JIM FITZPATRICK Re-Recording Mixer
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ALLY People Solutions: 50 Years of Service to Individuals and the Community —Eileen R
RAMSEY COUNTY Building Through the Crash St. Paul’s New Directions in the 1930s HıstoryA Publication of the Ramsey County Historical Society James A. Stolpestad Fall 2015 Volume 50, Number 3 —Page 15 Finding A Way. Together. ALLY People Solutions: 50 Years of Service to Individuals and the Community —Eileen R. McCormack, page 3 Photo collage and images used from ALLY People Solutions 50th Anniversary Groovy Gala 1965–2015. RAMSEY COUNTY HISTORY RAMSEY COUNTY President Chad Roberts Founding Editor (1964–2006) Virginia Brainard Kunz Editor Hıstory John M. Lindley Volume 50, Number 3 Fall 2015 RAMSEY COUNTY HISTORICAL SOCIETY THE MISSION STATEMENT OF THE RAMSEY COUNTY HISTORICAL SOCIETY BOARD OF DIRECTORS ADOPTED BY THE BOARD OF DIRECTORS ON DECEMBER 20, 2007: William B. Frels The Ramsey County Historical Society inspires current and future generations Chair to learn from and value their history by engaging in a diverse program Cheryl Dickson First Vice Chair of presenting, publishing and preserving. Elizabeth M. Kiernat Second Vice Chair James Miller C O N T E N T S Secretary Kenneth H. Johnson Treasurer 3 Finding A Way. Together. Julie Brady, Anne Cowie, Jo Anne Driscoll, ALLY People Solutions: 50 Years of Service to Mari Oyanagi Eggum, Thomas Fabel, Individuals and the Community Martin Fallon, John Guthmann, Eileen R. McCormack Richard B. Heydinger, Jr., David Kristal, Carl Kuhrmeyer, Father Kevin M. McDonough, 16 Building through the Crash Nancy W. McKillips, Susan McNeely, Lisa Dickinson Michaux, Jonathan H. Morgan, St. Paul’s New Directions in the 1930s Robert Muschewske, James A. Stolpestad, James A. Stolpestad Ralph Thrane, Susan Vento, Jerry Woefel. -
Productions in Ontario 2006
2006 PRODUCTION IN ONTARIO with assistance from Ontario Media Development Corporation www.omdc.on.ca You belong here FEATURE FILMS – THEATRICAL ANIMAL 2 AWAY FROM HER Company: DGP Animal Productions Inc. Company: Pulling Focus Pictures ALL HAT Producers: Lewin Webb, Kate Harrison, Producer: Danny Iron, Simone Urdl, Company: No Cattle Productions Inc./ Wayne Thompson, Jennifer Weiss New Real Films David Mitchell, Erin Berry Director: Sarah Polley Producer: Jennifer Jonas Director: Ryan Combs Writers: Sarah Polley, Alice Munro Director: Leonard Farlinger Writer: Jacob Adams Production Manager: Ted Miller Writer: Brad Smith Production Manager: Dallas Dyer Production Designer: Kathleen Climie Line Producer/Production Manager: Production Designer: Andrew Berry Director of Photography: Luc Montpellier Avi Federgreen Director of Photography: Brendan Steacy Key Cast: Gordon Pinsent, Julie Christie, Production Designer: Matthew Davies Key Cast: Ving Rhames, K.C. Collins Olympia Dukakis Director of Photography: Paul Sarossy Shooting Dates: November – December 2006 Shooting Dates: February – April 2006 Key Cast: Luke Kirby, Rachael Leigh Cook, Lisa Ray A RAISIN IN THE SUN BLAZE Shooting Dates: October – November 2006 Company: ABC Television/Cliffwood Company: Barefoot Films GMBH Productions Producers: Til Schweiger, Shannon Mildon AMERICAN PIE PRESENTS: Producer: John Eckert Executive Producer: Tom Zickler THE NAKED MILE Executive Producers: Craig Zadan, Neil Meron Director: Reto Salimbeni Company: Universal Pictures Director: Kenny Leon Writer: Reto Salimbeni Producer: W.K. Border Writers: Lorraine Hansberry, Paris Qualles Line Producer/Production Manager: Director: Joe Nussbaum Production Manager: John Eckert Lena Cordina Writers: Adam Herz, Erik Lindsay Production Designer: Karen Bromley Production Designer: Matthew Davies Line Producer/Production Manager: Director of Photography: Ivan Strasburg Director of Photography: Paul Sarossy Byron Martin Key Cast: Sean Patrick Thomas, Key Cast: Til Schweiger Production Designer: Gordon Barnes Sean ‘P. -
For Hillsboro Veterans Memorial
World War I Warren Barlow August Adams Dwight N. Barnett Walter Ramon Adkisson Lowell C. Barricklow Emil Allen Newell M. Barringer George E. Allen Frank C. Barry Louis J. Allen Joseph F. Barry Robert M. Allen Harry LeRoy Bartlett Guy R. Allman Giorgio Barzini Roy G. Allman Arthur E. Baugher Fred Harry Altevogt Charles Baum Jane R. Anderson Dow V. Baxter Milo Anderson Frank Baxter Rex H. Anderson Benjamin H. Bayliff Rollie Anderson Walter B. Beard Roy Anderson Arthur E. Beasley William Anderson Fred R. Beasley Edgar Andrew Arnold Thomas W. Beasley Newton Ashburn Murrell Beauchamp William J. Athey Earl Bechtel Harvey Atnip Joseph A. Beck David E. Attebery Richard Beddows Homer F. Attebery William Perry Bell Allen Auld Alexander Bennett William Auld Dennis Bennett Robert Ault Harry Bennett Ross Austin William R. Berry Alexander Avena John Harrison Bertsch Verne Backley William M. Betterton Alfred A. Bailey Lincoln A. Betty Alva Bailey Frank Bianco Grant Bailey Joseph B. Bianco Lee Baker Fred A. Biggs Leonard Baker Aubrey Wilden Blackburn William A. Baker Delbert Blackburn Edmund T. Baldwin Verne Blackley Orville A. Baldwin W. Perry Blackwood Earl J. Ballinger John E. Blake Charles R. Bandy Harold S. Blizzard Joseph Barbatti Adam Boehm Clyde E. Barbee Lillard C. Bonds Jacob Booher Monday, September 27, 2021 John Booher Frank R. Bullard Perry A. Boone Arch A. Bunton Teddie M. Boone Pete Bussio Edwin Rollin Boosinger Fred E. Butler John A. Borgic Glenn R. Butler Merle R. Bost Harry O. Butler Oscar Bost James Harold Cadman Shelby Bost Frank J. Calcia Newell Bote William T. -
ANDY D'addario Re-Recording Mixer
ANDY D'ADDARIO Re-Recording Mixer SOUNDTRACK (PILOT) Joshua Safran Netflix RRM SSE, CRAZY BITCHES Jane Clark FilmMcQueen RRM THE INBETWEEN (2 EPISODES, RRM Moira Kirland NBC SEASON 1) Stephanie Savage/Josh RRM DYNASTY The CW Schwartz THE X FILES Chris Carter Fox Network RRM SSE, BLURT (TV MOVIE) Michelle Johnston Pacific Bay Entertainment RRM MOZART IN THE JUNGLE Alex Timbers Amazon RRM Image not found or type unknown ESCAPE FROM MR. SSE, LEMONCELLO'S LIBRARY (TV Scott McAboy Nickelodeon Network RRM MOVIE) TRANSPARENT Jill Soloway Amazon RRM KINGDOM Byron Balasco DirectTV RRM I LOVE DICK (6 EPISODES, RRM Sarah Gubbins Amazon Studios SEASON 1) IMPOSTERS Paul Adelstein Bravo! RRM SSE, RUFUS-2 (TV MOVIE) Savage Steve Holland Nickelodeon Network RRM LEGENDS OF THE HIDDEN SSE, Joe Menendez Nickelodeon Network TEMPLE (TV MOVIE) RRM SSE, LIAR, LIAR, VAMPIRE (TV MOVIE) Vince Marcello Nickelodeon Network RRM SSE, ONE CRAZY CRUISE (TV MOVIE) Michael Grossman Nickelodeon Network RRM SSE, SPLITTING ADAM (TV MOVIE) Scott McAboy Nickelodeon Network RRM SSE, SANTA HUNTERS (TV MOVIE) Savage Steve Holland Nickelodeon Network RRM A FAIRLY ODD SUMMER (TV SSE, Savage Steve Holland Nickelodeon Network MOVIE) RRM HAWAII FIVE-O Peter M. Lenkov CBS RRM SWINDLE (TV MOVIE) Jonathan Judge Nickelodeon Network RRM Formosa Broadcast www.FormosaGroup.com/Broadcast 323.853.0008 [email protected] Page 1 GOLDEN BOY (PILOT) Nicholas Wootton CBS RRM CSI: NY Ann Donahue CBS RRM SECOND SIGHT (TV MOVIE) Michael Cuesta CBS RRM A FAIRLY ODD CHRISTMAS (TV RRM Savage Steve -
2017 Online Commencement Program
SOUTHERN NEW HAMPSHIRE UNIVERSITY SOUTHERN NEW HAMPSHIRE UNIVERSITY COMMENCEMENT 2017 EIGHTY-FIFTH COMMENCEMENT SATURDAY, MAY 13 SUNDAY, MAY 14 2017 WELCOME TO THE SOUTHERN NEW HAMPSHIRE UNIVERSITY EIGHTY-FIFTH COMMENCEMENT SATURDAY, MAY 13 SUNDAY, MAY 14 2017 SNHU Arena Manchester, New Hampshire SATURDAY, MAY 13 AT 10:00 A.M. UNIVERSITY COLLEGE COLLEGE OF ONLINE AND CONTINUING EDUCATION UNDERGRADUATE, GRADUATE, AND DOCTORAL DEGREES ............................. 1 SATURDAY, MAY 13 AT 2:30 P.M. COLLEGE OF ONLINE AND CONTINUING EDUCATION COLLEGE FOR AMERICA UNDERGRADUATE DEGREES AND GRADUATE DEGREES ................................ 7 SUNDAY, MAY 14 AT 10:00 A.M. COLLEGE OF ONLINE AND CONTINUING EDUCATION UNDERGRADUATE DEGREES ....................................................................... 13 SUNDAY, MAY 14 AT 2:30 P.M. COLLEGE OF ONLINE AND CONTINUING EDUCATION GRADUATE DEGREES .................................................................................. 19 Awards: The Loeffler Prize ...................................................................................... 25 Excellence in Teaching ............................................................................... 26 Excellence in Advising ................................................................................ 27 SNHU Honor Societies Honor Society Listing ................................................................................. 28 Presentation of Degree Candidates ARTS AND SCIENCES ................................................................................. -
Mary in Film
PONT~CALFACULTYOFTHEOLOGY "MARIANUM" INTERNATIONAL MARIAN RESEARCH INSTITUTE (UNIVERSITY OF DAYTON) MARY IN FILM AN ANALYSIS OF CINEMATIC PRESENTATIONS OF THE VIRGIN MARY FROM 1897- 1999: A THEOLOGICAL APPRAISAL OF A SOCIO-CULTURAL REALITY A thesis submitted to The International Marian Research Institute In Partial Fulfillment of the Requirements for the degree Licentiate of Sacred Theology (with Specialization in Mariology) By: Michael P. Durley Director: Rev. Johann G. Roten, S.M. IMRI Dayton, Ohio (USA) 45469-1390 2000 Table of Contents I) Purpose and Method 4-7 ll) Review of Literature on 'Mary in Film'- Stlltus Quaestionis 8-25 lli) Catholic Teaching on the Instruments of Social Communication Overview 26-28 Vigilanti Cura (1936) 29-32 Miranda Prorsus (1957) 33-35 Inter Miri.fica (1963) 36-40 Communio et Progressio (1971) 41-48 Aetatis Novae (1992) 49-52 Summary 53-54 IV) General Review of Trends in Film History and Mary's Place Therein Introduction 55-56 Actuality Films (1895-1915) 57 Early 'Life of Christ' films (1898-1929) 58-61 Melodramas (1910-1930) 62-64 Fantasy Epics and the Golden Age ofHollywood (1930-1950) 65-67 Realistic Movements (1946-1959) 68-70 Various 'New Waves' (1959-1990) 71-75 Religious and Marian Revival (1985-Present) 76-78 V) Thematic Survey of Mary in Films Classification Criteria 79-84 Lectures 85-92 Filmographies of Marian Lectures Catechetical 93-94 Apparitions 95 Miscellaneous 96 Documentaries 97-106 Filmographies of Marian Documentaries Marian Art 107-108 Apparitions 109-112 Miscellaneous 113-115 Dramas -
Nick Gillott Producer / Line Producer
NICK GILLOTT PRODUCER / LINE PRODUCER HEAD OF PRODUCTION FAIRBANKS PRODUCTIONS, LTD. (2010-2011) Developing Ivanhoe 3D, Kill The Dead, and Dusty (The Dusty Springfield Story) *Projects on hold pending finance and distribution deal C R E D I T S TARANUS (pre-production) Producer Exec. Producers: Neil Maron, Craig Zadan Storyline / Touchstone CONSPIRACY Producer Director: Frank Pierson HBO BAFTA Award for best TV Movie THE WHOLE SHEBANG Producer Director: George Zaloom Original Voices BACK TO THE SECRET GARDEN Producer Director: Michael Tuckner Artisan Films/ Barbelsberg International A KNIGHT IN CAMELOT Producer Director: Roger Young Buena Vista Productions for Walt Disney TV JAKOB THE LIAR Co-Producer Director: Peter Kassovitz Tri Star EVENT HORIZON Executive Producer Director: Paul Anderson Paramount Feature 6399 Wilshire Blvd., Ste. 415 Los Angeles, CA 90048 ph 323.782.1854 fx 323.345.5690 [email protected] NICK GILLOTT Page 2 PRODUCER / LINE PRODUCER RASPUTIN Producer Director: Uli Edel HBO Golden Globe Award Winner THE HAUNTING OF Producer HELEN WALKER Director: Tom McLoughlin Rosemont Productions for CBS THE RETURN OF THE NATIVE Producer Director: Jack Gold Hallmark Productions for CBS Golden Globe Nomination, Best TV Movie CHARLES AND DIANA: Producer A PALACE DIVIDED Director: John Power Konigsberg/ Sanitsky Co. for CBS HEIDI Line Producer 4 Hour miniseries / Shot in Austria Director: Michael Rhodes Disney Channel / Harmony 4 Cable ACE Awards; Golden Globe Nomination, Best TV Miniseries TILL DEATH DO US PART Producer Director: Yves Simoneau Saban / Scherick Productions/NBC MOW FEVER Producer Director: Larry Elikann Saban / Scherick Prods. for HBO CHIMERA Producer 4 hour Miniseries Director: Lawrence Gordon Clark Zenith Productions for Anglia TV ANYTHING TO SURVIVE Producer Director: Zale Dalen Saban / Scherick Productions ABC MOW 6399 Wilshire Blvd., Ste. -
Creative Rights Handbook Is to Help Raise TABLE of CONTENTS Awareness of Your Rights, Which Span All Phases of Production
DIRECTORS GUILD OF AMERICA CREATIVE 2 RIGHTS 2 HANDBOOK 0 2014 - 2017 10 41 7 Dear Colleague, The purpose of this Creative Rights Handbook is to help raise TABLE OF CONTENTS awareness of your rights, which span all phases of production. Whether you are a veteran director or new to the guild, we encourage you to take a few moments and acquaint yourself CREATIVE RIGHTS CHECKLISTS with these provisions, several of which have changed since the previous publication of this handbook. Checklists of DGA Directors’ creative rights, codified in this handbook .…...........….…….…….…….…….….6 We achieved a number of significant improvements in Creative Rights in the last round of negotiations, both in features and in television. SUMMARY OF CREATIVE RIGHTS In features, we secured much needed updates to the pseudonym A summary of a Director’s creative rights under the Directors process (8-211) and negotiated a new procedure that applies Guild of America Basic Agreement of 2014 for feature film, when an Employer want to replace an editor (7-209). In long-form television and television series .....................11 addition, we enhanced the notice provisions and your right to request a label indicating the running time or aspect ratio of a theatrical motion picture has been changed for any domestic ancillary exploitation of the film. BASIC AGREEMENT, ARTICLE 7 Directors’ minimum conditions, preparation, production In television, we engaged in serious discussions with the studios and post-production for feature film, long-form television regarding the Director’s participation in casting, which resulted in a commitment from the studios to encourage “in-person” and television series ..................….......…......….....…..27 casting sessions with the talent. -
SFU Thesis Template Files
“To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes by Brett Pardy B.A., The University of the Fraser Valley, 2013 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art, and Technology Brett Pardy 2016 SIMON FRASER UNIVERSITY Summer 2016 Approval Name: Brett Pardy Degree: Master of Arts Title: “To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes Examining Committee: Chair: Frederik Lesage Assistant Professor Zoë Druick Senior Supervisor Associate Professor Adel Iskander Supervisor Assistant Professor Michael Ma External Examiner Faculty Member Department of Criminology Kwantlen Polytechnic University Date Defended/Approved: June 16, 2016 ii Abstract The Marvel comics film adaptations have been some of the most successful Hollywood products of the post 9/11 period, bringing formerly obscure cultural texts into the mainstream. Through an analysis of the adaptation process of Marvel Entertainment’s superhero franchise from comics to film, I argue that a hegemonic American model of militarization has been used by Hollywood as a discursive formation with which to transform niche properties into mass market products. I consider the locations of narrative ambiguities in two key comics texts, The Ultimates (2002-2007) and The New Avengers (2005-2012), as well as in the film The Avengers (2012), and demonstrate the significant reorientation of the film franchise towards the American military’s “War on Terror”. While Marvel had attempted to produce film adaptations for decades, only under the new “militainment” discursive formation was it finally successful. -
The Confusion of Conditions a Sociological Look at the Television Series E.R.*
The Confusion of Conditions A Sociological Look at the Television Series E.R.* By Sabine Chalvon-Demersay Translated from the French by Teresa Lavender Fagan E.R. is an American television series that portrays the daily activities of a medical team in the emergency room of a hospital located in Chicago. The pilot episode was broadcast on NBC in September 1994. The series was bought by France 2, which aired the first episodes in July 1996, and has presented a new season every fall. Michael Crichton created E.R. He wrote the pilot episode, which was produced by John Wells and directed by Rod Holcomb; he continues to supervise the writing of subsequent episodes which are directed by different people. A graduate of Harvard, the author of 22 best-selling books, he has a medical degree, but has never practiced medicine. It was during medical school that Crichton thought of the original screenplay for E.R., which was produced twenty years later. He needed the authority that was granted to him by the success of his books and his film scripts (notably Disclosure, Jurassic Park, Congo, Rising Sun), as well as the support of Steven Spielberg, in order to be in a position to propose an original screenplay that in many respects went against much of what people expected in a television series, and concerning which he was not willing to make any concessions. The Research What is most striking when one questions viewers of the series is their sense of a true powerful relationship that is immediately established between the series and its audience and which develops throughout the seasons: violent rejection, strong enthusiasm, disgust, expectation, impatience, frustration, irritation, habit, weariness, (relief). -
WINNERS Children’S Programs Documentary Daytime Serials
MARCH 2011 MICK JACKSON MARTINMARTIN SCORSCORSSESEESE MICHAEL SPILLER Movies For Television Dramatic Series Comedy Series and Mini-Series TOM HOOPER Outstanding Directorial Achievement in Feature Film GLENN WEISS EYTAN KELLER STACYSTACY WALLWALL Musical Variety Reality Programs Commercials ERIC BROSS CHARLES FERGUSON LARRY CARPENTER WINNERS Children’s Programs Documentary Daytime Serials In this Issue: • DGA 75th Anniversary events featuring Martin Scorsese, Kathryn Bigelow, Francis Ford Coppola and the game-changing VFX of TRON and TRON: Legacy • March Screenings, Meetings and Events MARCH MONTHLY VOLUME 8, NUMBER 3 Contents 1 29 MARCH MARCH CALENDAR: MEETINGS LOS ANGELES & SAN FRANCISCO 4 DGA NEWS 30-34 MEMBERSHIP 6-8 SCREENINGS UPCOMING EVENTS 35 RECENT 9-27 EVENTS DGA AWARDS COVERAGE 36 28 MEMBERSHIP MARCH CALENDAR: REPORT NEW YORK, CHICAGO, WASHINGTON, DC DGA COMMUNICATIONS DEPARTMENT Morgan Rumpf Assistant Executive Director, Communications Sahar Moridani Director of Media Relations Darrell L. Hope Editor, DGA Monthly & dga.org James Greenberg Editor, DGA Quarterly Tricia Noble Graphic Designer Jackie Lam Publications Associate Carley Johnson Administrative Assistant CONTACT INFORMATION 7920 Sunset Boulevard Los Angeles, CA 90046-0907 www.dga.org (310) 289-2082 F: (310) 289-5384 E-mail: [email protected] PRINT PRODUCTION & ADVERTISING IngleDodd Publishing Dan Dodd - Advertising Director (310) 207-4410 ex. 236 E-mail: [email protected] DGA MONTHLY (USPS 24052) is published monthly by the Directors Guild of America, Inc., 7920 Sunset Boulevard, Los Angeles, CA 90046-0907. Periodicals Postage paid at Los Angeles, CA 90052. SUBSCRIPTIONS: $6.00 of each Directors Guild of America member’s annual dues is allocated for an annual subscription to DGA MONTHLY. -
Charles M. Lagola Production Designer
CHARLES M. LAGOLA PRODUCTION DESIGNER www.charlielagola.com TELEVISION DIRECTOR STUDIO/NETWORK HOW TO GET AWAY WITH MURDER (Season 2) Various ABC SONS OF ANARCHY (Season 7) Various FX NIGHT SHIFT (Seasons 1 & 2) Sandy Bookstaver, Eriq LaSalle, Various NBC THE MESSENGERS (Pilot) Stephen Williams THE CW HARRY’S LAW (Pilot + 33 episodes) Bill D'Elia, Mike Listo, Various NBC JUSTIFIED (Season 1) Michael Dinner, Jon Avnet, Various FX ER (124 Episodes) Rod Holcomb, Stephen Cragg, Various Warner Bros. THE PRACTICE (140 Episodes) Bill D'Elia, Andy Wolk, Various ABC 1998, 1999 Emmy Award THE PROSECUTORS (Pilot) Rod Holcomb CBS CRISIS (Pilot) (Art Director) Phillip Noyce NBC AMERICAN HORROR STORY (Pilot) (Art Director) Ryan Murphy FX 2012 Emmy Nomination UNDRESSED Tim Andrew, Jamie Babbit MTV BIG DREAMS AND BROKEN HEARTS Bill D'Elia CBS SHATTERED MIND Stephen Gyllenhaal NBC GEORGE WALLACE (Art Director) John Frankenheimer TNT Art Directors Guild Award, Cable Ace Art Direction Nomination THE BURNING SEASON (Art Director) John Frankenheimer HBO ROSWELL (Art Director) Jeremy Kagan Showtime FEATURES DIRECTOR STUDIO CRAZY AS HELL Eriq La Salle Humble Journey Films THE FUNERAL Abel Ferrara C&P Productions THE BAD LIEUTENANT Abel Ferrara Bad Lt. Productions THE ADDICTION Abel Ferrara Fast Films THE FEUD Bill D’elia American Playhouse AMERICAN BLUE NOTE Ralph Toporoff Fakebook HOUSEHOLD SAINTS (Art Director) Nancy Savoca Jones Entertainment MANIAC COP II (Production Designer NY) Bill Lustig Medusa Pictures THE KING OF NEW YORK (Art Director) Abel Ferrara