Goldings-Bio.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Larry Goldings Larry Goldings is a Grammy-nominated pianist and composer. His organ trio with Peter Bernstein and Bill Stewart has been recognized in the New York Times as "the best organ trio of the last decade." Goldings’ musical inspirations draw from a lifetime of absorbing jazz, pop, funk, R&B, electronic and classical music. As a performer and recording artist, he is known for long-term collaborations that straddle the realms of jazz and pop with such artists as Jim Hall, Maceo Parker, John Scofield, Steve Gadd, Jack DeJohnette, Pat Metheny, Michael Brecker, Sia Furler, John Mayer, and others. Goldings has been recording and touring with singer-songwriter James Taylor since 2001, and is the featured musician on Taylor's One Man Band CD/DVD, the culmination of a two year world-wide tour with James and Larry in duet. In 2007, Scofield/Goldings/DeJohnette's Trio Beyond - Saudades (ECM) was recognized with a Best Instrumental Jazz Album Grammy nomination for their searing live recording at London's Queen Elizabeth Hall. Goldings’ music graces the soundtracks of many film and television projects. He contributed to the jazzy fabric of Clint Eastwood's Space Cowboys and enhanced John Madden's Proof and Judd Apatow's Funny People with original compositions, as well as providing ghoulish organ music for "Lurch" to play in the animated film, The Addams Family. Goldings' Nino Rota-inspired score to Jeff Garlin's Dealin' With Idiots is the backdrop to this hilarious film about the zany parents of a Little League baseball team. Listeners of NPR's This American Life can hear Goldings' music underscoring many of its dramatic stories. Larry scored the Netflix series, Self Made: Inspired by the Life of Madam C.J. Walker, infusing the drama with shades of ragtime and early jazz, in combination with modern, back-beat oriented cues, in which early jazz meets hip-hop. The soundtrack has been released by Warner Bros. through Watertower Music..

Copy Link

Recommended publications

Jazz Festival Pr
! ! ! ! ! ! ! ! DC Jazz Festival Neighborhood Venues Host More Than 80 Performances Citywide Jazz in the ‘Hoods, a major feature of the DC Jazz Festival, annually attracts a vibrant audience of thousands of music enthusiasts and highlights the city as a vibrant cultural capital by bringing jazz to all four quadrants of the nation’s capital, with over 80 performances at more than !40 neighborhood venues. View full schedule. !RAMW Member Jazz Festival Venues & Specials: Carmine’s DC 425 7th Street NW Washington, DC 20004 (202) 737-7770 http://www.carminesnyc.com !Special: Groups of 6 or more, show your ticket stub to receive a free desert. Bistrot Lepic & Wine Bar 1736 Wisconsin Ave NW Washington, DC 20007 (202) 333-0111 !http://www.bistrotlepic.com !June 10th & 15th- Jazz in the ‘Hoods Presents: Jazz in the Wine Room (7:00 pm) Acadiana 901 New York Ave NW Washington, DC 20001 (202) 408-8848 !http://www.acadianarestaurant.com/acadiana.html !June 14th - Jazz in the ‘Hoods Presents: Live Jazz Brunch (11:00 am) ! ! The Hamilton Live 600 14th St NW Washington, DC 20005 (202) 787-1000 !http://www.thehamiltondc.com June 10th - John Scofield ÜberJam Band featuring Andy Hess, Avi Bortnick & Tony !Mason: 7:30 pm (Doors open at 6:30 pm) June 11th - Paquito D’Rivera with Special Guest Edmar Castañeda: 7:30 pm (Doors !open at 6:30 pm) June 12th - The Bad plus Joshua Redman with Opener Underwater Ghost featuring !Allison Miller: 8:30 pm (Doors open at 7 pm) June 13th - (Early and Late Shows) Jack DeJohnette Trio featuring Ravi Coltrane & Matthew Garrison: 7:30 pm (Doors open at 6:30 pm) & 10:30 pm (Doors open at 9:30 !pm) June 14th - Stanton Moore Trio & Charlie Hunter Trio featuring Bobby Previte & Curtis !Fowlkes: 7:30 pm (Doors open at 6:30 pm) !June 15th - An Evening with Snarky Puppy (First Night): 8 pm (Doors open at 6:30 pm) June 16th - An Evening with Snarky Puppy (Second Night): 8 pm (Doors open at 6:30 pm).
[Show full text]
An Evening with Lettuce & John Scofield
FOR IMMEDIATE RELEASE CAP UCLA presents An Evening with Lettuce & John Scofield March 20 at The Theatre at Ace Hotel DTLA "(Lettuce is} everyone's favorite funk band..." — Red Bull Music “During the course of his storied career, guitarist/composer John Scofield has never shown much of a predilection to repeat himself. Rather, he navigates through projects as diverse as trio outings, experiments with horns, collections of ballads and collaborations with the likes of Gov't Mule and the Grateful Dead's Phil Lesh in a such a way that, when he completes a cycle of activity, he's grown discernibly as an artist.” — All About Jazz UCLA’s Center for the Art of Performance (CAP UCLA) presents An Evening with Lettuce & John Scofield, on Wednesday, March 20 at 8 p.m. at The Theatre at Ace Hotel Downtown Los Angeles. Tickets for $29–$59 are available now at cap.ucla.edu and theatre.acehotel.com, 310-825-2101 and The Theatre at Ace Hotel box office. Influenced by Earth, Wind and Fire and Tower of Power, among others, undergrads started Lettuce following a music program at Berklee College of Music. Jamming out the summer of 1992 led to engagements in New York, San Francisco, Chicago, and even a following in Tokyo. Their first album Outta Here began Lettuce’s mission of bringing vigor and spunk to classic funk. For their Theatre at Ace Hotel debut, Lettuce will be joined by renowned guitarist John Scofield. An influencer of jazz, Scofield has collaborated with Pat Metheny who performed at CAP UCLA earlier this season.
[Show full text]
Saxophonist & Composer PHILLIP JOHNSTON NEW RELEASES
ever needing to hear another take on “I’m In The Mood a lute with a short fingerboard and 11-13 strings, For Love”? Yeah, probably, but this one is fine. “And traditionally used in Arabian, Egyptian, Jewish, Now The Queen” is much more interesting; Goldings Palestinian, Iraqi, Persian, Turkish and Armenian music. opens it with some deeply unsettling noises that could In the jazz world, the oud has been explored by Ahmed come off a Supersilent album, as Stewart bows his Abdul-Malik, Rabih Abou-Khalil and Anouar Brahem. cymbals and rattles his kit like he’s stress-testing the Canadian guitarist Gordon Grdina comes forth mounting hardware. Although the piece has a powerful with a strong, individual voice and the ensemble is melody, it appears as a series of unexpected surges, assimilated like it’s a new discovery of something punctuation at the end of long bursts of disjointed around for a long time. Percussionist Hamin Honari Toy Tunes weirdness. “Toy Tune” builds on a deceptively simple provides extraordinary accompaniment, especially for Larry Goldings/Peter Bernstein/Bill Stewart (Pirouet) head, allowing the trio to meander around for seven listeners used to the American drumset. As he is by Phil Freeman minutes, making it the longest track. “Maybe” is an credited on tombak and daf (traditional Iranian drums), ideal closer, a gentle tune delivered without disruption one wonders from where all of his nuanced sounds Organ player Larry Goldings, guitarist Peter Bernstein or undue exuberance, bringing the mood down to a emanate. The texture and timbre of Honari’s percussion and drummer Bill Stewart first convened as a trio for soothing simmer as the music fades away.
[Show full text]
Eddie Who? - Eddie Harris Amerikansk Tenorsaxofonist, Født 20.10.1934 I Chicago, IL, D
Eddie Who? - Eddie Harris Amerikansk tenorsaxofonist, født 20.10.1934 i Chicago, IL, d. 5.11.1996 Sanger og pianist som barn i baptistkirker og spillede senere vibrafon og tenorsax. Debuterede som pianist med Gene Ammons før universitetsstudier i musik. Spillede med bl.a. Cedar Walton i 7. Army Symphony Orchestra. Fik i 1961 et stort hit og jazzens første guldplade med filmmelodien "Exodus", hvad der i de følgende år gav ham visse problemer med accept i jazzmiljøet. Udsendte 1965 The in Sound med bl.a. hans egen komposition Freedom Jazz Dance, som siden er indgået i jazzens standardrepertoire. Spillede fra 1966 elektrificeret saxofon og hybrider af sax og basun. Flirtede med rock på Eddie Harris In the UK (Atlantic 1969). Spillede 1969 på Montreux festivalen med Les McCann (Swiss Movement, Atlantic) og skrev 1969-71 musik til Bill Cosbys tv-shows. Spillede i 80'erne med bl.a. Tete Montoliu og Bo Stief (Steps Up, SteepleChase, 1981) og igen med Les McCann. Som sideman med bl.a. Jimmy Smith, Horace Silver, Horace Parlan og John Scofield (Hand Jive, Blue Note, 1993). Optrådte trods sygdom, så sent som maj 1996. Indspillede et stort antal plader for mange selskaber, fra 80'erne mest europæiske. Med udgangspunkt i bopmusikken udviklede Harris sine eksperimenter til en meget personlig stil med umiddelbart genkendelig, egenartet vokaliserende tone, fra 70'erne krydret med (ofte lange), humoristisk filosofisk/satiriske enetaler. Følte sig ofte underkendt som musiker og satiriserede over det i sin "Eddie Who". Kilde: Politikens Jazz Leksikon, 2003, red. Peter H. Larsen og Thorbjørn Sjøgren There's a guys (Chorus) You ought to know Eddie Harris ..
[Show full text]
PROGRAM NOTES Guided Tour
13/14 Season SEP-DEC Ted Kurland Associates Kurland Ted The New Gary Burton Quartet 70th Birthday Concert with Gary Burton Vibraphone Julian Lage Guitar Scott Colley Bass Antonio Sanchez Percussion PROGRAM There will be no intermission. Set list will be announced from stage. Sunday, October 6 at 7 PM Zellerbach Theatre The Annenberg Center's Jazz Series is funded in part by the Brownstein Jazz Fund and the Philadelphia Fund For Jazz Legacy & Innovation of The Philadelphia Foundation and Philadelphia Jazz Project: a project of the Painted Bride Art Center. Media support for the 13/14 Jazz Series provided by WRTI and City Paper. 10 | ABOUT THE ARTISTS Gary Burton (Vibraphone) Born in 1943 and raised in Indiana, Gary Burton taught himself to play the vibraphone. At the age of 17, Burton made his recording debut in Nashville with guitarists Hank Garland and Chet Atkins. Two years later, Burton left his studies at Berklee College of Music to join George Shearing and Stan Getz, with whom he worked from 1964 to 1966. As a member of Getz's quartet, Burton won Down Beat Magazine's “Talent Deserving of Wider Recognition” award in 1965. By the time he left Getz to form his own quartet in 1967, Burton had recorded three solo albums. Borrowing rhythms and sonorities from rock music, while maintaining jazz's emphasis on improvisation and harmonic complexity, Burton's first quartet attracted large audiences from both sides of the jazz-rock spectrum. Such albums as Duster and Lofty Fake Anagram established Burton and his band as progenitors of the jazz fusion phenomenon.
[Show full text]
DVD Review: John Scofield: New Morning – the Paris Concert
http://ffanzeen.blogspot.com/2010/11/dvd-review-john-scofield-new-morning.html DVD Review: John Scofield: New Morning – The Paris Concert Text © Robert Barry Francos/FFanzeen, 2010 Images from the Internet John Scofield: New Morning – The Paris Concert Produced and directed by Daniel Farhi Inakustik / New Morning Productions, 2010 135 minutes, USD $19.95 In-akustik.de MVDvisual.com New Morning is a large club in Paris, a natural venue for jazz artists like John Scofield. Ohio born-Connecticut raised Scofield celebrates his last year in his 50s by jazzing on the City of Lights, and fortunately, it was captured in High Def on April 23, 2010. There is no preamble here, as the DVD pretty much starts as the two-hour long concert begins. There is little conversation throughout, and all pieces are instrumental, lasting on average about 10 minutes each. John is not alone, though. Yep, he’s packin’. For drums, he has Bill Stewart, who has played with him on and off for about 20 years. He also refers to Stewart is the best drummer he’s ever worked with. On fretless standup bass, there’s Ben Street, who’s tall and gaunt, and plucks the hell outta the thing. Last is Michael Eckroth on drums, who is in Paris for the first time. A former NYU student of Scofield, Michael is the first in this situation John has ever invited on tour, which is saying something. Despite some pretty stubby fingers, Michael is a definite piano wiz, mostly playing a Yamaha piano, and twice switching to a Nord Electro 3 organ.
[Show full text]
Dejohnette/Coltrane/Garrison
FOR IMMEDIATE RELEASE CAP UCLA presents DeJohnette/Coltrane/Garrison December 7 at Royce Hall "Drummer and jazz legend Jack DeJohnette pairs up with saxophonist Ravi Coltrane and bassist (and electronics whiz) Matthew Garrison, to spellbinding and haunting results." —Pitchfork UCLA’s Center for the Art of Performance (CAP UCLA) presents Jack DeJohnette, Ravi Coltrane and Matthew Garrison on Saturday, Dec 7 at 8 p.m. at Royce Hall. Tickets starting at $28 are available now at cap.ucla.edu, 310-825-2101 and the Royce Hall box office. Representing the prestigious lineage of today’s great jazz families, DeJohnette/Coltrane/Garrison explore open improvisation as well as their own compositions. A NEA Jazz Master and Grammy Award-winner, Jack DeJohnette makes his return to the CAP UCLA family and Royce Hall where he previously performed as part of a jazz trio in 2013 with Keith Jarrett and Gary Peacock. DeJohnette/Coltrane/Garrison went through a rebirth in 2016 and have been touring ever since. They first performed the music of the late John Coltrane, Ravi’s father at The Brooklyn Museum. Named after the master sitarist Ravi Shankar, Coltrane is a Grammy nominated saxophonist who has released six albums to date. Matthew Garrison, son of the late Jimmy Garrison who was John Coltrane’s bassist, became a talented bass guitarist in part thanks to his godfather Jack DeJohnette. Garrison has collaborated with several jazz musicians including CAP Alums John Scofield and Pat Metheny. In 1998 Garrison founded GarrisonJazz Productions where he produces, promotes, and markets his music as well as providing music education.
[Show full text]
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
[Show full text]
Chris Greene Quintet: the Popular, Longstanding Chicago Band on Preparing a Tribute to Eddie Harris
gram JAZZ PROMOTING AND NURTURING JAZZ IN CHICAGO APRIL 2020 WWW.JAZZINCHICAGO.ORG CHRIS GREENE QUINTET: THE POPULAR, LONGSTANDING CHICAGO BAND ON PREPARING A TRIBUTE TO EDDIE HARRIS JAZZCITY 2020 SOUL TO SOUL: A CELEBRATION OF EDDIE HARRIS COMPARED TO WHAT?! (EVENT CANCELED) WHEN THE JAZZ INSTITUTE OF CHICAGO DECIDED to make Eddie Harris the recipient of this year's ongoing JazzCity tribute, one artist and one band were an obvious choice to participate. Who better to capture the slippery, soulful, stylistically restless sound of the late, great tenor saxophonist Chris Greene and his quintet? As suggested by the title of the band's album, Boundary Issues, Greene has never had much use for staying in one place with Chris Greene Ensemble his music. "I don't know my place, I guess, which is why I'm always stepping outside of the so-called boundaries. With the music I like, I just can't help thinking, what would it be like if I did this, or this?" We would have expected to hear Greene and company – keyboardist Damian Espinosa, bassist Marc Piane, trumpeter John Moore and drummer Steve Corley – play popular Harris staples including "Compared to What," "Freedom Jazz Dance" and "Cold Duck Time" at Loyola Park on April 3rd. And if the spirit moved them, the band, which has been together since 2005, might have treated the crowd to one or all of those songs. But having taken a deep dive into Harris' compositions – which in many ways are as notable as his tenor saxophone inventions, something Greene hoped to convey to the audience – the saxophonist is more interested in exposing lesser-heard tunes.
[Show full text]
Jazz Radio Panel P. 22 Jazzweek.Com • September 18, 2006 Jazzweek 13 Airplay Data Jazzweek Jazz Album Chart Sept
JazzWeek with airplay data powered by jazzweek.com • September 18, 2006 Volume 2, Number 42 • $7.95 Industry Q&A: JANA LA SORTE page 10 On The Charts: #1 Jazz Album – Dr. Lonnie Smith #1 Smooth Album – Peter White #1 College Jazz – Madeleine Peyroux #1 Smooth Single – Peter White #1 World Music – Eliane Elias JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger MUSIC EDITOR Tad Hendrickson kay. After beating up on jazz radio a little bit over the last CONTRIBUTING WRITER/ three weeks, I thought I’d better balance it out with some of PHOTOGRAPHER Othe things jazz radio does right and does better than other Tom Mallison formats. PHOTOGRAPHY 1. Jazz radio plays more new artists than any other profes- Barry Solof sional format. Over the last three years, at least 600 albums have Contributing Editors made the JazzWeek top 50. No commercial radio format plays Keith Zimmerman that many new records in a year, and other than some non-comm Kent Zimmerman triple-As and college radio, no other radio genre comes close. (We Founding Publisher: Tony Gasparre can argue about how many of those should be played, but it’s still ADVERTISING: Devon Murphy an impressive and commendable number.) Call (866) 453-6401 ext. 3 or 2. Jazz radio is not part of the whole sleazy money/payola mess. email: [email protected] The lack of money in jazz is certainly part of that, but the relation- SUBSCRIPTIONS: ships between promoters, labels and radio are built on trust, not Free to qualified applicants free electronics, wads of cash, limos or vacations.
[Show full text]
December 2002
PORTABLE • BILL STEWART • CONSUMERS POLL RESULTS DENNISDENNIS CHAMBERS,CHAMBERS, KARLKARL PERAZZO,PERAZZO, RAULRAUL REKOWREKOW SSANTANAANTANA’’SS FFINESTINEST RRHYTHMHYTHM TTEAMEAM?? WWEEZEREEZER’’SS PPATAT WWILSONILSON TTHROUGHHROUGH TTHEHE YYEARSEARS WWITHITH TTERRYERRY BBOZZIOOZZIO NNEWEW FFOUNDOUND GGLORYLORY’’SS CCYRUSYRUS BBOLOOKIOLOOKI TTRADINGRADING FFOURSOURS WWITHITH PPHILLYHILLY JJOEOE $4.99US $6.99CAN 12 PPLUSLUS CCARLOSARLOS SSANTANAANTANA TTALKSALKS DDRUMMERSRUMMERS!! 0 74808 01203 9 ContentsContents Volume 27, Number 12 Cover photo by Paul La Raia SANTANA’S DENNIS CHAMBERS, RAUL REKOW, AND KARL PERAZZO The heaviest rhythm section in rock has just gotten heavier. Even Carlos Santana himself is in awe of his new Dennis Chambers–led ensemble. a a by Robin Tolleson i i a a R R a a L L l l u u a a 56 P P UPDATE 24 Portable’s Brian Levy WEEZER’S Wayward Shamans’ Barrett Martin AT ILSON 80 P W Fugazi’s Brendan Canty From Neil Peart obsessive to Muppet hostage, Pat Wilson has Mickey Hart been through a lot in ten years with Daryl Stuermer’s John Calarco pop gods Weezer. Oh, he plays the heck out of the drums, too. by Adam Budofsky MD CONSUMERS POLL RESULTS 50 The best in today’s gear—according to you. A DIFFERENT VIEW 74 a a i i a a NEW FOUND R R CARLOS SANTANA a a L L Just a sample of his drum cohorts over the l l GLORY’S u u a a years: Michael Shrieve, Jack DeJohnette, Horacio P P CYRUS BOLOOKI Hernandez, Tony Williams, Carter Beauford, 150 Chester Thompson, and now, Dennis Chambers. Even a disastrous fall from a Take your seats, class is about to begin.
[Show full text]
Joshua Redman/Brad Mehldau
JOSHUA REDMAN/BRAD MEHLDAU DUO Friday, September 23, 2016, at 7:30pm Tryon Festival Theatre THE ACT OF GIVING OF ACT THE THANK YOU TO THE SPONSORS OF THIS PERFORMANCE PROGRAM Krannert Center honors the spirited generosity of these committed sponsors whose support JOSHUA REDMAN/BRAD MEHLDAU DUO of this performance continues to strengthen the impact of the arts in our community. Joshua Redman, saxophone Brad Mehldau, piano * * The program will be announced from the stage. This performance will last for approximately 90 minutes and will be presented with no intermission. Saxophonist Joshua Redman and pianist Brad Mehldau first performed together in Redman’s renowned quartet which gained prominence during the ‘90s “young jazz lion” period. Over the next two decades, both Grammy-nominated musicians grew as extraordinary leaders in their own ensembles, reaching international and critical acclaim while forging their own distinctive voices as modern-day icons in the ALICE & JAMES FARON JANICE BAHR & ERWIN HOFFMAN jazz/contemporary music vernacular. In 2011, the two finally converged their shared musical genius, First-Time Sponsors First-Time Sponsors skill, and simpatico to unequivocal critical acclaim. Two Current Sponsorships In 2016, by popular demand, Redman and Mehldau renew their longstanding musical relationship and join as an intimate duo creating music that swings and deeply connects to the spirit. A new live album from their recent European tour was released on Nonesuch Records in September 2016. LISA & MARK KLINGER ANONYMOUS Three Previous
[Show full text]