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To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
FANAC Fan History Project UPDATE 12
FANAC Fan History Project UPDATE 12 April 17, 2020 Greetings and felicitations. I hope this update finds you all well – we are in living in surreal and frightening times. For us, wallowing in fan history is not only a passion but a good way to focus on something other than the pandemic news. Apparently, others feel the same way. We’ve had a number of scans from new contributors, as well as our stalwarts. In particular, new material has been provided by Rich Lynch, Sheryl Birkhead, Joe Patrizio, Mike Saler, Syd Weinstein and Tom Whitmore. CoNZealand Retro Hugo Awards nominations: We’ve completed our work on the Retro Hugos for 2020. Final nominees were announced recently by CoNZealand, and we’ve assembled a page of links for the fannish material nominated in the categories of Best Related Work, Best Fanzine and Best Fan Writer. Our webmaster, Edie Stern, combed through all the 1944 fan publications available on the net to make the list as complete as possible. We want to thank CoNZealand, Steve Davidson (Amazing Stories), Mike Glyer (File 770), Dave Langford (Ansible), Andrew Porter (news lists) and Locus for promoting and linking to our effort. You can access the material at http://fanac.org/fanzines/Retro_Hugos.html . FANAC by the Numbers. We have passed what feel to us like some significant milestones in our archiving - over 10,000 fanzine issues and over 150,000 pages scanned. That’s not counting pages in some of our largest runs like Opuntia, MT Void and TNFF. It does include over 3,000 newszines. -
A Book Lover's Journey: Literary Archaeology and Bibliophilia in Tim
Verbeia Número 1 ISSN 2444-1333 Leonor María Martínez Serrano A Book Lover’s Journey: Literary Archaeology and Bibliophilia in Tim Bowling’s In the Suicide’s Library Leonor María Martínez Serrano Universidad de Córdoba [email protected] Resumen Nativo de la costa occidental de Canadá, Tim Bowling es uno de los autores canadienses más aclamados. Su obra In the Suicide’s Library. A Book Lover’s Journey (2010) explora cómo un solo objeto —un ejemplar gastado ya por el tiempo de Ideas of Order de Wallace Stevens que se encuentra en una biblioteca universitaria— es capaz de hacer el pasado visible y tangible en su pura materialidad. En la solapa delantera del libro de Stevens, Bowling descubre la elegante firma de su anterior dueño, Weldon Kees, un oscuro poeta norteamericano que puso fin a su vida saltando al vacío desde el Golden Gate Bridge. El hallazgo de este ejemplar autografiado de la obra maestra de Stevens marca el comienzo de una meditación lírica por parte de Bowling sobre los libros como objetos de arte, sobre el suicidio, la relación entre padres e hijas, la historia de la imprenta y la bibliofilia, a la par que lleva a cabo una suerte de arqueología del pasado literario de los Estados Unidos con una gran pericia literaria y poética vehemencia. Palabras clave: Tim Bowling, bibliofilia, narrativa, arqueología del saber, vestigio. Abstract A native of the Canadian West Coast, Tim Bowling is widely acclaimed as one of the best living Canadian authors. His creative work entitled In the Suicide’s Library. A Book Lover’s Journey (2010) explores how a single object —a tattered copy of Wallace Stevens’s Ideas of Order that he finds in a university library— can render the past visible and tangible in its pure materiality. -
JDM Bibliophile 15
+c0 J-’JJ Tk^^Ld/d fdJddr pkid dJd 15 /ddick IQ 71 Edited and published twice a year by Len and June Moffatt, Box 4456, Downey CA 90241. Associate Editors: Bill Clark and Ed Cox. This is a non-profit amateur journal devoted to the works—and to the readers—of John Di. MacDonald. Price: 500 per copy, or a publishable letter of comment will bring you the issue in which your loc appears. If there is an "X" on your mailing label, you must do something to receive the next issue. 0Copyright1971 by Leonard J. Moffatt and June M. Moffatt. All rights to their own material are assigned to those who contributed to this issue. OUR THANKS TO THE FAWCETT WORLD LIBRARY FOR PERMISSION TO USE JOHN MCDERMOTT’S DRAWING OF TRAVIS McGEE ON THIS ISSUE’S CO$ER. -..Recommended Reading .......................... 3 4 .-News &-Previews . .. ... •............. A Stern Look at McGee - by Elijah Stern ................... 5 ■Sounds of Gunshots - by Lawrence Fleming .........8...... Feetnote to Fleming - by Dean A. Grennell..............1.0.. Hard Touch - by Bill Wilson.............. .0.-. ....... 15 An Interesting Book, This Lavender Look - by Dave Stewart . 17 Early JDM: Three Pulps from '49;- by Francis M. Nevins, Jr 19 Haiku -'by John D. MacDonald.......... ................... 20 Please Write For Details - by the readers and the editors . 21 ... l/deadma ■ THE ARMCHAIR DETECTIVE ($1 a copy) Allen.J. Hubin, 3656 Midland, White Bear Lake, Minnesota 55110 DAST MAGAZINE (Detective - Agents - Science-fiction - Thriller) (in Swedish) . Iwan Hedman” Flodins vag 5, S 152 00, Strangnas, SWEDEN THE FAUST COLLECTOR (50$$ a copy, 5 for $2) William J. -
E-DITTO 13 E-DITTORIAL E-DITTO Continues to Evolve
E-DITTO 13 E-DITTORIAL E-DITTO continues to evolve. This issue features a cover by Mae Strelkov, a landscape of the northern Argentine mountains where she lived. She was a true hecto artist. While I scratched out my faux hecto pictures using ditto masters, Mae somehow managed to actually paint with unforgiving hecto inks. Maybe she made a deal with the devil! She was certainly deep into arcane studies, trying to find similarities between the languages of the world and to deduce therefrom universal truths. Or so I interpret it. You owe it to yourself to download from eFanzines, issue 15, at the very least, of Robert Mapson's Forbidden Worlds which features, amongst other things, many more hecto paintings by Mae as well as letters from her describing her studies, her painting techniques and her life in mountains. There's also some interesting writing from Robert and scads of locs he received back in the eighties, scanned in all their typewritten and handwritten glory. http://efanzines.com/Forbidden/index.htm ___________________________________________________________ E-DITTO #13 August, 2011. From Eric Mayer [email protected] Cover: Mae Strelkov Logo & stamp: Dave Burton. Illos: Brad Foster p. 1 Alicia Souza p. 4, 9, 12, 13 Taral p. 10 Eric p. 5, 6, 7, 14 1 READING OUT LOUD A lot of reading goes on here in the evenings. Mary and I can both get very enthusiastic about what we're reading. When a book's really good you just have to share it. That can get confusing. Yesterday Mary was immersed in a Wilkie Collins novel while I was chuckling, rather bleakly, over a collection of Kurt Vonnegut essays. -
March 2010 the Next NASFA Meeting Is 20 March 2010 at the Regular Time and Location
Te Shutle March 2010 The Next NASFA Meeting is 20 March 2010 at the Regular Time and Location Con†Stellation XXIX ConCom Meeting 3P, 20 March 2010 at Renasant Bank (right before the club meeting) until we get to the point of needing to hold them more often d Oyez, Oyez d than monthly. NASFA CALENDAR ONLINE The next NASFA Meeting is Saturday 20 March 2010 at NASFA has an online calendar on Google. Interested parties the regular time (6P) and the regular location. Meetings are can check the calendar online, but you can also subscribe to the at the Renasant Bank’s Community Room, 4245 Balmoral Drive in south Huntsville. Exit the Parkway at Airport Road; Map To head east one short block to Balmoral Drive; turn left (north) Whitesbur for less than a block. The bank is on the right, just past Logan’s Memorial Parkway Club Meeting Roadhouse restaurant. Enter at the front door of the bank; turn Location right to the end of a short hallway. MARCH PROGRAM The program will be “Dan Thompson presents Fan Films.” Renasant Bank g Drive ATMMs 4245 Balmoral Drive The March After-The-Meeting Meeting will be hosted by Huntsville AL 35801 Sunn Hayward and will be held at the bank starting right after Carl T. Jones the club meeting. We need ATMM volunteers for April and all Drive months beyond. Airport Road CONCOM MEETINGS The next Con†Stellation XXIX concom meeting will be 3P Sunday 20 March at the Renasant Bank. There will be a dinner break between the concom meeting and the club meeting. -
“Copies Without Originals”: Manipulation, Mediation, and Mediatization in Performance and Recording Practices
\Copies Without Originals": Manipulation, Mediation, and Mediatization in Performance and Recording Practices by Alyssa Michaud Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements for the M.A. degree in Musicology School of Music Faculty of Arts University of Ottawa c Alyssa Michaud, Ottawa, Canada, 2012 Abstract This thesis examines case studies and historical accounts taken from different periods of the history of recording technology, and addresses questions concerning the impact of mediatization, manipulation, and mediation on listeners' and performers' approaches to music. The project considers the development of the idea of \copies without orig- inals," and of the ideological frameworks that have been used to describe and classify recorded sound. The first case study covers the early days of the phonograph and its de- velopment in Victorian society, then contrasts the values and motivations of those early years with modern-day rock performance and its own value systems. Moving into the mid-twentieth-century, a chapter of this thesis is devoted to the work of Glenn Gould, and the possibilities for tape manipulation that the Canadian pianist explored during the period of his career that was focused on the recording studio. Lastly, this project examines the innovative, user-driven methods of music-making that are gaining momen- tum today, including Bj¨ork's Biophilia app album, and the emergence of a new genre of popular music in Asia that uses vocal synthesizers in place of live performers. By exploring these case studies alongside the works of scholars in musicology, media studies, sound theory, film and television, and popular music studies, this thesis demonstrates how cultural need, individual innovation, and social involvement interact to direct the development and application of emerging media technologies. -
Tolkien Fandom Review 1964
Tolkien Fandom Review from its beginnings to 1964 by Sumner Gary Hunnewell (Hildifons Took) 2010 Second Edition (August 2010) First Edition (June 2010) 50 copies © 2010, The New England Tolkien Society Sumner Gary Hunnewell (Hildifons Took) 2030 San Pedro Dr., Arnold, Missouri 63010 U.S.A. A Short Overview of Tolkien Fandom up to 1964 Although serious admirers and fans of Tolkien existed soon after the publication of The Fellowship of the Ring*, an organized Tolkien fandom as “The Fellowship of the Ring” sprung forth in a 49-minute meeting during the Pittsburgh Worldcon on September 4, 1960. A group of dedicated Los Angeles science fiction fans had been kicking around the idea of a Tolkien only club as early as 1959. As Ken Cheslin, the British agent of The Fellowship of the Ring, aptly put it “I would say that the Tolkein [sic] society [meaning The Fellowship of the Ring] wasn’t an offshoot…it consisted of fans who regarded JRR as, I think, a little something extra, a little area of interest IN ADDITTION [sic] to the then fandom, not an alternative or a replacement, substitute, etc.” The first controversy was what to call the group as some thought The Fellowship of the Ring was a bit ostentatious. Moreover, of course, there were rules. The people who formed the club would allow ‘Counsels’ created if there were five or more members in an area. Those people who provided accepted research papers would become members. Non-members could purchase the magazine. Although there was enthusiasm by Ted Johnstone (editor) and Bruce Pelz (publisher) of the group’s fanzine, I Palantir, for this level of scholarship and membership, no councils formed. -
(Literary) Special Effect: (Inter)Mediality in the Contemporary US-American Novel and the Digital Age
The (Literary) Special Effect: (Inter)Mediality in the Contemporary US-American Novel and the Digital Age Dissertation zur Erlangung des philosophischen Doktorgrades an der Philosophischen Fakultät der Georg-August-Universität Göttingen vorgelegt von Bogna Kazur aus Lodz, Polen Göttingen 2018 Contents 1 Introduction ......................................................................................................................... 3 2 The Question of Medium Specificity in the Digital Age .................................................. 29 3 House of Leaves (2000) and the Uncanny Dawn of the Digital........................................ 39 3.1 Digital Paranoia: Arriving on Ash Tree Lane ........................................................... 39 3.2 Writing about House of Leaves ................................................................................. 43 3.3 Intermedial Overabundance: Taming House of Leaves ............................................. 49 3.4 An “Explicit” Approach to the Digital Age ............................................................... 54 3.5 What Kind of Movie is THE NAVIDSON RECORD? ..................................................... 68 4 In the Midst of the Post-Cinematic Age: Marisha Pessl’s Night Film (2013) .................. 88 4.1 Meant for Adaptation: Night Film and the Fallacy of First Impressions ................... 88 4.2 The Post-Cinematic Reception of Film ..................................................................... 96 4.3 The Last Enigma: Cordova’s Underworld .............................................................. -
The Wayward Spectator
The Wayward Spectator by Carlo Comanducci A thesis submitted to the University of Birmingham for the degree of doctor of philosophy Department of English Literature School of English, Drama and American & Canadian Studies College of Arts and Law University of Birmingham, May 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Through a heterogeneous set of contributions from film studies, psychoanaly- sis and critical theory, including Leo Bersani and Laura Marks, Jacques Rancière and Jean-Bertrand Pontalis, the dissertation confronts spectatorship, film theory, and their relation, on the issue of emancipation and of its discursive regulation. Against the pedagogical forms of film theory and the authoritarian framing of the spectator’s position that can be seen to be integral to the functioning of the cine- matographic apparatus, this work suggests that we consider theory as an internal aspect of film experience, rather than as its external explanation. Arguing for the fundamental emancipation of the spectator together with the heteronomy of the subject and the discursivity of film experience, the dissertation addresses what, in film experience, resists being reduced within intellectual mastery, metapsycho- logical structures, and the logic of interpretation, and rather remains radically incommensurable with the principles of its intelligibility. -
A Companion to the Anthropology of Japan.Pdf
A Companion to the Anthropology of Japan Edited by Jennifer Robertson A Companion to the Anthropology of Japan Blackwell Companions to Anthropology Blackwell Companions to Anthropology offers a series of comprehensive syntheses of the traditional subdisciplines, primary subjects, and geographic areas of inquiry for the field. Taken together, the titles in the series represent both a contemporary survey of anthropology and a cutting-edge guide to the emerging research and intellectual trends in the field as a whole. 1 A Companion to Linguistic Anthropology edited by Alessandro Duranti 2 A Companion to the Anthropology of Politics edited by David Nugent and Joan Vincent 3 A Companion to the Anthropology of American Indians edited by Thomas Biolsi 4 A Companion to Psychological Anthropology edited by Conerly Casey and Robert B. Edgerton 5 A Companion to the Anthropology of Japan edited by Jennifer Robertson Forthcoming A Companion to Latin American Anthropology edited by Deborah Poole ß 2005 by Blackwell Publishing Ltd BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Jennifer Robertson to be identified as the Author of the Editorial Material in this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. -
Artists on the Rise and Move; Ohio Program Helps Starving Or Not, Artists Are Hooked on Their Careers
museumVIEWS A quarterly newsletter for small and mid-sized art museums Fall 2013 Elie Nadelman, Woman at the Piano. 1920–24. Wood, stained and painted. In “American Modern: Hopper to O’Keeffe,” Museum of Modern Art, NY 1 museumVIEWS Features Fall 2013 ARTICLES: • Old Soldiers Never Die, They Just Fade Away Page 3 • The Complaint Department Located Here Page 4 • FROM THE AAM Page 5 In Search of Magnetic Museums Page 5 What to Do When Your Museum Job is Terminated Page 5 Playing and Learning Page 5 What Is Intellectual Property? Page 6 • Artists on the Rise Page 7 • Woodblock Prints Tell Ancient Tale Page 7 • Briefly Page 8 • autumnVIEWS Page 10 Top: Frohawk Two Feathers, They Already Got Yo Kids (“Tricked my wisdom with the system that imprisoned my son”), 2013. Acrylic, ink, coffee, and tea on paper. In “Frohawk Two Feathers,” Wellin Museum of Art, NY museumVIEWS Center: Adolph Gottlieb, Untitled (Three Discs), 1968. Maquette: acrylic on cardboard. In “Adoph Gottlieb Sculptor,” Editor: Lila Sherman University of Michigan Museum of Art, MI Publisher: Museum Views, Ltd. Left: Chuck Close, Lucas/Woodcut, 1993 2 Peter Cooper Road, New York, NY 10010 Woodcut with pochoir. In “Closer: The Graphic Phone: 212.677.3415 FAX: 212.533.5227 Art of Chuck Close,” Bruce Museum, CT Email: [email protected] On the web: www.museumviews.org MuseumVIEWS is supported by grants from the Horace W. Goldsmith Foundation and Bloomberg. MuseumVIEWS is published 4 times a year: Winter (Jan. 1), Spring (April 1), Summer (July1), and Fall (October 1). deadlines for listings and artwork are Nov.