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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org RADE REVIEW Yhe OLDEST in AMERICA. teinway The BEST in the D. GRAND AND UPRIGHT PIANOS The history of the Piano industry in this country proves the supe- STEINWAY & SONS are the only Manufacturers who make all rior value of the CHICKERING PIANO to the dealer, both financially component parts of their Pianofortes, exterior and interior (including and artistically, as leader over all other makes. TO-DAY the Piano presents greater possibilities for the dealer than the casting of the full metal frames), in their own factories, at any time during1 our seventy-flve years of manufacture. 791 TREMONT STREET, CHICKERING & SONS, BOSTON, MASS. NEW YORK WAREROOMS, STEINWAY HALL, Nos. J07, 109 & \U East Fourteenth Street. CENTRAL DEPOT FOR GREAT BRITAIN, STEINWAY HALL, No. J5 Lower Seymour Street, Portman Square, LONDON, HAZELTON EUROPEAN BRANCH FACTORY, STEINWAVS PIANO FABRIK, Piano-Fortes St. Pauli, Neue Rosen Strasse, Nos. 20-24, HAMBURG, GERMANY. CANNOT BE EXCELLED FOR TOUCH, SINGING QUALITY, DELICATE AND GREAT POWER OF TONE, WITH HIGHEST EXCELLENCE OF WORKMANSHIP. FINISHING FACTORY: Fourth Avenue, Fifty-Second and Fifty-Third Streets. New York City. HAZELTON BROTHERS, .^•••••••••••••••••••••1 !••••••••••••••••••••••••• Piano Case and Action Factories, Metal Foundries and Lumber Yards, Warerooms: 66 and 68 University Place, New York at Astoria, Long Island City, opposite 120th Street. New York City. ^ yzsagsras^ggyz^ac^^ Organs~ Kimball ~ Pianos The following are but a few of the many musical celebrities who use and endorse the KIMBALL PIAN05: Adelina Patti Walter Damrosch Emma Calve Anton Seidl Lillian Nordica Geo. Henschel Milka Ternina John Philip Sousa Katharina Klafsky L. Mancinelli Emma Eames Luigi Arditi Lilli Lehmann Jean de Reszke Minnie Hauk Edouard de Reszke Rosa Sucher Max Alvary Sophia Scalchi Francisco Tamagno Emma Albani Victor Maurel Frances Saville Jean Lassalle Zelie de Lussan Mario Ancons Marie Tavary Ben Davies Jski PIANO AND Awarded t: flONOVER PIANOS.. THE ARTISTS PIANOS FAVORITB -UNEQUALLED Tone, Touch, Workmanship (irand and Upright * « QUALITY and Durability.—-- DURABILITY EVERY PIANO FULLY WARRANTED AND BEAUTY FOR FIVE YEARS. ARE UMEXCELLBB NEW YORK, WAREROOMS: BALTIflORE. Send lop Catalogue and Prioa ^ ifth Ave., near 20th St. 22 & 24 E. Baltimore St. WASHINGTON, 1422 Pennsylvania Ave. COM Piano 60., 21510221 waDasn live., cnicap.

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05-11-2019 Gotter Eve.Indd
Synopsis Prologue Mythical times. At night in the mountains, the three Norns, daughters of Erda, weave the rope of destiny. They tell how Wotan ordered the World Ash Tree, from which his spear was once cut, to be felled and its wood piled around Valhalla. The burning of the pyre will mark the end of the old order. Suddenly, the rope breaks. Their wisdom ended, the Norns descend into the earth. Dawn breaks on the Valkyries’ rock, and Siegfried and Brünnhilde emerge. Having cast protective spells on Siegfried, Brünnhilde sends him into the world to do heroic deeds. As a pledge of his love, Siegfried gives her the ring that he took from the dragon Fafner, and she offers her horse, Grane, in return. Siegfried sets off on his travels. Act I In the hall of the Gibichungs on the banks of the Rhine, Hagen advises his half- siblings, Gunther and Gutrune, to strengthen their rule through marriage. He suggests Brünnhilde as Gunther’s bride and Siegfried as Gutrune’s husband. Since only the strongest hero can pass through the fire on Brünnhilde’s rock, Hagen proposes a plan: A potion will make Siegfried forget Brünnhilde and fall in love with Gutrune. To win her, he will claim Brünnhilde for Gunther. When Siegfried’s horn is heard from the river, Hagen calls him ashore. Gutrune offers him the potion. Siegfried drinks and immediately confesses his love for her.Ð When Gunther describes the perils of winning his chosen bride, Siegfried offers to use the Tarnhelm to transform himself into Gunther.
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Musical Landmarks in New York
MUSICAL LANDMARKS IN NEW YORK By CESAR SAERCHINGER HE great war has stopped, or at least interrupted, the annual exodus of American music students and pilgrims to the shrines T of the muse. What years of agitation on the part of America- first boosters—agitation to keep our students at home and to earn recognition for our great cities as real centers of musical culture—have not succeeded in doing, this world catastrophe has brought about at a stroke, giving an extreme illustration of the proverb concerning the ill wind. Thus New York, for in- stance, has become a great musical center—one might even say the musical center of the world—for a majority of the world's greatest artists and teachers. Even a goodly proportion of its most eminent composers are gathered within its confines. Amer- ica as a whole has correspondingly advanced in rank among musical nations. Never before has native art received such serious attention. Our opera houses produce works by Americans as a matter of course; our concert artists find it popular to in- clude American compositions on their programs; our publishing houses publish new works by Americans as well as by foreigners who before the war would not have thought of choosing an Amer- ican publisher. In a word, America has taken the lead in mu- sical activity. What, then, is lacking? That we are going to retain this supremacy now that peace has come is not likely. But may we not look forward at least to taking our place beside the other great nations of the world, instead of relapsing into the status of a colony paying tribute to the mother country? Can not New York and Boston and Chicago become capitals in the empire of art instead of mere outposts? I am afraid that many of our students and musicians, for four years compelled to "make the best of it" in New York, are already looking eastward, preparing to set sail for Europe, in search of knowledge, inspiration and— atmosphere.
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05-09-2019 Siegfried Eve.Indd
Synopsis Act I Mythical times. In his cave in the forest, the dwarf Mime forges a sword for his foster son Siegfried. He hates Siegfried but hopes that the youth will kill the dragon Fafner, who guards the Nibelungs’ treasure, so that Mime can take the all-powerful ring from him. Siegfried arrives and smashes the new sword, raging at Mime’s incompetence. Having realized that he can’t be the dwarf’s son, as there is no physical resemblance between them, he demands to know who his parents were. For the first time, Mime tells Siegfried how he found his mother, Sieglinde, in the woods, who died giving birth to him. When he shows Siegfried the fragments of his father’s sword, Nothung, Siegfried orders Mime to repair it for him and storms out. As Mime sinks down in despair, a stranger enters. It is Wotan, lord of the gods, in human disguise as the Wanderer. He challenges the fearful Mime to a riddle competition, in which the loser forfeits his head. The Wanderer easily answers Mime’s three questions about the Nibelungs, the giants, and the gods. Mime, in turn, knows the answers to the traveler’s first two questions but gives up in terror when asked who will repair the sword Nothung. The Wanderer admonishes Mime for inquiring about faraway matters when he knows nothing about what closely concerns him. Then he departs, leaving the dwarf’s head to “him who knows no fear” and who will re-forge the magic blade. When Siegfried returns demanding his father’s sword, Mime tells him that he can’t repair it.
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Syapnony Orcnestrh
BOSTON SYAPnONY ORCnESTRH 1901-1902 ^cc PRoGRSAAE HIGH OPINIONS REGARDING THE PIANOFORTEvS " In my opinion, they rank with the best pianos made." Wm. Mason. " I beheve your pianos to be of the very first rank." Arthur Nikisch. Dr. Wm. riason. Arthur Nikisch. Harold Bauer. "In my opinion, no finer instrument exists than the Mason & HamHn of to-day." Harold Bauer. " It is, I believe, an instru- ment of the very first rank." MORITZ MOSZKOWSKI. " It IS unsurpassed, so far as I know." Emil Paur. Moritz noszkowslci. Emil Paur. NEW ENGLAND REPRESENTATIVES M. STEINERT & SONS COMPANY 162 BOYLSTON STREET Boston Symphony Orchestra* SYMPHONY HALL, BOSTON, HUNTINGTON AND MASSACHUSETTS AVENUES. Ticket """T'Office, 1492 ' ""!' BACK BAY. TELEPHONE, | TI [ Administration Offices, 1471 TWENTY-FIRST SEASON, I 901 -I 902. WILHELM GERICKE, CONDUCTOR. PROGRAMME OF THE THIRD REHEARSAL and CONCERT WITH HISTORICAL AND DESOUPTIVE NOTES BY PHILIP HALE jt jt ^ ji FRIDAY AFTERNOON, NOVEMBER 1, AT 2.30 O'CLOCK. SATURDAY EVENING, NOVEMBER 2, AT 8.00 O'CLOCK. PUBLISHED BY C. A. ELLIS, MANAGER. (101) QUARTER G R A N D% THIS instrument, which we have just produced, defines an epoch in the history of piano- forte making and is the only success- ^ ful very small grand ever made. ^ Beautiful quality of tone and delightful touch — taking but little more space than an upright, it sur- passes it in all the qualities desired in a pianoforte. CHICKERING ^ Sons IPianoforte flPafterg 7p/ TREMONT STREET B S T N , U . S . A . (102) TWENTY-FIRST SEASON, 1901-1902. Third Rehearsal and Concert* FRIDAY AFTERNOON, NOVEMBER i, ait 2.30 o'clock.
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André Previn Tippett's Secret History
TIPPETT’S SECRET HISTORY ANDRÉ PREVIN The fascinating story of the composer’s incendiary politics Our farewell to the musical legend 110 The world’s best-selling classical music magazine reviews by the world’s finest critics See p72 Bach at its best! Pianist Víkingur Ólafsson wins our Recording of the Year Richard Morrison Preparing students for real life Classically trained America’s railroad revolution Also in this issue Mark Simpson Karlheinz Stockhausen We meet the young composer Alina Ibragimova Brahms’s Clarinet Quintet Ailish Tynan and much more… First Transcontinental Railroad Carriage made in heaven: Sunday services on a train of the Central Pacific Railroad, 1876; (below) Leland Stanford hammers in the Golden Spike Way OutWest 150 years ago, America’s First Transcontinental Railroad was completed. Brian Wise describes how music thrived in the golden age of train travel fter the freezing morning of 10 May Key to the railroad’s construction were 1869, a crowd gathered at Utah’s immigrant labourers – mostly from Ireland and Promontory Summit to watch as a China – who worked amid avalanches, disease, A golden spike was pounded into an clashes with Native Americans and searing unfinished railroad track. Within moments, a summer heat. ‘Not that many people know how telegraph was sent from one side of the country hard it was to build, and how many perished to the other announcing the completion of while building this,’ says Zhou Tian, a Chinese- North America’s first transcontinental railroad. American composer whose new orchestral work It set off the first coast-to-coast celebration, Transcend pays tribute to these workers.
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Boston Symphony Orchestra Concert Programs, Season 35,1915
PARSONS THEATRE HARTFORD Thirty-fifth Season. 1915-1916 Dr. KARL MUCK. Conductor WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE MONDAY EVENING, MARCH 27 AT 8.15 COPYRIGHT, 1916, BY C. A.-ELLIS PUBLISHED BY C. A. ELLIS, MANAGER €i Yes, It's a Steinway" ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway." Nothing more need be said. Everybody knows you have chosen wisely; you have given to your home the very best that money can buy. You will never even think of changing this piano for any other. As the years go by the words "It's a Steinway" will mean more and more to you, and thousands of times, as you continue to enjoy through life the com- panionship of that noble instrument, absolutely without a peer, you will say to yourself: "How glad I am I paid the few extra dollars and got a Steinway." STEINWAY HALL 107-109 East 14th Street, New York Subway Express Station at the Door Represented by the Foremost Dealers Everywhere Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor PERSONNEL Violins. Witek, A. Roth, O. Hoffmann, J. Rissland, K. Concert-master. Koessler, M. Schmidt, E. Theodorowicz, J. Noack, S. Mahn, F. Bak, A. Traupe, W. Goldstein, H. Tak, E. Ribarsch, A. Baraniecki, A. Sauvlet. H. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Siilzen, H. Fiedler, A. Griinberg, M. Pinfield, C. Gerardi, A. Kurth, R.
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Boston Symphony Orchestra Concert Programs, Season 31,1911-1912, Trip
ACADEMY OF MUSIC . FALL RIVER Thirty-first Season, J9JM9J2 i i StfHtmt ^ptpljflttij ®rrfj?0tra MAX FIEDLER, Conductor Jtogramm? WITH HISTORICAL AND DESCRIP- TIVE NOTES ,BY PHILIP HALE MONDAY EVENING, OCTOBER 16 AT 8.15 COPYRIGHT, 1911, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER : Vladimir De Pachmann The Greatest Pianist Of the 20th Century ON TOUR IN THE UNITED STATES SEASON: 1911-1912 For generations the appearance of new stars on the musical firmament has been announced — then they came with a temporary glitter — soon to fade and to be forgotten. De Pachmann has outlived them all. With each return he won additional resplendence and to-day he is acknowl- edged by the truly artistic public to be the greatest exponent of the piano of the twentieth century. As Arthur Symons, the eminent British critic, says: "Pachmann is the Verlaine or Whistler of the Pianoforte the greatest player of the piano now living." Pachmann, as before, uses the BALDWIN PIANO for the expression of his magic art, the instrument of which he himself says '*.... It cries when I feel like crying, it sings joyfully when I feel like singing. It responds — like a human being — to every mood. I love the Baldwin Piano." Every lover of the highest type of piano music will, of course, go to hear Pachmann —to revel in the beauty of his music and to marvel at it. It is the beautiful tone quality, the voice which is music itself, and the wonderfully responsive action of the Baldwin Piano, by which Pachmann's miraculous hands reveal to you the thrill, the terror and the ecstasy of a beauty which you had never dreamed was hidden in sounds.
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Housekeeper J Mr
Beautiful Spring Brides. Bowery section of New York, where Among the numerous spring brides she had sung at mission meetings, to of the national capital, two of the the most critical box holder of grand of the are Miss Nora the houses in all of the world's Children for Fletcher's WEEK prettiest Pepper, I opera Cry NEWS musical The (former trade expert of the state de 'great centers. purity i partment, and Miss Sybil Scott* of her voice, employed in many Edifying Scene In New York Church. only way—by serving somebody else ! daughter of the Iowa congressman, tongues, had delighted hundreds of Three led by Bouck than themselves. And what greater Socialists, I George C. Scott. Miss Pepper is to thousands since the day, 40 years ago White, head of the Church of the So thing could you serve than a nation [ marry Dr. George W. Calver of the she first appeared in public as cial Revolution, were thrown out of such as this we love and are proud ! IT. S. Navy, and Miss Scott is engag- soprano soloist at Grace church in Calvary Baptist church, in New V'ork, of? ed to Mr. Dale Moore, a well known | Boston. which John D. Rockefeller attends, "Are you sorry for the lads Are ; newspaper man, formerly of St. Paul. Nordica and Eames—although the when White tried to speak at lust you sorry for the way they will be latter was born of American parents Kind You Have and which has been Sunday morning’s service. remembered? I hope to God none of The Always Bought, in off China—were of old New Mutual Mating of Mutes.
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Boston Symphony Orchestra Concert Programs, Season 11, 1891
ACADEMY OF MUSIC, PHILADELPHIA. OSTON SYMPHONY ORCHESTRA. ARTHUR NIKISCH, Conductor. Eleventh Season, 1891-92. PROGRAMME OF THE FIRST CONCERT, Wednesday Evening, November 4, AT EIGHT O'CLOCK. Historical and Descriptive Notes prepared by G. H. WILSON. PUBLISHED BY C. A. ELLIS, Manager. I The MASON & HAMLIN PIAN Illustrates the same high standard of excellence which has always characterized th- MASON & HAMLIN ORGANS, and won for them the Highest Awards at ALI GREAT WORLD'S EXHIBITIONS since and including that of Paris, 1867 SOLD ON EASY TERMS AND RENTED. MASON & HAMLIN ORGAN AND PIANO CO BOSTON, Mason & Hamlin Hall, 154 and 155 Tremont Street. NEW YORK, 158 Fifth Avenue. CHICAGO, 149 Wabash Avenue. Or^an and Piano Catalogue sent free to any address. WM. G. FISCHER, 1221 Chestnut Street, PHILADELPHIA REPRESENTAT " Boston Academy Symphony d of Music - s^ , , SEASON OF Orchestra l89 .-92 Mr. ARTHUR N1KISCH, Conductor. First Concert, Wednesday Evening, November 4, At 8 o'clock. PROGRAMME. Seethoven --____ Overture, "Leonore," No. 3 lounod - - - - Aria from " Queen of Sheba Cschaikowsky - - Suite, Op. 55 Elegie. Valse melancholique. Scherzo. Tema con Variazioni. Jaint-Saens - - Rondo Capriccioso for Violin - !L Thomas - - Polacca from "Mignon" Wagner - - - - Prelude, "Die Meistersinger SOLOISTS: VIme. LILLIAN NORDICA. Mr. T. ADAMOWSKI, The announcement of the next Concert will be found on page 25. (3) SHORE LINE BOSTON jn NEW YORK NEW YORK U BOSTON Trains leave either city, week-days, as follows, except as noted : DAY EXPRESS at 10.00 a.m. Arrive at 4.30 p.m. BUFFET DRAWING-ROOM CARS. AFTERNOON SERVICE at 1.00 p.m.
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Wliy Have "Merves?" the Army the Objected Mr
tlOBOICA 5T E FAMOUS GRAND OPERA SINGER WHO WAS TAKEN ILL SINCLAIR cSRILLIAl IT5HINE SUDDENLY IN BOSTON. ! IS. Ai Will Make Copper AS ABOUT TO SIIIG AFFINITY PARTED Shine Like Gold Copper pots, kettles and other metal kitchen utensils can be kept brilliantly bright easily Paralysis Overcomes Great Novelist's Former Wife Tires with the use of a little of this of Life With Tramp Poet wonderful liquid metal polish. Prima Donna of Grand Requires no hard rubbing. and Uncertain Meals. Opera Stage. Sold by grocers, druggists and hardware dealers. Look " ' for the name and portrait of '' "7""' . MISSING E. VV. Bennett on each can. CONDITION IS CRITICAL HARRY KEMP IS Mora Good News Concerning the CaNkl Ruiicd on Sjwclal Train to Little Bungalow In New Jersey Now E.W. lioMon I'nim Xf York to nil Deserted and Woman Exponent Bennett Half Price Sale of Undermuslins JLove" Replenishes Co! Engagement of Soprano of "Free a Yesterday was trie first day of the wonderful Half Price Sale of Noted for Love Affair. Self at Paternal Larder. Manufacturers dainty white undermuslins and is positively the best underwear bargain will continue this San event offered this season Today, the second day, we Francisco wonder event with just as many and just as good reductions. Do not miss this sale; if you have any doubts just come in the store and see for BOSTON. Feb. IS. (Spffll) Mad- -l NEW TORK, Feb. 12. (Special.) g finest of dainty under- m Lillian Nordica. the. famous Amer-n- Mrs. Meta Sinclair, one-tim- e wife of yourself how very cheaply you can secure the soprano who rose from tha ob-K- ur Upton Sinclair, the novelist, and Harry garments.
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Boston Symphony Orchestra Concert Programs, Season 28
ACADEMY OF MUSIC, PHILADELPHIA Twenty-fowth Season in Philadelphia MAX FIEDLER, Conductor ftrngHmune of tht FOURTH CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE MONDAY EVENING, FEBRUARY 15 AT 8.15 PRECISELY COPYRIGHT, 1908, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER Mme. CECILE CHAMINADE The 'World's Greatest Woman Composer Mme. TERESA CARRENO The World's Greatest Woman Pianist Mme. LILLIAN NORDICA The World's Greatest "Woman Singer USE THE JOHN CHURCH CO., 37 West 326 Street New York City REPRESENTED BY MUSICAL ECHO GO. 1217 Chestnut Street, Philadelphia Boston Symphony Orchestra PERSONNEL TWENTY-EIGHTH SEASON, 1908-1909 MAX FIEDLER, Conductor First Violins. Hess, Willy Roth, O. Hoffmann, J. Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J. Noack, S. Mahn, F. Eichheim, H. Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W.[ Second Violins. Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Marble, E. Eichler, J. Tischer-Zeitz, H. Kuntz, A. Goldstein, H. Goldstein, S. Kurth; R. Werner, H. Violas. FeTir, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. Violoncellos. Warnke, H. Nagel, R. Barth, C. Loeffler, K Warnke. J.| Keller, J. Kautzenbach, A. Nast, L. Hadley, A. Smalley, R. Basses. Keller, K. Agnesy, K. Seydel, T. Ludwig, O. Gerhardt, G. Kunze, M. Huber, E. Schurig, R. Flutes. Oboes. Clarinets. Bassoons. Maquarre, A. Longy, G. Grisez, G. Sadony, P. Maquarre, D. Lenom, C. Mimart, P. Mueller, E. Brooke, A. Sautet, A. Vannini, A. Regestein, E.
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Boston Symphony Orchestra Concert Programs, Season 34, May 14 To
PANAMA-PACIFIC INTERNATIONAL EXPOSITION SAN FRANCISCO, CALIFORNIA Wednesday, May 26, 1915 /J^WlH^ BOSTON ^^W^M^ SYAPMONY 0RO1ESTRH THIRTY-FOURTH SEASON W4-W5 ^Iff PRdGR7W\E Thirty-fourth Season, 1914-1915 Dr. KARL MUCK, Conductor Violins. Witek, A. Roth, 0. Hoffmann, J. Rissland, K. Concert-master. Koessler, M. Schmidt, E. Theodorowicz, J. Noack, S. Mahn, F. Bak, A. Traupe, W. Goldstein, H. Tak, E. Ribarsch, A. Baraniecki, A. Sauvlet, H. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Siilzen, H. Kurth, R. Griinberg, M. Pinfield, C. Gerardi, A. Ringwall, R. Gunderson, R. Gewirtz, J. Violas. Ferir, E. Werner, H. Gietzen, A. v.Veen, H. Wittmann, F. Schwerley, P. Berlin, W. Kautzenbach, W Van Wynbergen, C. Blumenau, W. Violoncellos. Warnke, H. Keller, J. Barth, C. Belinski, M. Steinke, B. Malkin, J. Nagel, R. Nast, L. Folgmann, E. Warnke, J. Basses. Kunze, M. Agnesy, K. Seydel, T. Ludwig, 0. Gerhardt, G. Jaeger, A. Huber, E. Schurig, R. Flutes. Oboes. Clarinets. Bassoons. Maquarre, A. Longy, G. Sand, A. Sadony, P. Brooke, A. Lenom, C. Mimart, P. Mueller, E. Chevrot, A. Stanislaus, H. Vannini, A. Fuhrmann, M. Battles, A. English Horn. Bass Clarinet. Contra-Bassoon. Mueller, F. Stumpf, K. Mosbach, J. Horns. Ho*NS. Trumpets. Trombones. Wendler, G. Jaenicke, B. Heim, G. Alloo, M. Lorbeer, H. Miersch, E. Mann, J. Belgiorno, S. Hain, F. Hess, M. Bach, V. Mausebach, A. Resch, A. Hiibner, E. Kloepfel, L. Kenfield, L. Tuba. Harps. Tympani. Percussion. Mattersteig, P. Holy, A. Neumann, S Zahn, F. Senia, T. Cella, T. Kandler, F. Burkhardt, H. Organ. Librarian.
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