Do W E Know Tekhelet? Do We Know Tekhelet?
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The Great Tekhelet Debate—Blue Or Purple? Baruch and Judy Taubes Sterman
archaeological VIEWS The Great Tekhelet Debate—Blue or Purple? Baruch and Judy Taubes Sterman FOR ANCIENT ISRAELITES, TEKHELET WAS writings of rabbinic scholars and Greek and Roman God’s chosen color. It was the color of the sumptu- naturalists had convinced Herzog that tekhelet was a ous drapes adorning Solomon’s Temple (2 Chroni- bright sky-blue obtained from the natural secretions cles 3:14) as well as the robes worn by Israel’s high of a certain sea snail, the Murex trunculus, known to priests (Exodus 28:31). Even ordinary Israelites produce a dark purple dye.* were commanded to tie one string of tekhelet to But the esteemed chemist challenged Herzog’s the corner fringes (Hebrew, tzitzit) of their gar- contention: “I consider it impossible to produce a ments as a constant reminder of their special rela- pure blue from the purple snails that are known to Tekhelet was tionship with God (Numbers 15:38–39). me,” Friedländer said emphatically.1 But how do we know what color the Biblical writ- Unfortunately, neither Herzog nor Friedländer God’s chosen ers had in mind? While tekhelet-colored fabrics and lived to see a 1985 experiment by Otto Elsner, a color. It colored clothes were widely worn and traded throughout the chemist with the Shenkar College of Fibers in Israel, ancient Mediterranean world, by the Roman period, proving that sky-blue could, in fact, be produced the drapes donning tekhelet and similar colors was the exclusive from murex dye. During a specific stage in the dyeing of Solomon’s privilege of the emperor. -
An Empirical Assessment of the Relationship Of
An International Multidisciplinary Journal, Ethiopia Vol. 7 (2), Serial No. 29, April, 2013:350-370 ISSN 1994-9057 (Print) ISSN 2070--0083 (Online) DOI: http://dx.doi.org/10.4314/afrrev.7i2.22 Adire in South-western Nigeria: Geography of the Centres Areo, Margaret Olugbemisola- Department of Fine and Applied Arts, Ladoke Akintola University of Technology, P. M. B 4000, Ogbomoso, Nigeria E-mail; [email protected] & Kalilu, Razaq Olatunde Rom - Department of Fine and Applied Arts, Ladoke Akintola University of Technology, P. M. B 4000, Ogbomoso, Nigeria E-mail; [email protected] Abstract Adire, the patterned dyed cloth is extant and is practiced in almost all Yoruba towns in Southwestern Nigeria. The art tradition is however preponderant in a few Yoruba towns to the extent that the names of these towns are traditionally inseparable with the Adire art tradition. With Western education, introduction of foreign religions, influence from other cultures, technique and technology, there is a shift in the producers of Adire, the training pattern, and even an evolution in the production centre. While Western education resulted in a shift from the hitherto traditional Copyright© IAARR 2013: www.afrrevjo.net 350 Indexed African Journals Online: www.ajol.info Vol. 7 (2) Serial No. 29, April, 2013 Pp.350-370 apprenticeship method to the study of the art in schools, unemployment gave birth to the introduction of training drives by government and non governmental parastatals. This study, a field research, is an appraisal of the factors that contributed to the vibrancy of the traditionally renowned centres, and how the newly evolved centres have in contemporary times contributed to the sustainability of the Adire art tradition. -
Megillat Esther
The Steinsaltz Megillot Megillot Translation and Commentary Megillat Esther Commentary by Rabbi Adin Even-Israel Steinsaltz Koren Publishers Jerusalem Editor in Chief Rabbi Jason Rappoport Copy Editors Caryn Meltz, Manager The Steinsaltz Megillot Aliza Israel, Consultant Esther Debbie Ismailoff, Senior Copy Editor Ita Olesker, Senior Copy Editor Commentary by Chava Boylan Rabbi Adin Even-Israel Steinsaltz Suri Brand Ilana Brown Koren Publishers Jerusalem Ltd. Carolyn Budow Ben-David POB 4044, Jerusalem 91040, ISRAEL Rachelle Emanuel POB 8531, New Milford, CT 06776, USA Charmaine Gruber Deborah Meghnagi Bailey www.korenpub.com Deena Nataf Dvora Rhein All rights reserved to Adin Steinsaltz © 2015, 2019 Elisheva Ruffer First edition 2019 Ilana Sobel Koren Tanakh Font © 1962, 2019 Koren Publishers Jerusalem Ltd. Maps Editors Koren Siddur Font and text design © 1981, 2019 Koren Publishers Jerusalem Ltd. Ilana Sobel, Map Curator Steinsaltz Center is the parent organization Rabbi Dr. Joshua Amaru, Senior Map Editor of institutions established by Rabbi Adin Even-Israel Steinsaltz Rabbi Alan Haber POB 45187, Jerusalem 91450 ISRAEL Rabbi Aryeh Sklar Telephone: +972 2 646 0900, Fax +972 2 624 9454 www.steinsaltz-center.org Language Experts Dr. Stéphanie E. Binder, Greek & Latin Considerable research and expense have gone into the creation of this publication. Rabbi Yaakov Hoffman, Arabic Unauthorized copying may be considered geneivat da’at and breach of copyright law. Dr. Shai Secunda, Persian No part of this publication (content or design, including use of the Koren fonts) may Shira Shmidman, Aramaic be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying or otherwise, without the prior written permission of the publisher, except in the case of brief quotations embedded in critical articles or reviews. -
The Mystery, Meaning and Disappearance of the Tekhelet
THE MYSTERY, MEANING AND DISAPPEARANCE OF THE TEKHELET YOSEF GREEN AND PINCHAS KAHN And the Lord spoke to Moses, saying , "Speak to the people of Israel, and bid them that they make them fringes [tzitzit ] on the borders of their garments throughout their generations, and that they put upon the fringe of the borders a thread of blue [Petil Tekhelet]. And it shall be to you for a fringe, that you may look upon it, and remem- ber all the commandments of the Lord, and do them; and that you seek not after your own heart and your own eyes, which incline you to go astray ; That you may remember, and do all my command- 1 ments, and be holy to your God" (Num. 15:37-40). This text is climaxed by the commands to look upon the fringes, to remem- ber the commandments, and to do them. But, why and how do the fringes enable a person to become holy to your God ? The rabbinic interpretation and explication of these biblical verses and the disappearance of the tekhelet fringe will lead us to a rather surprising exposi- tion of talmudic mysticism. Our inquiry begins with a quote from T.B. Menahot 43b. The Talmud there first quotes from the biblical text in a Tannaitic source ( Baraita ), and then adds a critical point: "That you may look upon it and remember . and do them . Looking [upon it] leads to remembering [the commandments], and re- membering leads to doing them." This comment presumably relates to the issue of looking at the fringe in order to remember the commandments. -
Red, Blue and Purple Dyes
Purple, Blue and Red Dyes We have discussed the vibrant colors of flowers, the somber colors of ants, the happy colors of leaves throughout their lifespan, the iridescent colors of butterflies, beetles and birds, the attractive and functional colors of human eyes, skin and hair, the warm colors of candlelight, the inherited colors of Mendel’s peas, the informative colors of stained chromosomes and stained germs, the luminescent colors of fireflies and dragonfish, and the abiotic colors of rainbows, the galaxies, the sun and the sky. The natural world is a wonderful world of color! The infinite number of colors in the solar spectrum was divided into seven colors by Isaac Newton—perhaps for theological reasons. While there is no scientific reason to divide the spectral colors into seven colors, there is a natural reason to divide the spectral colors into three primary colors. Thomas Young (1802), who was belittled as an “Anti-Newtonian” for speaking out about the wave nature of light, predicted that if the human eye had three photoreceptor pigments, we could perceive all the colors of the rainbow. He was right. 751 Thomas Young (1802) wrote “Since, for the reason assigned by NEWTON, it is probable that the motion of the retina is rather of a vibratory [longitudinal] than of an undulatory [transverse] nature, the frequency of the vibrations must be dependent on the constitution of this substance. Now, as it is almost impossible to conceive each sensitive point of the retina to contain an infinite number of particles, each capable of vibrating -
Tyrian Purple: Its Evolution and Reinterpretation As Social Status Symbol During the Roman Empire in the West
Tyrian Purple: Its Evolution and Reinterpretation as Social Status Symbol during the Roman Empire in the West Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Graduate Program in Ancient Greek and Roman Studies Ann Olga Koloski-Ostrow and Andrew J. Koh, Advisors In Partial Fulfillment of the Requirements for the Degree Master of Arts in Ancient Greek and Roman Studies by Mary Pons May 2016 Acknowledgments This paper truly would not have come to be without the inspiration provided by Professor Andrew Koh’s Art and Chemistry class. The curriculum for that class opened my mind to a new paradigmatic shift in my thinking, encouraging me to embrace the possibility of reinterpreting the archaeological record and the stories it contains through the lens of quantifiable scientific data. I know that I would never have had the courage to finish this project if it were not for the support of my advisor Professor Ann Olga Koloski-Ostrow, who never rejected my ideas as outlandish and stayed with me as I wrote and rewrote draft after draft to meet her high standards of editorial excellence. I also owe a debt of gratitude to my parents, Gary and Debbie Pons, who provided the emotional support I needed to get through my bouts of insecurity. When everything I seemed to put on the page never seemed good enough or clear enough to explain my thought process, they often reminded me to relax, sleep, walk away from it for a while, and try again another day. -
The New Jewish Voice September 2018
Non-profit Organization A Gift for You, Courtesy of... U.S. POSTAGE PAID Permit # 184 Watertown, NY www.UJF.org september 2018/elul-tishrei 5778-5779 a publication of United jewish federation of Volume 20, Number 5 Greater Stamford, New Canaan and Darien Bi-Cultural Day School and Jewish High School Merge New Academy to Serve Pre-K through Grade 12 By Judie Jacobson Connecticut, both of whom played key tural Hebrew Academy, with Erickson est grades straight through high school. After months of planning, two Jewish roles in engineering the agreement. assuming the role of vice president. In addition, she says, “Students will schools in Stamford have announced According to Pitkoff and Erickson, The consolidated school will im- now benefit from a continuum of ed- their merger. the two schools enjoy many similarities: pact both the student body, as well as ucation that provides them with the The Boards of Trustees of Bi-Cul- both have student bodies steeped in the broader Jewish community, notes brightest of futures. The merger is a tural Day School, a national Blue Rib- Torah values and a love for the state Jacqueline Herman, Bi-Cultural Day unique opportunity to offer an excel- bon School serving pre-kindergarten of Israel; and both enjoy innovative School’s longtime head of school lent general and Judaic studies program through grade eight, and the Jewish curriculums, reputations for academic “This is a watershed moment for from pre-K through grade 12. The High School of Connecticut have excellence, legacies of service to the our entire Jewish community,” points powerful impact of Jewish continuity unveiled plans to create one unified community and seek to pass on the out Herman, noting that the merger will be immeasurable.” educational institution. -
The History of the Sacred Purple: the Use of Muricidae As a Dye Source
The Discovery of Purple by Theodoor van Thulden (1606-1669), painted 1636-1638, oil. The History of the Sacred Purple: The Use of Muricidae as a Dye Source By Her Ladyship Claire le Deyare Barony of Dragon’s Mist, Kingdom of An Tir [email protected] 1 Introduction When mentioning the color of purple cloth to someone in a historical context, all sorts of misconceptions come into play. Some refer to the color as royal purple, or Tyrian purple. Some people say it refers to a certain shade, rather than the whole color pallet. Others will tell you that it is the color of kings and that no one else can wear the color. All of these statements are both true, and untrue at the same time. The intent of this research paper is to help correct those misconceptions, as well as to give background and insight into what is arguably the world’s most famous and least understood dye. Historically, the word purple referred not to a particular shade of dye, but rather a family of dye colors that came from one particular type of animal, the marine snail Murex, commonly known as the rock snail (Cardon, 2007). The epicenter of their use, and where they are most famous, is the Mediterranean. But there are also other species that were historically used in China, Japan, Mexico, and parts of Central and South America (see Figure 1. Baker, 1974). Many species of molluscs in the family Muricidae are used for dye, there are now different genus names besides Murex used for the snails that were historically used for dye (Cardon, 2007). -
Tyrian Purple
VKR TEX - Tutorials Manufacture of All Kinds of Auto loom Fabrics and Natural Dye Fabrics. Website: www.vkrtex.com E-Mail: [email protected] Tyrian purple Murex brandaris , also known as the Spiny dye-murex The chemical structure of 6,6′-dibromoindigo , the main component of TyrianPurple A space-filling model of 6,6′-dibromoindigo Tyrianpurple (Greek: πορφύρα, porphyra , Latin: purpura ), also known as royal purple or imperial purple , is a purple-red dye used by the ancient Phoenicians in the city of Tyre. The dye consists of a mucus-secretion of the hypobranchial gland of a medium-sized predatory sea snail, the marine gastropod Murex brandaris , commonly called the spiny dye-murex, a species in the family Muricidae, the murex or rock shells. In nature the snails use the secretion as part of their predatory behaviour, but the snail also secretes this substance when it is poked or physically attacked. Certain other species within the family Muricidae (e.g. Purpura patula from the western Atlantic ocean) can also produce a similar substance which turns into an enduring purple dye when exposed to sunlight. The Phoenicians also made a purple-blue indigo dye, called royal blue or hyacinth purple , which was made from a closely-related species of marine snail, called Murex (or Hexaplex ) trunculus , the Banded dye-murex. Tyrian purple was expensive: the fourth-century BC historian Theopompus reported, "Purple for dyes fetched its weight in silver at Colophon" in Asia Minor. Overview 6,6'-dibromoindigo, the major component of Tyrian purple The fast, non-fading dye was an item of luxury trade, prized by Romans, who used it to colour ceremonial robes. -
Tyrian Purple: 6,6’-Dibromoindigo and Related Compounds
Molecules 2001, 6, 736-769 molecules ISSN 1420-3049 http://www.mdpi.org Review Tyrian Purple: 6,6’-Dibromoindigo and Related Compounds Christopher J. Cooksey 59 Swiss Avenue Watford WD18 7LL, UK; tel +44 1923 241 688; fax +44 870 054 7454 e-mail: [email protected] Received: 15 August 2001 / Accepted: 20 August 2001 / Published: 31 August 2001 Abstract: The genesis of the purple dye from shellfish, its composition, origin, intermediates, analysis and synthesis of the components, 6,6’-dibromoindigo, 6- bromoindigo and 6,6’-dibromoindirubin are reviewed Keywords: 6,6’-dibromoindigo, 6-bromoindigo, 6,6’-dibromoindirubin, tyrindoxyl, tyriverdin, tyrindoleninone, tyrindolinone, synthesis, structure, properties Introduction 6,6’-Dibromoindigo is a major component of the historic pigment Tyrian purple, also known as Royal purple, shellfish purple and Purple of the Ancients. Arguably, it is the oldest known pigment, the longest lasting, the subject of the first chemical industry, the most expensive and the best known. The colour is derived exclusively from marine shellfish of the Muricidae and Thaisidae families. The long history, stretching back well into the pre-chemical era, and embracing chemistry, biology and sociology, contains not a few misconceptions and erroneous conclusions. This review attempts to set the record straight. This molluscan dye has been known since pre-Roman times and in the Mediterranean region there is evidence for the industry around the 13th century B.C. [1] at Sarepta, now Sarafand, Lebanon. The ancient industry was distributed world-wide [2]. Surviving details of the ancient process are insufficient to explain the chemistry involved and this is the subject of continuing speculation. -
Polychromy in Jewish Visual Culture of Roman Antiquity*
STEVEN FINE Yeshiva University MENORAHS IN COLOR: POLYCHROMY IN JEWISH VISUAL CULTURE OF ROMAN ANTIQUITY* Abstract of yellow ochre were found on the arms and base of In recent years, polychromy has developed as a significant the menorah. Dr. Piening was responsible for detecting area of research in the study of classical art. This essay explores the traces of yellow ochre on the menorah relief. His the significance of this work for interpreting Jewish visual discovery was all the more remarkable in that he uses culture during Roman antiquity, through the focal lens of the a non-invasive technique called UV-VIS spectrometry, Arch of Titus Digital Restoration Project. In July 2012, this which means that the arch can be studied with no risk project discovered that the Arch of Titus menorah was origi- of damage.1 nally colored with yellow ochre paint. The article begins by The Arch of Titus Digital Restoration Project, of presenting the general field of polychromy research, which has which I am the director, is the first major research developed in recent years and resulted in significant museum project related to polychromy in an artifact of signifi- exhibitions in Europe and the US. It then turns to resistance to polychromy studies among art historians, often called cance for the history of Judaism as yet undertaken “chromophobia,” and to uniquely Jewish early twentieth- (fig. 1). It is, in fact, part of a larger transformation in century variants that claimed that Jews were especially prone contemporary scholarship, whereby the significance of to colorblindness. After surveying earlier research on poly- polychromy in ancient art has become a major new chromy in Jewish contexts, we turn to polychromy in ancient preoccupation. -
The Purple and the Cochineal the Purple and the Cochineal
The purple and the cochineal The Phoenicians were the precursors and the pioneers in the domains of arts and in multitude of industries .They become famous also in the pottery business, mixing metals ,the art of sculpture, in making jewelries, the industry of the ivory and of glass. One of the most important achievements is that they were excellent in fishing and fishing industry. Lack of the pastures let the Phoenician therefore replace it by the generous sea products, I mean fishes and snails. Indeed the relationship between the Phoenicians and the sea and their interest in fishing and snails lead to the industry of the purple dye. The land was natively known as Kina'ahu, reported in the 6th century BC by Hecataeus under the Greek-influenced form Khna ( χνα ), and its people as the Kena'ani. The word Phoenician means in the Greek language the red people. The name Phoenician, through Latin poenicus (later punicus), comes from Greek phoinikes, attested since Homer and influenced by phoînix "Tyrian purple, crimson; murex" (itself from phoinos "blood red") The word stems from Linear B po-ni-ki-jo, ultimately borrowed from Ancient Egyptian Fenkhu (Fnkhw "Syrian people". The association of phoinikes with phoînix mirrors an older folk etymology present in Phoenician which tied Kina'ahu "Canaan; Phoenicia" with kinahu "crimson". The Phoenician legend says that the Tyrian Heracles and the nymph Tyrus were walking along the beach when Heracles' dog, who was accompanying them, devoured a murex snail and gained a beautiful purple color around its mouth. Tyrus told Heracles she would never accept him as her lover until he gave her a robe of that same color.