DOCSLIB.ORG

Fantasy & Science Fiction V023n04

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fantasy & Science Fiction V023n04 13th Anniversary ALL STAR THE MAGAZINE 0 E Fantasy FANTAiy and Science Fictio SCIENCE The Journey of Joenes fiCTION a new novel by ROBERT SHFCfCtfY A Kind of Artistry BRIAN W. ALDISS 6 There Was an Old Woman Who Lived in a Shoe ROBERT F. YOUNG 28 24 Hours in a Princess’s Life> With 'Fe6gs DON WHITE 34 Inquest in Kansas {verse) ;/ HYACINTHE HILL 38 Measure My Love ' MILDRED CLINGERMAN 39 Science', Slow Burn ISAAC ASIMOV 52 Books AVRAM DAVIDSON 63 The Unfortunate Mr. Morlcy VANCE AANDAHL 68 Ferdinand Feghoot: LV GRENDEL BRIARTON 70 The Journey of Joenes {1st 6j 2 parts ) ROBERT SHECKLEY 71 ^ Editorial > /* 4 / • In this issue . Coming si/on 5 F&SE Marketplace ' 129 Cover by Ed Emsh {illustrating ^'The Journey of Joenes”) The Magasine of Fantasy and Sciffiice Fiction, Vclume 23, No. 4, Whole No. 137, Oct. 1962. P-ttblisked monthly by Mercury Press, Inc., at 40^ a copy. Annual subscription S4 50 in U. S. and Possessions, $5.00 in Canada and the Pan American Union; $5.50 m all other countries. Publicaiion office, IQ Ferry Street, Concord, N. //. Editorial and general mail should be sent to 347 East 53rd St., New York 22, N. Y. Second Class postage paid at Concord, N. H. Printed in U. S. A. © 2^62 by Mercury Press, Inc. Ail rights, including translations into other languages, reserved. Submissions mtist be accom- panied by stamped, self-addressed envelopes; the Publisher assumes no responsibility for return of unsolicited manuscripts. Joseph W. Forman, publisher Avram Davidson, executive editor Robert P. Mills, consulting editor Edward L- Forman, managing editor Isaac Asimov, contributing science editor . EDITORIAL In this issue . First of all, a clip into The Question Box. Is Raitdall Garrett . tliat SF really Randall Jarrell? No, he really isn’t. He is incredible enough . The complaint, often made, and often justly, many just being Randall Garrett. Whatever happened to fantasy stories stories of the future deal with technological changes only, and the present one, with the element of terror or horror in them? An answer will be present a social outlook essentially unaltered from found on the front pages of your daily newspaper; in addition, we is certainly not applicable to BRIAN ALDISS’S long story—the have excellent such stories coming up by Israel Zangwill, P. M. same whose ending, which gave us such surprised pleasure, we after an Hubbard, and Russell Kirk. Were we serious is saying (August spoke of in an earlier editorial. ROBERT F. YOUNG, absence as long as it was imdesired, returns witli a wry tale of over- issue) that if we obtained a juvenile who reviewed books %ve would present review at least one juvenile? We were. Will we consider appUca- population and outer space; VANCE AANDAHL is and on tions from Macon, Georgia (age 16), and Georgian Bay, Ontario paradoxical in a short satire mathematical (or something); fans will find cause (age 14)? We will. Will we,, since we mentioned Mr. Boucher’s pages 39 to 51 MILDRED CLINGERMAN is course, and red-hot; your nice letters of rejection, consider a story once nicely rejected by for rejoicing. DR. ASIMOV hete, of editor rattles on about books (havihg been absent in this capacity Mr. Boucher? Yes; and if we reject it, too, we will try to do so just from the previous issue); newcomer WHITE gives us a as nicely. Since the Pope has d legislature of 13, tvhich is bad be- DON rococo glimpse into the lives 6f princesses; and IIYACINTHE cause only the number 1 is divisime into it, will ive support a U.N. think. Resolution requiring every state to have a 1080 man legislature in HILL provide.s poetic balance — alw'ays a good thing, we of fat tilings is Part One 360 man weekly shifts for 5 days, Saturday, Sunday, and Reserve, And of course the biggest item in this feast two-part serial wild, witty, and de- in 3 split 8 hour, 120 man daily shifts, 60 on duty, 60 reserve? of ROBERT SJiECKiEY’S — We will not. We have enough troubles, and so has the U.N. For lightfully different. - - that matter, so has the Pope. We attended the 1 5th Annual West Coast Science Fantasy Con- ference (Wester-Con XVj in Los Angeles, June 30'31, together with our lovely wife, Crania, and oiir unborn child; Jack Vance Coming soon ... / was Guest of Honor, Anthony Botlcher was MC; they and Foul Anderson, Mark Clifton, Piay Bra^Wry, A. E. Van Vogt, and . is R. BRETNOR, of /he memorable Tlie G/nnrs Come From Robert Bloch, among the speakers, helped make the occasion a very The Voodvork Out, witli something which might have been entitled isn’t. vivid, and con- pleasant one. It was the first time we met A. E. Van Vogt. All we The Man Who Loved Lions, but Also a sad, vincing in our opinion, his best -et. Tlie could think of to say was, “Hi, there,” Mr. Van Vogt, we are happy story by TERRY CARR— 5 moral of to report, said, “Hi.” We intend, D.^., to have been at the World ever-depeiidable GORDON R. DICKSON has a drama SF Convention in Chicago, Labor Day Weekend. Watch tins space regression and death; JOHP^ BRUNNER takes a grim look at tele- for further fascinating details of our insouciant hobnobbings and patliy through a telcpath’s “eyes”; FRITZ LEIBER looks at current sophisticated conversations with The Great. events through an Old Norse glass —and grimaces. There are novels by MACK REYNOLDS and SIR L. E. JONES and articles by — Avram Davidson FREDERIK POHL and L. SPRAGUE DE CAMP. And, more- over, a first story by poet KAREN ANDERSON, a novelet by RICHARD McKENNA of Casey Agonistes, droll verse by RAN- DALL GARRETT, the first Japanese SF in The Magazine, and a rich —remarkable —relation by P. M. HUBBARD, who has been several times here reprinted from Punch: Warning: This one isn’t funny. 5 The kind of artistry found in this story by Brian W. Aldiss A KIND OF ARTISTRY will surprise no one except those who are about to read him the time. story Derek Ende, his brave—or for first This of by Brian W, Aldiss bootless—voyage to a future and hazardous Ultima Thule; his adventuring in the fleshpots, relations with his Lady, and. that Lady’s own singtdar (and deeply significant) experiments, is I Between the building and the the work Item . The Literary Editor of the Oxford Mail, of: fjord, where the garden contrived the in an erudite daily tohose hook reviews are arnong top A GIANT RISING FROM THE itself into a parade, stood My Britain. Item . The President of the'British Science Fiction fjord, from the grey arm of sea in Lady's laboratory, and My Lady’s the fjord, could have peered over pets and, indeed. Lady her- Association. Item . The editor of PENGUIN SCIENCE — My the crown of its sheer cliffs and self at this time, her long hands FICTION ONE (1961)^ an unprecedented success, and of discovered Endehaaven there on busf with tlic minicoypu and the PENGUIN SCIENCE FICTION TWO (forthco7ning). Item the edge, sprawling at the very agoutinis. I stood with her, at- . author PRIMAL URGE (Ballantine Books), The of THE start of tlie island. tending the animals’ cages or novel somewhat too hot for British publishers to handle;” Derek Flamifew Ende saw passing her instruments or stir- THE BRIGHTFOUNT DIARIES (bibliophilia); THE LONG much of his sprawl from his high ring the tanks, doing always what AFTERNOON OF EARTH (Signet), based on his HOT- window; indeed, a growing ill- she asked. And tlie eyes of Derek ease, apprehensions of a quarrel, Ende looked down on us; no, they HOUSE series-F^SF, (FIOTHOUSE, Feb., 1901; NOMANS- forced him to see everything with looked down on her only. LAND, Apr., 1961; UNDERGROWTH, July, 1961; TIMBER- particular clarity, just as a land- LINE, Sept., 1961; a^ul EVERGREEN, Dec., 1961); and his scape takes on an intense actinic Derek Flamifew Ende stood latest, A GARDEN WITH FIGVJIES, just completed, a plot- visibility before a thunderstorm. with his face over the receptor less novel, which (says his British agent, whose name ought Although he was warmseeing \^ith bowl, reading the message from his face, yet his eye vision wan- Stay One. It played lightly over to be Ashenden, but is aUually \arnell) "'will give reviewers dered over the estate. his countenance and over the and psychiatrists food for discussion for years to come.” Item All was bleakly neat at Ende- boscises of his forehead. Though . The star, in whole and in part, of two BBC TV shows. haaven — as I should know, for its he stared down across that ach- Item . The possessor of a great sense of humor, not evident neatness is my care. The gardens ingly familiar stage of his life out- in, because not appropriate to, the story belotv; but evident are made to support evergreens side, he still warrasaw the com- in one of our own most favorite stories, the one about hunting and shrubs that never flower; diis munication clearly. When it was is My Lady’s whim, that likes a finished, he negated the receptor, a brontosaurus, POOR LITTLE WARRIOR! (F&SF, April, sobriety to matcli the furrowed pressed his face to it, and flexed 1958). Whenever, in the uture, we think of this newest Brian f brow of the coastline. The build- his message back. Aldiss story, shall think a refrain hauntinghj we of from a ing, gaunt Endehaaven itself, is “I will do as you message, Star beautiful old Scots ballad—sung by the hauntingly beautiful tall and lank and severe; earlier One.
Load more

Recommended publications
  • The Wsfa Journal Tb , ;,;T He W S F a J 0 U R N a L
    THE WSFA JOURNAL TB , ;,;T HE W S F A J 0 U R N A L (The Official Organ of the Washington S. F. Association) Issue Number 76: April-May '71 1971 DISCLAVE SPECIAL n X Copyright \,c) 1971 by Donald-L. Miller. All rights reserved for contributors. The JOURNAL Staff Managing Editor & Publisher — Don Miller, 12315 Judson Rd., Wheaton, MD, USA, 20 906. Associate Editors — Art Editor: Alexis Gilliland, 2126 Penna. Ave., N.W., Washington, DC, 20037. Fiction Editors: Doll St Alexis Gilliland (address above). SOTWJ Editor: OPEN (Acting Editor: Don Miller). Overseas Agents — Australia: Michael O'Brien, 15>8 Liverpool St., Hobart, Tasmania, Australia, 7000 Benelux: Michel Feron, Grand-Place 7, B—I4.28O HANNUT, Belgium. Japan:. Takumi Shibano, I-II4-IO, 0-0kayama, Meguro-ku, Tokyo, Japan. Scandinavia: Per Insulander, Midsommarv.. 33> 126 35 HMgersten, Sweden. South Africa: A.B. Ackerman, POBox 25U5> Pretoria, Transvaal, Rep. of So.Africa. United Kingdom: Peter Singleton, 60W4, Broadmoor Hospital, Block I4, Crowthorne, Berks. RG11 7EG, England. Still needed for France, Germany, Italy, South Timerica, and Soain. Contributing Editors — Bibliographer: Mark Owings. Film Reviewer: Richard Delap. Book Reviewers: Al Gechter, Alexis Music Columnist: Harry Warner, Jr. Gilliland, Dave Halterman, James News Reporters: ALL OPEN (Club, Con­ R. Newton, Fred Patten, Ted Pauls, vention, Fan, Pro, Publishing). Mike Shoemaker. (More welcome.) Pollster: Mike Shoemaker. Book Review Indexer: Hal Hall. Prozine Reviewers: Richard Delap, Comics Reviewer: Kim Weston. Mike Shoemaker (serials only). Fanzine Reviewers: Doll Gilliland, Pulps: Bob Jones. Mike Shoemaker. Special mention to Jay Kay Klein and Feature Writer: Alexis Gilliland.
    [Show full text]
  • False Dilemma Wikipedia Contents
    False dilemma Wikipedia Contents 1 False dilemma 1 1.1 Examples ............................................... 1 1.1.1 Morton's fork ......................................... 1 1.1.2 False choice .......................................... 2 1.1.3 Black-and-white thinking ................................... 2 1.2 See also ................................................ 2 1.3 References ............................................... 3 1.4 External links ............................................. 3 2 Affirmative action 4 2.1 Origins ................................................. 4 2.2 Women ................................................ 4 2.3 Quotas ................................................. 5 2.4 National approaches .......................................... 5 2.4.1 Africa ............................................ 5 2.4.2 Asia .............................................. 7 2.4.3 Europe ............................................ 8 2.4.4 North America ........................................ 10 2.4.5 Oceania ............................................ 11 2.4.6 South America ........................................ 11 2.5 International organizations ...................................... 11 2.5.1 United Nations ........................................ 12 2.6 Support ................................................ 12 2.6.1 Polls .............................................. 12 2.7 Criticism ............................................... 12 2.7.1 Mismatching ......................................... 13 2.8 See also
    [Show full text]
  • Forensic Pattern Recognition Evidence an Educational Module
    Forensic Pattern Recognition Evidence An Educational Module Prepared by Simon A. Cole Professor, Department of Criminology, Law, and Society Director, Newkirk Center for Science and Society University of California, Irvine Alyse Berthental PhD Candidate, Department of Criminology, Law, and Society University of California, Irvine Jaclyn Seelagy Scholar, PULSE (Program on Understanding Law, Science, and Evidence) University of California, Los Angeles School of Law For Committee on Preparing the Next Generation of Policy Makers for Science-Based Decisions Committee on Science, Technology, and Law June 2016 The copyright in this module is owned by the authors of the module, and may be used subject to the terms of the Creative Commons Attribution-NonCommercial 4.0 International Public License. By using or further adapting the educational module, you agree to comply with the terms of the license. The educational module is solely the product of the authors and others that have added modifications and is not necessarily endorsed or adopted by the National Academy of Sciences, Engineering, and Medicine or the sponsors of this activity. Contents Introduction .......................................................................................................................... 1 Goals and Methods ..................................................................................................................... 1 Audience .....................................................................................................................................
    [Show full text]
  • Yesterday's Algorithm: Penrose on the Gödel Argument
    Yesterday’s Algorithm: Penrose and the Gödel Argument §1. The Gödel Argument. Roger Penrose is justly famous for his work in physics and mathematics but he is notorious for his endorsement of the Gödel argument (see his 1989, 1994, 1997). This argument, first advanced by J. R. Lucas (in 1961), attempts to show that Gödel’s (first) incompleteness theorem can be seen to reveal that the human mind transcends all algorithmic models of it1. Penrose's version of the argument has been seen to fall victim to the original objections raised against Lucas (see Boolos (1990) and for a particularly intemperate review, Putnam (1994)). Yet I believe that more can and should be said about the argument. Only a brief review is necessary here although I wish to present the argument in a somewhat peculiar form. Let us suppose that the human cognitive abilities that underlie our propensities to acquire mathematical beliefs on the basis of what we call proofs can be given a classical cognitive psychological or computational explanation (henceforth I will often use ‘belief’ as short for ‘belief on the basis of proof’). These propensities are of at least two types: the ability to appreciate chains of logical reasoning but also the ability to recognise ‘elementary proofs’ or, it would perhaps be better to say, elementary truths, such as if a = b and b = c then a = c, without any need or, often, any possibility of proof in the first sense. On this supposition, these propensities are the realization of a certain definite algorithm or program somehow implemented by the neural hardware of the brain.
    [Show full text]
  • A Book Lover's Journey: Literary Archaeology and Bibliophilia in Tim
    Verbeia Número 1 ISSN 2444-1333 Leonor María Martínez Serrano A Book Lover’s Journey: Literary Archaeology and Bibliophilia in Tim Bowling’s In the Suicide’s Library Leonor María Martínez Serrano Universidad de Córdoba [email protected] Resumen Nativo de la costa occidental de Canadá, Tim Bowling es uno de los autores canadienses más aclamados. Su obra In the Suicide’s Library. A Book Lover’s Journey (2010) explora cómo un solo objeto —un ejemplar gastado ya por el tiempo de Ideas of Order de Wallace Stevens que se encuentra en una biblioteca universitaria— es capaz de hacer el pasado visible y tangible en su pura materialidad. En la solapa delantera del libro de Stevens, Bowling descubre la elegante firma de su anterior dueño, Weldon Kees, un oscuro poeta norteamericano que puso fin a su vida saltando al vacío desde el Golden Gate Bridge. El hallazgo de este ejemplar autografiado de la obra maestra de Stevens marca el comienzo de una meditación lírica por parte de Bowling sobre los libros como objetos de arte, sobre el suicidio, la relación entre padres e hijas, la historia de la imprenta y la bibliofilia, a la par que lleva a cabo una suerte de arqueología del pasado literario de los Estados Unidos con una gran pericia literaria y poética vehemencia. Palabras clave: Tim Bowling, bibliofilia, narrativa, arqueología del saber, vestigio. Abstract A native of the Canadian West Coast, Tim Bowling is widely acclaimed as one of the best living Canadian authors. His creative work entitled In the Suicide’s Library. A Book Lover’s Journey (2010) explores how a single object —a tattered copy of Wallace Stevens’s Ideas of Order that he finds in a university library— can render the past visible and tangible in its pure materiality.
    [Show full text]
  • “Copies Without Originals”: Manipulation, Mediation, and Mediatization in Performance and Recording Practices
    \Copies Without Originals": Manipulation, Mediation, and Mediatization in Performance and Recording Practices by Alyssa Michaud Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements for the M.A. degree in Musicology School of Music Faculty of Arts University of Ottawa c Alyssa Michaud, Ottawa, Canada, 2012 Abstract This thesis examines case studies and historical accounts taken from different periods of the history of recording technology, and addresses questions concerning the impact of mediatization, manipulation, and mediation on listeners' and performers' approaches to music. The project considers the development of the idea of \copies without orig- inals," and of the ideological frameworks that have been used to describe and classify recorded sound. The first case study covers the early days of the phonograph and its de- velopment in Victorian society, then contrasts the values and motivations of those early years with modern-day rock performance and its own value systems. Moving into the mid-twentieth-century, a chapter of this thesis is devoted to the work of Glenn Gould, and the possibilities for tape manipulation that the Canadian pianist explored during the period of his career that was focused on the recording studio. Lastly, this project examines the innovative, user-driven methods of music-making that are gaining momen- tum today, including Bj¨ork's Biophilia app album, and the emergence of a new genre of popular music in Asia that uses vocal synthesizers in place of live performers. By exploring these case studies alongside the works of scholars in musicology, media studies, sound theory, film and television, and popular music studies, this thesis demonstrates how cultural need, individual innovation, and social involvement interact to direct the development and application of emerging media technologies.
    [Show full text]
  • (Literary) Special Effect: (Inter)Mediality in the Contemporary US-American Novel and the Digital Age
    The (Literary) Special Effect: (Inter)Mediality in the Contemporary US-American Novel and the Digital Age Dissertation zur Erlangung des philosophischen Doktorgrades an der Philosophischen Fakultät der Georg-August-Universität Göttingen vorgelegt von Bogna Kazur aus Lodz, Polen Göttingen 2018 Contents 1 Introduction ......................................................................................................................... 3 2 The Question of Medium Specificity in the Digital Age .................................................. 29 3 House of Leaves (2000) and the Uncanny Dawn of the Digital........................................ 39 3.1 Digital Paranoia: Arriving on Ash Tree Lane ........................................................... 39 3.2 Writing about House of Leaves ................................................................................. 43 3.3 Intermedial Overabundance: Taming House of Leaves ............................................. 49 3.4 An “Explicit” Approach to the Digital Age ............................................................... 54 3.5 What Kind of Movie is THE NAVIDSON RECORD? ..................................................... 68 4 In the Midst of the Post-Cinematic Age: Marisha Pessl’s Night Film (2013) .................. 88 4.1 Meant for Adaptation: Night Film and the Fallacy of First Impressions ................... 88 4.2 The Post-Cinematic Reception of Film ..................................................................... 96 4.3 The Last Enigma: Cordova’s Underworld ..............................................................
    [Show full text]
  • The Wayward Spectator
    The Wayward Spectator by Carlo Comanducci A thesis submitted to the University of Birmingham for the degree of doctor of philosophy Department of English Literature School of English, Drama and American & Canadian Studies College of Arts and Law University of Birmingham, May 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Through a heterogeneous set of contributions from film studies, psychoanaly- sis and critical theory, including Leo Bersani and Laura Marks, Jacques Rancière and Jean-Bertrand Pontalis, the dissertation confronts spectatorship, film theory, and their relation, on the issue of emancipation and of its discursive regulation. Against the pedagogical forms of film theory and the authoritarian framing of the spectator’s position that can be seen to be integral to the functioning of the cine- matographic apparatus, this work suggests that we consider theory as an internal aspect of film experience, rather than as its external explanation. Arguing for the fundamental emancipation of the spectator together with the heteronomy of the subject and the discursivity of film experience, the dissertation addresses what, in film experience, resists being reduced within intellectual mastery, metapsycho- logical structures, and the logic of interpretation, and rather remains radically incommensurable with the principles of its intelligibility.
    [Show full text]
  • In Defence of a Princess Margaret Premise
    Fabrice Pataut: “In Defence of a Princess Margaret Premise,” Introductory chapter to Truth, Objects, Infinity – New Perspectives on the Philosophy of Paul Benacerraf, Fabrice Pataut, editor. Springer International Publishing, Logic, Epistemology, and the Unity of Science, vol. 28, Switzerland, 2016, pp. xvii-xxxviii. ISBN 978-3-319-45978-3 ISSN 2214-9775 ISBN 978-3-319-45980-6 (eBook) ISSN 2214-9783 (electronic) DOI 10.1007/978-3-319-45980-6 Library of Congress Control Number : 2016950889 © Springer International Publishing Swtizerland 2016 1 IN DEFENCE OF A PRINCESS MARGARET PREMISE Fabrice Pataut 1. Introductory remarks In their introduction to the volume Benacerraf and his Critics, Adam Morton and Stephen Stich remark that “[t]wo bits of methodology will stand out clearly in anyone who has talked philosophy with Paul Benacerraf”: (i) “[i]n philosophy you never prove anything; you just show its price,” and (ii) “[f]ormal arguments yield philosophical conclusions only with the help of hidden philosophical premises” (Morton and Stich 1996b: 5). The first bit will come to some as a disappointment and to others as a welcome display of suitable modesty. Frustration notwithstanding, the second bit suggests that, should one stick to modesty, one might after all prove something just in case one discloses the hidden premises of one’s chosen argument and pleads convincingly in their favor on independent grounds. I would like to argue that a philosophical premise may be uncovered — of the kind that Benacerraf has dubbed “Princess Margaret Premise” (PMP)1 — that helps us reach a philosophical conclusion to be drawn from an argument having a metamathematical result as one of its other premises, viz.
    [Show full text]
  • A Companion to the Anthropology of Japan.Pdf
    A Companion to the Anthropology of Japan Edited by Jennifer Robertson A Companion to the Anthropology of Japan Blackwell Companions to Anthropology Blackwell Companions to Anthropology offers a series of comprehensive syntheses of the traditional subdisciplines, primary subjects, and geographic areas of inquiry for the field. Taken together, the titles in the series represent both a contemporary survey of anthropology and a cutting-edge guide to the emerging research and intellectual trends in the field as a whole. 1 A Companion to Linguistic Anthropology edited by Alessandro Duranti 2 A Companion to the Anthropology of Politics edited by David Nugent and Joan Vincent 3 A Companion to the Anthropology of American Indians edited by Thomas Biolsi 4 A Companion to Psychological Anthropology edited by Conerly Casey and Robert B. Edgerton 5 A Companion to the Anthropology of Japan edited by Jennifer Robertson Forthcoming A Companion to Latin American Anthropology edited by Deborah Poole ß 2005 by Blackwell Publishing Ltd BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Jennifer Robertson to be identified as the Author of the Editorial Material in this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher.
    [Show full text]
  • JDM Bibliophile 9
    OOOOOOOOOOOOOOOOOOOOOOOO O OOOOOOOOOOOOO0OOQOO ® THE JDM BIBLIOPHILE No. 9, March 1968. Edited and published by Len & June Moffatt, • • 9826 Paramount Blvd., Downey, California 90240. Associate Editors: Ed Cox and Bill, ° • Clark. This is a non-profit publication devoted to the works of John D. MacDonald. 0 0 U. ..... ... « You may remain on our mailing list by responding in any of thefollowing wayè: 0 o (1) Writing a letter or card after each issue. 0 à : • (2) Sending news or information re JDM, his stories, etc., • 0 o (J) Writing reviews, critiques, articles, etc. re JDM for JDMB, o o (4) Donating stamps or postage money.* ° See back page for your JDMB "status"... ° 00000000000 o' 00 o o 000 o 6 o o o’*"o "000000000.000000000 In This Issue: .. • Page No. Editorial ...••• ............. .... ......... ........... 1 The Seek & Swap Department ............. ....................... .. .. •/ 2 News & Previews • . • ♦ ........................ .....»> > 4 " Please Write For Details • • ... ... • • • ...... ..... 5 Special Reprint Section: : (.'■ Early JD-- by Ed Cox (from JDMB No. 2) • • . • . • • • • < • » 19 Editorial (from JDMB No. 3)- ... • • • • • i i . 22 The Spiralled Myth - by John D. MacDonald (from JDMB No. 3) • • • • • 24 .. Paint The Coffin Fuchsia - by Bob Leman (from THE VINEGAR;WORM II, 10i 26 About The Past: "Early in 1965 Len Moffatt, a sales correspondent for a paper box manufacturer and his wife June, a secretary, obtained a list of the novels of John D. MacDonald from a friend. The Moffatts ran off xerox copies of the list and gave them to others who were interested in the author. Someone suggested Moffatt publish copies for wider distribution, and THE JDM BIBLIOPHILE No.
    [Show full text]
  • Artists on the Rise and Move; Ohio Program Helps Starving Or Not, Artists Are Hooked on Their Careers
    museumVIEWS A quarterly newsletter for small and mid-sized art museums Fall 2013 Elie Nadelman, Woman at the Piano. 1920–24. Wood, stained and painted. In “American Modern: Hopper to O’Keeffe,” Museum of Modern Art, NY 1 museumVIEWS Features Fall 2013 ARTICLES: • Old Soldiers Never Die, They Just Fade Away Page 3 • The Complaint Department Located Here Page 4 • FROM THE AAM Page 5 In Search of Magnetic Museums Page 5 What to Do When Your Museum Job is Terminated Page 5 Playing and Learning Page 5 What Is Intellectual Property? Page 6 • Artists on the Rise Page 7 • Woodblock Prints Tell Ancient Tale Page 7 • Briefly Page 8 • autumnVIEWS Page 10 Top: Frohawk Two Feathers, They Already Got Yo Kids (“Tricked my wisdom with the system that imprisoned my son”), 2013. Acrylic, ink, coffee, and tea on paper. In “Frohawk Two Feathers,” Wellin Museum of Art, NY museumVIEWS Center: Adolph Gottlieb, Untitled (Three Discs), 1968. Maquette: acrylic on cardboard. In “Adoph Gottlieb Sculptor,” Editor: Lila Sherman University of Michigan Museum of Art, MI Publisher: Museum Views, Ltd. Left: Chuck Close, Lucas/Woodcut, 1993 2 Peter Cooper Road, New York, NY 10010 Woodcut with pochoir. In “Closer: The Graphic Phone: 212.677.3415 FAX: 212.533.5227 Art of Chuck Close,” Bruce Museum, CT Email: [email protected] On the web: www.museumviews.org MuseumVIEWS is supported by grants from the Horace W. Goldsmith Foundation and Bloomberg. MuseumVIEWS is published 4 times a year: Winter (Jan. 1), Spring (April 1), Summer (July1), and Fall (October 1). deadlines for listings and artwork are Nov.
    [Show full text]