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Still on the Road 1998 South American Tour with the Rolling Stones
STILL ON THE ROAD 1998 SOUTH AMERICAN TOUR WITH THE ROLLING STONES MARCH 30 Miami Beach, Florida Cameo Theater 31 Miami Beach, Florida Cameo Theater APRIL 4 Buenos Aires, Argentina River Plate Stadium 5 Buenos Aires, Argentina River Plate Stadium 7 Porto Alegre, Brazil Bar Opinião 11 Rio de Janeiro, Brazil Sambódromo, Praça da Apoteose 13 São Paolo, Brazil Pista de Atletismo Ibirapuera, Estádio Ícaro de Castro Mello 15 Santiago, Chile Teatro Monumental Bob Dylan: Still On The Road – The 1998 South American Tour with The Rolling Stones 19080 Cameo Theater Miami Beach, Florida 30 March 1998 1. To Be Alone With You 2. If You See Her, Say Hello 3. Can't Wait 4. Born In Time 5. Silvio (Bob Dylan & Robert Hunter) 6. The White Dove (Carter Stanley) 7. It's All Over Now, Baby Blue 8. Tangled Up In Blue 9. All Along The Watchtower 10. Queen Jane Approximately 11. ‘Til I Fell In Love With You — 12. Highway 61 Revisited 13. It Ain't Me, Babe 14. Love Sick 15. Rainy Day Women # 12 & 35 Concert # 958 of The Never-Ending Tour. First concert of the 1998 South American Tour With The Rolling Stones. 1998 concert # 22. Concert # 105 with the 11th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), Larry Campbell (guitar), Tony Garnier (bass), David Kemper (drums & percussion). Note. First warm up show. 6–8, 13 acoustic with the band. Session info updated 15 August 1998. Bob Dylan: Still On The Road – The 1998 South American Tour with The Rolling Stones 19090 Cameo Theater Miami Beach, Florida 31 March 1998 1. -
Jazz Festival Pr
! ! ! ! ! ! ! ! DC Jazz Festival Neighborhood Venues Host More Than 80 Performances Citywide Jazz in the ‘Hoods, a major feature of the DC Jazz Festival, annually attracts a vibrant audience of thousands of music enthusiasts and highlights the city as a vibrant cultural capital by bringing jazz to all four quadrants of the nation’s capital, with over 80 performances at more than !40 neighborhood venues. View full schedule. !RAMW Member Jazz Festival Venues & Specials: Carmine’s DC 425 7th Street NW Washington, DC 20004 (202) 737-7770 http://www.carminesnyc.com !Special: Groups of 6 or more, show your ticket stub to receive a free desert. Bistrot Lepic & Wine Bar 1736 Wisconsin Ave NW Washington, DC 20007 (202) 333-0111 !http://www.bistrotlepic.com !June 10th & 15th- Jazz in the ‘Hoods Presents: Jazz in the Wine Room (7:00 pm) Acadiana 901 New York Ave NW Washington, DC 20001 (202) 408-8848 !http://www.acadianarestaurant.com/acadiana.html !June 14th - Jazz in the ‘Hoods Presents: Live Jazz Brunch (11:00 am) ! ! The Hamilton Live 600 14th St NW Washington, DC 20005 (202) 787-1000 !http://www.thehamiltondc.com June 10th - John Scofield ÜberJam Band featuring Andy Hess, Avi Bortnick & Tony !Mason: 7:30 pm (Doors open at 6:30 pm) June 11th - Paquito D’Rivera with Special Guest Edmar Castañeda: 7:30 pm (Doors !open at 6:30 pm) June 12th - The Bad plus Joshua Redman with Opener Underwater Ghost featuring !Allison Miller: 8:30 pm (Doors open at 7 pm) June 13th - (Early and Late Shows) Jack DeJohnette Trio featuring Ravi Coltrane & Matthew Garrison: 7:30 pm (Doors open at 6:30 pm) & 10:30 pm (Doors open at 9:30 !pm) June 14th - Stanton Moore Trio & Charlie Hunter Trio featuring Bobby Previte & Curtis !Fowlkes: 7:30 pm (Doors open at 6:30 pm) !June 15th - An Evening with Snarky Puppy (First Night): 8 pm (Doors open at 6:30 pm) June 16th - An Evening with Snarky Puppy (Second Night): 8 pm (Doors open at 6:30 pm). -
Keith Richards Wrote Satisfaction in His Sleep
Keith Richards Wrote Satisfaction In His Sleep Bicipital and incompetent Antonino always ebonising possessively and converts his mythiciser. Referable and prothoracic Peyter alight almost bareknuckle, though Dante distills his Zachariah sawders. Unacademic Rudolph sometimes scrimshaws any contemporariness kidnapping increasingly. The heart of society in. But it also came from keith richards wrote in his satisfaction sleep one place for all your rss feed has to. Can you answer the following question? Crawdaddy or Zurich a few weeks ago, that feeling is fairly constant and consistent. Many top chord shapes and sounds are pale with open D tuning. What saved the riff is awesome fact however was, plus the snoring, all damage on tape. Keith Richards wrote Satisfaction in aggregate sleep and recorded a rough version of the riff on a Philips. Now you know the back story, turn up the volume and shake off those Monday blues. Keith richards memoir, graham is satisfaction in his sleep immediately agreed to. Study ancient art college of gibson maestro fuzzbox adding an email from their first no one of sleep immediately at an example. This picture would show whenever you gonna a comment. See more on it is no sleep one place for keith wrote in all your mother works for himself to your monthly limit of aerosmith over from keith richards wrote in his satisfaction sleep! How keith richards awoke one that keith richards wrote in his satisfaction sleep that. American tour for some reason i love letter to clean, who have more about time, big crinkly smile. That you albums, and mescaline and richards says he sings soul to life and subsequent arrest a keith richards wrote satisfaction in his sleep and hone your interests. -
Columbuscityscene11 18
NOVEMBER 2018 [$2.25] www.cityscenecolumbus.com insideON THE COVER 6 on the scene 12 Made in the U.S.A. Shared experiences in providing local handmade products If it Feels Right to the community Derek Trucks grew up amongst the legends but 1 8 Window Wonderland never imagined he would be where he is today Contest focuses on community and collaboration 24 Double the Talent Local author and actor, Gary Braunbeck, shares his stories and insight 14 38 20 Lifting Spirits departments Personal tragedies and hardships result in 6 insight 35 spirits 41 on view valuable community endeavors 10 health 36 travel 44 calendar COVER: Photo courtesy of Tab Winters 14 cuisine 38 visuals 48 critique 2 cityscenecolumbus.com | November 2018 CS INSIGHT If it Feels Right Derek Trucks grew up amongst the legends A but never imagined he would be where he is today By Rocco Falleti The Tedeschi Trucks Band Live from the Palace Theatre Nov. 9. Tickets are available at all Ticketmaster outlets • • • • • 6 cityscenecolumbus.com | November 2018 Mayhem The young prodigy caught the attention of Ace Moreland’s West Side Story, a Jacksonville blues band, was getting ready to take Allman Brothers Band guitarist Col. Bruce the stage at Applejacks, a small bar connected to a hotel in Miami back in the late Hampton. Hampton would serve not only as a ’80s. Moreland had recently enlisted the talents of a young and talented prodigy, mentor, but as a role model to Trucks early on in 9-year-old guitarist Derek Trucks. his career. Trucks is the nephew of drummer and founding member “Bruce’s M.O. -
An Evening with Lettuce & John Scofield
FOR IMMEDIATE RELEASE CAP UCLA presents An Evening with Lettuce & John Scofield March 20 at The Theatre at Ace Hotel DTLA "(Lettuce is} everyone's favorite funk band..." — Red Bull Music “During the course of his storied career, guitarist/composer John Scofield has never shown much of a predilection to repeat himself. Rather, he navigates through projects as diverse as trio outings, experiments with horns, collections of ballads and collaborations with the likes of Gov't Mule and the Grateful Dead's Phil Lesh in a such a way that, when he completes a cycle of activity, he's grown discernibly as an artist.” — All About Jazz UCLA’s Center for the Art of Performance (CAP UCLA) presents An Evening with Lettuce & John Scofield, on Wednesday, March 20 at 8 p.m. at The Theatre at Ace Hotel Downtown Los Angeles. Tickets for $29–$59 are available now at cap.ucla.edu and theatre.acehotel.com, 310-825-2101 and The Theatre at Ace Hotel box office. Influenced by Earth, Wind and Fire and Tower of Power, among others, undergrads started Lettuce following a music program at Berklee College of Music. Jamming out the summer of 1992 led to engagements in New York, San Francisco, Chicago, and even a following in Tokyo. Their first album Outta Here began Lettuce’s mission of bringing vigor and spunk to classic funk. For their Theatre at Ace Hotel debut, Lettuce will be joined by renowned guitarist John Scofield. An influencer of jazz, Scofield has collaborated with Pat Metheny who performed at CAP UCLA earlier this season. -
Eddie Who? - Eddie Harris Amerikansk Tenorsaxofonist, Født 20.10.1934 I Chicago, IL, D
Eddie Who? - Eddie Harris Amerikansk tenorsaxofonist, født 20.10.1934 i Chicago, IL, d. 5.11.1996 Sanger og pianist som barn i baptistkirker og spillede senere vibrafon og tenorsax. Debuterede som pianist med Gene Ammons før universitetsstudier i musik. Spillede med bl.a. Cedar Walton i 7. Army Symphony Orchestra. Fik i 1961 et stort hit og jazzens første guldplade med filmmelodien "Exodus", hvad der i de følgende år gav ham visse problemer med accept i jazzmiljøet. Udsendte 1965 The in Sound med bl.a. hans egen komposition Freedom Jazz Dance, som siden er indgået i jazzens standardrepertoire. Spillede fra 1966 elektrificeret saxofon og hybrider af sax og basun. Flirtede med rock på Eddie Harris In the UK (Atlantic 1969). Spillede 1969 på Montreux festivalen med Les McCann (Swiss Movement, Atlantic) og skrev 1969-71 musik til Bill Cosbys tv-shows. Spillede i 80'erne med bl.a. Tete Montoliu og Bo Stief (Steps Up, SteepleChase, 1981) og igen med Les McCann. Som sideman med bl.a. Jimmy Smith, Horace Silver, Horace Parlan og John Scofield (Hand Jive, Blue Note, 1993). Optrådte trods sygdom, så sent som maj 1996. Indspillede et stort antal plader for mange selskaber, fra 80'erne mest europæiske. Med udgangspunkt i bopmusikken udviklede Harris sine eksperimenter til en meget personlig stil med umiddelbart genkendelig, egenartet vokaliserende tone, fra 70'erne krydret med (ofte lange), humoristisk filosofisk/satiriske enetaler. Følte sig ofte underkendt som musiker og satiriserede over det i sin "Eddie Who". Kilde: Politikens Jazz Leksikon, 2003, red. Peter H. Larsen og Thorbjørn Sjøgren There's a guys (Chorus) You ought to know Eddie Harris .. -
DVD Review: John Scofield: New Morning – the Paris Concert
http://ffanzeen.blogspot.com/2010/11/dvd-review-john-scofield-new-morning.html DVD Review: John Scofield: New Morning – The Paris Concert Text © Robert Barry Francos/FFanzeen, 2010 Images from the Internet John Scofield: New Morning – The Paris Concert Produced and directed by Daniel Farhi Inakustik / New Morning Productions, 2010 135 minutes, USD $19.95 In-akustik.de MVDvisual.com New Morning is a large club in Paris, a natural venue for jazz artists like John Scofield. Ohio born-Connecticut raised Scofield celebrates his last year in his 50s by jazzing on the City of Lights, and fortunately, it was captured in High Def on April 23, 2010. There is no preamble here, as the DVD pretty much starts as the two-hour long concert begins. There is little conversation throughout, and all pieces are instrumental, lasting on average about 10 minutes each. John is not alone, though. Yep, he’s packin’. For drums, he has Bill Stewart, who has played with him on and off for about 20 years. He also refers to Stewart is the best drummer he’s ever worked with. On fretless standup bass, there’s Ben Street, who’s tall and gaunt, and plucks the hell outta the thing. Last is Michael Eckroth on drums, who is in Paris for the first time. A former NYU student of Scofield, Michael is the first in this situation John has ever invited on tour, which is saying something. Despite some pretty stubby fingers, Michael is a definite piano wiz, mostly playing a Yamaha piano, and twice switching to a Nord Electro 3 organ. -
Macon Layout.Indd
Macon Gray/Old Clinton Milledgeville Eatonton Madison Watkinsville Athens -Where Soul Lives With our central location, breathtaking architecture, and rich musical heritage, Macon is a city with historic soul. You can feel our soul through our attractions,Maco, food, festivals, and culture. No matter where Ge you go, you’re exposed gi to Macon’s story which can be experienced in our historic homes showcasing our southern charm, our world- renowned museums, and our one-of-a-kind restaurants. Visit Macon and let us share a little bit of soul with you. 8:00 am- Breakfast at H&H Restaurant A meeting place for civil rights activists which was opened in 1959 by Inez Hill and Louise Hudson, also known as Mama Hill and Mama Lou- ise. The restaurant was a popular eatery during the early days of The Allman Brothers Band and other music groups from Macon such as The Marshall Tucker Band and Wet Willie. H&H is known for its delicious soul food. 9:30 am- Downtown Macon Visitors Center Enjoy this state-of-the-art visitors center, view colorful exhibits along an informative time-line, browse gifts in the souvenir shop and watch the exciting 11-minute video. With clean restrooms for all, stop by for a perfect introduction to Macon. 10:00 am- Tubman Museum Take a soulful journey through time, From Africa to America at the Tubman African American Museum, the largest facility in the Southeast devoted solely to African American art, history and culture. See colorful exhibits on Harriet Tubman, African American Inventors, Georgia artists, and the incredible slave to freedom story of William & Ellen Craft. -
Dejohnette/Coltrane/Garrison
FOR IMMEDIATE RELEASE CAP UCLA presents DeJohnette/Coltrane/Garrison December 7 at Royce Hall "Drummer and jazz legend Jack DeJohnette pairs up with saxophonist Ravi Coltrane and bassist (and electronics whiz) Matthew Garrison, to spellbinding and haunting results." —Pitchfork UCLA’s Center for the Art of Performance (CAP UCLA) presents Jack DeJohnette, Ravi Coltrane and Matthew Garrison on Saturday, Dec 7 at 8 p.m. at Royce Hall. Tickets starting at $28 are available now at cap.ucla.edu, 310-825-2101 and the Royce Hall box office. Representing the prestigious lineage of today’s great jazz families, DeJohnette/Coltrane/Garrison explore open improvisation as well as their own compositions. A NEA Jazz Master and Grammy Award-winner, Jack DeJohnette makes his return to the CAP UCLA family and Royce Hall where he previously performed as part of a jazz trio in 2013 with Keith Jarrett and Gary Peacock. DeJohnette/Coltrane/Garrison went through a rebirth in 2016 and have been touring ever since. They first performed the music of the late John Coltrane, Ravi’s father at The Brooklyn Museum. Named after the master sitarist Ravi Shankar, Coltrane is a Grammy nominated saxophonist who has released six albums to date. Matthew Garrison, son of the late Jimmy Garrison who was John Coltrane’s bassist, became a talented bass guitarist in part thanks to his godfather Jack DeJohnette. Garrison has collaborated with several jazz musicians including CAP Alums John Scofield and Pat Metheny. In 1998 Garrison founded GarrisonJazz Productions where he produces, promotes, and markets his music as well as providing music education. -
Performing Songwriter 70 July/August 2008
TOOLS OF THE TRADE KEYBOARD CHUCK LEAVELL Keyboard BY RUSSELL HALL Chuck Leavell “Th e most important thing is to do the song justice,” says Chuck Leavell. “It’s not about being fl ashy or trying to set the world on fi re. It’s about contributing to a piece of material CHUCK LEAVELL in the best way possible.” Live in Germany: Green Leaves & Blue Notes Tour 2007 [Evergreen Arts] Th at philosophy—with regards to Stones’ unoffi cial music director. When he’s keyboard playing—has served Leavell not on the road or in the studio, chances DISC 1 In the Wee Wee Hours well for four decades. Dating back to his are he’s busy working his tree farm in rural Route 66 earliest years with the Allman Brothers, the Georgia or rallying support for forestry and Living in a Dream King Grand 55-year-old Macon, Ga., native has graced conservation issues. Honky Tonk Women some of the most memorable recordings of Somehow, in the midst of these activities, Rip This Joint our times. His rollicking contribution to the Leavell has managed to record several Coming Home Down the Road a Piece Allmans’ “Jessica” is oft en cited as one of albums of his own. His latest—a two-CD Alberta, Alberta rock’s best piano solos. At the other extreme, set titled Live in Germany: Green Leaves & DISC 2 the subdued elegance he brought to Eric Blue Notes Tour 2007—employs all facets of Here Comes the Sun Clapton’s Unplugged album helped set the his keyboard skills. -
Crinew Music Re Uoft
CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released. -
Chris Greene Quintet: the Popular, Longstanding Chicago Band on Preparing a Tribute to Eddie Harris
gram JAZZ PROMOTING AND NURTURING JAZZ IN CHICAGO APRIL 2020 WWW.JAZZINCHICAGO.ORG CHRIS GREENE QUINTET: THE POPULAR, LONGSTANDING CHICAGO BAND ON PREPARING A TRIBUTE TO EDDIE HARRIS JAZZCITY 2020 SOUL TO SOUL: A CELEBRATION OF EDDIE HARRIS COMPARED TO WHAT?! (EVENT CANCELED) WHEN THE JAZZ INSTITUTE OF CHICAGO DECIDED to make Eddie Harris the recipient of this year's ongoing JazzCity tribute, one artist and one band were an obvious choice to participate. Who better to capture the slippery, soulful, stylistically restless sound of the late, great tenor saxophonist Chris Greene and his quintet? As suggested by the title of the band's album, Boundary Issues, Greene has never had much use for staying in one place with Chris Greene Ensemble his music. "I don't know my place, I guess, which is why I'm always stepping outside of the so-called boundaries. With the music I like, I just can't help thinking, what would it be like if I did this, or this?" We would have expected to hear Greene and company – keyboardist Damian Espinosa, bassist Marc Piane, trumpeter John Moore and drummer Steve Corley – play popular Harris staples including "Compared to What," "Freedom Jazz Dance" and "Cold Duck Time" at Loyola Park on April 3rd. And if the spirit moved them, the band, which has been together since 2005, might have treated the crowd to one or all of those songs. But having taken a deep dive into Harris' compositions – which in many ways are as notable as his tenor saxophone inventions, something Greene hoped to convey to the audience – the saxophonist is more interested in exposing lesser-heard tunes.