Teller, both songs written (under the pseudonym Naomi Neville) by Allen Toussaint: Went to a fortune teller. Had my fortune read. I didn't know what to tell her. I had a dizzy feeling in my head. Then she took a look at my palm. She said "Sonny, you feel kinda warm." She looked into her crystal ball And said "You're in love." I said, “how could that be so?” I’m not tight with none o’ the girls I know. She said when the next one arrives. You’ll be looking in her eyes … Just as the unsuspecting visitor to Madame Ruth (you know that gypsy with the gold-capped tooth) in Leiber and Stoller’s 1959 hit Love Potion No. 9 falls in love, so does Toussaint’s victim in Fortune Teller. He ends up a “happy fella” who’s “married to the fortune teller”. In conclusion, Benny belts out, “We’re happy as we can be, and now I get my fortune told for free!” Lipstick Traces/Fortune Teller was on the Minit Label, number 644, entering the charts in May of 1962, but (after about six weeks) never going higher than number 80 on Billboard’s Hot 100 (yet 28 on the R&B charts).