The Devi Mahatmyam
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Devi Mahatmyam Translated by P
Devi Mahatmyam Translated by P. R. Ramachander * © Under the blessings of the holy mother. * Please contact the author at ramya475@gmail. com Devi Mahatmyam Contents: Devi Mahatmyam I Contents: II Introduction 1 Appendix 1 4 THE ESOTERIC SIGNIFICANCE OF THE DEVI-MAHATMYA 4 Appendix 2 11 DEVI MAHATMYA STOTHRA ASHTAKAM 11 DEVI KAVACHAM 16 (Armour of the Goddess) 16 DEVI KEELAGAM 26 (The nail of the goddess) 26 Sri Devi Mahatmyam 30 Prathama Charitham 30 (First Part) 30 Pradhmao adhyaya: Madhu Kaidaba Vadha Varnanam 30 Chapter 1: Description of Killing of Madhu and Kaidabha. 30 Madhyama Charitham 43 (Middle part) 43 Chapter 2: Killing of the armies of Mahishasura. 43 Chapter 3: Killing of Mahishasura. 53 Chapter 4: The prayer of Sakradi devathas. 59 Uthama Charitha 67 (The holy story) 67 Chapter 5: The argument between devi and the emissary. 67 Chapter 6: The killing of Dhoomra lochana. 79 Chapter 7: Killing of Chanda and Munda 83 Chapter 8: Killing of Raktha Bheeja. 87 Chapter 9: Killing of Nishumbha. 96 Chapter 10: Killing of Shumbha. 102 Chapter 11: Prayer to Narayani. 107 Chapter 12: The greatness of the story of Devi. 116 Chapter 13: The getting of boons by Suradha and Vaisya. 122 II Introduction Introduction This book which relates het story of how the devi (mother Goddess) killed Madhu and Kaidabha as Vishnu Maya (Thamasic-base), killed Mahishasura as Lakshmi (Rajashic form- materialistic) and killed Shumbha and Nishumbha in the form of Goddess Saraswathi (Sathvic -spiritual) is known as Devi Mahatmya in South India, Chandi in West Bengal and as Durga Sapthasathi in the northern parts of the country including Varanasi. -
Sapta Matrikas Bharati Pal
Orissa Review September - 2009 Sapta Matrikas Bharati Pal The Sapta Matrikas or the seven divine mothers, weild the trisula in one of her hands and carry a representing the saktis, or the energies of the kapala in another. All the Matrikas are to be important familiar deities are Brahmani (Saraswati) seated images and should have two of their hands Mahesvari (Raudani) Kaumari (Karttikeyani) held in the Varada and Abhaya poses, while the Vaishnavi (Lakshmi) Varahi, Indrani and other two hands carry weapons appropriate to Chamunda (Chamundi). According to a legend the male counterparts of the female powers. described in the Isanasivagurudevapaddhati, The Varaha Purana states that these the Matrikas were created to help Lord Siva in mother-goddesses are eight in number and his fight against Andhakasura. When the Lord includes among them the goddess Yogesvari. It inflicted wounds on Andhaka, blood began to flow further says that these Matrikas represent eight profusely from his body. Each drop which touched mental qualities which are morally bad. the ground assumed the shape of another Accordingly, Yogesvari represents kama or Andhaka. Thus there were innumerable Asuras desire; Mahesvari, krodh or anger; Vaishnavi, fighting Siva. To stop the flow of the blood, Siva lobha or covetousness; Brahmani; mada or created a goddess called Yogesvari from the pride; Kaumari moha or illusion; Indrani, flames issuing out of his mouth. Brahma, Vishnu, matsarya or fault finding; Yami or Chumunda Maheswara, Kumara, Varaha, Indra and Yama paisunya, that is tale bearing; and Varahi asuya also sent their saktis to follow Yogesvari in or envy. stopping the flow of blood. -
Dadeechi Rushigalu & Narayana Varma
Dadeechi Rushigalu & Narayana Varma Dadeechi Rushigalu was born on Bhadrapada Shudda Astami. Dadeechi Rushigalu is considered in the Puranas as one of our earliest ancestors and he shines in this great country as the illustrious example of sacrifice for the sake of the liberation of the suffering from their distress. No sacrifice is too great for the noble-minded in this world. During Krutayuga, there was a daityas named Vrutrasura. He, associated by Kalakeyas, was attacking Devataas and made to suffer a lot. Devategalu were losing their battle against Daityaas. At that time they went to Brahmadevaru, who took them to Srihari, who recommended them to maka a weapon to destroy Vrutrasura, with the help of bones of Dadeechi Rushigalu. Dadeechi Rushigalu’s bones were very powerful with the Tapashakthi and with Narayana Varma Japa Shakthi. His bones were very very hard and unbreakable. Dadeechi Rushigalu, thereupon quietly acceded to the request of Indra. By his powers of Yoga he gave up his life so that his backbone might be utilised for making the mighty bow, Vajrayudha. In fact, Dadeechi may be regarded as the starting point of the galaxy of saints that have adorned this great country. Accordingly, all the Devatas went to Saint Dadheechi and requested him to donate his bones to them. Dadheechi accepted their request, left the body voluntarily and donated his bones to Devatas. After his death, all the Devatas collected his bones. They made a weapon named “ Vajrayudha” with the spinal bone of Dadheechi and gave it to Indra. With the help of Vajrayudha, Indra killed Vrutraasura. -
Sanskar Gurukul Weekly Update
Sanskar Gurukul Weekly Update Class Name: Bhargava Week# 25: Apr 12th, 2015 General Assembly Sridhar Uncle started the GA with three Omkars followed by the Shanti Mantra and Prayer Before Studies. Children chanted the first 6 verses of the Gita Dhyanam. Three students from Valmiki class did a lead and follow of verse #7. Paaraasharya vachah sarojamamalam geetaarthagandhotkatam; Naanaakhyaanakakesaram harikathaa sambodhanaabodhitam; Loke sajjana shatpadairaharahah pepeeyamaanam mudaa; Bhooyaadbhaaratapankajam kalimala pradhwamsinah shreyase. May this lotus of the Mahabharata, born in the lake of the words of Vyasa, sweet with the fragrance of the meaning of the Gita, with many stories as its stamens, fully opened by the discourses of Hari, the destroyer of the sins of Kali, and drunk joyously by the bees of good men in the world, become day by day the bestower of good to us! We ended the GA with closing prayers. Class We started the class with a review/game of the Mahabharatha – the kids had a lot of fun answering questions and collecting points. We then continued the story of the Mahabharatha…. AT Badarikashrama – the Pandavas await the arrival of Arjuna. Then suddenly one day a great light descends from the sky – and it is Arjuna arriving in Indras chariot. There is great excitement, as Indra descends from the chariot and embraces his brothers. Indra also arrives and tells Yudhistira to ask Arjuna about his adventures, and recommends that the Pandavas now return to Kamyaka and that their darks days would soon be over. He then returns to his heavenly abode. Arjun recounts his adventures, and describes his fights with The Nivatakavachas (using the Vajra astra) and the Kalakeyas (using the Pasupata astra) – on behalf of Indra – the former had a boon that Devals could not vanquish them, and Arjuna as a mortal did. -
Nltha NIVATAKAVACAYUDDHAPARVA
NlTHA 543 NRGA NlTHA. A king born in the Vrsni dynasty. (Vana system or custom which permitted either the husband or JParva, Chapter 120, Verse ,9). the wife who had no child by his wife or her husband NlTIGOTRA. A king born in the Bhrgu dynasty. to procreate a child in another woman or beget child- fell (Bhagavata, 9th Skandha) . ren by another man. That custom, called Niyoga NIVATAKAVACA(S). A sect of Daityas. into disuse after the Vedic period. (Agni Purana, 1 Birth. were the ) Daityas off-springs of Kasyapapra- Chapter 256). japati by Dili. Two sons called Hiranyaksa and Hiran- NODHAS. A muni who lived in the Rgvedic period. He yakasipu and a daughter called Sirhhika were born to achieved all his desires by praising the Devas. (Rgveda) the Prajapati of Dili. Sirhhika was married by Vipracitti NRCAKSUS. A king of the Yayati dynasty. '(Bhaga- and to them were born Rahu and others who became vata, 9th Skandha). famous as the Saimhikeyas. Hiranyakas ipu had four NRGA. A king born in the dynasty of Vaivasvata Manu. famous sons called Anuhlada, Hlada, Prahlada (the 1) Genealogy. Descended from Visnu thus: Brahma great devotee of Visnu) and Sarhhlada. (Some texts Marlci Kasyapa Vivasvan Vaivasvata Manu refer to them as Anuhrada, Hrada, Prahrada and Sarh- Mahabahu Prasandhi Ksupa Nrga. hrada) . Hlada's son was called Hrada, Sarhhlada's sons Nrga was the younger brother of Iksvaku. From Nrga were called Ayusrnan, Sibi and Baskala, and Prahlada's was born Sumati, from him the king called Jyotis, from son was called Virocana. -
<H1>The Mahabharata of Krishna-Dwaipayana Vyasa By
The Mahabharata of Krishna-Dwaipayana Vyasa by Kisari Mohan Ganguli (Translator) The Mahabharata of Krishna-Dwaipayana Vyasa by Kisari Mohan Ganguli (Translator) Produced by David King, Juliet Sutherland, and Charles Franks, John B. Hare and the Online Distributed Proofreading Team The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose from the Original Sanskrit Text by Kisari Mohan Ganguli [1883-1896] page 1 / 802 Scanned at sacred-texts.com, 2003. Redaction at Distributed Proofing, Juliet Sutherland, Project Manager. Additional proofing and formatting at sacred-texts.com, by J. B. Hare. This text is in the public domain. These files may be used for any non-commercial purpose, provided this notice of attribution is left intact. TRANSLATOR'S PREFACE The object of a translator should ever be to hold the mirror upto his author. That being so, his chief duty is to represent so far as practicable the manner in which his author's ideas have been expressed, retaining if possible at the sacrifice of idiom and taste all the peculiarities of his author's imagery and of language as well. In regard to translations from the Sanskrit, nothing is easier than to dish up Hindu ideas, so as to make them agreeable to English taste. But the endeavour of the present translator has been to give in the following pages as literal a rendering as possible of the great work of Vyasa. To the purely English reader there is much in the following pages that will strike as ridiculous. Those unacquainted with any language but their own are generally very exclusive in matters of taste. -
Devi: the Great Goddess (Smithsonian Institute)
Devi: The Great Goddess Detail of "Bhadrakali Appears to Rishi Chyavana." Folio 59 from the Tantric Devi series. India, Punjab Hills, Basohli, ca 1660-70. Opaque watercolor, gold, silver, and beetle-wing cases on paper. Purchase, Freer Gallery of Art, Smithsonian Institution F1997.8 Welcome to Devi: The Great Goddess. This web site has been developed in conjunction with the exhibition of the same name. The exhibition is on view at the Arthur M. Sackler Gallery from March 29, 1999 through September 6, 1999. Like the exhibition, this web site looks at the six aspects of the Indian goddess Devi. The site offers additional information on the contemporary and historical worship of Devi, activities for children and families, and a list of resources on South Asian arts and cultures. You may also want to view another Sackler web site: Puja: Expressions of Hindu Devotion, an on-line guide for educators explores Hindu worship and provides lesson plans and activities for children. This exhibition is made possible by generous grants from Enron/Enron Oil & Gas International, the Rockefeller Foundation, The Starr Foundation, Hughes Network Systems, and the ILA Foundation, Chicago. Related programs are made possible by Victoria P. and Roger W. Sant, the Smithsonian Educational Outreach Fund, and the Hazen Polsky Foundation. http://www.asia.si.edu/devi/index.htm (1 of 2) [7/1/2000 10:06:15 AM] Devi: The Great Goddess | Devi Homepage | Text Only | | Who is Devi | Aspects of Devi | Interpreting Devi | Tantric Devi | For Kids | Resources | | Sackler Homepage | Acknowledgements | The Arthur M. Sackler Gallery and Freer Gallery of Art, Smithsonian Institution, Washington, DC 20560. -
Kali Stotram Herself
“The mind can disentangle itself from worldliness if, through Her grace, She makes it turn toward Kali Stotram Herself. Only then does it become devoted to the lotus feet of the Divine Mother.” Hymns to Goddess Kali ~ Sri Ramakrishna Paramahamsa In India there has been an unbroken tradition of worshiping God in the form of the Divine Mother Kali for many thousands of years. Kali is She from whom all are born and into whom all must eventually return. She is the ultimate power of creation and destruction, and pervades every aspect of the universe. While Her iconography and mythology have deep mystical and symbolic meaning, Her essence is simple: transformation. Loving Her transforms our lives. She annihilates limitations, purifies hearts, fills lives with joy and protects Her children in ways understandable only to those who worship and depend on Her. Kali is the Goddess of the Tantric tradition, which is characterized by dynamic spiritual practices aimed at transforming consciousness. Primary among these is the devotional recitation of mantras and hymns. Chanting gives expression to the heart’s innate longing for the Divine while awakening subtle energies within the body and mind. This collection of rare hymns to Goddess Kali is being made available with the prayer that they will be approached with humility, devotion, and unselfishness. Translated by Swami Bhajanananda Saraswati © 2012 Kali Mandir www.kalimandir.org Gayatri Mantra for Goddess Kali Meditation on Dakshina Kali This meditation mantra is found in Kali Tantra and Tanta Sara. Dhyana mantras are recited to sonically invoke and mentally visualize the subtle forms of deities before meditation and worship. -
Bijaya Dasami-The Victory of Good Over Evil
ISSN 0970-8669 Odisha Review Bijaya Dasami-the Victory of Good Over Evil Dr. Dina Krishna Joshi Introduction: Mythology : All Hindus celebrate this festival at the Mahishasura, the king of Asuras, through same time in different ways in different parts of years of austerities, was once granted a boon by India as well as around the world. In the northern Lord Brahma, that no man or deity would be able part of the country, the first nine days of this to kill him. The immense power filled in him urge festival, called Navaratri, is commonly observed to rule over the world. He started to terrorize as a time for rigorous fast, heaven and the followed by celebrations inhabitants. He pervaded on the tenth day. In the world with his western India, throughout battalion of Asuras and the nine days, both men plundered and ruthlessly and women participate in killed the people. Chaos a special kind of dance and anarchy reigned. around an object of Gods were driven from worship. In the south, heaven and Mahishasura Dussehra or the tenth day usurped the throne. The is celebrated with a lot of Gods scared and unable fanfare. In the east, people to combat him requested go crazy over Durga Puja, Lord Shiva, Lord from the seventh till the Brahma and Lord Vishnu tenth day of this annual to stop Mahishasura’s festival. Although, the tyranny. In answer, the universal nature of the three Gods combined festival is often found to transcend regional their divine energy and summoned up a feminine influences and local culture, the Garba Dance of form so brilliantly glaring that it illuminated the Gujarat, Ramalila of Varanasi, Dussehra of heavens. -
Chapter 6 Th E Slaying of Dhumralocana
1 C H A P T E R 6 T H E S L AY I N G O F D HUMRALOCANA The Rishi said: 1-2. The messenger, filled with indignation on hearing the words the Devi, returned and related them in detail to the king of the daityas. 3-4. Then the asura monarch, enraged on hearing that report from his messenger, told Dhumralocana, a chieftain of the daityas: ’O Dhumralocana, hasten together with your army and fetch here by force that shrew, distressed when dragged by her hair. 5. ’Or if any one else stands up as her saviors, let him be slain, be he a god, a yaksa or a gandharva.’ The Rishi said: 6-7. Then the asura Dhuralocana, commanded thus by Sumbha, went forth quickly, accompanied by sixty thousand asuras. 8. On seeing the Devi stationed on the snowy mountain, he asked her aloud, ’Come to the presence of Sumbha and Nisumbha. 9. ’If you will not go to my lord with pleasure now, here I take you by force, distressed when dragged by your hair.’ The Devi said: 10-11. ’You are sent by the lord of the asuras, mighty yourself and accompanied by an army. If you thus take me by force, then what can I do to you?’ The Rishi said: 12-13. Thus told, the asura Dhumralocana rushed towards her and thereupon Ambika reduced him to ashes with a mere heave of the sound ’hum’ Divine Lineage 1 2 14. Then the great army of asuras became enraged and showered on Ambika sharp arrows, javelins, and axes. -
Chapter 8 Th E Slaying of Raktabija
1 C H A P T E R 8 T H E S L AY I N G O F R A K TA B I JA The Rishi said: 1-3. After the daitya Chanda was slain and Munda was laid low, and many of the battalions were destroyed, the lord of the asuras, powerful Sumbha, with mid overcome by anger, commanded then the mobilization of all the daitya hosts: 4. ’Now let the eighty-six asuras - upraising their weapons - with all their forces, and the eighty-four Kambus, surrounded by their own forces, go out. 5. ’Let the fifty asura families of Kotiviryas and the hundred families of Dhaumras go forth at my command. 6. ’Let the asurasa Kalakas, Daurhrdas, the Mauryas and the Kalakeyas hasten at my command and march forth ready for battle.’ 7. After issuing these orders, Sumbha, the lord of the asuras and a ferocious ruler, went forth, attended by many thousands of big forces. 8. Seeing that most terrible army coming, Chandika filled into space between the earth and the sky with the twang of her bow-string. 9. Thereon her lion made an exceedingly loud roar, O King, and Ambika magnified those roars with the clanging of the bell. 10. Kali, expanding her mouth wide and filling the quarters with the sound (hum ) overwhelmed the noises of her bow-string, lion and bell by her terrific roars. 11. On hearing that roar the enraged asura battalions surrounded the lion, the Devi (Chandika) and Kali on all the four sides. 12-13. At this moment, O King, in order to annihilate the enemies of devas and for the well- being of the supreme devas, there issued forth, endowed with exceeding vigour and strength, Shaktis from the bodies of Brahma, Shiva, Guha, Vishnu and Indra, and with the form of those devas went to Chandika. -
Gods Or Aliens? Vimana and Other Wonders
Gods or Aliens? Vimana and other wonders Parama Karuna Devi Jagannatha Vallabha Vedic Research Center Copyright © 2017 Parama Karuna Devi All rights reserved ISBN-13: 978-1720885047 ISBN-10: 1720885044 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Table of contents Introduction 1 History or fiction 11 Religion and mythology 15 Satanism and occultism 25 The perspective on Hinduism 33 The perspective of Hinduism 43 Dasyus and Daityas in Rig Veda 50 God in Hinduism 58 Individual Devas 71 Non-divine superhuman beings 83 Daityas, Danavas, Yakshas 92 Khasas 101 Khazaria 110 Askhenazi 117 Zarathustra 122 Gnosticism 137 Religion and science fiction 151 Sitchin on the Annunaki 161 Different perspectives 173 Speculations and fragments of truth 183 Ufology as a cultural trend 197 Aliens and technology in ancient cultures 213 Technology in Vedic India 223 Weapons in Vedic India 238 Vimanas 248 Vaimanika shastra 259 Conclusion 278 The author and the Research Center 282 Introduction First of all we need to clarify that we have no objections against the idea that some ancient civilizations, and particularly Vedic India, had some form of advanced technology, or contacts with non-human species or species from other worlds. In fact there are numerous genuine texts from the Indian tradition that contain data on this subject: the problem is that such texts are often incorrectly or inaccurately quoted by some authors to support theories that are opposite to the teachings explicitly presented in those same original texts.