NEWS | FILMS | EVENTS | JANUARY/FEBRUARY 2021 Director’S Note
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May 18, 2014 Commencement
CampusSUNDAY, MAY 18, 2014 / COMMENCEMENT ISSUE Times SERVING THE UNIVERSITY OF ROCHESTER COMMUNITY SINCE 1873 / campustimes.org ALEX KURLAND/ SENIOR STAFF PAGE 2 / campustimes.org NEWS / SUNDAY, MAY 18, 2013 COMMEN C EMENT CEREMONIES THE SCHOOL OF NURSING THE COLLEGE OF ARTS, SCIENCES & ENGINEERING FRIDAY, MAY 16, 1:00 P.M. THE scHOOL OF MEDICINE & DENTIstRY SUNDAY, MAY 18, 9:00 A.M. KODAK HALL, EASTMAN SCHOOL OF MUSIC MASTer’S DEGREE EASTMAN QUADRANGLE, RIVER CAMPUS SATURDAY, MAY 17, 12:15 P.M. KILBOURN HALL, EASTMAN SCHOOL OF MUSIC THE EASTMAN SCHOOL OF MUSIC THE SCHOOL OF MEDICINE & DENTISTRY SUNDAY, MAY 18, 11:15 A.M. FRIDAY, MAY 16, 4:00 P.M. KODAK HALL, EASTMAN SCHOOL OF MUSIC KODAK HALL, EASTMAN SCHOOL OF MUSIC THE MARGARET WARNER SCHOOL OF EDUCATION & HUMAN DEVELOPMENT SATURDAY, MAY 17, 2:30 P.M. THE WILLIAM E. SIMON SCHOOL DOCTORAL DEGREE CEREMONY KODAK HALL, EASTMAN SCHOOL OF MUSIC OF BUSINESS ADMINISTRATION SATURDAY, MAY 17, 9:30 A.M. SUNDAY, JUNE 8, 10:00 A.M. KODAK HALL, EASTMAN SCHOOL OF MUSIC KODAK HALL, EASTMAN SCHOOL OF MUSIC COLLEGE DIPLOMA CEREMONIES DEPARTMENT LOCATION TIME (SUNDAY, MAY 18) African American Studies Room 321, Morey Hall 2:00 P.M. American Sign Language Lander Auditorium, Hutchison Hall 1:15 P.M. Anthropology Lander Auditorium, Hutchison Hall 11:15 A.M. Archaeology, Technology & Historical Structures Sloan Auditorium. Goergen Hall 12:45 P.M. Art & Art History M&T Bank Ballroom, Memorial Art Gallery 11:30 A.M. Biochemistry 1962 Auditorium, Arthur Kornberg Medical Research Building 11:15 A.M. -
2008-09 Annual Report from the President & Ceo and Board Chair
RochesteR philhARmonic oRchestRA 2008-09 AnnuAl RepoRt from the president & ceo and board chair Dear Friends, When the RPO’s 2008-09 season began on September 1, 2008, Amid the clouds of our economic forecast last season were we were aggressively moving forward, armed with a bold, new some glimmers of sunlight. Although ticket income did not strategic plan and propelled by anticipation of the renovation match our original goals and ultimately contributed to our year- and expansion of the Eastman Theatre. That new Transformation end deficit, we are proud that subscription revenues for 2008- Plan was built on the foundation of the previous plan, which 09—mostly generated prior to the steep Wall Street decline in itself had been the blueprint for significant growth in both the fall of 2008—were up 5% for the year. And by season’s end, earned and contributed revenue between 2005 and 2008. ticket revenues for our two flagship series remained strong— The overarching goal of the 2008-2011 plan was to eliminate up about 1% for the Philharmonics Series and up nearly 10% for the RPO’s structural deficit by 2010-11, positioning the the Wegmans Pops Series. Thanks to terrific audience response organization for long-term financial stability. Every facet of to our first Rochester-based summer season in many years and the nine-point plan remained true to the organization’s core the creation of the First Niagara Center City Pavilion, summer values and in step with our long-range goals of organizational ticket revenues also rose impressively this past summer, up 45% excellence, community service, and national recognition. -
17. Display and Illumination of Color and B&W Prints
575 The Permanence and Care of Color Photographs Chapter 17 17. Display and Illumination of Color and B&W Prints The Alarming Light-Induced Image Discoloration and Base Cracking of B&W RC Prints on Long-Term Display Those serving the needs of collections being as for how much image fading and staining can be toler- heavily used for exhibition face a serious di- ated. As discussed in Chapter 7, valuable color prints should lemma. On one hand, they are chronicling, aid- be monitored with a densitometer, and visually significant ing and abetting in the systematic destruction changes in color balance, overall density, and minimum of the photographs they are charged to protect density stain levels should not be permitted to take place. by supporting reprehensible exhibition prac- Display of color prints is inherently detrimental to them, tices. On the other hand, they largely owe their but avoiding display runs counter to the reasons most pho- existence to those very exhibition programs. tographs are made and frequently conflicts with the pur- . The current exhibition vogue amounts to poses for which most individuals and museums collect prints. a systematic program of accelerating the deg- radation of our most valued and important pho- The Expendable or Replaceable Color Print tographs. The practice can and must be changed. No doubt there will be many who will claim that If a color print has no lasting value — or if it can be such an assessment is too extreme and that replaced with a new print after the original has deterio- the problem is being exaggerated. -
Flameco Company St. Lawrence String Quartet
6 Currents WEDNESDAY, SEPTEMBER 18 , 2013 WWW.ROCHESTER.EDU/CURRENTS WWW.ROCHESTER.EDU/CURRENTS WEDNESDAY, SEPTEMBER 18, 2013 Currents 7 September 19 to October 16 Sept. 27 Computer Science Panel Discussion: Is Graduate School for You? Visit the University Events Calendar at Hawkins-Carlson Room, Rush Rhees Library. 3:30 p.m. www.rochester.edu/calendar for details. Sept. 29 Skalny Center Lecture: Four-thirty Tea CALENDAR Genrich-Rusling Room, LeChase Hall, River Campus. 4:30 p.m. Special Events Oct. 1 Philosophy Colloquium Sept. 19–28 Bausch & Lomb Hall 106, River Campus. TIME? Fringe Festival Various locations. Reading the World Conversation Series: Simon Fruelund and K.E. Semmel Sept. 19 Welles-Brown Room, Rush Rhees Library. 6 p.m. The Onion Strong Auditorium. 7:30 p.m. Oct. 2 Dr. Bernard Guyer Lectureship in Maternal and Child Health Oct. 5 Class of 62 Auditorium, Medical Center. 5 p.m. Gala: A Celestial Centennial Memorial Art Gallery. 5 p.m. Memory Oct. 3 Spotlight On . Series Lecture: John Covach Oct. 10 to 13 Welles-Brown Room, Rush Rhees Library. 5 p.m. Meliora Weekend Cloud River Campus. Memory Cloud, an installation by Judith Levy, is included in Memory Oct. 11 Philosophy Colloquium University on Theatre 2013, opening Oct. 9 at the Memorial Art Gallery. Oct. 10 Morey Hall 525, River Campus. 3:30 p.m. Art and Story Stroll the Fringe Memorial Art Gallery. 11 a.m. Second Friday Science Social Ryan Case Method Room 1-9576, Medical Center. 4:30 p.m. The University is a sponsor of Oct. -
Schools of the Lake Country N Its Educational Facilities, No District of Equafarea Proudly'hand in Hand with Progress
— 192.9 Schools of the Lake Country N its educational facilities, no district of equaFarea proudly'hand in hand with progress. In 1795 Gov- in the world boasts of greater wealth than the'Fin- ernor George Clinton laid the foundation for the com- I a theological mon school system, when he recommended to the ger Lakes Region. With five colleges, seminary, numerous Legislature the es- private academies r tablishment of such and literally hun- schools throughout dreds of grade and the state. The sum high schools, the of ?50,000 was ap- district not alone propriated for this provides the best purpose. Such ac- in education for its tion was the signal own youth, but gives for real impetus to training to thous- education through- ands of students from out the lake coun outside the region try, although before who are resident in this time, crude cab- the lake country in schools had been during the college for several years in terms. Just outside existence in many the region are other of the lake settle- big universities. ments. Half the high The first school schools nave agri- opened in T i og a cultural courses. County was one Many have special- taught by David ized technical cours- McMaster, in the es. And in addition, Newark Valley set- the state experiment tlement, in 1796- station at Geneva '97, in the bark cov- and the State Col- ered shanty of Elisha lege of Agriculture Willson a portion of at Ithaca add to the time and in the advanced study Josiah Ball's shoe- provided by Cornell shop the remainder, University, Elmira Log school houses College for Women, were built previous Wells College for to 1800 in several of Women, Hobart and the settlements of William Smith Col- the county, the first lege and Keuka Col- frame one being in lege. -
ART-191 / Darkroom Photography
Course Name: Darkroom Photography Instructor Name: Course Number: ART-191 Course Department: Humanities Course Term: Last Revised by Department: April 2021 Total Semester Hour(s) Credit: 1 Total Contact Hours per Semester: Lecture: Lab: 30 Clinical: Internship/Practicum: Catalog Description: This course covers basic darkroom concepts and procedures. Students will learn to shoot with 35mm film cameras, develop roll film, make enlargements, and create full-sized negatives for contact processes. Students will learn to apply basic design elements and principles to their photographs. Via self- and class critiques, students will evaluate their own work and that of their peers. Required participation in the college photography show. This course will allow students to find new forms of self-expression, both in visual career fields and on a personal level. Pre-requisite: ART-184 Credit for Prior Learning: There are no Credit for Prior Learning opportunities for this course. Textbook(s) Required: Access Code: Required Materials: Suggested Materials: Course Fees: $35 Institutional Outcomes: Critical Thinking: The ability to dissect a multitude of incoming information, sorting the pertinent from the irrelevant, in order to analyze, evaluate, synthesize, or apply the information to a defendable conclusion. Effective Communication: Information, thoughts, feelings, attitudes, or beliefs transferred either verbally or nonverbally through a medium in which the intended meaning is clearly and correctly understood by the recipient with the expectation of feedback. Personal Responsibility: Initiative to consistently meet or exceed stated expectations over time. Department Outcomes: A. Students will analyze diverse perspectives in arts and humanities. B. Students will examine cultural similarities and differences relevant to arts and humanities. -
1RIJF 232-591 Advance Broch2
TICKETED SHOWS INFORMATION FESTIVAL OPENING NIGHT GALA - JUNE 3 Swing ‘n Jazz V - Big Bertha Was a Diva Presenting a special evening of jazz, culture and the United Nations The Crowne Plaza Hotel, 70 State Street, Rochester, NY Featuring The Woody Herman Orchestra with special guest Freddy Cole and Paquito D’Rivera’s UN Ensemble and Akira Tana’s Japanese All Star Quartet 6PM Complimentary wine/beer - Akira Tana performing 7PM Dinner (4 course meal) and Dinner Theatre Performances Tickets $100 per person/ $190 Double/ $900 Table for 10 Half of all proceeds benefit The United Nation Association of Rochester Friday, May 31, Guitars Night Out Tickets available from UNAR at 585-473-7286 and at all Wegmans Ticket Outlets Bobby Sneider, Steve Brown, Roy Patterson & others 7:30PM Shadow Pines Golf Club Tent/600 Whalen Road EASTMAN THEATRE SHOWS - JUNE 4, 5, 6, 7 $15.00 Adult $10.00 Student Advance Festival Tickets to Eastman Theatre shows may only be purchased at: Tickets available at Wegmans Ticket Express - 100 East Avenue, Rochester, NY 14604 Online Sales at http://www.ticketmaster.com or call 585-222-5000 Saturday, June 1, Educational Workshops 9:00 – 11:00AM at various Rochester area locations FREE Schedule and Ticket info: Call 585-385-6440 for more information June 4 Carnegie Hall Jazz Band $20/$25/$30 June 5 Sonny Rollins $25/$30/$35 Saturday, June 1, GALA Hochstein Performance Hall Concert June 6 An Evening w/ Dianne Reeves & Vince Ercolamento 6tet $25/$30/$35 Jon Faddis – Musical Director, Freddy Cole, Keter Betts June 7 The Rippingtons featuring Russ Freeman & Chris Botti $25/$30/$35 Akira Tana, Carl Atkins, Steve Brown, Jeff Campbell, Jeff Smoker, All shows 8:00PM John Nugent, Roy Patterson, Bobby Sneider, Rich Thompson, Deanna Witkowski, Fred Wesley and others THE RIJF “JAZZ PASS” - The Real Deal! 8:00PM Hochstein Performance Hall / 50 N. -
George Eastman Museum Annual Report 2016
George Eastman Museum Annual Report 2016 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 9 Photography Workshops 10 Loans 11 Objects Loaned for Exhibitions 11 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 22 Technology 23 George Eastman Legacy 24 Purchases for the Collections 29 Photography 29 Technology 30 Conservation & Preservation 31 Conservation 31 Photography 31 Moving Image 36 Technology 36 George Eastman Legacy 36 Richard & Ronay Menschel Library 36 Preservation 37 Moving Image 37 Financial 38 Treasurer’s Report 38 Fundraising 40 Members 40 Corporate Members 43 Matching Gift Companies 43 Annual Campaign 43 Designated Giving 45 Honor & Memorial Gifts 46 Planned Giving 46 Trustees, Advisors & Staff 47 Board of Trustees 47 George Eastman Museum Staff 48 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2016. Alvin Langdon Coburn Sight Reading: ONGOING Curated by Pamela G. Roberts and organized for Photography and the Legible World From the Camera Obscura to the the George Eastman Museum by Lisa Hostetler, Curated by Lisa Hostetler, Curator in Charge, Revolutionary Kodak Curator in Charge, Department of Photography Department of Photography, and Joel Smith, Curated by Todd Gustavson, Curator, Technology Main Galleries Richard L. Menschel -
Darkroom Fog Test - Intraoral
Minnesota Department of Health Radiation Control, X-ray Unit Dental Darkroom Fog Test - Intraoral Equipment needed • Timer • Coin • Unexposed Intraoral Film Packet (Fastest film in use) Procedure Turn off Safelights In the totally darkened darkroom or inside the glove box of the processor, remove the film from the film holder and place it on the counter. Place the coin on the film. Turn on safelights. Let film sit for 2 minutes, which is the nationally recognized standard. Change your position in the darkroom so as not to block any light from the film. Process the film. Because your eyes have now partially adapted to the dark (about 5 minutes) look for light leaks around the door, and around ceiling fixtures and vents. Evaluate the film. If the outline of the coin is visible, a fog problem exists that needs to be corrected. Date film(s) and record results. Radiation Control, X-ray Unit 625 North Robert Street PO Box 64497 St. Paul, Minnesota 55164-0497 651-201-4545 www.health.state.mn.us/xray [email protected] Determining where fog is from Run another fog test, this time leaving the safelights off. If the fog is reduced, you have a safelight problem. If the fog is not reduced, there is probably a white light problem. Some possible sources of safelight fog The bulb or filter may give off the correct color spectrum for the film being used. The bulb may not be the correct wattage for the distance to the work surface. A 15-watt bulb should be four feet or more from the surface. -
Darkroom Lighting Basics
Darkroom Lighting Basics Requirements: 7. “White Light” and clean-up lighting systems have 1. Darkroom lighting for each film product follows failsafe procedures to avoid accidentally fogging safelight “Darkroom Recommendations” in unprocessed film. published product technical data. When a mix of product types is used in a particular area, the 8. Machine film sensors are appropriate for the film most conservative (least chance of fogging) product being handled. lighting recommendation should be used. 9. Laboratory runs periodic checks of darkroom 2. Use of “task lighting” (light on only while lighting systems to verify that film is not being performing specific task) and “guide lighting” fogged under any normal operating condition. A (e.g., LED strip lighting outlining walkways and check should be done anytime darkroom lighting objects) is preferred to overall illumination (e.g., is changed or if light leaks are suspected. yellow sodium vapor room illumination). Darkroom lighting should not shine directly on unprocessed film, except as required for safety. Examples: 1. Unprocessed camera films should be handled in 3. Machine control, computer, and data entry total darkness. For safety, very dim green guide systems should use designed “task lighting” lighting (LED strip lights) may be used to outline concepts to minimize product exposure. walkways, walls, and darkroom hazards. Safe task lighting may be used for reading labels or 4. Use of hand-held “safelights” are discouraged data entry. In no case should light shine on the except for emergency use. film itself (even after dark accommodation, you should not be able to see the film itself with any 5. -
GRAFLEX EN LA RG - 0 R- PR I NT ER Important Features of the GRAFLEX ENLARG - OR - PRINTER
NATIONAL SERlfSJI GRAFLEX EN LA RG - 0 R- PR I NT ER Important Features of the GRAFLEX ENLARG - OR - PRINTER ENLARG-OR- PRINTER as natur ally appeals to the owner of an elabor ately equipped darkroom as it does to the newcomer. Its features supplement other apparatus-supplant less effec tive methods and practices. Here are a part of them: 117idt Range-for en larging accepts all negatives from 35 mm. to zU" x 3 Uti sections of 4" x 5" negatives. Regular top takes up to 8" x 10" paper" for contact printing or enlarging. An accessory extension top provides for contact prints or enlarge ments to I I" x 14". Unlimited large sizes are easily made. Interchangeable lens board permits use of owner's camera lens of proper focal length. Accessory lenses are available. Ground Glass Focusing-an exclusive ENLARG OR - PRINTER feature. Strip film holders as well as a book-type holder for cut films. Masking Blades are scaled and adjustable-hold the "negative flat for contact printing. Tilting Top-for correcting or creating distortion. With top tilted, the platen plate glass serves as retouching desk. Illumination varied by controlled light. Readily portable, self-contained, sturdily and precision built. GRAFLEX ENLARG-OR-PRINTER PRICES For those about to equip a dark- • • 'IIIIIl. ENLARG-OR -PRINTER, ~::-~~:~:tu~~~l:: d~~~::s:ar~f • • ~ complete except for lens, limitations of space-the ENLARG- • Is but_._ ..... __ ._._ ....... $87.50 OR-PRINTER is made to order! The Accessory Extension Strip Film Holder lop for llx14 prints or Apartment dweller or estate owner , ' enlargements, is ..... -
Douglass Crockwell Collection, 1897-1976, Bulk 1934-1968
Douglass Crockwell collection, 1897-1976, bulk 1934-1968 Finding aid prepared by Ken Fox, Project Archivist, George Eastman Museum, Moving Image Department, April 2015 Descriptive Summary Creator: Crockwell, Spencer Douglass, 1904-1968 Title: Douglass Crockwell collection Dates: 1897-1976, bulk 1934-1968 Physical Extent: 30.1 cubic feet Repository: Moving Image Department George Eastman Museum 900 East Avenue Rochester, NY 14607 Phone: 585-271-3361 Email: [email protected] Content Abstract: Spencer Douglass Crockwell was a commercial illustrator, experimental filmmaker, inventor, Mutoscope collector, amateur scientist, and Glens Falls, New York, resident. The Douglass Crockwell Collection contains Mr. Crockwell's personal papers, professional documents, films, Mutoscope reels, flip books, drawings, and photographs documenting his professional, civic, and personal life. Language: Collection materials are in English Location: Collection materials are located onsite. Access Restrictions: Collection is open to research upon request. Copyright: George Eastman Museum holds the rights to the physical materials but not intellectual property rights. Acquisition Information: The earliest acquisition of collection materials occurred on August 20, 1973, when one table Mutoscope and three Mutoscope reels were received by the George Eastman Museum as an unrestricted gift from Mr. Crockwell's widow. On March 22, 1974, Mrs. Crockwell transferred most of the Douglass Crockwell Collection to the Museum with the 1 understanding that one third of the collection would be received as an immediate gift. The remaining balance of the collection -- which included the films -- would be received as a loan for study purposes with the understanding it would be accessioned into the permanent collection as a gift within the next two years.