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University Microfilms International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the mateiial submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Kalamazoo College W.E. Upjohn Center for the Study Of
This digital document was prepared for Kalamazoo College by the W.E. Upjohn Center for the Study of Geographical Change a division of Western Michigan University College of Arts and Sciences COPYRIGHT NOTICE This is a digital version of a Kalamazoo College yearbook. Kalamazoo College holds the copyright for both the paper and digital versions of this work. This digital version is copyright © 2009 Kalamazoo College. All rights reserved. You may use this work for your personal use or for fair use as defined by United States copyright law. Commercial use of this work is prohibited unless Kalamazoo College grants express permission. Address inquiries to: Kalamazoo College Archives 1200 Academy Street Kalamazoo, MI 49006 e-mail: [email protected] .Ko\aVV\ti.XOO Co\\ege. ~a\C\mazoo \ V'f\~c."'~g~V\ Bubbling over, Steaming hot Our Indian name t-Jolds likely as not: Kalamazoo Is a Boiling Pot, Where simmering waters Slowly rise, Then nearly burst The cauldron's sides ; And where, after all, The aim and dream Bubbling, all in a turmoil, unquestionably alive, Is sending the lukewarm the Kalamazoo Coll ege program in the academic Up in steam. year 1963-64 has resembled nothing so much as M. K. a great cauldron of simmering water coming to a rolling boil. Much of the credit for this new energy and activity belongs to President Weimer K. Hicks, to whom, in this tenth year of his asso ciation with the College, this edition of the Boiling Pot is dedicated. MCod~m \ cs ACt '\Vi ti ~s Dff Cam?V0 Sports 0e\\\OrS \Jr\der c\o~~J\\e,r\ Summer Summer employment for caption writers. -
The Wsfa Journal Tb , ;,;T He W S F a J 0 U R N a L
THE WSFA JOURNAL TB , ;,;T HE W S F A J 0 U R N A L (The Official Organ of the Washington S. F. Association) Issue Number 76: April-May '71 1971 DISCLAVE SPECIAL n X Copyright \,c) 1971 by Donald-L. Miller. All rights reserved for contributors. The JOURNAL Staff Managing Editor & Publisher — Don Miller, 12315 Judson Rd., Wheaton, MD, USA, 20 906. Associate Editors — Art Editor: Alexis Gilliland, 2126 Penna. Ave., N.W., Washington, DC, 20037. Fiction Editors: Doll St Alexis Gilliland (address above). SOTWJ Editor: OPEN (Acting Editor: Don Miller). Overseas Agents — Australia: Michael O'Brien, 15>8 Liverpool St., Hobart, Tasmania, Australia, 7000 Benelux: Michel Feron, Grand-Place 7, B—I4.28O HANNUT, Belgium. Japan:. Takumi Shibano, I-II4-IO, 0-0kayama, Meguro-ku, Tokyo, Japan. Scandinavia: Per Insulander, Midsommarv.. 33> 126 35 HMgersten, Sweden. South Africa: A.B. Ackerman, POBox 25U5> Pretoria, Transvaal, Rep. of So.Africa. United Kingdom: Peter Singleton, 60W4, Broadmoor Hospital, Block I4, Crowthorne, Berks. RG11 7EG, England. Still needed for France, Germany, Italy, South Timerica, and Soain. Contributing Editors — Bibliographer: Mark Owings. Film Reviewer: Richard Delap. Book Reviewers: Al Gechter, Alexis Music Columnist: Harry Warner, Jr. Gilliland, Dave Halterman, James News Reporters: ALL OPEN (Club, Con R. Newton, Fred Patten, Ted Pauls, vention, Fan, Pro, Publishing). Mike Shoemaker. (More welcome.) Pollster: Mike Shoemaker. Book Review Indexer: Hal Hall. Prozine Reviewers: Richard Delap, Comics Reviewer: Kim Weston. Mike Shoemaker (serials only). Fanzine Reviewers: Doll Gilliland, Pulps: Bob Jones. Mike Shoemaker. Special mention to Jay Kay Klein and Feature Writer: Alexis Gilliland. -
Exception, Objectivism and the Comics of Steve Ditko
Law Text Culture Volume 16 Justice Framed: Law in Comics and Graphic Novels Article 10 2012 Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Jason Bainbridge Swinburne University of Technology Follow this and additional works at: https://ro.uow.edu.au/ltc Recommended Citation Bainbridge, Jason, Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko, Law Text Culture, 16, 2012, 217-242. Available at:https://ro.uow.edu.au/ltc/vol16/iss1/10 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Abstract The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. This relationship has also informed superhero comics themselves – going all the way back to Superman’s debut in Action Comics 1 (June 1938). As DC President Paul Levitz says of the development of the superhero: ‘There was an enormous desire to see social justice, a rectifying of corruption. Superman was a fulfillment of a pent-up passion for the heroic solution’ (quoted in Poniewozik 2002: 57). This journal article is available in Law Text Culture: https://ro.uow.edu.au/ltc/vol16/iss1/10 Spider-Man, The Question and the Meta-Zone: Exception, Objectivism and the Comics of Steve Ditko Jason Bainbridge Bainbridge Introduction1 The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. -
1705373Responseandrecords.Pdf
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Science Fiction Review 38 Geis 1970-06
SCIKISrCK FICTION REVIEW JUNE — 1970 COVER BY GRANT CANFIELD ' DIALOG where the editor turns a worried eye toward the amateur press associations, John Bangsund and is complacent about the next issue........................................ 3 THE TRENCHANT BLUDGEON by Ted White Lickety-whack, crash, bam, and how the blood doth flow..••*5 NOISE LEVEL by John Brunner ’’This Funny Job” •••••••.•••••••••••••••••••*10 SOME COMMENTS ON SCIENCE FICTION CIRCULATION by Jerry Kidd Some graphically presented food for thought........................... *12 COMMENT on the Kidd comments by Ted White Some inside inside information................... ..18 ANT POEM by Redd Boggs................................. ..19 JOHN.BOARDMAN’S review of Giant of World’s End by Lin Carter................................ 20 BOOK REVIEWS by the staff: Hank Stine Paul Walker Richard Delap Bruce R. Gillespie Ted Pauls Darrel Schweitzer Fred Patten ••••••••••••••••*23 AND THEN I READ... by the editor who is much too snobbish to mix with the staf f..36 MONOLOG by the editor—-a mish-mash of news and opinion.’.......... ................................. 39 P.O. BOX 3116 where the readers push the red button...................................................40 INTERIOR ART—Tim Kirk: 3,6,10,39...BilI Rotsler: 4,12,23,30,34...Jim Shull.: 7... , Vaughn Bode: 20...Mike Gilbert: 21,26,29,40 ...James Martin: 27...Jay Kinney: 27... Grant Canfield: 28,32,33...George Foster: 35 SCIENCE FICTION REVIEW, sometimes known as Poor SUBSCRIBERS; Awake! There is a number in the upper Richard's Monkey-on-the-Back, is edited and pub right corner of your mailing address lished by the old-fan-by-the-sea name of label...on your envelope. If that number is 58, this is the last issue »nmiT rmir TTiitre a uran RICHARD E. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
NEDOR HEROES! $ NEDOR HEROES! In8 Th.E9 U5SA
Roy Tho mas ’Sta nd ard Comi cs Fan zine OKAY,, AXIS—HERE COME THE GOLDEN AGE NEDOR HEROES! $ NEDOR HEROES! In8 th.e9 U5SA No.111 July 2012 . y e l o F e n a h S 2 1 0 2 © t r A 0 7 1 82658 27763 5 Vol. 3, No. 111 / July 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White, Mike Friedrich Proofreaders Rob Smentek, William J. Dowlding Cover Artist Shane Foley (after Frank Robbins & John Romita) Cover Colorist Tom Ziuko With Special Thanks to: Deane Aikins Liz Galeria Bob Mitsch Contents Heidi Amash Jeff Gelb Drury Moroz Ger Apeldoorn Janet Gilbert Brian K. Morris Writer/Editorial: Setting The Standard . 2 Mark Austin Joe Goggin Hoy Murphy Jean Bails Golden Age Comic Nedor-a-Day (website) Nedor Comic Index . 3 Matt D. Baker Book Stories (website) Michelle Nolan illustrated! John Baldwin M.C. Goodwin Frank Nuessel Michelle Nolan re-presents the 1968 salute to The Black Terror & co.— John Barrett Grand Comics Wayne Pearce “None Of Us Were Working For The Ages” . 49 Barry Bauman Database Charles Pelto Howard Bayliss Michael Gronsky John G. Pierce Continuing Jim Amash’s in-depth interview with comic art great Leonard Starr. Rod Beck Larry Guidry Bud Plant Mr. Monster’s Comic Crypt! Twice-Told DC Covers! . 57 John Benson Jennifer Hamerlinck Gene Reed Larry Bigman Claude Held Charles Reinsel Michael T. -
SCIENCE FICTION REVIEW Interviews: GORDON R
JULY 1978 NUMBER 26 SCIENCE FICTION REVIEW Interviews: GORDON R. DICKSON $1*50 LARRY NIVEN FEE-DOM ROAD By Richard Henry Klump ROBER^LOCH - DAMON KNIGHT - ALAN DEAN FOSTER - GORDON R. DICKSON - ROBERT A.W, LOWNDES - IAN WATSON ONE IMMORTAL MAN SCIENCE FICTION REVIEW Formerly THE ALIEN CRITIC 972H RICHARD E. GEIS, editor & publisher July, 1978—Vol. 7, No. 3 ALIEN THOUGHTS by the editor.4 INTERVIEW WITH GORDON R. DICKSON PHONE: (503) 282-0381 CONDUCTED BY CLIFFORD MCMURRAY.6 SINGLE COPY — $1.50 FEE-DOM ROAD BY RICHARD HENRY KLUMP.16 REVIEWS- THE ALCHEMICAL MARRIAGE OF THE MEDUSA TOUCH.4 ALISTAIR CROMPTON.28 SMALL PRESS NOTES by the editor. .18 ISLAND OF THE DAftlED.4 THE HERMES FALL.28 THE FURY.4 UNDER A CALCULATING STAR.28 NOISE LEVEL a colimj CLONES.5 INVOLUTION OCEAN...28 BY JOHN BRUNNER.22 SCIENCE FICTION AND FANTASY AND THEN WE LL GET HIM!.29 PSEUDONYMS.18 ESCHATUS.29 A HISTORY OF THE HUGO, NEBULA DOCTOR STRANGE.29 INTERVIEW WITH LARRY NIVEN AND INTERNATIONAL FANTASY AWARDS...8 A.K.A.—A COSMIC FABLE.29 CONDUCTED BY JEFFREY ELLIOT. 24 THE SILVER EEL., 8 DONNING STARBLAZE EDITIONS.29 ODYSSEY PUBLICATIONS.,9 DEATH IN FLORENCE.30 THE ALTER-EGO VIEWPOINT KHATRU #7. ,9 THE DEVIL IS DEAD.30 BY RICHARD E. GEIS & ALTER.28 THE DIVERSIFIER #24.19 THE HILLS OF FARAWAY.31 PRETENTIOUS SCIENCE FICTION SWORDS AGAINST DARKNESS III.32 QUARTERLY.,9 THE GOTHIC HORROR AND OTHER ^ a collie THE VIVISECTOR THE CALL OF THE STARS..9 WEIRD TALES.32 BY DARRELL SCHWEITZER. THE NATIONAL FANTASY FAN..9 THE FRENCH QUARTER.35 ALGOL, WINTER 77-/8.,.9 LASERBEAM.35 OTHER VOICES book reviews by ALGOL^ SPRING 1978.W THE EVIL..35 ORSON SCOTT CARD, IAN WATSON, MASTODONIA.36 LEE WEINSTEIN, L. -
Sf Commentary 76
SF COMMENTARY 76 30TH ANNIVERSARY EDITION October 2000 THE UNRELENTING GAZE GEORGE TURNER’S NON-FICTION: A SELECTION SF COMMENTARY No. 76 THIRTIETH ANNIVERSARY EDITION OCTOBER 2000 THE UNRELENTING GAZE GEORGE TURNER’S NON-FICTION: A SELECTION COVER GRAPHICS Ditmar (Dick Jenssen) Introductions 3 GEORGE TURNER: THE UNRELENTING GAZE Bruce Gillespie 4 GEORGE TURNER: CRITIC AND NOVELIST John Foyster 6 NOT TAKING IT ALL TOO SERIOUSLY: THE PROFESSION OF SCIENCE FICTION No. 27 12 SOME UNRECEIVED WISDOM Famous First Words 16 THE DOUBLE STANDARD: THE SHORT LOOK, AND THE LONG HARD LOOK 20 ON WRITING ABOUT SCIENCE FICTION 25 The Reviews 31 GOLDEN AGE, PAPER AGE or, WHERE DID ALL THE CLASSICS GO? 34 JOHN W. CAMPBELL: WRITER, EDITOR, LEGEND 38 BACK TO THE CACTUS: THE CURRENT SCENE, 1970 George and Australian Science Fiction 45 SCIENCE FICTION IN AUSTRALIA: A SURVEY 1892–1980 George’s Favourite SF Writers URSULA K. LE GUIN: 56 PARADIGM AND PATTERN: FORM AND MEANING IN ‘THE DISPOSSESSED’ 64 FROM PARIS TO ANARRES: ‘The Wind’s Twelve Quarters’ THOMAS M. DISCH: 67 TOMORROW IS STILL WITH US: ‘334’ 70 THE BEST SHORT STORIES OF THOMAS M. DISCH GENE WOLFE: 71 TRAPS: ‘The Fifth Head of Cerberus’ 73 THE REMEMBRANCE OF THINGS PRESENT: ‘Peace’ George Disagrees . 76 FREDERIK POHL AS A CREATOR OF FUTURE SOCIETIES 85 PHILIP K. DICK: BRILLIANCE, SLAPDASH AND SLIPSHOD: ‘Flow My Tears, the Policeman Said’ 89 LETTERS TO THE EDITOR: ‘New Dimensions I’ 93 PLUMBERS OF THE COSMOS: THE AUSSIECON DEBATE Peter Nicholls and George Turner George and the Community of Writers 100 A MURMURATION OF STARLING OR AN EXALTATION OF LARK?: 1977 Monash Writers’ Workshop Illustrations by Chris Johnston 107 GLIMPSES OF THE GREAT: SEACON (WORLD CONVENTION, BRIGHTON) AND GLASGOW, 1979 George Tells A Bit About Himself 111 HOME SWEET HOME: HOW I MET MELBA 114 JUDITH BUCKRICH IN CONVERSATION WITH GEORGE TURNER: The Last Interview 2 SF COMMENTARY, No. -
Fine Books in All Fields
Sale 480 Thursday, May 24, 2012 11:00 AM Fine Literature – Fine Books in All Fields Auction Preview Tuesday May 22, 9:00 am to 5:00 pm Wednesday, May 23, 9:00 am to 5:00 pm Thursday, May 24, 9:00 am to 11:00 am Other showings by appointment 133 Kearny Street 4th Floor:San Francisco, CA 94108 phone: 415.989.2665 toll free: 1.866.999.7224 fax: 415.989.1664 [email protected]:www.pbagalleries.com REAL-TIME BIDDING AVAILABLE PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information. IMAGES AT WWW.PBAGALLERIES.COM All the items in this catalogue are pictured in the online version of the catalogue at www.pbagalleries. com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale. CONSIGN TO PBA GALLERIES PBA is always happy to discuss consignments of books, maps, photographs, graphics, autographs and related material. -
Wynonna Earp's Evenhuis Covers Overstreet
March 5, 2020 For Immediate Release Wynonna Earp’s Evenhuis Covers Overstreet #50 First Time for Wynonna on the Cover of the Guide Hunt Valley, Maryland – Beau Smith’s Wynonna Earp, the demon hunter, descendant of famous lawman Wyatt Earp, and star of both her own graphic novels from IDW Publishing and SyFy’s TV series, is the first western character to be featured on the cover of The Overstreet Comic Book Price Guide, which this year celebrates its 50th anniversary. Regular Wynonna Earp artist Chris Evenhuis also makes his Overstreet debut with this edition of The Bible of serious comic book collectors, dealers, and historians. This cover will be offered in the April 2020 PREVIEWS from Diamond Comic Distributors in both soft cover ($29.95 SRP) and hardcover ($37.50) editions. The Wynonna Earp cover will be exclusively available in comic book shops (and from the Gemstone website for those who don’t live near a comic shop). “Chris Evenhuis is more than an artist, he’s an animator of life. His Overstreet cover is living proof of that,” said Beau Smith, creator and writer of Wynonna Earp. “With the 50th edition of The Overstreet Comic Book Price Guide, I hope not only collectors, but readers, creators and lovers of pop culture will truly understand what a textbook of information and history the Guide is. The history that was created in print, remains in print for all to learn from for all ages past, present and future.” “Capturing not only Wynonna Earp herself, but a number of her supporting players, Chris Evenhuis really poured himself into this cover.