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Kate and Kilimanjaro
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Kate and Kilimanjaro John Nirenberg University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Nirenberg, John, "Kate and Kilimanjaro" (2007). University of New Orleans Theses and Dissertations. 1066. https://scholarworks.uno.edu/td/1066 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Kate and Kilimanjaro A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theatre and Communication Arts Creative Writing by John Nirenberg B.A. University of Connecticut, 1968 M.S. Southern Connecticut State College, 1971 Ph.D. University of Connecticut, 1975 May, 2007 © 2007, John Nirenberg ii Acknowledgements This seemed like a good story to tell. My partner Allyson Villars encouraged me to tell it and gave me the encouragement and support throughout this late-in-life academic indulgence to finally put it to paper. -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
Label: Artwork Location: Title: Review Locati
Bob Dylan Title: 04271992 Start Date: 04/27/1992 Location: Paramount Theater, Seattle, WA Label: Artwork Location: Review Location: Recording Source: Disc Number: 1 73:28 1 Rainy Day Women #12 & 35 01:24 2 I Don't Believe You 04:40 3 Union Sundown 04:23 4 Just Like A Woman 05:24 5 Tangled Up In Blue 08:23 6 She Belongs To Me 05:01 7 Everything's Broken 04:02 8 Love Minus Zero/No Limit 02:39 9 Little Moses 03:47 10 A Hard Rain's A-Gonna Fall 06:48 11 It;s All Over Now, Baby Blue 06:32 12 Cats In The Well 04:36 13 Idiot Wind 09:12 14 The Times They Are A-Changin' 06:37 Disc Number: 2 65:22 1 Highway 61 06:35 2 Absolutely Sweet Marie 05:38 3 All Along The Watchtower 04:20 cut 4 Blowin' In The Wind 03:25 start of 4/28 filler 5 Sally Sue Brown 02:56 6 Stuck Inside Of Mobile 06:35 7 Simple Twist Of Fate 07:40 8 Watching The River Flow 03:45 9 Female Rambling Sailor 03:04 10 Gates Of Eden 04:51 11 Shooting Star 05:24 12 Like A Rolling Stone 05:33 13 Ballad Of A Thin Man 05:36 Bob Dylan Title: 07011978 Start Date: 07/01/1978 Location: Zeppelindfeld, Nurnberg, West Germany Label: Artwork Location: http://www.angelfire.com/yt/tyamabe/nurnberg/ Review Location: Recording Source: Disc Number: 1 70:28 1 She's Love Crazy 02:30 2 Baby Stop Crying 05:39 3 Mr, Tambourine Man 04:28 4 Shelter From The Storm 04:51 5 It's All Over Now, Baby Blue 04:24 6 Tangled Up In Blue 07:07 7 Ballad Of A Thin Man 04:35 8 Maggie's Farm 04:47 9 I Don't Belive You 04:26 10 Like A Rolling Stone 06:39 11 I Shall Be Released 04:13 12 Going, Going, Gone 04:23 13 A Change Is -
Adrian Belew Power Trio
This pdf was last updated: Dec/29/2010. Adrian Belew Power Trio King Crimson and Frank Zappa, David Bowie and Paul Simon, Talking Heads and Nine Inch Nails - Adrian Belew is well-known for his diverse travels around the musical map. Line-up Adrian Belew - guitar, vocals Julie Slick - bass Eric Slick - drums Andre Cholmondeley - tour manager/tech Plus one additional sound/tech manager On Stage: 3 Travel Party: 5 Website www.adrianbelew.net Biography Since 2006, Adrian Belew has led his favorite 'Power Trio' lineup, featuring Eric Slick on drums and Julie Slick on bass. They have been devastating audiences all around the USA and globally, from Italy to Canada to Germany to Japan. With the release of their brand- new CD 'Side Four - Live' they return to the road to stretch out the new material and introduce it to new audiences. The show will feature material from the new CD, classics from Adrian's many solo albums (including the recent 'Side One', 'SideTwo', and 'Side Three'), as well as solo moments, spirited improvisation and King Crimson compositions. 'Side One' features special guests Les Claypool of Primus and Danny Carey of Tool, and includes the Grammy-Nominated single - 'Beat Box Guitar'. The recently released 'Side Four (Live)' captures the current trio in a burning performance. Adrian is well-known for his diverse travels around the musical map - he first appeared on guitar-world radar when he joined Frank Zappa's band in 1977 for tours of the USA and Europe. When Frank Zappa hires you as his guitarist, people listen up. -
Music 10378 Songs, 32.6 Days, 109.89 GB
Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… -
Nin Ghosts I Remixed
The story of... ‘‘ What a beautiful day ! ’’ NiN Ghosts I remixed In cauda venenum by-nc-sa/3.0/us/ What a beautiful day ! - NiN Ghosts I remixed Sunday, March 2, Year two thousand and eight : What a beautiful day ! Trent Reznor, the demiurge behind Nine Inch Nails has just boldly freed himself from traditional restraints to free dissemination. Ghosts I-IV, last NIN album to date, has been released without the help of any record company and the first 9 tracks are available in free download on the band's website. NIN releases the whole album and its graphics and covers under a Creative Commons by-nc-sa licence. This means any person who adquired the album, either by purchasing or downloading is by now free to share it, sample or remix it, under the following conditions : attribute the work in the manner specified by the author, and not use it for commercial purpose. This initiative obviously runs counter to digital locking systems set up by the recording industry, and counter to its hollow fight against "piracy". By choosing the free licences, Reznor prooves that the music may be shared freely, and that "free" music is not necessarily "cheap" music, which would be of lesser quality than "commercial" music. Doing this, Reznor prooves also that free dissemination is by no way uncompatible with some kind of trade, as the Ghosts I-IV album was actually sold, in lossless digital format as well as in limited edition cds. Nine Inch Nails affords the luxury to conciliate profitability and sharing. Let's hope the idea makes many followers. -
King Crimson Three of a Perfect Pair - Live in Japan Mp3, Flac, Wma
King Crimson Three Of A Perfect Pair - Live In Japan mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Three Of A Perfect Pair - Live In Japan Country: US Released: 1997 Style: Experimental, Prog Rock, Art Rock, Math Rock MP3 version RAR size: 1736 mb FLAC version RAR size: 1560 mb WMA version RAR size: 1115 mb Rating: 4.1 Votes: 848 Other Formats: DTS AC3 ASF MP4 WMA VQF VOC Tracklist 1 Three Of A Perfect Pair 2 No Warning 3 Larks' Tongues In Aspic Part III 4 Thela Hun Ginjeet 5 Frame By Frame 6 Matte Kudasai 7 Industry 8 Dig Me 9 Indiscipline 10 Sartori In Tangier 11 Man With An Open Heart 12 Waiting Man 13 Sleepless 14 Larks' Tongues In Aspic Part II 15 Elephant Talk 16 Heartbeat Companies, etc. Recorded At – Kan-i Hoken Hall Credits Bass, Chapman Stick, Synth, Voice – Tony Levin Drums [Acoustic], Electronic Drums – Bill Bruford Guitar – Robert Fripp Voice, Guitar – Adrian Belew Notes Kani Hoken Hall + Tokyo on April 28th + 1984 Other versions Category Artist Title (Format) Label Category Country Year Three Of A Perfect King Pair - Live In Japan Pioneer Electronic MP178-25PI MP178-25PI Japan 1984 Crimson (Laserdisc, Album, Corporation NTSC) Three Of A Perfect King Pair - Live In Japan PVLM-11 Pack-In-Video PVLM-11 Japan 1992 Crimson (Laserdisc, 12", NTSC, CLV) Three Of A Perfect King Discipline Global DGMVC3 Pair - Live In Japan DGMVC3 US 1997 Crimson Mobile (VHS, NTSC) Three Of A Perfect King Pair - Live In Japan Room 101 ROOM101063 ROOM101063 Japan 2004 Crimson (DVD-V, Unofficial, Entertainment NTSC, Dig) Three Of A Perfect -
Tesi Del Dott. Jacopo Conti: Minimalismo ... -.:: Franco Fabbri
UNIVERSITÀ DEGLI STUDI DI TORINO FACOLTÀ DI SCIENZE DELLA FORMAZIONE CORSO DI STUDIO TRIENNALE IN D.A.M.S. DISSERTAZIONE FINALE Minimalismo, modalità e improvvisazione nella musica dei nuovi King Crimson Relatore: Candidato: Ernesto Napolitano Jacopo Conti matr. n° 259083 Anno accademico 2006 - 2007 A mia zia, che credeva in me e mi ha sempre sostenuto. 1 PREMESSA “King Crimson was more a revolving door than a band. ” - Robert Palmer La cronologia dei King Crimson (KC) dal 1969 al 2003 è assai articolata, e include vari stili e molti musicisti con una sola presenza fissa, quella di Robert Fripp (1946), chitarrista e compositore inglese fondatore del gruppo. Considerati tra i fondatori del progressive rock, pubblicano l’album In The Court Of The Crimson King 1 nel 1969 con Fripp alla chitarra, Ian McDonald (1946) al sax e al mellotron, Michael Giles (1942) alla batteria, Greg Lake (1948) al basso e alla voce e Peter Sinfield (1943) nel ruolo di paroliere. I lunghi brani strutturati, gli elaborati riff suonati all’unisono e i testi di ispirazione fantastica e fiabesca non solo diventano la caratteristica principale del gruppo, ma anche gli elementi fondanti del nuovo genere. Già con il secondo lp, In The Wake Of Poseidon (1970), la formazione viene rimodellata: Mel Collins (1947) prende il posto di McDonald al sax, Gordon Haskell canta in alcuni brani (durante la lavorazione del disco Greg Lake abbandona il gruppo per andare a costituire il trio Emerson, Lake & Palmer), si aggiunge al pianoforte Keith Tippett (1947). Il gruppo si scioglie per qualche mese dopo l’incisione del disco per poi tornare, con un’altra formazione, alla fine del 1970. -
King Crimson August 13, 1982 - the Greek Theatre Univ
King Crimson August 13, 1982 - The Greek Theatre Univ. Cal., Berkeley, California mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: August 13, 1982 - The Greek Theatre Univ. Cal., Berkeley, California Country: UK Released: 2006 Style: New Wave, Art Rock, Prog Rock MP3 version RAR size: 1575 mb FLAC version RAR size: 1228 mb WMA version RAR size: 1958 mb Rating: 4.3 Votes: 831 Other Formats: MIDI RA AAC VOX MP3 DTS MP4 Tracklist 1 Waiting Man 9:49 2 Thela Hun Ginjeet 8:00 3 Red 6:33 4 The Howler 5:10 5 Frame By Frame 5:10 6 Matte Kudasai 3:39 7 The Sheltering Sky 9:36 8 Discipline 5:42 9 Neal And Jack And Me 6:03 10 Neurotica 5:48 11 Elephant Talk 5:36 12 Indiscipline 10:45 Companies, etc. Recorded At – Hearst Greek Theatre Credits Bass, Chapman Stick, Synthesizer, Backing Vocals – Tony Levin Drums [Acoustic & Electric], Percussion – Bill Bruford Guitar – Robert Fripp Guitar, Drums, Lead Vocals – Adrian Belew Notes Live album downloadable (with two-fold front and back sleeve), available for download only from dgmlive.com. Also available in FLAC format (same cat #). Cat # does not appear anywhere on sleeve; is only found on the release's URL. The twelve tracks are broken up into two subgroups by DGM for ease of burning to CD-R. Track 10, "Neurotica", is available from the website as a free 'Hot Tickle' download in MP3 format to all website visitors. Additionally, the entire concert is available as a free download to registered DGMLive website members in both MP3 and FLAC formats. -
Of Virtual Spatiality: Surround Sound Mixing in King Crimson's Back
Toivo Burlin: The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Burlin, T. (2019). The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets. In J.-O. Gullö (Ed.), Pro- ceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 37-53). Stockholm: Royal College of Music (KMH) & Art of Record Produc- tion. ISBN 978-91-983869-9-8 © The editors and authors own the copyright of their respective contrubutions. Toivo Burlin: The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets Abstract: The article analyzes surround mixing of King Crimson’s analog recordings. “Lizard,” “Larks’ Tongues in Aspic (Part 1),” “The Night Watch,” “Trio,” and “One Time” are analyzed using the theoretical perspec- tives of the music recording as representation and spatial design. There is a difference between live and studio recordings in surround: live recordings tend to be mixed according to the direct/ambient principle, while studio re- cordings are mixed according to the principle of direct-sound all around. Live recordings in surround can also often be understood as examples of documentarism, and studio recordings as examples of hyper realism. The spatial design of the surround mix tends to emphasize aspects of spatiality in the broad sense: where the recording can, for example, be interpreted as a landscape in sound. Introduction This essay discusses some tendencies in the emerging conventions in con- temporary surround mixing of popular music. -
The Crimson Projekct
VENERDì 7 MARZO 2014 Un evento da non perdere per gli amanti del progressive rock: i CRIMSON PROJEKCT in concerto a Roma, nell'ambito del loro tour europeo che da metà marzo 2014 toccherà anche l'Italia. The Crimson Projekct L'opportunità di riascoltare i King Crimson versione "live" diventa realtà Per la prima volta in concerto a Roma il 1 aprile, con The Crimson ProjeKCt. Il supergruppo, che si esibirà il 1 aprile Parco della Musica all'Auditorium Parco della Musica, "Sala Sinopoli", vede al suo interno i tre membri della storica formazione (la line-up di double trio): il chitarrista Adrian Belew, il bassista Tony Levin e Pat Mastelotto, batterista insieme, per l'occasione, a tre musicisti di prim'ordine: Markus LA REDAZIONE Reuter alla touch guitar, il batterista Tobias Ralph e Julie Slick, al basso, con i quali eseguiranno anche il meglio di "In The Court of The Crimson King" e "Red", album di riferimento per tutti gli estimatori. Con i Crimson ProjeKCT, passato, presente e futuro del prog rock tornano ad echeggiare, con la "benedizione" dello storico leader, Robert Fripp: "Tony e io discutemmo la non facile questione di un nome che [email protected] sintetizzasse il concetto di base: Stick Men & Adrian Belew Power Trio SPETTACOLINEWS.IT che suonassero musica dei King Crimson. Lui proponeva ProjeKct Krimson e io, invece, The Crimson ProjeKCt" (dal diario di Robert Fripp, 14 aprile 2012). I King Crimson, fondamentali per l'evoluzione del rock contemporaneo, pubblicano nel 1969 il leggendario "In the Court of the Crimson King", 33 giri di esordio, dando il "la" (è proprio il caso di dirlo) ad un genere nuovo: quando ancora non esisteva il concetto di rock progressivo, loro ne sintetizzavano già l'essenza. -
Deutsche Nationalbibliografie 2018 T 07
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2018 T 07 Stand: 04. Juni 2018 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2018 ISSN 1613-8945 urn:nbn:de:101-201711171876 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.