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Superman(Jjabrams).Pdf
L, July 26, 2002 SUPERMAN FADE IN: . .. INT. TV MONITOR - DAY TIGHT ON a video image of a news telecast. Ex ~t th efs no one there -- just the empty newsdesk. Odd. e Suddenly a NEWSCASTER appears behind the desk - rushed and unkempt. Fumbles with his clip mic trembling. It's unsettling; be looks up at us, desperately to sound confident. But his voice Nm?!3CASTER Ladies and gentlen. If you are watching this, and are taking shelter underground, we strongly urg you -- all of vou -- to do so immediately. Anywhere-- anywhere e are, anywhere you can find. (beat) At this hour, all we know is that there are visitors on this planet-- and that there's a conflict between 'v them-- the Giza Pyramids have been @ destroyed-- sections of Paris. Massive fires are raging from Venezuela to Chile-- a great deal of Seoul, Korea ... no longer exists ... All this man wants to-do is cry. But he's a realize now that werite been SLOWLY PUSHING IN NEWSCASTER ( con t ' d ) Only weeks ago this report would've seemed.. ludicrous. Aliens.. usi Earth as a battleground. .. ( then, with growing venom: ) ... but that was before Superman. (beat1 It turns out that our faith was naive. Premature. Perhaps, given Y the state pf the world. .- simply desperate-- .. , Something urgent is YELLED from behind the c Newscaster looks off, ' fied -- he yells but it's masked by a SHATT!L'RING -- FLYING GLASS -- the video . .. camera SHAKES -- . -.~. &+,. 9' .. .-. .. .. .: . .I _ - - . - .. ( CONTINUED) . 2. CONTINUED: 4 -. A TERRIBLE WHI.STLE, then an EXPIX)SION -- '1 WHIPPED OUT OF FRAME in the same horrible inst . -
GLAAD Where We Are on TV (2020-2021)
WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today. -
And Superman II (1981)
Archived at the Flinders Academic Commons: http://dspace.flinders.edu.au/dspace/ This is the publisher’s copyrighted version of this article. The original can be found at: http://www.unomaha.edu/jrf/Vol7No1/unholy.htm © 2003 The Journal of Religion and Film Published version of the paper reproduced here in accordance with the copyright policy of the publisher. Personal use of this material is permitted. However, permission to reprint/republish this material for advertising or promotional purposes or for creating new collective works for resale or redistribution to servers or lists, or to reuse any copyrighted component of this work in other works must be obtained from The Journal of Religion and Film. The Journal of Religion and Film The Unholy Biblical Subtexts and Other Religious Elements Built into Superman: The Movie (1978) and Superman II (1981) by Anton Karl Kozlovic School of Humanities The Flinders University of South Australia Vol. 7 No. 1 April 2003 The Unholy Biblical Subtexts and Other Religious Elements Built into Superman: The Movie (1978) and Superman II (1981) by Anton Karl Kozlovic School of Humanities The Flinders University of South Australia Abstract The sacred-secular parallels between Jesus Christ and Kal-El/Clark Kent/Superman in Superman: The Movie (1978) and Superman II (1981) were explicated previously in the JR&F.1 This research was followed by the identification of additional holy, but non-christic subtexts built into the films to complement Superman as a Christ-figure.2 However, the sacred-secular parallels did not stop there. In addition to this persuasive array of positive holy figurations, complementary unholy religious subtexts were also built into the films. -
What Superman Teaches Us About the American Dream and Changing Values Within the United States
TRUTH, JUSTICE, AND THE AMERICAN WAY: WHAT SUPERMAN TEACHES US ABOUT THE AMERICAN DREAM AND CHANGING VALUES WITHIN THE UNITED STATES Lauren N. Karp AN ABSTRACT OF THE THESIS OF Lauren N. Karp for the degree of Master of Arts in English presented on June 4, 2009 . Title: Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States Abstract approved: ____________________________________________________________________ Evan Gottlieb This thesis is a study of the changes in the cultural definition of the American Dream. I have chosen to use Superman comics, from 1938 to the present day, as litmus tests for how we have societally interpreted our ideas of “success” and the “American Way.” This work is primarily a study in culture and social changes, using close reading of comic books to supply evidence. I argue that we can find three distinct periods where the definition of the American Dream has changed significantly—and the identity of Superman with it. I also hypothesize that we are entering an era with an entirely new definition of the American Dream, and thus Superman must similarly change to meet this new definition. Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States by Lauren N. Karp A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented June 4, 2009 Commencement June 2010 Master of Arts thesis of Lauren N. Karp presented on June 4, 2009 APPROVED: ____________________________________________________________________ Major Professor, representing English ____________________________________________________________________ Chair of the Department of English ____________________________________________________________________ Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries. -
Superman Ii the Richard Donner Cut Mp4 Download Please Enable Your VPN When Downloading Torrents
superman ii the richard donner cut mp4 download Please enable your VPN when downloading torrents. If you torrent without a VPN, your ISP can see that you're torrenting and may throttle your connection and get fined by legal action! Loading, please wait. Synopsis. Picking up where "Superman: The Movie" left off, three criminals, General Zod (Terence Stamp), Ursa, (Sarah Douglas), and Non (Jack O'Halloran) from the planet Krypton are released from the Phantom Zone by a nuclear explosion in space. They descend upon Earth where they could finally rule. Superman, meanwhile, is in love with Lois Lane (Margot Kidder), who finds out who he really is. Lex Luthor (Gene Hackman) escapes from prison and is determined to destroy Superman by joining forces with the three criminals. —Keith Howley. Picking up where "Superman: The Movie" left off, three criminals, General Zod (Terence Stamp), Ursa, (Sarah Douglas), and Non (Jack O'Halloran) from the planet Krypton are released from the Phantom Zone by a nuclear explosion in space. They descend upon Earth where they could finally rule. Superman, meanwhile, is in love with Lois Lane (Margot Kidder), who finds out who he really is. Lex Luthor (Gene Hackman) escapes from prison and is determined to destroy Superman by joining forces with the three criminals. —Keith Howley. Uploaded By: OTTO April 04, 2019 at 04:21 AM. Director. Tech specs. Movie Reviews. Great film. Simply put, Superman II is one of the best action/comic-oriented films of all time. I'd rank it second only to the original Superman: The Movie and only X-Men is right up there. -
Superhero Origins As a Sentence Punctuation Exercise
Superhero Origins as a Sentence Punctuation Exercise The Definition of a Comic Book Superhero A comic book super hero is a costumed fictional character having superhuman/extraordinary skills and has great concern for right over wrong. He or she lives in the present and acts to benefit all mankind over the forces of evil. Some examples of comic book superheroes include: Superman, Batman, Spiderman, Wonder Woman, and Plastic Man. Each has a characteristic costume which distinguishes them from everyday citizens. Likewise, all consistently exercise superhuman abilities for the safety and protection of society against the forces of evil. They ply their gifts in the present-contemporary environment in which they exist. The Sentence Punctuation Assignment From earliest childhood to old age, the comics have influenced reading. Whether the Sunday comic strips or editions of Disney’s works, comic book art and narratives have been a reading catalyst. Indeed, they have played a huge role in entertaining people of all ages. However, their vocabulary, sentence structure, and overall appropriateness as a reading resource is often in doubt. Though at times too “graphic” for youth or too “childish” for adults, their use as an educational resource has merit. Such is the case with the following exercise. Superheroes as a sentence punctuation learning toll. Among the most popular of comic book heroes is Superman. His origin and super-human feats have thrilled comic book readers, theater goers, and television watchers for decades. However, many other comic book superheroes exist. Select one from those superhero origin accounts which follow and compose a four paragraph superhero origin one page double-spaced narative of your selection. -
"Superman" by Wesley Strick
r "SUPERMAN" Screenplay by Wesley Strick Jon Peters Entertainment Director: Tim Burton Warner Bros. Pictures July 7, 1997 y?5^v First Draft The SCREEN is BLACK. FADE IN ON: INT. UNIVERSITY CORRIDOR - LATE NIGHT A YOUNG PROFESSOR hurries down the empty hall — hotly murmuring to himself, intensely concerned ... A handsome man, about 30, but dressed strangely — are we in some other country? Sometime in the past? Or in the future? YOUNG PROFESSOR It's switched off ... It can't be ... But the readings, what else — The Young Professor reaches a massive steel door, like the hatch of a walk-in safe. Slides an ID card, that's emblazoned with a familiar-looking "S" shield: the door hinges open. The Young Professor pauses — he hadn't noted, till now, the depths of his fear. Then, enters: INT. UNIVERSITY LAB - LATE NIGHT Dark. The Professor tries the lights. Power is off. Cursing, he's got just enough time, as the safe door r swings closed again, to find an emergency flashlight. He flicks it on: plays the beam over all the bizarre equipment, the ultra-advanced science paraphernalia. Now he hears a CREAK. He spins. His voice quavers. YOUNG PROFESSOR I.A.C. ..? His flashlight finds a thing: a translucent ball perched atop a corroding pyramid shape. It appears inanimate. YOUNG PROFESSOR (cont'd) Answer me. And finally, from within the ball, a faint alow. Slyly: BALL How can I? You unplugged me, Jor- El ... Remember? Recall? The Young Professor -- JOR-EL -- looks visibly shaken. y*fi^*\ (CONTINUED) CONTINUED: JOR-EL I did what I had to, I.A.C. -
BATMAN ALLY a Character Using the Batman Ally Team Ability Can Use Stealth
DC BATMAN ALLY A character using the Batman Ally team ability can use Stealth. BATMAN ENEMY Characters using the Batman Enemy team ability may replace their attack value with the unmodified attack value of an adjacent friendly character using the Batman Enemy team ability. CALCULATOR Characters using the Calculator team ability are wild cards. CRIME SYNDICATE Characters using the Crime Syndicate team ability can use Probability Control. When a roll is ignored because of this team ability an action token must be placed on a friendly character on the battlefield or the roll is not ignored. Uncopyable. GREEN LANTERN CORPS When using the Carry ability, characters using the Green Lantern Corps team ability may carry up to 8 friendly characters. HYPERTIME Whenever an opposing character given an action attempts to move from a non-adjacent square into a square that is adjacent to a character using the Hypertime team ability, it must roll a d6. On a result of 1-2, the opposing character cannot move to any square adjacent to the character using this team ability that turn. Characters using this team ability ignore them on opposing characters. INJUSTICE LEAGUE Whenever a character using the Injustice League team ability attacks an opposing character that was attacked by another character using the Injustice League team ability this turn, the action does not count toward your available actions for the turn. JUSTICE LEAGUE When you give a character using the Justice League team ability a move action, it does not count toward your available actions for the turn. JUSTICE SOCIETY Characters using the Justice Society team ability may replace their defense value with the unmodified defense value of an adjacent friendly character using the Justice Society team ability. -
Queer Postfeminism, Intersectionality and Female Superheroes in Supergirl Maxine De Wulf Helskens, Frederik Dhaenens, Sarah Van Leuven
DiGeSt Journal of Diversity and Gender Studies Superheroines and superstereotypes? Queer postfeminism, intersectionality and female superheroes in Supergirl Maxine De Wulf Helskens, Frederik Dhaenens, Sarah Van Leuven DiGeSt Journal of Diversity and Gender Studies, Volume 8, Issue 1 Print ISSN: 2593-0273. Online ISSN: 2593-0281 Content is licensed under a Creative Commons BY DiGeSt is hosted by Ghent University Website: https://ojs.ugent.be/digest DiGeSt: Journal of Diversity and Gender Studies 8(1) – Spring 2021 Superheroines and superstereotypes? Queer postfeminism, intersectionality and female superheroes in Supergirl Maxine De Wulf Helskens Centre for Cinema and Media Studies (CIMS) & Centre for Journalism Studies (CJS), Ghent University Department of Communication Sciences [email protected] Frederik Dhaenens Centre for Cinema and Media Studies (CIMS), Ghent University Department of Communication Sciences [email protected] Sarah Van Leuven Centre for Journalism Studies (CJS), Ghent University Department of Communication Sciences [email protected] Abstract Since the new millennium, there has been a remarkable increase in audio-visual adaptations of superhero comic books (Garcia-Escriva, 2018). Whereas these adaptations used to include predominantly male superheroes, they have started to feature more female superheroes (Curtis & Cardo, 2018). An increase, however, does not imply diverse and rounded representations, since women in superhero movies tend to be depicted in stereotypical and sexualized ways (Kaplan, Miller & Rauch, 2016). Even though previous research has addressed the genre's politics of gender representation, there is a need for research that looks at televised female superheroes from a queer postfeminist lens. Therefore, this study conducted a textual analysis, informed by queer postfeminism and intersectionality theory, to explore how leading female superheroes in the series Supergirl are represented. -
Depictions of Criminality in Superhero Cartoons
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 2012 Rotten, Vile, and Depraved! Depictions of Criminality in Superhero Cartoons Lisa A. Kort-Butler University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/sociologyfacpub Part of the Criminology Commons, and the Social Control, Law, Crime, and Deviance Commons Kort-Butler, Lisa A., "Rotten, Vile, and Depraved! Depictions of Criminality in Superhero Cartoons" (2012). Sociology Department, Faculty Publications. 188. https://digitalcommons.unl.edu/sociologyfacpub/188 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in Deviant Behavior 33 (2012), pp. 566–581; doi: 10.1080/01639625.2011.636718 Copyright © 2012 Taylor & Francis Group. Used by permission. Submitted February 18, 2011; accepted July 30, 2011. Support for this research was provided by the Haas Faculty Award, Department of Sociology, University of Nebraska–Lincoln. The author thanks Kayla Pritchard for her assistance on this project. Rotten, Vile, and Depraved! Depictions of Criminality in Superhero Cartoons Lisa A. Kort-Butler University of Nebraska–Lincoln, Lincoln, Nebraska, USA Correspondence: Lisa A. Kort-Butler, Department of Sociology, 711 Oldfather Hall, P.O. Box 880324, Lincoln, NE 68588-0324, USA; email [email protected] Abstract The literature argues that media depictions of crime present messages that conform to and promote the dominant ideology about the causes of crime and the nature of crimi- nality. -
The Evolution of Superman As a Reflection of American Society
Bellarmine University ScholarWorks@Bellarmine Undergraduate Theses Undergraduate Works 4-26-2020 Dissecting the Man of Steel: The Evolution of Superman as a Reflection of American Society Marie Gould [email protected] Follow this and additional works at: https://scholarworks.bellarmine.edu/ugrad_theses Part of the Children's and Young Adult Literature Commons, Literature in English, North America Commons, Modern Literature Commons, Political History Commons, Social History Commons, and the United States History Commons Recommended Citation Gould, Marie, "Dissecting the Man of Steel: The Evolution of Superman as a Reflection of American Society" (2020). Undergraduate Theses. 45. https://scholarworks.bellarmine.edu/ugrad_theses/45 This Honors Thesis is brought to you for free and open access by the Undergraduate Works at ScholarWorks@Bellarmine. It has been accepted for inclusion in Undergraduate Theses by an authorized administrator of ScholarWorks@Bellarmine. For more information, please contact [email protected], [email protected]. Dissecting the Man of Steel: The Evolution of Superman as a Reflection of American Society by Marie Gould Advisor: Dr. Aaron Hoffman Readers: Dr. Casey Baugher Dr. Kathryn West 1 Table of Contents Abstract 2 Introduction 2 Objectives 4 Methodology 4 Chapter 1: Creation Years (1938-1939) 6 Chapter 2: World War II (1941-1945) 12 Chapter 3: The 50s and 60s (1950-1969) 17 Chapter 4: The 70s and 80s (1970-1989) 22 Chapter 5: The 90s and 2000s (1990-2010) 27 Conclusion 31 Bibliography 33 2 Abstract Since his debut during the Great Depression in 1938, Superman has become an American cultural icon. His symbol is not only known throughout the nation, but the world as well. -
Planet Superman: an Ecocritical Analysis of the Man of Steel from 1938-2017 Justin Hart Crary [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2017 Planet Superman: An ecocritical analysis of the Man of Steel from 1938-2017 Justin Hart Crary [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the Literature in English, North America Commons Recommended Citation Crary, Justin Hart, "Planet Superman: An ecocritical analysis of the Man of Steel from 1938-2017" (2017). Theses, Dissertations and Capstones. 1091. http://mds.marshall.edu/etd/1091 This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. PLANET SUPERMAN: AN ECOCRITICAL ANALYSIS OF THE MAN OF STEEL FROM 1938-2017 A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts In English by Justin Hart Crary Approved by Dr. Britton Lumpkin, Committee Chairperson Dr. Kristen Lillvis Professor Mitchell Lilly Marshall University May 2017 ii © 2016 Justin Hart Crary ALL RIGHTS RESERVED iii ACKNOWLEDGMENTS I would like to dedicate this thesis to both of my parents, Bruce and Becky Crary (my Jonathan and Martha Kent), who introduced me to my first Superman comic at a young age and fostered my love for reading and watching science fiction. I also want to thank all of my peers and professors who aided in the creation, research, and moral support for this idea—especially Dr.