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Interview with Mr. Willis Conover
Library of Congress Interview with Mr. Willis Conover The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project Information Series WILLIS CONOVER Interviewed by: Cliff Groce Initial interview date: August 8, 1989 Copyright 2009 ADST Q: How did Music USA get started? CONOVER: In 1954, when I was working in a Washington, DC area radio station, I just happened to overhear one announcer saying to another, “I hear the Voice of America is looking for someone to do a jazz program.” Q: And you were doing a jazz program. CONOVER: In commercial radio I was doing all the stuff that had to be done - newscasts, commercials, and commercial music, plus - against the will of the sales department and the management - a jazz program, too. I thought, you mean they're looking for someone to do the kind of thing that I want to be doing - not because it's jazz but because there's more interesting music to be found in that category than in many other categories, certainly more interesting than in any so-called “top forty” group of popular music. And so I got in touch with the deputy program manager of the Voice of America. That is, I called the Voice of America, and he was the one who got the call. His name was John Interview with Mr. Willis Conover http://www.loc.gov/item/mfdipbib001532 Library of Congress Wiggin, and he said, “Please come by.” Well, inside of the first 30 seconds of talk in his office, each of us was aware that the other person knew something about jazz. -
TAILGATE RAMBLINGS TAILGATE RAMBLINGS April, 1979 Volume No
TAILGATE RAMBLINGS TAILGATE RAMBLINGS April, 1979 Volume No. 4 The President’s Corner (Continued) EDITOR: Ken Kramer NATIONAL CONTRIBUTING EDITORS: Another piece of encouraging news is George Kay Floyd Levin that we have some hope of a site for CONTRIBUTING EDITORS: our regular Sunday night sessions. Mary Doyle Fred Starr These would be for local bands Joe Godfrey Dick Baker exclusively and w'e have been searching Ted Chandler Harold Gray for a good spot for months. It is too early to predict what our present, very POTOMAC RIVER JAZZ CLUB preliminary negotiations will bring President Ray West 370-5605 about, but about all that can be said Vice Pres. Mary Doyle 280-2373 now is that the spot will not be the PRJC Hot Line 703-573-TRAD same as before. So you see, traditional jazz is very TAILGATE RAMBLINGS IS PUBLISHED much alive and well in PRJC land! MONTHLY BY THE POTOMAC RIVER JAZZ CLUB. I would like to mention the quickly- THE CLUB IS FOR THE PURPOSE OF assembled function on February 25 in PRESERVING, ENCOURAGING AND ADVANCING honor of Royal Stokes for his great TRADITIONAL JAZZ. support of PRJC and jazz in general. A plaque was presented by yours truly in The President's Corner the name of the PRJC. A good crowd was there, in spite of the shortness of Here we are once more and with all advance notice and I apologize to all sorts of good tidings. The year who did not get the word in time. And started off in a most encouraging to Royal, our very sincere gratitude way for the club. -
Guide to the Leonard Gaskin Papers
Guide to the Leonard Gaskin Papers NMAH.AC.0900 Vanessa Broussard-Simmons and Dr. Theodore Hudson 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Personal Papers, 1937-2006, undated..................................................... 4 Series 2: Diaries and Planners, 1947-2004............................................................. 7 Series 3: Business Records, 1939-2000, undated................................................. 10 Series 4: Photographic Materials, 1956-2003, undated......................................... 12 Series 5: Scrapbooks, 1923-2004, undated.......................................................... -
Rolf Ericson a Swedish Ellingtonian
BULLETIN NR 3, AUGUSTI 2018, ÅRGÅNG 26 Rolf Ericson A Swedish Ellingtonian I detta nummer – In this issue Ledare m.m. 2 Brooks Kerr in memoriam 3 The career of Rolf Ericson 4 Rolf Ericson interview 9 Roffe Ericson siktar på USA 14 Duke Ellington-konferens 15 Nya skivor 17 Trumpet in Spades 18 Några intressanta skivor 19 Kallelse 20 Foto: Lars Westin 3-2018 Vet vi nu vart vi är på väg? I min förra ledare ställde jag frågan ”Vart Flera förslag har inkommit via brev och hållning åtminstone vid varje årsmöte. är vi på väg?” och inbjöd samtidigt till mejl och vi skall försöka ta till oss många Vårt nästa medlemsmöte den 17 sep- en diskussion om hur vi skall få fler av dessa förslag i den mån vi kan. tember kommer således inte att bjuda på medlemmar att komma till våra med- En viktig detalj som också nämndes levande musik, men jag vill påstå att vi lemsmöten. Den diskussion som vi hade är frågan hur vi marknadsför oss och kommer att bjuda på ett mycket intres- vid senaste medlemsmötet var livlig våra medlemsmöten. Att bara annonsera sant föredrag. Även om vi är ett Elling- och många framförde sina synpunkter. i vår egen Bulletin och ett mejl med en tonsällskap är vi ju alla ändå intresserade Mycket av diskussionen kretsade kring påminnelse är inte tillräckligt. Vi måste av jazz i största allmänhet och rakt inte lokalfrågan. Många tyckte att Franska hitta vägar för att göra våra samman- främmande för att lyssna på annan mu- Skolans lokal var trist, medan några me- komster kända för en större publik. -
NDSU Magazine
NDSUmagazineNORTH DAKOTA STATE UNIVERSITY FALL 2001 Leo Kim, Stark County, N.D. LEO KIM, a wordly North Dakotan 9/11/01 -photo by Julie Babler, Lower Manhattan, summer 1999 Editor Laura McDaniel Editorial staff Steve Bergeson Dan Koeck Kathy Laid David Wahlberg Art Direction/Design Julie Babler Address changes Send address and name changes to: [email protected] Letters Unless noted “not for publication,” communications to the editor are considered for publication, often in a condensed version. E-mail: laura.mcdaniel@ ndsu.nodak.edu PO Box 5167 Fargo, ND 58105 Fax: 701.231.1989 Volume 2, number 1 NDSUmagazine is published twice a year, in spring and fall, by North Dakota State University, Office of the President/ University Relations, PO Box 5167, Fargo ND 58105. NDSU is an equal opportunity institution. Volume 2 Number 1 FALL 2001 President NDSUmagazine Joseph A. Chapman [email protected] Vice President for Academic Affairs R. Craig Schnell [email protected] Vice President for Student Affairs George H. Wallman [email protected] Vice President for Research, Creative Activities and Technology Transfer Philip Boudjouk [email protected] Vice President, Dean and Director for Agricultural Affairs Patricia A. Jensen [email protected] Vice President for Business and Finance Richard L. Rayl [email protected] Executive Director of University Relations Keith D. Bjerke [email protected] 4 NDSUmagazine Letters 6 contents Editor’s note 7 Contributors 8-9 “Far” “go” North Dakota Essayist reveals the origins of a fascination with North Dakota 10-11 Photographer Leo Kim He sees things differently 12-17 Amy Ruley Excerpts: Thoughts on life, leadership and the future 18-19 The Duke was here Historic Duke Ellington recording made in 1940 20-25 Diversity A difficult concept to define 26-29 North Dakota agriculture One expert sees a tough road ahead 30-31 Extraordinary average guy Microsoft Great Plains software architect keeps an eye on the prize 32-35 The legacy of Samuel F.B. -
Duke Ellington, Performing at Fargo's Crystal Ballroom. Right, Richard
Duke Ellington, performing at Fargo’s Crystal Ballroom. Right, Richard Burris and Jack Towers Photos taken by Jack Towers during Fargo recording, except where indicated. THE TWO MEN WHO LUGGED SOUND EQUIPMENT OUT THE STAGEDOOR OF THE CRYSTAL BALLROOM IN DOWNTOWN FARGO IN THE EARLY HOURS OF A NOVEMBER 1940 MORNING HAD NO IDEA THEY CARRIED WITH THEM A PIECE OF JAZZ HISTORY. SOME 40 YEARS LATER, AS A RESULT OF ONE OF THOSE PRECIOUS ACCIDENTS OF HISTORY, THE SIX ACETATE DISCS THEY RECORDED WOULD WIN A GRAMMY AWARD. THURSDAY NOVEMBER 7,1940. that carved v-tracks in 16-inch acetate discs. They Franklin Delano Roosevelt has just been elected to placed the recorder next to Ellington’s piano with a third term as president of the United States. The two additional microphones, one up high and one attack on Pearl Harbor is 13 months away, but North down low at the front of the stage. After the orchestra Dakotans are anxious about the war in Europe. played two or three warm-up pieces, Ellington came Students at North Dakota Agricultural College, out to his piano. The band played “Sepia Panorama,” still licking their wounds from a Homecoming gridiron its broadcast theme — local radio station KVOX loss to North Dakota University the previous weekend, broadcast part of the show live — and, “Away the warm up for a fun-filled evening of dancing at the program went.” Crystal Ballroom. An NDAC Extension Service By all accounts the night was magical. Between 600 employee prepares for the arrival of his friend from and 800 people paid the $1.30 advance ticket price South Dakota State College in Brookings, S.D. -
Ellington Legacy Band Headlines Jazzfest at New Venue College of Saint Elizabeth, Morristown
Volume 39 • Issue 5 May 2011 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Ellington Legacy Band Headlines Jazzfest at New Venue College of Saint Elizabeth, Morristown Saturday, June 11 Lineup and details, see page 26. 2011 New JerseyJazzSociety in this issue: NEW JERSEY JAZZ SOCIETY Prez Sez . 2 Bulletin Board . 2 Jazz Trivia . 3 NJJS Calendar . 3 The Mail Bag . 4 Prez Sez Editor’s Pick/Deadlines/NJJS Info . 6 Crow’s Nest . 24 By Laura Hull President, NJJS New/Renewed Members . 47 Change of Address/Support on the campus of the College of Saint Elizabeth NJJS/Volunteer/JOIN NJJS . 47 Up jumps Jazzfest! in Morristown, NJ. The format will be slightly STORIES ■ Before I move into Jazzfest country, I’d like to different from last year in that we will not present Big Band in the Sky. 8 thank everyone for coming out to the April Jazz an outdoor concert mainstage, however, we will Jimmy Heath Book Signing Bethany. 14 Social. We featured pianist-educator Dave Frank, offer outdoor activities including vendors, food Talking Jazz: Hod O’Brien . 16 Attilio’s Jazz Nights: M. Freeman . 25 who presented a master class format to a room court and dining, and live music. We will present Notes from a Jazz Volunteer . 25 filled with members and non-members alike. in two indoor venues: Dolan Hall in the brand Noteworthy . 29 What an afternoon that was! I felt like signing up new Annunciation Center, and in the Octagon Jazz Journeys . 30 for classes, it was so interesting. -
THE NEWSLETTER of the DUKE ELLINGTON SOCIETY (UK) VOLUME 18 NUMBER 1 L SPRING 2011
BLUE LIGHT THE NEWSLETTER OF THE DUKE ELLINGTON SOCIETY (UK) VOLUME 18 NUMBER 1 l SPRING 2011 THE NEW MOSAIC 11 CD SET HONORARY MEMBERS OF DESUK In alphabetical order Alice Babs Art Baron Buster Cooper Herb Jeffries John Lamb Vincent Prudente Monsignor John Sanders Joe Temperley Editorial Clark Terry Welcome to the first Blue Light of 2011 (really itÊs the second, since HONORARY MEMBERS SADLY NO 17/4 reached you so late). Complications with the preparation for LONGER WITH US Bill Berry (13 October 2002) printing delayed 17/4 into the New Year, and by then further Harold Ashby (13 June 2003) commitments and frustrations led to further delays. I apologize to you Jimmy Woode (23 April 2005) all, but above all to the musicians and promoters whose announcements Humphrey Lyttelton (25 April 2008) appear in the Events Calendar. For more of the grisly details, turn to the Louie Bellson (14 February 2009) inside back cover. Joya Sherrill (28 June 2010) * Letters or editorial material should IÊm also sorry if what I wrote about the three vacancies made some of be addressed to: you fearful for DESUKÊs future. All three vacancies will be filled at the Roger Boyes, 9 Chester Place, Great 7 May AGM, and the SocietyÊs future seems secure. See p6 for details Barton, Bury St Edmunds, IP31 2TL about the AGM and p1 for our progress on filling the vacancies. I hope Phone: 01284-788200 to see many of you in London on the day. At the meeting Derek Else will Email: [email protected] retire as Treasurer and Membership Secretary (and much more – at times DESUK Website: http://www.dukes-place.co.uk he came near to shouldering the burden single-handedly). -
Guide to the Duncan P. Schiedt Photograph Collection
Guide to the Duncan P. Schiedt Photograph Collection NMAH.AC.1323 Vanessa Broussard Simmons, Franklin A. Robinson Jr., and Craig A. Orr. Processing and encoding funded by a grant from the Council on Library and Information Resources. 2016 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Background Information and Research Materials, 1915-2012, undated..................................................................................................................... 4 Series 2: Photographic Materials, 1900-2012, -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. NAT HENTOFF NEA Jazz Master (2004) Interviewee: Nat Hentoff (June 10, 1925 – January 7, 2017) Interviewer: Loren Schoenberg with audio engineer Ken Kimery Date: February 17-18, 2007 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 80 pp. Schoenberg: It’s February 17th, 2007. We’re at 35 West 12th Street in New York City. My name is Loren Schoenberg. Our guest is Nat Hentoff. We’re interviewing him for the Smithsonian Oral History project. I start off by saying, Nat, this is something I’ve been looking forward to do for a long time. It’s an honor to be talking to you this afternoon. Hentoff: Thank you sir. It’s an honor to talk to somebody who’s an actual musician, not a jazz master without a horn. Schoenberg: We’re talking with Nat Hentoff. There are so many places to go in this interview. Before I ask a question – I’m going to hopefully disappear pretty soon as a voice on this tape, because you don’t need to hear me asking questions – I want to set a groundwork and context for the interview, the things that I would like to focus on, at least for a starter. We’re talking with someone here who was on a personal level friendship with, just to name a few people, Duke Ellington, Louis Armstrong, Charlie Parker, Thelonious Monk, John Coltrane, Charles Mingus, Frankie Newton, Jo Jones, and Sidney Bechet. -
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project Information Series
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project Information Series WILLIS CONOVER Interviewed by: Cliff Groce Initial interview date: August 8, 1989 Copyright 2 9 ADST TABLE OF CONTENTS Origins of — usic U.S.A.# And How Conover Got Started IN )OA Evolution Of The Program Over The Years Early Signs Indicating The Program ,as Successful Over The Years Conover )isits Several Countries To eet His Fans. First And ost Tumultous Stop- ,arsaw. 1909 Some of Conover1s E2periences On His )arious Overseas )isits Conover Discusses His Philosophy of usic. Its Programming ethodology. And His Distaste For ,hat He Considers Distasteful Productions That Pass For usic Today Generally. Conover Has Had Strong Support For His Program From 3oth Directors of )OA And USIA. Cites Particularly 4ohn Chancellor Some of Conover1s Special Programs. Particularly ,ith Du5e Ellington6 Ellington At The ,hite House And Numerous Other Times During Ni2on. 4ohnson. Carter Administrations The Story of How The Irving 3erlin Show Celebrating Composer1s 80th 3irthday. ,as Put Together And. The Update of The Program Celebrating His 1 100th 3irthday Conover1s Determination To Remain Non-Political On The Air Conover1s Assistance To Foreign usicians of erit Conover Compliments His Engineers ,ith An Occasional E2ception A Tale Of 4ealousy-Induced Low 3lows 3ac5 To Discussion Of Foreign usicians- Conover1s Help To Polish 4azz Pianist Adam a5owicz. The Outcome Of That Assistance A Chinese ,oman ,ho ,as Still in China During The Cultural Revolution. 3ecomes A Conover Fan As A Listener To )OA. Later 3ecomes rs. Conover INTERVIEW $: How did Music USA get started( CONO)ER- In 1904. -
Bustin' Loose
February 2011 | No. 106 Your FREE Monthly Guide to the New York Jazz Scene aaj-ny.com BUSTER WILLIAMS BUSTIN’ LOOSE SPECIAL BASSISTISSUE John Patitucci • Michael Formanek • Planet Arts • Event Calendar Perhaps more than any other instrument, the look and sound of the acoustic bass defines what most people think of when they think jazz. It conjures up images of dimly-lit clubs and some bassist slumped over their instrument, eyes closed, coordinating the maelstrom around them. But for their almost supreme importance, people still talk during the bass solo and think it odd when a bassist New York@Night leads a group. We hope our special Bass Issue will change that. 4 While we’ve had previous issues devoted to a single instrument, not once have we gone this overboard. On The Cover we have the seminal Buster Williams, Interview: John Patitucci whose resumé reads like jazz history and brings a quartet to Iridium. Interview 6 by Terrell Holmes John Patitucci, besides his work as a leader, has been an integral part of many important groups, perhaps none more so than the quartet of Wayne Shorter, with Artist Feature: Michael Formanek whom Patitucci appears at Town Hall this month. Michael Formanek (Artist 7 by Kurt Gottschalk Feature) is known more for being an in-demand sideman since the early ‘80s but has had his forays into leadership, including last year’s acclaimed The Rub and On The Cover: Buster Williams Spare Change (ECM), the group from which will appear at Connection Works’ 9 by Ken Dryden monthly showcase at Littlefield.