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JACK KIRBY COLLECTOR THIRTY-NINE $9 95 IN THE US . c n I , s r e t c a r a h C l e v r a M 3 0 0 2 © & M T t l o B k c a l B FAN FAVORITES! THE NEW COPYRIGHTS: Angry Charlie, Batman, Ben Boxer, Big Barda, Darkseid, Dr. Fate, Green Lantern, RETROSPECTIVE . .68 Guardian, Joker, Justice League of America, Kalibak, Kamandi, Lightray, Losers, Manhunter, (the real Silver Surfer—Jack’s, that is) New Gods, Newsboy Legion, OMAC, Orion, Super Powers, Superman, True Divorce, Wonder Woman COLLECTOR COMMENTS . .78 TM & ©2003 DC Comics • 2001 characters, (some very artful letters on #37-38) Ardina, Blastaar, Bucky, Captain America, Dr. Doom, Fantastic Four (Mr. Fantastic, Human #39, FALL 2003 Collector PARTING SHOT . .80 Torch, Thing, Invisible Girl), Frightful Four (Medusa, Wizard, Sandman, Trapster), Galactus, (we’ve got a Thing for you) Gargoyle, hercules, Hulk, Ikaris, Inhumans (Black OPENING SHOT . .2 KIRBY OBSCURA . .21 Bolt, Crystal, Lockjaw, Gorgon, Medusa, Karnak, C Front cover inks: MIKE ALLRED (where the editor lists his favorite things) (Barry Forshaw has more rare Kirby stuff) Triton, Maximus), Iron Man, Leader, Loki, Machine Front cover colors: LAURA ALLRED Man, Nick Fury, Rawhide Kid, Rick Jones, o Sentinels, Sgt. Fury, Shalla Bal, Silver Surfer, Sub- UNDER THE COVERS . .3 GALLERY (GUEST EDITED!) . .22 Back cover inks: P. CRAIG RUSSELL Mariner, Thor, Two-Gun Kid, Tyrannus, Watcher, (Jerry Boyd asks nearly everyone what (congrats Chris Beneke!) Back cover colors: TOM ZIUKO Wyatt Wingfoot, X-Men (Angel, Cyclops, Beast, n their fave Kirby cover is) Iceman, Marvel Girl) TM & ©2003 Marvel Photocopies of Jack’s uninked pencils from Characters, Inc. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
AKA Clark Kent) Middle Name Is Joseph
Superman’s (AKA Clark Kent) Middle Name Is Joseph. What’s that?! There in the sky? Is it a bird? Is it a plane? No! It’s the Man of Tomorrow! Superman has gone by many names over the years, but one thing has remained the same. He has always stood for what’s best about humanity, all of our potential for terrible destructive acts, but also our choice to not act on the level of destruction we could wreak. Superman was first created in 1933 by Joe Shuster and Jerry Siegel, the writer and artist respectively. His first appearance was in Action Comics #1, and that was the beginning of a long and illustrious career for the Man of Steel. In his unmistakable blue suit with red cape, and the stylized red S on his chest, the figure of Superman has become one of the most recognizable in the world. The original Superman character was a bald telepathic villain that was focused on world domination. It was like a mix of Lex Luthor and Professor X. Superman’s powers include incredible strength, the ability to fly. X-ray vision, super speed, invulnerability to most attacks, super hearing, and super breath. He is nearly unstoppable. However, Superman does have one weakness, Kryptonite. When exposed to this radioactive element from his home planet, he becomes weak and helpless. Superman’s alter ego is mild-mannered reporter Clark Kent. He lives in the city of Metropolis and works for the newspaper the Daily Planet. Clark is in love with fellow reporter Lois Lane. -
Superman(Jjabrams).Pdf
L, July 26, 2002 SUPERMAN FADE IN: . .. INT. TV MONITOR - DAY TIGHT ON a video image of a news telecast. Ex ~t th efs no one there -- just the empty newsdesk. Odd. e Suddenly a NEWSCASTER appears behind the desk - rushed and unkempt. Fumbles with his clip mic trembling. It's unsettling; be looks up at us, desperately to sound confident. But his voice Nm?!3CASTER Ladies and gentlen. If you are watching this, and are taking shelter underground, we strongly urg you -- all of vou -- to do so immediately. Anywhere-- anywhere e are, anywhere you can find. (beat) At this hour, all we know is that there are visitors on this planet-- and that there's a conflict between 'v them-- the Giza Pyramids have been @ destroyed-- sections of Paris. Massive fires are raging from Venezuela to Chile-- a great deal of Seoul, Korea ... no longer exists ... All this man wants to-do is cry. But he's a realize now that werite been SLOWLY PUSHING IN NEWSCASTER ( con t ' d ) Only weeks ago this report would've seemed.. ludicrous. Aliens.. usi Earth as a battleground. .. ( then, with growing venom: ) ... but that was before Superman. (beat1 It turns out that our faith was naive. Premature. Perhaps, given Y the state pf the world. .- simply desperate-- .. , Something urgent is YELLED from behind the c Newscaster looks off, ' fied -- he yells but it's masked by a SHATT!L'RING -- FLYING GLASS -- the video . .. camera SHAKES -- . -.~. &+,. 9' .. .-. .. .. .: . .I _ - - . - .. ( CONTINUED) . 2. CONTINUED: 4 -. A TERRIBLE WHI.STLE, then an EXPIX)SION -- '1 WHIPPED OUT OF FRAME in the same horrible inst . -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Action Comics Annual 6 Comic Book Elseworlds
Read And Download PDF Ebook Action Comics Annual 6 Comic Book Elseworlds Superman In Action Comics At Online Ebook Library ACTION COMICS ANNUAL 6 COMIC BOOK ELSEWORLDS SUPERMAN IN ACTION COMICS PDF ACTION COMICS ANNUAL 6 COMIC BOOK ELSEWORLDS SUPERMAN IN ACTION COMICS PDF DATABASE ID 1VBIF - Are you looking for ebook Action Comics Annual 6 Comic Book Elseworlds Superman In Action Comics Pdf database id 1vbif in pdf? You will be glad to know that right now Action Comics Annual 6 Comic Book Elseworlds Superman In Action Comics Pdf database id 1vbif in pdf is available on our online library. With our online resources, you can find Action Comics Annual 6 Comic Book Elseworlds Superman In Action Comics Pdf in or just about any type of ebooks, for any type of product. Best of all, they are entirely free to find, use and download, so there is no cost or stress at all. Action Comics Annual 6 Comic Book Elseworlds Superman In Action Comics Pdf database id 1vbif in pdf may not make exciting reading, but Action Comics Annual 6 Comic Book Elseworlds Superman In Action Comics Pdf database id 1vbif in is packed with valuable instructions, information and warnings. We also have many ebooks and user guide is also related with Action Comics Annual 6 Comic Book Elseworlds Superman In Action Comics Pdf database id 1vbif in pdf, include : Natation De L Apprentissage Aux , Diario Di Stalker Libro Mario Rossi , Land Of Magic Medicines Faraway Libro Inglese Enid Blyton , United States Terrorism Ironic Perspective Libro Inglese Ron Hirschbein , Without Faith Without God Or Libro Inglese John Barclay and many other ebooks. -
Superman Ebook, Epub
SUPERMAN PDF, EPUB, EBOOK Jerry Siegel | 144 pages | 30 Jun 2009 | DC Comics | 9781401222581 | English | New York, NY, United States Superman PDF Book The next event occurs when Superman travels to Mars to help a group of astronauts battle Metalek, an alien machine bent on recreating its home world. He was voiced in all the incarnations of the Super Friends by Danny Dark. He is happily married with kids and good relations with everyone but his father, Jor-EL. American photographer Richard Avedon was best known for his work in the fashion world and for his minimalist, large-scale character-revealing portraits. As an adult, he moves to the bustling City of Tomorrow, Metropolis, becoming a field reporter for the Daily Planet newspaper, and donning the identity of Superman. Superwoman Earth 11 Justice Guild. James Denton All-Star Superman Superman then became accepted as a hero in both Metropolis and the world over. Raised by kindly farmers Jonathan and Martha Kent, young Clark discovers the source of his superhuman powers and moves to Metropolis to fight evil. Superman Earth -1 The Devastator. The next few days are not easy for Clark, as he is fired from the Daily Planet by an angry Perry, who felt betrayed that Clark kept such an important secret from him. Golden Age Superman is designated as an Earth-2 inhabitant. You must be a registered user to use the IMDb rating plugin. Filming on the series began in the fall. He tells Atom he is welcome to stay while Atom searches for the people he loves. -
Read Book Smallville: Season 5 : the Official Companion
SMALLVILLE: SEASON 5 : THE OFFICIAL COMPANION PDF, EPUB, EBOOK Craig Byrne | 160 pages | 25 Jan 2008 | Titan Books Ltd | 9781845765422 | English | London, United Kingdom Smallville: Season 5 : The Official Companion PDF Book Cassandra rated it it was amazing Jul 05, Every episode is well examined, and some episodes, like the popular "Memoria," were treated with extended sections. According to writers Kelly Souders and Brian Peterson, "Reckoning" had been chosen as the episode's title before the script had been finalized. Karen A. One faction of fans was unhappy with the choice of Jonathan, however, as they would have preferred Lana dying instead. Volume 5 - 1st printing. Alongside E4 broadcasting the new series of the show, Sci-Fi were also broadcasting all the older episodes, which ran all the way up to the end of Season 7. However, the show was not able to afford the special effects to pull the scene off, and so, the sequence was re-written to feature a bus crash. Leslie rated it it was amazing Jun 26, This authorized companion with a stunning page full-color section takes you through Season Four, which achieved the highest ratings of any season! Since then, she has headlined shows like Bitten and the reboot of V. The final version was finished "two-and-a-half [to] three weeks" before production began. It should come as no surprise, then, that Durance was a hit with the viewers and fans and she remains one of the, if not the best incarnation of Lois Lane there ever has been highly contentious though that sentence is. -
“I Am the Villain of This Story!”: the Development of the Sympathetic Supervillain
“I Am The Villain of This Story!”: The Development of The Sympathetic Supervillain by Leah Rae Smith, B.A. A Thesis In English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Dr. Wyatt Phillips Chair of the Committee Dr. Fareed Ben-Youssef Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leah Rae Smith Texas Tech University, Leah Rae Smith, May 2021 ACKNOWLEDGMENTS I would like to share my gratitude to Dr. Wyatt Phillips and Dr. Fareed Ben- Youssef for their tutelage and insight on this project. Without their dedication and patience, this paper would not have come to fruition. ii Texas Tech University, Leah Rae Smith, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………….ii ABSTRACT………………………………………………………………………...iv I: INTRODUCTION……………………………………………………………….1 II. “IT’S PERSONAL” (THE GOLDEN AGE)………………………………….19 III. “FUELED BY HATE” (THE SILVER AGE)………………………………31 IV. "I KNOW WHAT'S BEST" (THE BRONZE AND DARK AGES) . 42 V. "FORGIVENESS IS DIVINE" (THE MODERN AGE) …………………………………………………………………………..62 CONCLUSION ……………………………………………………………………76 BIBLIOGRAPHY …………………………………………………………………82 iii Texas Tech University, Leah Rae Smith, May 2021 ABSTRACT The superhero genre of comics began in the late 1930s, with the superhero growing to become a pop cultural icon and a multibillion-dollar industry encompassing comics, films, television, and merchandise among other media formats. Superman, Spider-Man, Wonder Woman, and their colleagues have become household names with a fanbase spanning multiple generations. However, while the genre is called “superhero”, these are not the only costume clad characters from this genre that have become a phenomenon. -
Smallville: the Guardian Volume 1, Season 11 Pdf, Epub, Ebook
SMALLVILLE: THE GUARDIAN VOLUME 1, SEASON 11 PDF, EPUB, EBOOK Pere Perez,Bryan Q. Miller | 144 pages | 30 Apr 2013 | DC Comics | 9781401238247 | English | United States Smallville: The Guardian Volume 1, Season 11 PDF Book During takeoff, Lois tells Clark that she has a bad feeling about the Guardian platforms, but Clark claims it might be a good thing, as Superman can't be everywhere at once; Lois, however, isn't convinced. Chasing The Dream by Ashlee Winston. Shelve Spider-Man: Life Story. Emil asks Terri to come into the operating room as her husband wants her, but is kicked out by Lex's security guards. The writing doesn't feel remotely like Smallville to me. Lex explains that the country needs to defend itself just as the Russians have now done by placing the Korolyov in orbit, that Lane needs to push through contracts with the Secretary of Defense to get the LexCorp Guardian orbital weapons platforms built. Lois is written as a parody of herself, and Clark seems very off. Jul 11, M. Oliver and Chloe are starting a new life, moving to another city, though Chloe and Oliver are continuing their lives as The Watchtower and Green Arrow. That's a kind 4 stars. Hank then makes a passionate quote about piloting and how it helps him appreciate what he has on Earth, then says Lex has given him a greater purpose, allowing him to pilot the Guardian platforms into space. A continuation of the series that meant so much to me, and BQM was the writer! Share: Share on Facebook opens in a new tab Share on Twitter opens in a new tab Share on Linkedin opens in a new tab Share on email opens in a new tab Comment: Comments count: 0. -
DC Comics Jumpchain CYOA
DC Comics Jumpchain CYOA CYOA written by [text removed] [text removed] [text removed] cause I didn’t lol The lists of superpowers and weaknesses are taken from the DC Wiki, and have been reproduced here for ease of access. Some entries have been removed, added, or modified to better fit this format. The DC universe is long and storied one, in more ways than one. It’s a universe filled with adventure around every corner, not least among them on Earth, an unassuming but cosmically significant planet out of the way of most space territories. Heroes and villains, from the bottom of the Dark Multiverse to the top of the Monitor Sphere, endlessly struggle for justice, for power, and for control over the fate of the very multiverse itself. You start with 1000 Cape Points (CP). Discounted options are 50% off. Discounts only apply once per purchase. Free options are not mandatory. Continuity === === === === === Continuity doesn't change during your time here, since each continuity has a past and a future unconnected to the Crises. If you're in Post-Crisis you'll blow right through 2011 instead of seeing Flashpoint. This changes if you take the relevant scenarios. You can choose your starting date. Early Golden Age (eGA) Default Start Date: 1939 The original timeline, the one where it all began. Superman can leap tall buildings in a single bound, while other characters like Batman, Dr. Occult, and Sandman have just debuted in their respective cities. This continuity occurred in the late 1930s, and takes place in a single universe. -
GLAAD Where We Are on TV (2020-2021)
WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today.