Lower Pecos Canyonlands Archeological District
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APPENDIX A Project Personnel Qualifications Brad Comeau Archaeologist Brad Comeau is an archaeologist with over 9 years’ experience EDUCATION as a field director, archaeological monitor, and laboratory University of Sheffield technician. He has conducted numerous surveys, evaluation MS, Experimental Archaeology, 2012 excavations, and data recoveries, primarily in Southern University of Massachusetts, Amherst California. He has extensive experience in San Diego County, BA, Anthropology, 2004 with additional experience in Riverside County, the Mojave BA, Italian Studies, 2004 Desert, San Joaquin Valley, and Imperial County, as well as CERTIFICATIONS Massachusetts, Arizona, and England. His research interests Occupational Health and Safety include the role of experimentation in archaeology, copper Administration Hazardous Waste Operations and Emergency Response production techniques, and lithic production. 40-hour Course, 2011 City of San Diego, Certified Archaeological Project Experience Monitor, 2009 Development PROFESSIONAL AFFILIATIONS Society for American Archaeology, 2012 St. John Garabed Church Project, San Diego County, Bath and Camerton Archaeological California. As field director, conducted site examinations and Society, 2012 limited shovel test pit excavation for an Extended Phase 1 survey; Society for California Archaeology, 2008 directed a crew of two people; prepared a letter report of findings. Rhodes Crossing Update, Rhodes Properties, San Diego, California. As field director, led a crew of two people for a Class III pedestrian survey of 88 acres; coordinated Native American monitor participation; assisted with preparation of Archaeological Resource Management Report (ARMR). Gregory Canyon Landfill Environmental Impact Statement PHI Assessments, PCR Services Corporation, Pala, San Diego, California. As field director, conducted pedestrian survey of proposed landfill; relocated and verified previously recorded sites; led a crew of four people; coordinated with Native American monitors; prepared site forms and site descriptions for ARMR report. -
Desert Renewable Energy Conservation Plan Proposed Land
DRECP Proposed LUPA and Final EIS CHAPTER III.8. CULTURAL RESOURCES III.8 CULTURAL RESOURCES This chapter presents the Affected Environment for the Land Use Plan Amendment (LUPA) Decision Area and the Desert Renewable Energy Conservation Plan (DRECP) area for cultural resources. These areas overlap, and in the following programmatic discussion are referred to broadly as the “California Desert Region.” More than 32,000 cultural resources are known in the DRECP area in every existing environmental context ⎼ from mountain crests to dry lake beds ⎼ and include both surface and subsurface deposits. Cultural resources are categorized as buildings, sites, structures, objects, and districts (including cultural landscapes and Traditional Cultural Properties) under the federal National Environmental Policy Act (NEPA) and the National Historic Preservation Act (NHPA). Historic properties are cultural resources included in, or eligible for inclusion in, the National Register of Historic Places (NRHP), maintained by the Secretary of the Interior (36 Code of Federal Regulations [CFR] 60.4). See Section III.8.1.1 for more information on federal regulations and historic properties. This chapter discusses three types of cultural resources classified by their origins: prehistoric, ethnographic, and historic. Prehistoric cultural resources are associated with the human occupation of California prior to prolonged European contact. These resources may include sites and deposits, structures, artifacts, rock art, trails, and other traces of Native American human behavior. In California, the prehistoric period began over 12,000 years ago and extended through the eighteenth century until 1769, when the first Europeans settled in California. Ethnographic resources represent the heritage of a particular ethnic or cultural group, such as Native Americans or African, European, Latino, or Asian immigrants. -
Archeology Inventory Table of Contents
National Historic Landmarks--Archaeology Inventory Theresa E. Solury, 1999 Updated and Revised, 2003 Caridad de la Vega National Historic Landmarks-Archeology Inventory Table of Contents Review Methods and Processes Property Name ..........................................................1 Cultural Affiliation .......................................................1 Time Period .......................................................... 1-2 Property Type ...........................................................2 Significance .......................................................... 2-3 Theme ................................................................3 Restricted Address .......................................................3 Format Explanation .................................................... 3-4 Key to the Data Table ........................................................ 4-6 Data Set Alabama ...............................................................7 Alaska .............................................................. 7-9 Arizona ............................................................. 9-10 Arkansas ..............................................................10 California .............................................................11 Colorado ..............................................................11 Connecticut ........................................................ 11-12 District of Columbia ....................................................12 Florida ........................................................... -
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Cultural and Paleontological Resources Inventory Report for the East Highline Reservoir Project in El Centro, Imperial County, California Prepared for: Imperial Irrigation District 333 East Barioni Boulevard Imperial, California 92251-0937 Contact: Jessica Lovecchio Prepared by: Matthew DeCarlo, MA; Sarah Siren, MSc; Samantha Murray, MA; and Micah J. Hale, PhD, RPA 605 Third Street Encinitas, California 92024 OCTOBER 2018 Printed on 30% post-consumer recycled material. Cultural and Paleontological Resources Inventory Report for the East Highline Reservoir Project TABLE OF CONTENTS Section Page No. ACRONYMS AND ABBREVIATIONS ..................................................................................... V NATIONAL ARCHAEOLOGICAL DATABASE INFORMATION ..................................VII MANAGEMENT SUMMARY .................................................................................................. IX 1 PROJECT DESCRIPTION AND LOCATION ..............................................................1 1.1 Regulatory Context ................................................................................................. 2 1.1.1 36 CFR 800 and Section 106 of the National Historic Preservation Act.... 2 1.1.2 Bureau of Reclamation Cultural Resources Management Policy ............. 12 1.1.3 California Register of Historical Resources (California Public Resources Code, Section 5020 et seq.) ..................................................... 14 1.1.4 Native American Historic Cultural Sites (California Public Resources Code, Section -
NATIONAL HISTORIC LANDMARK NOMINATION CARRIZO PLAIN ARCHEOLOGICAL DISTRICT Page 1 1. NAME of PROPERTY Historic Name: CARRI
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev 8-86) OMB No 1024-0018 CARRIZO PLAIN ARCHEOLOGICAL DISTRICT Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: CARRIZO PLAIN ARCHEOLOGICAL DISTRICT Other Name/Site Number: See Table 1 for Site Numbers 2. LOCATION Street & Number: N/A Not for publication: X City/Town: California Valley Vicinity: X State: California County: San Luis Obispo Code: 079 Zip Code: N/A 3. CLASSIFICATION Ownership of Property Category of Property Private: Building(s): ___ Public-Local: District: _X_ Public-State: _X_ Site: ___ Public-Federal: X_ Structure: ___ Object: ___ Number of Resources within Property Contributing Noncontributing buildings 100 8 sites structures objects 100 8 Total Number of Contributing Resources Previously Listed in the National Register: 24 Name of Related Multiple Property Listing: N/A NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev 8-86) OMB No 1024-0018 CARRIZO PLAIN ARCHEOLOGICAL DISTRICT Page 3 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 6. FUNCTION OR USE Historic: RELIGION Sub: ceremonial site RECREATION AND CULTURE work of art DOMESTIC camp, village AGRICULTURE/SUBSISTENCE processing site INDUSTRY/PROCESSING/EXTRACTION processing site Current: LANDSCAPE Sub: unoccupied land RECREATION AND CULTURE outdoor recreation AGRICULTURE/SUBSISTENCE storage INDUSRY/PROCESSING/EXTRACTION -
Jay Von Werlhof and Owens Valley Rock Art
Jay von Werlhof and Owens Valley Rock Art Mark A. Giambastiani and Mark E. Basgall Abstract between Owens Valley and other California culture areas based on perceived similarities in rock art styles In 1965 Jay von Werlhof published an overview of Owens Valley and motifs. Steward also gave terms for two major rock art for the University of California Archaeological Survey based on fieldwork he conducted in the summer of 1959. Although design forms of the basic abstract petroglyph style, this work has been largely overlooked by subsequent rock art formally identified by Heizer and Baumhoff (1962) as research in eastern California, which has centered primarily on “Great Basin Curvilinear” and “Great Basin Recti- the Coso region, a careful read of the volume reveals the genesis of the many unique insights Jay developed in his lifelong study linear,” which were used by von Werlhof (1965) and of prehistoric art. In retrospect, Jay’s work in Owens Valley has Grant et al. (1968) and are still in regular use today. had important implications for both archaeological and rock art research in eastern California and provides a different perspective from which to view contemporary opinions about the function and Following Steward’s effort, rock art studies in Owens meaning of prehistoric imagery on stone. Valley slowed for a time. In the early 1950s Clement Meighan (1955) visited and recorded archaeological Owens Valley Rock Art in Historical Context sites in southern Mono County, including a few sites with rock art at Chidago Canyon on the Volcanic Ta- The documentation of rock art in Owens Valley began bleland, but he made little mention of any petroglyphs in the late nineteenth century with observations by in his published notes. -
February Program
http://coloradorockart.org/ February 2020 Volume 11 Issue 2 Inside This Issue 1, 3 Webinar information February Program 2 Contacts, CRAA Board News 2, 12-14 Upcoming Events Your Guess Is as Good as Any: 4-11 Rock Art Blog Authority, Ownership, and 11 Spring PAAC schedule Ethics in the Public Interpretation of Rock Art Zoom link http://zoom.us/j/6136944443 Date & Time: Thursday, February 27, 6:55 – 8:00 pm MST Need webinar help? Location: Click on http://zoom.us/j/6136944443 any time after 6:45 see page 3 pm. Program will start at 7 pm. Upcoming CRAA webinar: Presenter: Dr. Richard Rogers, Professor of Communication Studies and Associate Faculty in Women’s and Gender Studies, Northern March 24—Nicole Lohman, Arizona University BLM presents "The Spark that Lit a Fire: Impacts of a Rock Art Description: Interpretive signs at rock art sites, pamphlets available Organization on a Young at trailheads, and displays in visitor centers and museums have sub- Professional." stantial potential to shape people’s understandings of rock art and indigenous peoples. The U.S. rock art literature, however, offers little in the way of systematic analysis or guidelines for “best practices” in the public interpretation of rock art. The public wants to know, above all, what it means. However, sometimes that knowledge does not exist, sometimes the public dissemination of that knowledge is constrained, sometimes meanings may be funda- mentally contested, and sometimes “meaning” is not the only or most relevant information to share. The public interpretation of rock art involves issues of representation, ownership, and authority that complicate any simple sense of interpretation as “Here’s what we know. -
Coso Rock Art Compiled by Leigh Marymor 02/04/16 (92 Citations)
Rock Art Studies: A Bibliographic Database Page 1 North America_United States_California_ Coso Rock Art Compiled by Leigh Marymor 02/04/16 (92 Citations) Allen, Mark W. SOUTHWEST MUSEUM LIBRARY. FILE MS# 781 CONSISTS OF 21 PAGES OF SITE AND MOTIF 2006 DRAWINGS. COMPANION TO MS# 1036. "In the Footsteps of Malcolm Rogers: UCBARF, BSABSR, RANMAB. SWMBRL (FILE # MS 1036 Archaeological Site Recordation at Indian contains original manuscript). LMRAA (PHOTO COPY). Spring, South Range, China Lake Naval Air Weapons Station" in A Festschrift Honoring the Contributions of California Archaeologist Jay Bock, Frank von Werlhof, Russell L. Kaldenberg, ed. 1983 Maturango Museum Publications, (20):33-40, "The Great Galleries of the Coso Range: Maturango Museum, Ridgecrest, California. California's Most Extensive Rock Art Site" in Ancient Images on Stone. Rock Art of the Indian Spring (M-99, aka CA-Sbr-723 and CA-Sbr-724), Californias, :66-74, UCLA Institute of South Range, China Lake Naval Air Weapons Station, Coso Archaeology, Los Angeles, California. Mountain Range, Ridgecrest, California. United States. North America. Rock feature: Geoglyphs. NAVAL WEAPONS CENTER, INYO COUNTY, COSO LMRAA. RANGE. CALIFORNIA. GREAT BASIN. BIG PETROGLYPH CANYON. LITTLE PETROGLYPH CANYON. United States. North America. Arnolds, Caroline INTRODUCTORY REGIONAL OVERVIEW. 1996 LMRAA. Stories in Stone. Rock Art Pictures by Early Americans, :48 pgs, Clarion Books, New York, New York. Bock, Frank and A.J. 1972 (Apr) COSO MOUNTAINS, CHINA LAKE NAVAL AIR "The Signs that Man was Here" in The WEAPONS STATION, RIDGECREST, CALIFORNIA. Masterkey, Vol. 46(2):47-60, Southwest MOJAVE DESERT. United States. North America. Museum, Los Angeles, California. -
Newsletter Society
Society for CaliforniaCalifornia ArchaeologyArchaeology Newsletter Founded 1966 Volume 39, Number 1 March 2005 Cypress & Mandela Projects — See you at the Annual Meeting, April 21-24, Sacramento! 2 Society for California Archaeology Newsletter Volume 39, Number 1 A quarterly newsletter of articles and information essential to California archaeology. Contributions are welcome. March 2005 Lead articles should be 1,500-2,000 words. Longer articles may appear in installments. Send submissions as hard copy or on diskette to: SCA Newsletter, Department of Anthropology, CSU Chico, Chico CA 95929-0401 or as email or attachments to: <[email protected]> Regular Features The SCA Executive Board encourages publication of a From the President wide range of opinions on issues pertinent to California Amy Gilreath . 3 archaeology. Opinions, commentary, and editorials appearing in the Newsletter represent the views of the SCA Business and Activities authors, and not necessarily those of the Board or Editor. Committee Reports . 4 Lead article authors should be aware that their articles Symposium on SB18 . 8 may appear on the SCA web site, unless they request otherwise. Nor-Rel-Muk NAPC Workshop . 9 Mechoopda NAPC Workshop . 11 Editorial Staff Web Sites of Interest . 13 Managing Editor . Greg White (530) 898-4360 Board Minutes, 09/10/04 . 14 Contributing Editors Annual Meeting Preliminary Program . 16 Avocational News . Elena Nilsson Curation . Cindy Stankowski News and Announcements Education . Elena Nilsson Exhibits . 18 Federal Agency News . Russ Kaldenberg Workshops and Tours . 18 Field Notes . Michael Sampson Historical Archaeology . open On the Web . 19 Information Centers . Lynn Compas Conferences . 19 Membership . Vicki Beard New Publications . Denise Thomas New Publications OHP . -
Rock Art Studies: a Bibliographic Database
Rock Art Studies: A Bibliographic Database Page 1 North America_Mexico_Baja California (303 Citations) Compiled by Leigh Marymor 02/24/16 Pt. Richmond CA Alt, Arthur and Breece, William H. Amao Manriquez, Jorge 1978 1990 "The Rock Art of Tinaja Refugio" in Seven "Where the Moon Casts a Shadow" in Journees Rock Art Sites in Baja California North Internationales d'Etude sur la Conservacion de American Rock Art, (2):72-88, Ballena Press l'Art Rupestre - Supplement, 47-50, Perigord, Publications, Socorro, New Mexico. France. TINAJA DE REFUGIO, SAN IGNACIO, VIZCAINO Baja California, Mexico. North America. CONSERVATION DESERT, BAJA CALIFORNIA, MEXICO. North America. AND PRESERVATION. PETROGLYPH ELEMENT INVENTORY. SITE SURVEY. PCARB. LMRAA. Anati, Emmanuel, Fradkin, Ariela and de Alvarez de Williams, A. Abreu, Mila Simoes 1993 1984 "Painted Caves and Sacred Sheep: Bighorn "Rock Art of Baja California Sur" in Bollettino Sheep in Baja California" in Counting Sheep: del Centro Camuno di Studi Preistorici, Vol. Twenty Ways of Seeing Desert Bighorn, G.P. 21:107-112, Centro Camuno di Studi Preistorici, Nabhan, ed., 42-58, University of Arizona Press, Capo di Ponte, Italy. ISSN: 0577-2168. Tucson, Arizona. BAJA CALIFORNIA SUR, MEXICO. North America. Baja California, Mexico. North America. BIGHORN SHEEP ALOD, LMRAA, EAB. MOTIF(S). Biblio. Beaudry, Marilyn 1978 Alvarez de Williams, Anita "Description and Analysis of Rock Art at Rincon 1973 (Oct) Grande" in Seven Rock Art Sites in Baja "Five Rock Art Sites in Baja California" in California North American Rock Art, (2):178- Pacific Coast Archaeological Society. Rock Art, 214, Ballena Press Publications, Socorro, New Vol. 9(4):37-46, Pacific Coast Archaeological Mexico. -
Prehistoric Culture Diffusion in the Gran Chichimeca
AN ABSTRACT OF THE THESIS OF Eugene C. Lee for the degree of Master of Arts in Interdisciplinary Studies in the co-departments of Anthropology/Anthropology/History presented on May 23, 1985: Title: Prehistoric Cultu DiffWon in the Gran ichimeca Abstract approved: Redacted for Privacy Richard E. Ro' The Gran Chichimeca is a North American area extending from the Tropic of Cancer to the south to the thirty-eighth parallel in the north, thus embracing northern Mexico and the American Southwest. The rise of the great mesoamerican civilizations to the south of the Gran Chichimeca and the consequent pressure of trade resulted in a northward diffusion of cultural traits, many of which reached the American Southwest. The advantages of various possible routes over which meso- american cultural traits might have been passed are discussed and five specific traits are examined. In the American Southwest, espec- ially, these traits are but dimly perceived and are not accorded the recognition which they merit. These traits have been selected for their unique character and their patent visibility. The character of these five traits and their significance is demonstrated. Prehistoric Culture Diffusion in the Gran Chichimeca by Eugene C. Lee A THESIS submitted to Oregon State University impartial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary studies Completion Date May 23, 1985 Commencement June 1986 _ APPROVED: Redacted for Privacy Associate Professor of Anthropology incharge of major Redacted for Privacy Assistant Professor of Anthropologyin charge of co-field Redacted for Privacy Profess$ of History in charge co-field Redacted for Privacy Chairman of Department of Anthropology Redacted for Privacy Dean of Gra -ie School d 0 Date Thesis is presented May 23, 1985 Typed by Sue Ferdig for Eugene C. -
Albuquerque and New Mexico
Volume 21, Number 4 Spring 1995 La Pintura The Official Newsletter of the American Rock Art Research Association Member of the International Federation of Rock Art Organizations Welcome to Albuquerque and New Mexico lbuquerque is a unique combination of the very old and the highly A contemporary, the natural world and the man-made environment, the frontier town and the cosmopolitan city, the indigenous and the come- lately. It is a blend of diverse cultures, cuisines, people, styles, stories, pursuits, and panoramas. To the east, Albuquerque has the 10,600-foot-high Sandia Mountains, where evidence of habitation dates back over 10,000 years. To the west there are the volcanic cones, remnants of the volcanic eruptions more than 110,000 years ago that generated a 25-square-mile lava flow. At the edge of those lava flows, resting on a 17-mile-long basalt escarpment, are carved more than 15,000 petroglyphs. In between the mountains and the lava flow, on either side of the Rio Grande valley known as the Bosque (Spanish for forest), rests the city of Albuquerque. A city of 450,000 people and growing, Albuquerque is rapidly spreading out across the broad mesas. Some might describe Albuquerque as an exotic and striking community peeking out among the trappings of mainstream America. Others might see the city in its geographical or cultural context. It is because of these natural and man-made resources that Albuquerque provides a stimulating environment for the 22nd Annual American Rock Art Research Association Symposium. For those of you participating in this year’s symposium and for those of you who are unable to be here, but may come in the future, there are two challenges offered by Albuquerque and the surrounding area.