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Curriculum Vitae JAROSLAW KAPUSCINSKI CURRICULUM VITAE CHAIR, DEPARTMENT OF MUSIC, STANFORD UNIVERSITY BRAUN MUSIC CENTER, 541 LASUEN MALL, STANFORD, CA94305-3076 650.723.2717 [email protected] 2 CONTENT EDUCATION – 3 TEACHING EXPERIENCE – 6 GUEST LECTURES AND SYMPOSIA – 8 AWARDS AND GRANTS – 11 ARTISTIC RESIDENCIES – 14 LIST OF WORKS WITH PERFORMANCE HISTORY – 15 PERFORMANCES AS FEATURED ARTIST – 33 PUBLICATIONS – 35 PROFESSIONAL SERVICES – 38 MISCELLANEOUS – 40 3 EDUCATION DEGREE WORK 1997 University of California, San Diego, CA Ph.D. in Music Composition Dissertation: – Composing with Sounds and Images: Basic Theory of Intermedia – Mudras (video) Studies: – Committee Chair, Composition: Rand Steiger – Computer Media: Miller Puckette – Computer Animation: Vibeke Sorensen – Visual Arts: Ernest Silva – Literature: Jerome Rothenberg – Performance: Steven Schick 1991 Fryderyk Chopin Music Academy, Warsaw, Poland M. Mus. in Music Composition Thesis: – Mondrian Variations (video) – Esquisses affectives for symphonic orchestra Studies: – Composition and Electronic Music: Wlodzimierz Kotonski 1987 Fryderyk Chopin Music Academy, Warsaw, Poland M. Mus. in Piano Performance Studies: – Contemporary Music: Szabolc Esztenyi – Classical Music: Jan Ekier, Bronislawa Kawalla 4 OTHER ADVANCED COURSES & RESEARCH 2001 Faculty of Music, McGill University, Montréal, Canada Postdoctoral Fellow Development of a computerized system for audio-visual performance and composition. 1999–2000 ZKM | Center for Art and Media Technology, Karlsruhe, Germany (in collaboration with Karlsruhe University Polytechnic and Frankfurt Ballet) Research and development for an installation using motion simulation platform and immersive audiovisual projection. Development of Yours, a work for musical instrument and projected body. 1997–99 Center for Research in Computing and the Arts (CRCA), University of California, San Diego, CA Postdoctoral Fellow Numerous experiments and studies in intermedia composition. 1997 Palomar College, San Marcos, CA Design and installation of an electronic piano lab. 1993–95, 1996–97 Center for Research in Computing and the Arts (CRCA), University of California, San Diego, CA Research Assistant Support of Internet projects, video editing, events lighting, sound projection, and recording. 1992–93 San Diego Supercomputer Center, University of California, San Diego, CA Development of computerized interactive tools to study perception of simultaneous aural and visual stimuli (research linked to scientific visualization and sonification). 1992 Le Centre international de création vidéo (CICV), Montbeliard, France Video editing 5 1990–92 Direction de la recherche, Institut National de l'Audiovisuel (INA), Paris, France Participation in the development of 2D animation software Toonbox. 1991 Groupe de recherches musicales (GRM), Paris, France Computer Music (SYTER): Daniel Teruggi 1991 Thompson Digital Image / INA, Paris, France Computer Animation (Explore, Toonbox) 1989 American Conservatory, Fontainebleau, France Composition: Tristan Murail, Betsy Jolas, and Gilbert Amy 1989 L’Académie d’été, Villecroze, France Contemporary Piano Performance: Claude Helffer 1988–89 Banff Centre School of Fine Arts, Canada Composition and Media Arts 1984, 1988 Internationale Ferienkurse für Neue Musik, Darmstadt, Germany Composition and Piano Performance 1985 Time of Music Festival, Viitasaari, Finland Composition: Jukka Tiensuu, George Lewis, and Clarence Barlow 1983–87 ISCM Summer Courses for Young Composers, Kazimierz Dolny, Poland Composition: Louis Andriessen, Witold Lutoslawski, Iannis Xenakis, Frederic Rzewski, Frances-Marie Uitti, François-Bernard Mâche, Thomas Kessler, Robert Aitken, and Vinko Globokar 6 TEACHING EXPERIENCE 2015 – present Department of Music, Stanford University, CA Associate Professor 2008 – 2015 Department of Music, Stanford University, CA Assistant Professor Courses († denotes curricular inventions): – Undergraduate Seminar in Composition – Graduate Seminar in Composition – Intermedia Workshop † (cross-listed and co-taught with faculty from Art and Art History Departments) – Sculpting with Sounds, Images, and Words (a freshman seminar) † – From Gamelan to Kabuki: Musical Traditions of Far East Asia † – Experiencing Ma: Time & Space in Japanese Arts † (Stanford Program in Kyoto) Individual Instruction: – Graduate Composition Mentoring – Graduate Research in Computer Music and Intermedia – Undergraduate Concentration Projects (Seniors/Honors) – Undergraduate Composition Projects – Undergraduate Independent Study 2004–2008 Conservatory of Music, University of the Pacific, Stockton, CA Visiting Lecturer Courses: – Introduction to Music Technology – Music Theory II (Tonality), III (Chromaticism), and IV (20th Century) – Modal Counterpoint – Aural Perception I, II, III, and IV Award: Most Inspirational Professor Award, 2007 (student vote) 2002 Interfaculty Sound and Image, Royal Academy, The Hague, The Netherlands Visiting Lecturer Course: Intermedia Haiku (LiveMotion / Flash–based work) 7 2001 Faculty of Music, McGill University, Montréal, Canada Postdoctoral Fellow Graduate Seminar: Musical Frontiers of Audiovisuality (Theory and composition of a multimedia work, culminating in a concert) 2001 Nielsen Academy of Music, Odense, Denmark Visiting Lecturer Workshop: for Multimedia Performers 2001 The Funen Academy of Fine Arts, Odense, Denmark Visiting Lecturer Workshop: Sound and Music in Time Based Media 1992–93 University of California, San Diego, CA Teaching Assistant Courses: – Acoustics / Electroacoustics / Psychoacoustics – Electronic Music Composition – Contemporary Art Music 8 GUEST LECTURES AND SYMPOSIA 2018 Digital Arts & Humanities Beyond Europe Workshop, Stanford Shanghai International Drama Festival Seeing Sound Symposium, Bath Spa University, UK 2017 Keynote Speaker, Intermedia Symposium, Tokyo University of Art and Music, Japan Keynote Speaker, New Art Festival, Shanghai Conservatory of Music, China University of the Pacific, Media-X International Seminar of Contemporary Music, Bydgoszcz Academy of Music, Poland 2016 University of Greenwich, UK, Sound-Image Conference University of Singapore, Symposium “Contemporary Tradition: Japanese Performance Genre Today” Workshop in Intermedia at Shanghai Conservatory of Music, China University of Chicago, Contempo Music Colloquium Series 2015 Tokyo University for Arts and Music Senzoku Gakuen College of Music, Tokyo Frost School of Music, University of Miami, Florida Department of Music, University of California, Santa Barbara, CA University of Oregon, Eugene University of California, Berkeley 2014 Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT) Schulich School of Music at McGill University, Montreal Institut de Recherche et Coordination Acoustique/Musique (IRCAM), Paris, France “MusicAcoustica” Central Conservatory of Music, Beijing, China International Confederation of Electronic Music (CIME/ICEM) Conference, University of North Texas, Denton, TX Center of Media Arts, Tongji University, Shanghai, China Fresh Minds Festival, Texas A&M University Institut de Recherche et Coordination Acoustique/Musique (IRCAM), Paris, France 9 Shanghai Conservatory of Music, China Center of Media Arts, Tongji University, Shanghai, China Department of Music, University of California, Santa Barbara, CA 10 SoundImageSound, University of the Pacific, Stockton, CA (keynote speaker) 2013 Faculty of Music, University of Oxford, UK Department of Music, Columbia University, NY Seeing Sound Symposium, Bath Spa University, UK Department of Music, University of California, San Diego Department of Music, University of California, Irvine Department of Music, University of Wisconsin, Madison Department of Music, University of North Texas, Denton Department of Music, Hong Kong Baptist University School of Creative Media, City University of Hong Kong 2012 Department of the Arts, Rensselaer Polytechnic Institute, Troy, NY International Symposium on Visual Music, Centre for Asian Art and Design; School of Art, Design and Media; Nanyang Technological University, Singapore School of Creative Media, City University of Hong Kong Central Conservatory of Music, Beijing, China Rhode Island School of Design, Department of Film, Animation and Video, RI 2011 Department of Music, University of Chicago, IL Understanding Visual Music Symposium, Concordia University, Montréal, Canada Seeing Sound Symposium, Bath Spa University, UK Washington Composers Forum, Jack Straw Productions, Seattle, WA School of Art, Design and Media, Nanyang Technological University, Singapore LASALLE College of the Arts, Singapore Audio-graphic Modeling and Interaction Workshop, New Interfaces for Musical Expression, Oslo, Norway Department of the Arts, Rensselaer Polytechnic Institute, Troy, NY Escola das Artes, Universidade Católica do Porto, Portugal 10 Department of Music, University of Windsor, Windsor, Ontario, Canada Department of Music, University of Southern California, Los Angeles, CA Department of Music, University of California, San Diego, CA 2010 Department of Music, University of Chicago, IL Department of Music, University of Virginia, Charlottesville, VA Visible Bits, Audible Bytes Symposium, DeMontfort University, Leicester, UK Department of Music, Dongguk University, Seoul, South Korea Faculty of the Arts, Universidad de Chile, Santiago, Chile LIPM, Buenos Aires, Argentina Sonic Arts Research Centre (SARC), Queen’s University, Belfast, Northern Ireland, UK Tsukuba Advanced Research Alliance Center (TARA), University
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