Gate Opens 8Am; Ribbon Cutting 7:50 8:00
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Tips and Techniques for Using a Detail Gouge
Woodturning Tools, Techniques, and Projects Alan N. Leland Tips and Techniques for Using a Detail Gouge Roughing with a Spindle Gouge I prefer to rough out my spindles with a 1 1/4” roughing gouge or a ¾” roughing gouge. Roughing out can be accomplished with a detail gouge but it takes a bit longer and the finished cuts are not as smooth. Used properly a 1 ¼” roughing gouge can leave nearly the same finish as a skew. For roughing cuts: the cut is started approximately 2” in from the tail stock end and proceeds in multiple 2” increments cutting toward the tail stock until approximately 3” from the head stock end of the blank at which point the direction of cut is reversed toward the head stock these cuts are accomplished with the tool handle perpendicular to the blank and the end of the handle down at approximately a 45 degree angle to insure that when the cutting edge makes contact with the wood that the bevel is rubbing and the tool is not cutting until the handle is raised up to start the cut. Hold the tool firmly but not tight as in all turning the tool needs to be easily manipulated and this can not be done with a tight grip on the tool. The feet should be spread apart and the body should be free to move with the cut. To achieve the most control, the flute of the tool is sandwiched between the thumb and fingers of the left hand. The thumb is exerting pressure down toward the tool rest and is griping the flute against the fingers. -
First Name Last Name/Business Type of Art Dan
Cayce Arts Guild Member Directory - January 2021 First Name Last Name/Business Type of Art Dan Gooch Avenues Real Estate, LLC The Art of the Deal Kate Batten variety of 2D / 3D Carol Blackwood water color, oils,acrylics, jewelry, pottery Jeff Blake photography Jean Boiteau music / yoga Glen Bramlitt drawing…pencil, ink…acrylic, digital, airbrush Beverly Breuer photography / oyster shell crafts Lee Breuer painter Jacqueline Brown painter / acrylics Jester (JJ) Burton painter / acrylics Demarcus Bush hatter Mick Carnett Turtle Creek Coffee *** (Whitney Couch) Carolina Conservation *** Kimber Carpenter acrylics Kimberly Case photography Rebecca Causey wood / mixed mediums Jim Cheatham photography Ellen Coffey Coffey's Antiques & Appliances *** Sandra Courie 3-D acrylics Peggy Ledford Creative Sewing sewing Alayna Decker painter / acrylics 2D: Watercolor, acrylic, photography, Pyrography, Colleen Dwyer 3D: Mixed media, journals, jewelry Linda Elksnin 2D-watercolor-gouache-acrylic-pencil-pastel-etc Renea Eshleman painter, watercolor / acrylics Irma Floyd water colors/acrylic/oil/photo Pat (Trish) Gillam acrylics Karen Hammond gourd art Mary Ann Haven 2D - paint - collage Larry Hembree theatre / performing arts (Bennett Brown-chef) Henry's of Cayce a creative Nancy Hill 2D - oil, pastel, watercolor 3D - sculpture, busts, relief Charles Hite photography Katty Hite *** John Hodge photography / imagery Pete Holland 2D - oil - acrylic Ann Huffman *** Camille Johnson multimedia on canvas Robert Johnson photography / pour painting Susan H. Johnson -
PYROGRAPHY BASICS -Demo.Pdf
PYROGRAPHY BASICS (Demonstration) Janice Levi [email protected] www.janicelevi.com 713-410-4193 TOOLS AND EQUIPMENT: (Wood burners) Solid Tip Wood Burner ◦ Temperature cannot be controlled, ◦ Writing tip is usually heavier in size. ◦ Shading is controlled by how quickly or slowly the line is burned. Variable Temperature Wood Burner—Temperature can be controlled, tips are either fixed or interchangeable. Soldering Iron ◦ Some have temperature controls ◦ Tips can be purchased or homemade Home Made Wood Burners—Burners can be made from battery chargers and dimmer switches. (NOTE: I will primarily be demonstrating the variable temperature wood burner) OTHER EQUIPMENT: Burning Tips—A variety of tips can be purchased. Tips can also be made from nichrome wire, available online, or brass rod Graphite pencils—2B, 4B, 6B Graphite Paper 200-250 grit sandpaper, brass brush, or steel wool scouring pad—to clean the tips Needle Nose pliers—for one-temperature tools Metal ruler or straightedge Drafter’s triangle To add color, you can use: ◦ Artist quality colored pencils, markers ◦ Artist’s acrylic paint and brushes, dyes Spray Fixative, Polyurethane spray sealer, tung oil, Danish oil finish and Paste wax, water-based urethane WOODS TO SELECT: Soft woods (bass wood, white pine, holly) can be burned to a very dark chocolate brown or black Hard woods allow for more variety in shading and are good for complex shading projects Fine grain woods show very little color change in lines and are generally preferred Light colored woods allow for more variety in color range of burning Dark colored woods result in a richness and depth of tone Avoid burning treated wood because of the preservatives Endgrain does not generally color as well as crossgrain with the burner or with paints SAFETY TIPS AND HELPFUL HINTS: Hold the burner pen the way you hold a pencil Hold the pen so the heat goes up, not back into the pen Do not breathe the smoke. -
Aws Edition 1, 2009
Appendix B WS Edition 1, 2009 - [WI WebDoc [10/09]] A 6 Interior and Exterior Millwork © 2009, AWI, AWMAC, WI - Architectural Woodwork Standards - 1st Edition, October 1, 2009 B (Appendix B is not part of the AWS for compliance purposes) 481 Appendix B 6 - Interior and Exterior Millwork METHODS OF PRODUCTION Flat Surfaces: • Sawing - This produces relatively rough surfaces that are not utilized for architectural woodwork except where a “rough sawn” texture or nish is desired for design purposes. To achieve the smooth surfaces generally required, the rough sawn boards are further surfaced by the following methods: • Planing - Sawn lumber is passed through a planer or jointer, which has a revolving head with projecting knives, removing a thin layer of wood to produce a relatively smooth surface. • Abrasive Planing - Sawn lumber is passed through a powerful belt sander with tough, coarse belts, which remove the rough top surface. Moulded Surfaces: Sawn lumber is passed through a moulder or shaper that has knives ground to a pattern which produces the moulded pro[le desired. SMOOTHNESS OF FLAT AND MOULDED SURFACES Planers and Moulders: The smoothness of surfaces which have been machine planed or moulded is determined by the closeness of the knife cuts. The closer the cuts to each other (i.e., the more knife cuts per inch [KCPI]) the closer the ridges, and therefore the WS Edition 1, 2009 - [WI WebDoc [10/09]] smoother the resulting appearance. A Sanding and Abrasives: Surfaces can be further smoothed by sanding. Sandpapers come in grits from coarse to [ne and are assigned ascending grit numbers. -
Premier Adjustable Rail and Stile Poster
Rail lengths: are determined based on the width of the stiles and the Routing edges of stiles and rails: Fence (aligned with bearing) Unlimited Cabinet Door Making Possibilites length of the tenon you plan to use. The rail length should be equal to: the width of the door, minus the width of two stiles, plus the length of 1 Take the Total Door Width • With the router unplugged, install the stile bit in the router (B). The with Freud’s Premier Adjustable Cabinet Door Set the two stub tenons. A single stub tenon measures 10.3mm (13/32”) – stile bit is the tallest of the two bits in your set, with one profi le Congratulations on your purchase of Freud’s world class Premier Adjustable Cabinet Bit Set. Freud’s mission is to design and manufacture long, two tenons would be 20.6mm (13/16”) long, so the formula is: 2 (–)Subtract Two Stile Widths (–) cutter and two slot cutters. Stile Bit Rail with cope cut from step A the highest quality, most technically advanced cutting tools available. This set contains everything you need to create a variety of + (Stick Cutter) Align Door Width – (Stile Width x 2) + 13/16”= Rail length • Use a straight edge to align the router table infeed and outfeed beautiful cabinet doors or any other doormaking project you have in mind. Freud develops and manufactures different carbide blends for 3 (+) Add in Two Tenon Lengths (+) Here each cutting application, so you can be sure that the high quality bit you’re using was designed specifi cally for creating fl awless raised fences with the bearing on the bit. -
FRW Mstr-Prep-For-PDF Jan 2020
FRW Library Master - January-2020 Page 1 of 109 FRW-ID Artist / Originator Type Title Subject Description AAW-01 AAW Book Amer Woodturner 1987-1992 Techniques and 28 articles compiled from American Woodturner 1987- 1992. Contains projects, techniques and tips that should be of Projects interest to all skill levels. AAW-02 AAW Book Amer Woodturner 1993-1995 Techniques and 38 articles compiled from American Woodturner 1993-1995, 80 pages, black & white. Contains projects, tehniques and Projects tips that should be of interest to all skill levels. AAW-03 AAW Book Amer Woodturner 1996-1998 Techniques and 48 articles compiled from American Woodturner 1996-1998, 112 pages, black & white. Contains projects, techniques Projects and tips that should be of interest to all skill levels. AAW-04 AAW Book Amer Woodturner 1999-2001 Techniques and 44 articles compiled from American Woodturner 1999-2001, 136 pages, black & white.Contains projects, techniques and Projects tips that should be of interest to all skill levels. AAW-05 AAW Book Amer Woodturner 2002-2004 Techniques and 45 articles compiled from American Woodworker 2002-2004, 160 pages, partial color. Contains projects, techniques and Projects tips that should be of interest to all skill levels. AAW-06 AAW CD Amer Woodturner 1986 - 1993 Techniques and A compliation of articles from the AAW Journals of 1986 - 1993. A total of 31 issues.See cover of CD holder for details Projects on reading, locating articles, and printing articles. Must be viewed on a computer. AAW-07 AAW CD Amer Woodturner 1994 - 2001 Techniques and A compliation of articles from the AAW Journals of 1994 - 2001. -
10-2Nd AWS Section 06
Architectural Woodwork Standards millwork 6s e c t i o n section 6 Millwork table of contents Introductory InformatIon Ornamental Woodwork .......................................................................142 Typical Sources ..............................................................................142 Guide Specifications ...........................................................................131 Fire Retardant Solid Lumber ..........................................................143 Introduction .........................................................................................132 Sources for Wood Ornamentation ..................................................143 Methods of Production ........................................................................132 Working with an Artisan ..................................................................143 Flat Surfaces ................................................................................132 Design Ideas .......................................................................................144 Molded Surfaces ..........................................................................132 Specify Requirements For ..................................................................144 Smoothness of Flat and Molded Surfaces ..........................................132 Recommendations ..............................................................................144 Design and Use of Resources ............................................................132 Examples -
44Th Annual Sunday, June 4, 2017 10Am-4Pm Center Memorial Park, Manchester Rain Or Shine Free Admission
44th annual Sunday, June 4, 2017 10am-4pm Center Memorial Park, Manchester Rain or shine ñ Free admission To beneft Young @ Art CT, a nonproft organizaton, that brings art to young people. Official media & other sponsors: youngatartct.org ó 860-560-1100 ó [email protected] PO Box 362, Hartford, CT 06141 ó Coordinator: Cynthia Bulaong A Touch of Violet Jewelry Beverly Hartmann Caricatures by Dougalart [email protected] [email protected] caricaturedrawing.net Handmade jewelry items including Decorative and functional glass, Caricatures, drawn on the spot lanyards, charm clips fused in a kiln Allison Potter Black Frame Vision Cecilia Imports/Terese Maineri facebook.com/ [email protected] de Velasquez allison.alleycatcreations Black and white street photography [email protected] or etsy.com Bead and charm jewelry Artisan crafts with international flare B. Rossitto Brenda Lyons Ceramic Shenanigans brossitto.com [email protected] [email protected] Contemporary impressionist Watercolor paintings, leather Beautiful pottery, ceramic figures and landscapes masks, and jewelry paper marbling Beading Adventures Brett Hillman Ceramics by Tisa [email protected] [email protected] [email protected] Handcrafted colorful jewelry for Functional pottery/ceramics Functional and decorative ceramics women and children Ben Dworski-Riggs Brian Lee Cheri Clay bendworski-riggs.com [email protected] [email protected] High voltage pyrography, lathe Nature and landscape photography Handcrafted gemstone and sterling -
Woodworking Glossary, a Comprehensive List of Woodworking Terms and Their Definitions That Will Help You Understand More About Woodworking
Welcome to the Woodworking Glossary, a comprehensive list of woodworking terms and their definitions that will help you understand more about woodworking. Each word has a complete definition, and several have links to other pages that further explain the term. Enjoy. Woodworking Glossary A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | #'s | A | A-Frame This is a common and strong building and construction shape where you place two side pieces in the orientation of the legs of a letter "A" shape, and then cross brace the middle. This is useful on project ends, and bases where strength is needed. Abrasive Abrasive is a term use to describe sandpaper typically. This is a material that grinds or abrades material, most commonly wood, to change the surface texture. Using Abrasive papers means using sandpaper in most cases, and you can use it on wood, or on a finish in between coats or for leveling. Absolute Humidity The absolute humidity of the air is a measurement of the amount of water that is in the air. This is without regard to the temperature, and is a measure of how much water vapor is being held in the surrounding air. Acetone Acetone is a solvent that you can use to clean parts, or remove grease. Acetone is useful for removing and cutting grease on a wooden bench top that has become contaminated with oil. Across the Grain When looking at the grain of a piece of wood, if you were to scratch the piece perpendicular to the direction of the grain, this would be an across the grain scratch. -
Revolving Windsor Chair
16 Revolving Windsor Chair A few years ago it fell to me to write a story about Thomas Jefferson in a chess match with his slave Jupiter. This venture led to a play on the same subject, as well as research into the physical objects used as metaphorical vehicles for the ideas. In this regard, Jefferson makes it easy for us. One of the more obvious physical items is the revolving Windsor chair used by Jefferson when he was working to draft the Declaration of Independence in 1776. Having seen a picture of the chair in its surviving form and an- other picture of a re-creation of it, I undertook to make a similar one to use on stage. My version differs from the original in the use of a steam-bent arm rail rather than a sawn and carved one, because I could make a bent arm faster than a sawn one. Making this swivel Windsor is in some ways easier than making a normal one, in that the seat is circular rather than a sculpted outline. There are a lot of parts and processes to a Windsor chair, but with the exception of hollowing the seat, you have already seen how to do them all. Windsor chairs, as the name suggests, are of English design. Windsor chair-making in England centered around the town of High Wycombe, but the chairmaking did not begin in town. Out in the woods, workers called chair bodgers felled, split, and turned the beech legs on their springpole lathes, then sold these legs to chairmakers in town. -
July 2013 Newsletter
Sydney Northern Beaches Woodturners Inc.Newsletter JULY 2013 Contents: This Months Headlines Dig-In Club Members Forum Meeting Reports Show & Tell Demonstration Up coming events 2013 AGM Vol. 7 No. 5 July 2013 President: June McKimmie Vice President: Meg Webster Secretary: Paul Cosgrave Treasurer: Ted Goodwin Newsletter Editors: Graham Truelove and Lloyd Ross email: [email protected] Photography Paul Johnson-Walker Correspondence: Attn: Paul Cosgrave 139 Prince Alfred Parade Newport NSW 2106 Workshop: Narrabeen RSL Club Nareen Pde Nth Narrabeen NSW 2101 Meetings: Tuesday & Friday 9:00am-12:00pm Saturday 9am – 3:00 pm Monthly: 3rd Sunday of each month 9:00am-2:30pm Demonstrator for the meeting was :- Web: https://sites.google.com/site/woodturner60/ Jack Butler Finials and Wet Turning Wood-eze WOODTURNING SUPPLIES for all Woodturning Requirements ----------------------------------- Teknatool & GPW Chucks Do you have any questions, answers, tips, tricks, bright ideas, anything to Lathe Accessories do with turning, the club, or just want to have a good old fashioned whinge…this forum is for YOU! Arbortec Products All submissions remain anonymous. P & N Chisels email: The Editor About-Turn Newsletter [email protected] Razortip Pyrography Products Always write the name [if known] on a piece of wood with Pen Parts/Clocks a marking pen etc., and the Craft Supplies date when you add that piece of wood to your collection. If it is a dark wood, stick some masking Reseller: Carba-Tec/GPW tape to it and write on that. This Leigh & Yvonne Ferguson will help you remember as time 130 The Promenade goes by as your stock of wood Sans Souci NSW 2219 increases. -
Carving Trophy Deer and Elk : a Technique, Painting, and Pattern Manual Pdf, Epub, Ebook
CARVING TROPHY DEER AND ELK : A TECHNIQUE, PAINTING, AND PATTERN MANUAL PDF, EPUB, EBOOK Todd Swain | 74 pages | 01 Mar 1998 | Fox Chapel Publishing | 9781565230897 | English | United States Carving Trophy Deer and Elk : A Technique, Painting, and Pattern Manual PDF Book Remember you have to shrink it down to fit on your Ivory, shell, or bone. This multi-page project covers using a scroll saw to cut your spoon blank, how to shape your spoon, and then how to add a wood burned design. I strive for natural materials, handmade rawhide, earth pigment, braintan skins and pre materials. Latest Topics. Wood Burning Sepia Values. My artwork ranges from a simple graphic sketch to a well researched Plains Indian abstract painted Parfleche. Caricature Carving Post your caricatures carving questions here. Butternut by Joecarve64 , AM. Last Post: Wood burning dot matrix printer. Find the latest price on: REI Amazon. Then I found some keys that look exactly like the Ivory ones, but they were polymer plastic look- alikes. Compare Selected. Plains Indian Shields. I had some thick rawhide and but I wanted to create an early style incised piece. Here are some of the best whittling knives out there, that are also ideal for beginner whittlers. Bookmark our website to keep up to date with Lora S. Discover what patterns, textures, and burn strokes each pen tip creates, then work those wood burning strokes on a practice board. Pyrography Doodles. Deer Dew Toe Bag and Horn. Channel: General Wood Carving. Prairie goat horn is made up of prickly hair matted together. Another great idea for euro mounts is to decorate them with colored beads.