GEOFF TATE BIOGRAPHY 30TH ANNIVERSARY of EMPIRE in 2020 Publicist Jeff Albright, [email protected] Can't You Feel It Coming?
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Een Greep Uit De Cd-Releases 2012
Een greep uit de cd-releases 2012 Artiest/groep Titel 1 Aborted Global flatline 2 Allah -las Allah -las 3 Absynthe Minded As it ever was 4 Accept Stalingrad 5 Adrenaline Mob (Russel Allen & Mike Portnoy) Omerta 6 After All Dawn of the enforcer 7 Aimee Mann Charmer 8 Air La voyage dans la lune 9 Alabama Shakes Boys & girls 10 Alanis Morissette Havoc and bright lights 11 Alberta Cross Songs of Patience 12 Alicia Keys Girl on fire 13 Alt J An AwsoME Wave 14 Amadou & Mariam Folila 15 Amenra Mass V 16 Amos Lee As the crow flies -6 track EP- 17 Amy MacDonald Life in a beautiful light 18 Anathema Weather systems 19 Andrei Lugovski Incanto 20 Andy Burrows (Razorlight) Company 21 Angus Stone Broken brights 22 Animal Collective Centipede Hz 23 Anneke Van Giersbergen Everything is changing 24 Antony & The Johnsons Cut the world 25 Architects Daybreaker 26 Ariel Pink Haunted Graffitti 27 Arjen Anthony Lucassen Lost in the new real (2cd) 28 Arno Future vintage 29 Aroma Di Amore Samizdat 30 As I Lay Dying Awakened 31 Balthazar Rats 32 Band Of Horses Mirage rock 33 Band Of Skulls Sweet sour 34 Baroness Yellow & green 35 Bat For Lashes Haunted man 36 Beach Boys That's why god made the radio 37 Beach House Bloom 38 Believo ! Hard to Find 39 Ben Harper By my side 40 Berlaen De loatste man 41 Billy Talent Dead silence 42 Biohazard Reborn in defiance 43 Black Country Communion Afterglow 44 Blaudzun Heavy Flowers 45 Bloc Party Four 46 Blood Red Shoes In time to voices 47 Bob Dylan Tempest (cd/cd deluxe+book) 48 Bob Mould Silver age 49 Bobby Womack The Bravest -
HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C
THE HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP IN THE HEART E.C. DELIVERS BIG ON OF NOWHERE" HIS MOST HIGHLY ANTICIPATED ALBUM OF IN TERMS OF WRITING AND ROCKING, WE'D THE EIGHTIES! CALL THIS A WORLD CLASS SURPRISE! ATLANTIC THE KINKS KATE BUSH NINNS . "THINK VISUAL" "EXPERIMENT IV" THINK THE 12" IS A BIT THE HIGH PRIESTESS ROUGH? YOU'LL FLIP OF MIND MUSIC RATES OVER "FACTORY" AND AN "A" FOR THIS "LOST AND FOUND" CEREBRAL CONCOCTION! MCA EMI JN OE HWN PE UD SD Fs RD OA My PLUS! ETTRACKS EDDIE MONEY & TIMBUK3 CHARTSTARS * HEADLINES MOST ADDED HOWARD and the FCC 1 The Kinks "Rock & Roll Cities" (MCA) 61 2 Ann Wilson "Best Man in The World" (CAP) 53 3 Bruce Hornsby "Western Skyline..." (RCA) 40 4 Peter Gabriel "Big Time" (GEFFEN) 35 McNUTT To McWKDF HOT NUMBERS ALBUMS Billy Joel "The Bridge" 46-39 (COL) YATES Back in L.A. World Party "Private. 44-38 (CHRY.) Jason/Scorchers"Still..." 37-33 (EMI) Ben Orr "The Lace" 18-14 (E/A) DEBUTS WNEW's McEWEN Stevie Ray Vaughan "Live Alive" #23(EPIC) tubes out Robert Cray "Strong Persuader" #26 (POLY) TRACKS KBC Band "America" 92-71 JOBNAPPERS Van Halen "Rock & Roll Live" 83-63 Europe "The Final Countdown" 89-78 TEXTBOOK: Smithereens "Behind the Wall..." 57-47 GREG GILLISPIE RECORD OF THE WEEK THE STEVE MILLER BAND --FOR HIS FIRST # 1 SINCE 82's "ABRACADABRA"! INSIDE... %tea' &Mai& &Mal& EtiZiraZ CiairlZif:.-.ZaW. CfMCOLZ &L -Z Cad CcIZ Cad' Ca& &Yet Cif& Ca& Ca& Cge. -
Beyond the Black Are Most Certainly That. You're in Doubt?
Lost in Forever - LIVE Stratospheric? Beyond The Black are most certainly that. You’re in doubt? Let’s explain… …Only two years ago, dynamic frontwoman and world-class vocalist Jennifer Haben and her band colleagues celebrated their live debut on stage at the legendary Wacken Open Air 2014. A few months later they were supporting the legendary SAXON on their UK tour. On February 13th 2015 the band released their debut full-length album Songs of Love and Death, which hit the German top 20 album charts, and which was produced by melodic metal maestro Sascha Paeth (Avantasia, Edguy, Epica, Kamelot, Rhapsody). You’ve probably already guessed that the album was royally received throughout Europe, with Haben establishing herself as one of the leading voices in hard rock and metal music. Beyond The Black continued to conquer the road. They played their own headliner tour in spring and autumn 2015, and featured at several of Germany’s biggest rock & metal- festivals. Momentum is beautiful thing; Beyond The Black supported Queensrÿche in Holland and Within Temptation in Switzerland, and their incredible ascent culminated in them receiving the “Best Debut Album 2015” Metal Hammer Award. MANAGEMENT: BOOKING WORLDWIDE: MPS Hanseatic UG International Talent Booking Thomas Jensen & Leo Loers Olivia Sime Neuer Kamp 32 6th Floor | 9 Kingsway 20357 Hamburg London | WC2B 6XF | UK Mail: [email protected] Mail: [email protected] Enough for the year? Hardly. Because between all that stuff, they were working on their second full-length album “Lost in Forever”, which was released in February 2016 (G/A/S), entered the German charts at #4 and will soon enjoy a worldwide release. -
Press Release
Contact Marketing / Promotion Label: UDR GmbH Süderwungweg 10 thomas@udr‐music.com 25813 Husum . Germany serena@udr‐music.com Phone: +49 (0)4841 - 66 821 67 Mail: [email protected] Mobile: +49 (0)151 - 2523 7051 Fax: +49 (0) 4841 - 66 821 68 Label @ Facebook: www.facebook.com/UDR.Music Label @ Web: www.udr‐music.com Saxon @ Facebook: www.facebook.com/saxon Saxon @ Web: www.saxon747.com Press Release COVER CD I Tracklist – including performers: 1. Crazy Train 7. Goodbye to Romance Vocals: Serj Tankiann Vocals: Ripper Gtrs: Tom Morello Gtrs: Gus G. Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Vinny Appice Drums: Brett Chassen 2. Over the Mountain 8. Back To The Coast (Quiet Riot) Vocals: Ripper Vocals: Kelle Rhoads Gtrs: Jon Donais Gtrs: Bruce Kulick Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Frankie Banali Drums Frankie Banali 3. Mr Crowley 9. Killer Girl. (Quiet Riot) Vocals: Chuck Billy Vocals: Ripper Owens Gtrs: Alexi Laiho Gtrs: Joel Hoekstra Keyboards: Kelle Rhoads Bass: Rudy Sarzo Bass Rudy: Sarzo Drums: Brett Chassen Drums: Vinny Appice 10. Believer 4. Suicide Solution Vocals: Ripper Vocals: Ripper Gtrs: Doug Aldrich Gtrs: Brad Gillis Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Vinny Appice Drums: Brett Chassen 11. S A T 0 5. I Don't Know Vocals: Ripper Owens Vocals: Ripper Rhythm guitars: Bob Kulick Gtrs: George Lynch Lead guitar: Dweezil Zappa Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Brett Chassen Drums: Vinny Appice 6. Flying High Again Vocals: Ripper Gtrs: Bernie Torme Bass: Rudy Sarzo Drums: Brett Chassen Press Release: IMMORTAL RANDY RHOADS – THE ULTIMATE TRIBUTE wird weltweit über UDR Music im März 2015 veröffentlicht. -
University News, February 1 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 2-1-1984 University News, February 1 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. Volume IV, Issue 3 . Boise State's Student Weekly Wednesday, February.I, 1984' .. '. , ' , , IPIRG core members [from left] Glenn Goffin, Denise Callaway and Brad Martin. Photos; by Russ P. Markus PIRG tries to fly at BSU Core members to petition ASBSUjor studentfunding that much control. .. but people have by Brian Mason and Julie Nash simple majority of signatures from among other campuses. Eventually, students who concerns." . The UniversityNews He added, ~~itmight.helpdesign the next . 1~ ';"'- ", ,didn}t kJlow;~becaIJ).e~inv9\ved .:. Weaver .'\ survey. All information that can be, will be 'I Idaho Public Interest Group (IPIRG) asked the core to find others who would be interested .by informing people on gathered and considered." will .soon petition BSU students for a Why can't only interested parties $40,000 annual budget supported by in- campus." . Denise callaway, a coremember and a research the issues on their own time, with .creased student fees. The proposed fee their own money, The University News increase would amount to an additional $3 junior in social work, said, "We need a PIRG. -
Makes It Easy to Find Manuals Online!
Downloaded from www.Manualslib.com manuals search engine Photo © Jay Banbury From Jim Marshall I am really pleased that you have chosen this 1959RR Randy Rhoads Signature Series Super Lead 100W head. It is only the fourth signature amplifier that we have produced and I feel it is a great addition to this select range. I first met Randy when he came to the factory in January 1980. He had not long ago joined Ozzy Osbourne and they were working on their first album. He came here knowing exactly what he was looking for, he just needed to find the amplifier that was going to be capable of delivering the power, the tone, and the reliability that he wanted, but was also in keeping with the image that he was to be recognised by. Randy almost found everything he was searching for in a standard 1959 head, but the tone was not quite right. He spent some time with my Service Manager, explaining the slight difference he was looking for, and after a few trials we were able to fit a modification which made the subtle change to the standard tone of the 1959. Randy left the factory to proudly stand in front of his white Marshall stack for all of his hugely successful, but sadly too brief career with Ozzy Osbourne. In this time the legendary guitarist could be seen by thousands of fans, performing in front of his Marshall stack – a sight to behold and a triumphant assault on the ears. Our design team have spent many hours investigating the original Randy Rhoads amplifier, speaking to the Randy Rhoads family, talking to people who knew Randy and heard him play, and talking to the Service Manager who was at the factory when Randy came in and made the modification to the amplifier. -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
Downbeat.Com September 2010 U.K. £3.50
downbeat.com downbeat.com september 2010 2010 september £3.50 U.K. DownBeat esperanza spalDing // Danilo pérez // al Di Meola // Billy ChilDs // artie shaw septeMBer 2010 SEPTEMBER 2010 � Volume 77 – Number 9 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg sAles Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, How- ard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer -
Tools for Leaders: Hope and Hospitality 6OJUFE.FUIPEJTU8PNFOT)PQFBOE)PTQJUBMJUZ
Tools for Leaders: Hope and Hospitality 6OJUFE.FUIPEJTU8PNFOt)PQFBOE)PTQJUBMJUZ © 2012 United Methodist Women Immigrant and Civil Rights Initiative United Methodist Women 777 United Nations Plaza, 11th floor New York, NY 10017 Tel: 212-682-3633 www.unitedmethodistwomen.org immigration.umwonline.net www.facebook.com/groups/UMWimmigration This manual and material from this manual may be reproduced without adaptation for non- commercial purposes provided the following notice appears with the excerpted material: From Hope and Hospitality: An Immigration Resource Guide © 2012 United Methodist Women. All rights reserved. Used by permission. Articles from response magazine should also include the article title, author name, and year and date of issue along with © response magazine. This resource is for United Methodist Women at the local, district, conference and national levels. Materials are also available online at unitedmethodistwomen.org/act/immigration, or contact your conference Immigration Task Force. For further information contact the United Methodist Women Immigrant and Civil Rights initiative at the Church Center for the United Na- tions, 777 United Nations Plaza, 11th floor, New York, NY 10017, telephone 212-682-3633, e-mail [email protected]. All biblical quotations, unless otherwise noted, are from the New Revised Standard Version (NRSV) of the Bible, copyright © 1989, by the Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved. Scripture taken from The Message copyright © 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group. Quotes from the The Book of Discipline of The United Methodist Church—2008 copyright © 2008 by The United Methodist Publishing House. -
EPICA „Requiem for the Indifferent“
EPICA „Requiem For The Indifferent“ VÖ: 09.03.2012 Line up: Epica Online: Simone Simons – Vocals www.epica.nl Mark Jansen – Guitars & Vocals www.facebook.com/epica Coen Janssen – Synths & Piano Isaac Delahaye - Guitars Arien van Weesenbeek – Drums Yves Huts - Bass Ever since EPICA emerged on the scene at the end of 2002, the band has been living in a whirlwind of studio recordings, interviews, screaming fans, live performances and a rock 'n roll lifestyle. With every new album EPICA pushes the boundaries by reinventing their distinctive style, and nothing seems to stop the band on their rise to the top. With their previous record ‘Design Your Universe’, seen by many as a true milestone in bombastic and symphonic metal, EPICA seemed to have found the perfect musical mixture between classical and heavy music. The album entered the charts everywhere and consolidated their position among the top of today’s metal acts. An extensive tour marathon with over 200 headlining shows allover the globe proved both their ambition and their success. This time EPICA once again raises the bar with their fifth album called 'Requiem of the Indifferent’. Full of trademark hymns, significant lyrics, powerful guitar riffing alternated with cinematic interludes, Simone Simons’ angelic voice, it is a very logical step after ‘Design Your Universe’. Again it is an album which has to grow on the listener, so make sure to give it a couple of spins to get the whole picture. As with every album, EPICA mixes hard, technical and fast with intimate and slow, with as good as everything in between. -
The Carbon (October 6, 1985)
MUShare The Carbon Campus Newspaper Collection 10-6-1985 The Carbon (October 6, 1985) Marian University - Indianapolis Follow this and additional works at: https://mushare.marian.edu/crbn Recommended Citation Marian University - Indianapolis, "The Carbon (October 6, 1985)" (1985). The Carbon. 237. https://mushare.marian.edu/crbn/237 This Book is brought to you for free and open access by the Campus Newspaper Collection at MUShare. It has been accepted for inclusion in The Carbon by an authorized administrator of MUShare. For more information, please contact [email protected]. THE CARBON VOL. 3, NO. 6, OCTOBER 6, 1985 Last Saturday we had the part i cular day, there just mos.t en._io;,-able time h·Jo co-ed happened to be a drunk f l oating fernalf~ are allowed to have at a ar·ound in the crowd. Out of a11 free event. We went to the of the million<:. of people Circlefest in downtown walking around and out of the Indianapolis. If you missed it thousands of us sitting on the that is just tc,o bad because 1,Je steps, he spotted us. are going to te 11 you about it He staggered over to us and an ;11.,J a;1 , sat next to me (yuck). As my Fir·-:. t, being the penny companion (Deb Erv in) tr ied to p in ching students we are, we conceal her laughter, he struck parked for· fr·ee at the do1,.mto1,11n up a cas~al conversation wi th 1 ibran' and 1;Jalked 20 blocks tc, me.