Interview with Mr. Willis Conover
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The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Notre Dame Collegiate Jazz Festival Program, 2005
Archives of the University of Notre Dame Archives of the University of Notre Dame ro WEDNESDAY, FEB. 23, 2005 Preview Night. LaFortune Ballroom. FREE .-> 8:00 p.m. University of Notre Dame Jazz Band II and Jazz Combo -I-J (J) FRIDAY, FEB. 25, 2005 Evening concert block. Washington Hall. FREE for Students; Non-students $3 for 1 night, $5 for both nights OJ U 6:00 p.m. Oberlin College Small Jazz Ensemble N N 6:45 p.m. Western Michigan UniversityCombo ro 7:30 p.m. University of Illinois Concert Jazz Band --, 8: 15 p.m. Oberlin College Jazz Ensemble 9:00 p.m. Western Michigan UniversityJazz Orchestra OJ 9:45 p.m. Judges' Jam ro-I-J :Jro Frank Catalano (saxophone) c· Andre Hayward (trombone) cO) Lynne Arriale (piano) <{OJ Jay Anderson (bass) ...c:= Steve Davis (drums) ~O ~U SATURDAY, FEB. 26, 2005 Clinic. Notre Dame Band Building. FREE 2-3:00 p.m. Meet in main rehearsal room. Evening concert block. Washington Hall. Free for Students; Non-students $3 for 1 night, $5 for both nights 6:00 p. m. University of Notre Dame Jazz Band I 6:45 p.m. Middle Tennessee State UniversityJazz Ensemble I 7:30 p.m. Jacksonville State UniversityJazz Ensemble I 8: 15 p.m. Carnegie Mellon University 6:30 Jazz Ensemble 9:00 p.m. University of Notre Dame Brass Band 9:45 p.m. Collegiate Jazz Festival Alumni Combo Archives of the University of Notre Dame Festival Director: Greg Salzler OJ Assistant to the Director: WillSeath OJ ~ Festival Graphic Designer: Melissa Martin ~ Student Union Board Advisor: Erin Byrne , Faculty advisorto the festival: Larry Dwyer E SUB E-Board: Jimmy Flaherty E Patrick Vassel e Lauren Hallemann u - HeatherKimmins ro John McCarthy > Caitlin Burns .- ~ MarkHealy (J) OJ (J) 1 Jazz Festival Committee Special Thanks to: Ourguests L.L. -
2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT for the ARTS
2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT FOR THE ARTS 2015 Fellows Carla Bley George Coleman Charles Lloyd Joe Segal NEA Jazz Masters 2015 Contents Introduction ..............................................................................1 A Brief History of the Program ................................................2 Program Overview ...................................................................5 2015 NEA Jazz Masters............................................................7 Carla Bley .......................................................................................8 George Coleman............................................................................9 Charles Lloyd ...............................................................................10 Joe Segal ......................................................................................11 NEA Jazz Masters, 1982–2015..............................................12 NEA Jazz Masters Awards Ceremony ...................................14 Pianist Jason Moran and guitarist Bill Frisell perform 2014 NEA Jazz Master Keith Jarrett’s “Memories of Tomorrow” at the 2014 awards concert. Photo by Michael G. Stewart The NEA is committed to preserving the legacy of jazz not just for this ”generation, but for future generations as well. ” IV NEA Jazz Masters 2015 IT IS MY PLEASURE to introduce the 2015 class of NEA Jazz Masters. The NEA Jazz Masters awards—the nation’s highest recognition of jazz in America—are given to those who have reached the pinnacle of their art: musicians -
Blues for Pablo
Jazz Lines Publications Presents blues for pablo As recorded by the miles davis/gil evans orchestra Arranged by gil evans edited by rob duboff and jeffrey sultanof full score from the original manuscript jlp-8109 Music by Gil Evans Copyright © 1956 BOPPER SPOCK SUNS MUSIC All Rights Reserved Used By Permission Layout, Design, and Logos © 2010 HERO ENTERPRISES INC. DBA JAZZ LINES PUBLICATIONS AND EJAZZLINES.COM This arrangement has been published with the authorization of The Estate of Gil Evans. Published by the Jazz Lines Foundation Inc., a Not-for-Profit Jazz Research Organization Dedicated to Preserving and Promoting America’s Musical Heritage. Jazz Lines Foundation INc. PO Box 1236 Saratoga Springs NY 12866 USA gil evans series blues for pablo (1956) Background: Miles Davis signed with Columbia Records thanks to producer George Avakian, who heard him in performance at the 1955 Newport Jazz Festival. By then, Miles had kicked his drug habit and was getting himself together. There was one problem: Prestige Records still had him under contract for another year and a half and recorded him extensively during that time. But Avakian began planning Miles’ recording activities the moment Davis signed his contract. It was the beginning of an association that would last over twenty years, long after other jazz artists left Columbia. Very early on, producer and artist discussed an album with a big band, and Avakian asked Davis to choose between Gunther Schuller and Gil Evans to arrange and conduct. Miles chose Evans immediately. When the album Miles Ahead was released, it made musical history. A mix of adaptations of classical music, an original by Miles and Evans, and current jazz pieces by Dave Brubeck, John Carisi and Ahmad Jamal arranged as one long suite, it helped to re-launch Evans’ career as well as Davis’ own. -
Flamenco Sketches”
Fyffe, Jamie Robert (2017) Kind of Blue and the Signifyin(g) Voice of Miles Davis. PhD thesis. http://theses.gla.ac.uk/8066/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] Kind of Blue and the Signifyin(g) Voice of Miles Davis Jamie Robert Fyffe Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow October 2016 Abstract Kind of Blue remains one of the most influential and successful jazz albums ever recorded, yet we know surprisingly few details concerning how it was written and the creative roles played by its participants. Previous studies in the literature emphasise modal and blues content within the album, overlooking the creative principle that underpins Kind of Blue – repetition and variation. Davis composed his album by Signifyin(g), transforming and recombining musical items of interest adopted from recent recordings of the period. This thesis employs an interdisciplinary framework that combines note-based observations with intertextual theory. -
TAILGATE RAMBLINGS TAILGATE RAMBLINGS April, 1979 Volume No
TAILGATE RAMBLINGS TAILGATE RAMBLINGS April, 1979 Volume No. 4 The President’s Corner (Continued) EDITOR: Ken Kramer NATIONAL CONTRIBUTING EDITORS: Another piece of encouraging news is George Kay Floyd Levin that we have some hope of a site for CONTRIBUTING EDITORS: our regular Sunday night sessions. Mary Doyle Fred Starr These would be for local bands Joe Godfrey Dick Baker exclusively and w'e have been searching Ted Chandler Harold Gray for a good spot for months. It is too early to predict what our present, very POTOMAC RIVER JAZZ CLUB preliminary negotiations will bring President Ray West 370-5605 about, but about all that can be said Vice Pres. Mary Doyle 280-2373 now is that the spot will not be the PRJC Hot Line 703-573-TRAD same as before. So you see, traditional jazz is very TAILGATE RAMBLINGS IS PUBLISHED much alive and well in PRJC land! MONTHLY BY THE POTOMAC RIVER JAZZ CLUB. I would like to mention the quickly- THE CLUB IS FOR THE PURPOSE OF assembled function on February 25 in PRESERVING, ENCOURAGING AND ADVANCING honor of Royal Stokes for his great TRADITIONAL JAZZ. support of PRJC and jazz in general. A plaque was presented by yours truly in The President's Corner the name of the PRJC. A good crowd was there, in spite of the shortness of Here we are once more and with all advance notice and I apologize to all sorts of good tidings. The year who did not get the word in time. And started off in a most encouraging to Royal, our very sincere gratitude way for the club. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Adam MAKOWICZ (Pronounced Mah-KO-Vitch), an Internationally Acclaimed Jazz Piano Virtuoso, Has Dazzled Audiences Throughout Hall with Earl Hines
Adam MAKOWICZ (pronounced Mah-KO-vitch), an internationally acclaimed jazz piano virtuoso, has dazzled audiences throughout Hall with Earl Hines. George Shearing, and Teddy Wilson during a Newport Jazz the world with his touch, articulation, and rich harmonic textures. Adam was born of Festival tribute to Errol Garner, who had died six months earlier. Polish parents in Czechoslovakia in 1940. He was raised in Poland from the age of „Imagine playing for the fi rst time with these giants of jazz in the most famous con- six. „I studied classical music at the Chopin Conservatory of Music in Krakow, but cert hall in the world — I was scared to death! But I could not disappoint John, and dropped out because of my involvement in jazz,“ he recalled. „In the mid-fi fties I 1 received a standing ovation from more than 2.000 people.“ discovered Willis Conover‘s program Music USA Jazz Hour, broadcast every night Adam settled in New York in 1978. In December, 1981, the Polish regime imposed by the Voice of America. It changed my life forever. I chose a new life of freedom martial law in order to crush the Solidarity Movement. In response, President Re- and improvisation considered by authorities to be ‚decadent‘ over the career of a agan initiated a special event called „Let Poland Be Poland,“ in which many artists classical pianist my parents and teachers envisioned for me.“ and public fi gures, including Adam, took part. As a result, he was banned from Po- As a result, Adam was forced to leave his home and school, and spent two years of land until it gained its freedom in 1989. -
Extensions of Remarks
January 26, 1993 EXTENSIONS OF REMARKS 1289 EXTENSIONS OF REMARKS A VERY SPECIAL VOICE OF which sometimes afflicts shortwave,'' he ex Then there's "Music With Friends," a AMERICA plains. "So I slowed down the pace and weekly half-hour broadcast in Poland. "It's stretched out the delivery. the kind of records you play for people when "But, not-with-pauses. No-o-o, what I they drop by," he explains. HON. ROBERT H. MICHEL trii-ed to do-o-o was pro-o-lonnng· the vow Finally, he squeezes in special music pro 01<' ILLINOJS ellllls. I thought of it as bel canto sing·ing. ·· gTams aimed at countries his regular shows JN THE HOUSE OF REPRESENTATIVES The world knows this voice, and knows the have missed. Tuesday, January 26, 1993 music it introduces on radio. The voice is What ties all this tog·ether is Conover's Willis Conover's. The music is America's love and appreciation of American jazz. Mr. MICHEL. Mr. Speaker, for 38 years, a jazz. "Jazz is America's classical music," he voice of America has been broadcasting over For 38 years Conover's "Music USA" pro says. "Some say rock is just another form of the airwaves of the Voice of America [VOA], gl'am has swung· out on the Voice of America jazz, as Dixieland, swing, and bop were. My sending a message of freedom and hope to (VOA), the radio arm of the US Information mind tells me this could be true, my heart millions who lack freedom. This voice has Agency that tells "America's story to the tells me it's false." been described as a mellifluous bass, with a world." The estimate of 30 million listeners More than loving jazz, Conover Lelieves in warm tone and crisp diction. -
NDSU Magazine
NDSUmagazineNORTH DAKOTA STATE UNIVERSITY FALL 2001 Leo Kim, Stark County, N.D. LEO KIM, a wordly North Dakotan 9/11/01 -photo by Julie Babler, Lower Manhattan, summer 1999 Editor Laura McDaniel Editorial staff Steve Bergeson Dan Koeck Kathy Laid David Wahlberg Art Direction/Design Julie Babler Address changes Send address and name changes to: [email protected] Letters Unless noted “not for publication,” communications to the editor are considered for publication, often in a condensed version. E-mail: laura.mcdaniel@ ndsu.nodak.edu PO Box 5167 Fargo, ND 58105 Fax: 701.231.1989 Volume 2, number 1 NDSUmagazine is published twice a year, in spring and fall, by North Dakota State University, Office of the President/ University Relations, PO Box 5167, Fargo ND 58105. NDSU is an equal opportunity institution. Volume 2 Number 1 FALL 2001 President NDSUmagazine Joseph A. Chapman [email protected] Vice President for Academic Affairs R. Craig Schnell [email protected] Vice President for Student Affairs George H. Wallman [email protected] Vice President for Research, Creative Activities and Technology Transfer Philip Boudjouk [email protected] Vice President, Dean and Director for Agricultural Affairs Patricia A. Jensen [email protected] Vice President for Business and Finance Richard L. Rayl [email protected] Executive Director of University Relations Keith D. Bjerke [email protected] 4 NDSUmagazine Letters 6 contents Editor’s note 7 Contributors 8-9 “Far” “go” North Dakota Essayist reveals the origins of a fascination with North Dakota 10-11 Photographer Leo Kim He sees things differently 12-17 Amy Ruley Excerpts: Thoughts on life, leadership and the future 18-19 The Duke was here Historic Duke Ellington recording made in 1940 20-25 Diversity A difficult concept to define 26-29 North Dakota agriculture One expert sees a tough road ahead 30-31 Extraordinary average guy Microsoft Great Plains software architect keeps an eye on the prize 32-35 The legacy of Samuel F.B. -
Duke Ellington, Performing at Fargo's Crystal Ballroom. Right, Richard
Duke Ellington, performing at Fargo’s Crystal Ballroom. Right, Richard Burris and Jack Towers Photos taken by Jack Towers during Fargo recording, except where indicated. THE TWO MEN WHO LUGGED SOUND EQUIPMENT OUT THE STAGEDOOR OF THE CRYSTAL BALLROOM IN DOWNTOWN FARGO IN THE EARLY HOURS OF A NOVEMBER 1940 MORNING HAD NO IDEA THEY CARRIED WITH THEM A PIECE OF JAZZ HISTORY. SOME 40 YEARS LATER, AS A RESULT OF ONE OF THOSE PRECIOUS ACCIDENTS OF HISTORY, THE SIX ACETATE DISCS THEY RECORDED WOULD WIN A GRAMMY AWARD. THURSDAY NOVEMBER 7,1940. that carved v-tracks in 16-inch acetate discs. They Franklin Delano Roosevelt has just been elected to placed the recorder next to Ellington’s piano with a third term as president of the United States. The two additional microphones, one up high and one attack on Pearl Harbor is 13 months away, but North down low at the front of the stage. After the orchestra Dakotans are anxious about the war in Europe. played two or three warm-up pieces, Ellington came Students at North Dakota Agricultural College, out to his piano. The band played “Sepia Panorama,” still licking their wounds from a Homecoming gridiron its broadcast theme — local radio station KVOX loss to North Dakota University the previous weekend, broadcast part of the show live — and, “Away the warm up for a fun-filled evening of dancing at the program went.” Crystal Ballroom. An NDAC Extension Service By all accounts the night was magical. Between 600 employee prepares for the arrival of his friend from and 800 people paid the $1.30 advance ticket price South Dakota State College in Brookings, S.D.