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The Top 101 Inspirational Movies –
The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan Published by Self Improvement Online, Inc. http://www.SelfGrowth.com 20 Arie Drive, Marlboro, NJ 07746 ©Copyright by David Riklan Manufactured in the United States No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. Limit of Liability / Disclaimer of Warranty: While the authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents and specifically disclaim any implied warranties. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional where appropriate. The author shall not be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages. The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan TABLE OF CONTENTS Introduction 6 Spiritual Cinema 8 About SelfGrowth.com 10 Newer Inspirational Movies 11 Ranking Movie Title # 1 It’s a Wonderful Life 13 # 2 Forrest Gump 16 # 3 Field of Dreams 19 # 4 Rudy 22 # 5 Rocky 24 # 6 Chariots of -
Productions in Ontario 2006
2006 PRODUCTION IN ONTARIO with assistance from Ontario Media Development Corporation www.omdc.on.ca You belong here FEATURE FILMS – THEATRICAL ANIMAL 2 AWAY FROM HER Company: DGP Animal Productions Inc. Company: Pulling Focus Pictures ALL HAT Producers: Lewin Webb, Kate Harrison, Producer: Danny Iron, Simone Urdl, Company: No Cattle Productions Inc./ Wayne Thompson, Jennifer Weiss New Real Films David Mitchell, Erin Berry Director: Sarah Polley Producer: Jennifer Jonas Director: Ryan Combs Writers: Sarah Polley, Alice Munro Director: Leonard Farlinger Writer: Jacob Adams Production Manager: Ted Miller Writer: Brad Smith Production Manager: Dallas Dyer Production Designer: Kathleen Climie Line Producer/Production Manager: Production Designer: Andrew Berry Director of Photography: Luc Montpellier Avi Federgreen Director of Photography: Brendan Steacy Key Cast: Gordon Pinsent, Julie Christie, Production Designer: Matthew Davies Key Cast: Ving Rhames, K.C. Collins Olympia Dukakis Director of Photography: Paul Sarossy Shooting Dates: November – December 2006 Shooting Dates: February – April 2006 Key Cast: Luke Kirby, Rachael Leigh Cook, Lisa Ray A RAISIN IN THE SUN BLAZE Shooting Dates: October – November 2006 Company: ABC Television/Cliffwood Company: Barefoot Films GMBH Productions Producers: Til Schweiger, Shannon Mildon AMERICAN PIE PRESENTS: Producer: John Eckert Executive Producer: Tom Zickler THE NAKED MILE Executive Producers: Craig Zadan, Neil Meron Director: Reto Salimbeni Company: Universal Pictures Director: Kenny Leon Writer: Reto Salimbeni Producer: W.K. Border Writers: Lorraine Hansberry, Paris Qualles Line Producer/Production Manager: Director: Joe Nussbaum Production Manager: John Eckert Lena Cordina Writers: Adam Herz, Erik Lindsay Production Designer: Karen Bromley Production Designer: Matthew Davies Line Producer/Production Manager: Director of Photography: Ivan Strasburg Director of Photography: Paul Sarossy Byron Martin Key Cast: Sean Patrick Thomas, Key Cast: Til Schweiger Production Designer: Gordon Barnes Sean ‘P. -
Creative Rights Handbook Is to Help Raise TABLE of CONTENTS Awareness of Your Rights, Which Span All Phases of Production
DIRECTORS GUILD OF AMERICA CREATIVE 2 RIGHTS 2 HANDBOOK 0 2014 - 2017 10 41 7 Dear Colleague, The purpose of this Creative Rights Handbook is to help raise TABLE OF CONTENTS awareness of your rights, which span all phases of production. Whether you are a veteran director or new to the guild, we encourage you to take a few moments and acquaint yourself CREATIVE RIGHTS CHECKLISTS with these provisions, several of which have changed since the previous publication of this handbook. Checklists of DGA Directors’ creative rights, codified in this handbook .…...........….…….…….…….…….….6 We achieved a number of significant improvements in Creative Rights in the last round of negotiations, both in features and in television. SUMMARY OF CREATIVE RIGHTS In features, we secured much needed updates to the pseudonym A summary of a Director’s creative rights under the Directors process (8-211) and negotiated a new procedure that applies Guild of America Basic Agreement of 2014 for feature film, when an Employer want to replace an editor (7-209). In long-form television and television series .....................11 addition, we enhanced the notice provisions and your right to request a label indicating the running time or aspect ratio of a theatrical motion picture has been changed for any domestic ancillary exploitation of the film. BASIC AGREEMENT, ARTICLE 7 Directors’ minimum conditions, preparation, production In television, we engaged in serious discussions with the studios and post-production for feature film, long-form television regarding the Director’s participation in casting, which resulted in a commitment from the studios to encourage “in-person” and television series ..................….......…......….....…..27 casting sessions with the talent. -
Desperate Housewives
Desperate Housewives Titre original Desperate Housewives Autres titres francophones Beautés désespérées Genre Comédie dramatique Créateur(s) Marc Cherry Musique Steve Jablonsky, Danny Elfman (2 épisodes) Pays d’origine États-Unis Chaîne d’origine ABC Nombre de saisons 5 Nombre d’épisodes 108 Durée 42 minutes Diffusion d’origine 3 octobre 2004 – en production (arrêt prévu en 2013)1 Desperate Housewives ou Beautés désespérées2 (Desperate Housewives en version originale) est un feuilleton télévisé américain créé par Charles Pratt Jr. et Marc Cherry et diffusé depuis le 3 octobre 2004 sur le réseau ABC. En Europe, le feuilleton est diffusé depuis le 8 septembre 2005 sur Canal+ (France), le 19 mai sur TSR1 (Suisse) et le 23 mai 2006 sur M6. En Belgique, la première saison a été diffusée à partir de novembre 2005 sur RTL-TVI puis BeTV a repris la série en proposant les épisodes inédits en avant-première (et avec quelques mois d'avance sur RTL-TVI saison 2, premier épisode le 12 novembre 2006). Depuis, les diffusions se suivent sur chaque chaîne francophone, (cf chaque saison pour voir les différentes diffusions : Liste des épisodes de Desperate Housewives). 1 Desperate Housewives jusqu'en 2013 ! 2La traduction littérale aurait pu être Ménagères désespérées ou littéralement Épouses au foyer désespérées. Synopsis Ce feuilleton met en scène le quotidien mouvementé de plusieurs femmes (parfois gagnées par le bovarysme). Susan Mayer, Lynette Scavo, Bree Van De Kamp, Gabrielle Solis, Edie Britt et depuis la Saison 4, Katherine Mayfair vivent dans la même ville Fairview, dans la rue Wisteria Lane. À travers le nom de cette ville se dégage le stéréotype parfaitement reconnaissable des banlieues proprettes des grandes villes américaines (celles des quartiers résidentiels des wasp ou de la middle class). -
SFU Thesis Template Files
“To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes by Brett Pardy B.A., The University of the Fraser Valley, 2013 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art, and Technology Brett Pardy 2016 SIMON FRASER UNIVERSITY Summer 2016 Approval Name: Brett Pardy Degree: Master of Arts Title: “To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes Examining Committee: Chair: Frederik Lesage Assistant Professor Zoë Druick Senior Supervisor Associate Professor Adel Iskander Supervisor Assistant Professor Michael Ma External Examiner Faculty Member Department of Criminology Kwantlen Polytechnic University Date Defended/Approved: June 16, 2016 ii Abstract The Marvel comics film adaptations have been some of the most successful Hollywood products of the post 9/11 period, bringing formerly obscure cultural texts into the mainstream. Through an analysis of the adaptation process of Marvel Entertainment’s superhero franchise from comics to film, I argue that a hegemonic American model of militarization has been used by Hollywood as a discursive formation with which to transform niche properties into mass market products. I consider the locations of narrative ambiguities in two key comics texts, The Ultimates (2002-2007) and The New Avengers (2005-2012), as well as in the film The Avengers (2012), and demonstrate the significant reorientation of the film franchise towards the American military’s “War on Terror”. While Marvel had attempted to produce film adaptations for decades, only under the new “militainment” discursive formation was it finally successful. -
The Confusion of Conditions a Sociological Look at the Television Series E.R.*
The Confusion of Conditions A Sociological Look at the Television Series E.R.* By Sabine Chalvon-Demersay Translated from the French by Teresa Lavender Fagan E.R. is an American television series that portrays the daily activities of a medical team in the emergency room of a hospital located in Chicago. The pilot episode was broadcast on NBC in September 1994. The series was bought by France 2, which aired the first episodes in July 1996, and has presented a new season every fall. Michael Crichton created E.R. He wrote the pilot episode, which was produced by John Wells and directed by Rod Holcomb; he continues to supervise the writing of subsequent episodes which are directed by different people. A graduate of Harvard, the author of 22 best-selling books, he has a medical degree, but has never practiced medicine. It was during medical school that Crichton thought of the original screenplay for E.R., which was produced twenty years later. He needed the authority that was granted to him by the success of his books and his film scripts (notably Disclosure, Jurassic Park, Congo, Rising Sun), as well as the support of Steven Spielberg, in order to be in a position to propose an original screenplay that in many respects went against much of what people expected in a television series, and concerning which he was not willing to make any concessions. The Research What is most striking when one questions viewers of the series is their sense of a true powerful relationship that is immediately established between the series and its audience and which develops throughout the seasons: violent rejection, strong enthusiasm, disgust, expectation, impatience, frustration, irritation, habit, weariness, (relief). -
WINNERS Children’S Programs Documentary Daytime Serials
MARCH 2011 MICK JACKSON MARTINMARTIN SCORSCORSSESEESE MICHAEL SPILLER Movies For Television Dramatic Series Comedy Series and Mini-Series TOM HOOPER Outstanding Directorial Achievement in Feature Film GLENN WEISS EYTAN KELLER STACYSTACY WALLWALL Musical Variety Reality Programs Commercials ERIC BROSS CHARLES FERGUSON LARRY CARPENTER WINNERS Children’s Programs Documentary Daytime Serials In this Issue: • DGA 75th Anniversary events featuring Martin Scorsese, Kathryn Bigelow, Francis Ford Coppola and the game-changing VFX of TRON and TRON: Legacy • March Screenings, Meetings and Events MARCH MONTHLY VOLUME 8, NUMBER 3 Contents 1 29 MARCH MARCH CALENDAR: MEETINGS LOS ANGELES & SAN FRANCISCO 4 DGA NEWS 30-34 MEMBERSHIP 6-8 SCREENINGS UPCOMING EVENTS 35 RECENT 9-27 EVENTS DGA AWARDS COVERAGE 36 28 MEMBERSHIP MARCH CALENDAR: REPORT NEW YORK, CHICAGO, WASHINGTON, DC DGA COMMUNICATIONS DEPARTMENT Morgan Rumpf Assistant Executive Director, Communications Sahar Moridani Director of Media Relations Darrell L. Hope Editor, DGA Monthly & dga.org James Greenberg Editor, DGA Quarterly Tricia Noble Graphic Designer Jackie Lam Publications Associate Carley Johnson Administrative Assistant CONTACT INFORMATION 7920 Sunset Boulevard Los Angeles, CA 90046-0907 www.dga.org (310) 289-2082 F: (310) 289-5384 E-mail: [email protected] PRINT PRODUCTION & ADVERTISING IngleDodd Publishing Dan Dodd - Advertising Director (310) 207-4410 ex. 236 E-mail: [email protected] DGA MONTHLY (USPS 24052) is published monthly by the Directors Guild of America, Inc., 7920 Sunset Boulevard, Los Angeles, CA 90046-0907. Periodicals Postage paid at Los Angeles, CA 90052. SUBSCRIPTIONS: $6.00 of each Directors Guild of America member’s annual dues is allocated for an annual subscription to DGA MONTHLY. -
Charles M. Lagola Production Designer
CHARLES M. LAGOLA PRODUCTION DESIGNER www.charlielagola.com TELEVISION DIRECTOR STUDIO/NETWORK HOW TO GET AWAY WITH MURDER (Season 2) Various ABC SONS OF ANARCHY (Season 7) Various FX NIGHT SHIFT (Seasons 1 & 2) Sandy Bookstaver, Eriq LaSalle, Various NBC THE MESSENGERS (Pilot) Stephen Williams THE CW HARRY’S LAW (Pilot + 33 episodes) Bill D'Elia, Mike Listo, Various NBC JUSTIFIED (Season 1) Michael Dinner, Jon Avnet, Various FX ER (124 Episodes) Rod Holcomb, Stephen Cragg, Various Warner Bros. THE PRACTICE (140 Episodes) Bill D'Elia, Andy Wolk, Various ABC 1998, 1999 Emmy Award THE PROSECUTORS (Pilot) Rod Holcomb CBS CRISIS (Pilot) (Art Director) Phillip Noyce NBC AMERICAN HORROR STORY (Pilot) (Art Director) Ryan Murphy FX 2012 Emmy Nomination UNDRESSED Tim Andrew, Jamie Babbit MTV BIG DREAMS AND BROKEN HEARTS Bill D'Elia CBS SHATTERED MIND Stephen Gyllenhaal NBC GEORGE WALLACE (Art Director) John Frankenheimer TNT Art Directors Guild Award, Cable Ace Art Direction Nomination THE BURNING SEASON (Art Director) John Frankenheimer HBO ROSWELL (Art Director) Jeremy Kagan Showtime FEATURES DIRECTOR STUDIO CRAZY AS HELL Eriq La Salle Humble Journey Films THE FUNERAL Abel Ferrara C&P Productions THE BAD LIEUTENANT Abel Ferrara Bad Lt. Productions THE ADDICTION Abel Ferrara Fast Films THE FEUD Bill D’elia American Playhouse AMERICAN BLUE NOTE Ralph Toporoff Fakebook HOUSEHOLD SAINTS (Art Director) Nancy Savoca Jones Entertainment MANIAC COP II (Production Designer NY) Bill Lustig Medusa Pictures THE KING OF NEW YORK (Art Director) Abel Ferrara -
Newsletter 01/08 (Nr
ISSN 1610-2606 ISSN 1610-2606 newsletterDIGITAL EDITION Nr. 221 - 01/08Januar 2008 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 01/08 (Nr. 221) Januar 2008 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Herzlich willkommen zu unserem ersten Newsletter im Jahre 2008. Nach einer kurzen Pause melden wir uns wieder zurück und prä- sentieren Ihnen das Neueste aus Deutschland und den USA. Die große Menge an Neu- veröffentlichungen in diesen beiden Regionen hat dazu geführt, dass wir in der vorliegenden Ausgabe auf die Japan-Releases verzichtet haben. Das holen wir aber selbstverständlich im nächsten Newsletter nach. Für uns Filmsammler fing das neue Jahr bereits mit einer grandiosen Neuigkeit an: die Welt wird blau! Der schon viel zu lange anhaltende Konkurrenzkampf zwischen den beiden High Definition Lagern ”Blu-ray Disc” und ”HD DVD” scheint beige- legt zu sein. Anstoß dazu gab Warner Home Video mit der Ankündigung, ab Mitte 2008 High Definition Versionen nur noch im ”Blu- ray”-Format anzubieten und auf ”HD DVD” zu verzichten. Das löste eine gewaltige Lawine in der DVD-Branche aus und führte zu strahlen- den Gesichtern bei den Fans. Denn damit dürfte die ”HD DVD” auf lange Sicht gesehen vom Markt verschwinden. Logisch dass Toshiba als ”HD DVD”-Verfechter nun alles erdenkliche tut, um sein System am Leben zu erhalten. Immerhin hat man zumindest mit Paramount derzeit noch einen der Großen mit im Boot. -
Sean Callery
SEAN CALLERY AWARDS / NOMINATIONS EMMY AWARD NOMINATION Elementary Outstanding Original Main Title Theme Music (2013) HOLLYWOOD MUSIC IN MEDIA Bones NOMINATION (2011) Best Original Score for Television EMMY AWARD NOMINATION (2011) The Kennedys Outstanding Original Main Title Theme Music GEMINI NOMINATION (2011) The Kennedys Best Original Music Score for a Dramatic Program, Mini-Series or TV Movie EMMY AWARD 24 Outstanding Music Composition for a Series (2010) EMMY AWARD NOMINATION 24: Redemption Outstanding Music Composition for a Miniseries, Movie or Special (2009) EMMY AWARD NOMINATION 24 Outstanding Music Composition for a Series (2009) EMMY AWARD NOMINATION 24 Outstanding Music Composition for a Series (2007) INTERNATIONAL FILM MUSIC 24 CRITICS ASSOCIATION NOMINATION (2006) Best Original Score for Television EMMY AWARD 24 Outstanding Music Composition for a Series (2006) EMMY AWARD NOMINATION 24 Outstanding Music Composition for a Series (2005) The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 SEAN CALLERY EMMY AWARD NOMINATION 24 Outstanding Music Composition for a Series (2004) EMMY AWARD NOMINATION 24 Outstanding Music Composition for a Series (2003) EMMY AWARD NOMINATION 24 Outstanding Music Composition for a Series (2002) FEATURE FILM SMALL TIME Joel Surnow, prod/ dir Asylum Entertainment BLOW BACK Brian Etting, producer Blow Back Prods. Inc. Mark Lester, dir. TELEVISION MOVIES & SERIES 24: LIVE ANOTHER DAY Kiefer Sutherland, Howard Gordon, Brian 20 TH Century Fox Grazer, Jon Cassar, Evan Katz, Robert Cochran, David Fury, exec. prods. Manny Coto, showrunner SECOND SIGHT (pilot) Michael Cuesta, Carol Mendelsohn, Julie Weitz, CBS / CBS Television Paula Milne, Nick Reed, Gerald Cuesta, exec. prods. *co-composed with Louis Febre Michael Cuesta, dir. -
Charles M. Lagola
CHARLES M. LAGOLA Production Designer charlielagola.com PROJECTS Partial List DIRECTORS STUDIOS / PRODUCERS PROMISED LAND Michael Cuesta ABC STUDIOS / ABC Season 1 Todd Coe, Matt Lopez DANGEROUS MOMS Jason Ensler WARNER BROS. TV / NBC Pilot Joseph Zolfo, Janine Sherman Barrois ALL RISE Various Directors WARNER BROS. TV / CBS Season 2 Ronnie Chong, Greg Spottiswood ZOEY’S EXTRAORDINARY PLAYLIST Adam Davidson LIONSGATE TV / NBC Season 1, Final 4 Episodes Austin Winsberg, Michele Greco BLUFF CITY LAW John Terlesky DAVID JANOLLARI ENT. / NBC Series Adam Davidson Steven Felder LINCOLN Pilot Seth Gordon UNIVERSAL / NBC / Mark Baker FOR THE PEOPLE Tom Verica ABC STUDIOS / ABC Season 2 Redesign Valerie Weiss Paul William Davies, Tom Verica Demane Davis THE GOOD DOCTOR Mike Listo SONY PICTURES TV/ ABC Season 1, & Season 2 Permanent Sets Regina King David Shore, Mike Listo, Erin Gunn HOW TO GET AWAY WITH MURDER Bill D’Elia ABC STUDIOS / ABC Seasons 2 & 3 Jet Wilkinson Bill D’Elia, Scott Printz GONE John Terlesky NBC INTERNATIONAL STUDIOS Pilot & Season 1 Thomas Carter Matt Lopez, Kim Moses Jan Eliasberg SONS OF ANARCHY Peter Weller FOX 21 / FX Season 7 Guy Ferland Kurt Sutter, Paris Barclay NIGHT SHIFT Tara Nicole Weyr SONY PICTURES TV / NBC Seasons 1 & 2 Eriq Lasalle Gabe Sachs, Jeff Judah, Stewart Lyons HARRY’S LAW Bill D’Elia WARNER BROS. TV / NBC Pilot & 2 Seasons Stephen Cragg David E. Kelly, Bill D’Elia Michael Katleman JUSTIFIED Jon Avnet SONY PICTURES TV / FX Season 1 Adam Arkin Graham Yost, Michael Dinner ER Rod Holcomb WARNER BROS. TV / NBC 6 Seasons Lesli Linka Glatter John Wells, Christopher Chulack THE PRACTICE Dennis Smith 20TH CENTURY FOX / ABC 7 Seasons Andy Wolk David E. -
Alumni Newsletter Treasuring Uni High!
UNIHI Education Foundation A Non-Profit Corporation Alumni Newsletter May 2003 Treasuring Uni High! Neal Rein S’66, UHEF President Several weeks ago I found myself digging through one of the large basement areas located below Uni’s administration building. I was accompanied by Judy Wolfenstein and Carolyn Lynch, both fellow Foundation Board members. Our goal was to try to locate and retrieve some of the many items that represent the history of University High School. It was an archeological expedition that rivaled that of Harold Carter as he delved into King Tut’s tomb. Although we did not locate a golden sarcophagus or any treasures from ancient Egypt, what we did discover is of great interest to all of us who attended or worked at Uni. Among the many items buried deep in dust and trash were collections of attendance records from the past several decades, boxes of outdated textbooks, student and teacher scrapbooks, long outdated supplies, some of the original brass hardware from the old doors, cabinets hand made in Save the Date! the early 20’s, a family of feral cats, and several long lost trophies covered with decades of dust. Although these items were of interest, a short time later we hit paydirt as we uncovered the full set of “blueprints” for the construction of University High school. Although these documents are in All-Alumni terrible condition, they are complete, readable, and should have been stored in a time capsule Picnic rather than on a dusty floor. and We examined these documents, some of them dating back to 1923, two years before Uni first Classic Car opened.