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June 14-20, 2018
JUNE 14-20, 2018 FACEBOOK.COM/WHATZUPFTWAYNE // WWW.WHATZUP.COM ----------------------- Feature • Al Di Meola --------------------- Master of the Guitar By Deborah Kennedy tar player. In the early 80s, he turned more toward the electric side of things, writing and recording Electric Like Mozart, New Jersey-born guitarist Al Di Rendezvous and Scenario, which included the key- Meola has sometimes been criticized for playing too board work of Jan Hammer, who would go on to com- many notes. The criticism is actually a compliment in pose the theme to the television show Miami Vice. disguise. Di Meola, who will be at the Clyde Theater Guitar in all its forms is Di Meola’s primary pas- Wednesday, June 20 at 7 p.m., is able to blaze through sion. He also loves to collaborate with other artists, and songs so quickly, listeners are often left stunned by his in 1980, he teamed up with flamenco guitarist Paco de passion, technique and precision. Lucia and British fusion guitarist John McLaughlin to Di Meola grew up in Bergenfield, New Jersey and release Friday Night in San Francisco, a beloved and began playing guitar at eight years old. His love of popular live recording of three musicians at the top of Elvis inspired him to pick up the instrument. Later, he their game. became an enthusi- Since then, ast for jazz, country Di Meola has played and bluegrass. Still with basically ev- later, he enrolled eryone, including at the prestigious Paul Simon, Car- Berklee College of los Santana, Steve Music in Boston, Winwood, Herbie and his education Hancock, Stevie continued when, at Wonder, Les Paul, age 19, he was re- Jimmy Page, Frank cruited by keyboard- Zappa and Luciano ing and composing Pavarotti. -
January 1992
VOLUME 16, NUMBER 1 FEATURES MEMPHIS DRUMMERS MIAMI SOUND MACHINE'S Though this southern city is ROBERT RODRIGUEZ experiencing a musical renais- MARK sance these days, newcomers & RAFAEL PADILLA might be surprised by some of BRZEZICKI the bands responsible for that Much of the credit for MSM's huge rebirth. In this special report, MD His work as an in-demand ses- success goes to its burning checks in with some local drum- sion player in England, as well Latin/pop rhythms. The messen- mers who are pushing as his landmark performances gers of that hot stuff are drummer the new Memphis with Big Country, Pete Rodriguez and percussionist sounds way past the Townshend, and the Cult, proved 30 Padilla. In this special story, MD city limits. Mark Brzezicki was one of the pokes its nose into the Sound • by Robert Santelli strongest drum voices of the Machine's kitchen and discovers past decade. The '90s look to be some of the secret as busy and exciting: In this recipes of their success. INSIDE exclusive interview, Mark dis- • by Robyn Flans cusses his new work with Procul 26 VIC FIRTH Harum, Big Country, and old crony Simon Townshend. A peek behind the scenes of one 20 of the industry's top drumstick • by Simon Goodwin makers—and at its dynamic namesake. • by Rick Van Horn 34 MD's YAMAHA DRUM RIG GIVEAWAY Your second chance to win a Yamaha Drum Rig worth 64 $12,400! COVER PHOTO BY EDMOND WALLACE COLUMNS Education 52 ROCK CHARTS Neil Peart: "Where's Equipment My Thing?" TRANSCRIBED BY JEFF WALD 40 PRODUCT CLOSE-UP 66 HEAD TALK Drum Workshop Departments -
Downbeat.Com September 2010 U.K. £3.50
downbeat.com downbeat.com september 2010 2010 september £3.50 U.K. DownBeat esperanza spalDing // Danilo pérez // al Di Meola // Billy ChilDs // artie shaw septeMBer 2010 SEPTEMBER 2010 � Volume 77 – Number 9 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg sAles Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, How- ard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer -
Publicacion7135.Pdf
BIBLIOTECA PÚBLICA DE ALICANTE BIOGRAFÍA Roy Haynes nació el 13 de marzo de 1925 en Boston, Massachusetts. A finales de los años cuarenta y principios de los cincuenta, Roy Haynes tuvo la clase de aprendizaje que constituiría el sueño de cualquier músico actual: sentarse en el puesto de baterista y acompañar al gran Charlie Parker. Ahora, cincuenta años después, y tras haber tocado con todos los grandes del jazz: Thelonius Monk, Miles Davis, o Bud Powell, todavía coloca sus grabaciones en la cima de las listas de las revistas especializadas en jazz. Este veterano baterista, comenzó su andadura profesional en las bigbands de Frankie Newton y Louis Russell (1945-1947) y el siguiente paso fue tocar entre 1947 y 1949 con el maestro el saxo tenor, Lester Young. Entre 1949 y 1952, formo parte del quinteto de Charlie Parker y desde ese privilegiado taburete vio pasar a las grandes figuras del bebop y aprender de ellas. Acompañó a la cantante Sarah Vaughan, por los circuitos del jazz en los Estados Unidos entre 1953 y 1958 y cuando finalizó su trabajo grabo con Thelonious Monk, George Shearing y Lennie Tristano entre otros y ocasionalmente sustituía a Elvin Jones en el cuarteto de John Coltrane. Participó en la dirección de la Banda Sonora Original de la película "Bird" dirigida por Clint Eastwood en 1988 y todavía hoy en activo, Roy Haynes, es una autentica bomba dentro de un escenario como pudimos personalmente comprobar en uno de sus últimos conciertos celebrados en España y mas concretamente en Sevilla en el año 2000. En 1994, Roy Haynes recibió el premio Danish Jazzpar, que se concede en Dinamarca. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Blues in the Blood a M U E S L B M L E O O R D
March 2011 | No. 107 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com J blues in the blood a m u e s l b m l e o o r d Johnny Mandel • Elliott Sharp • CAP Records • Event Calendar In his play Romeo and Juliet, William Shakespeare wrote, “A rose by any other name would smell as sweet.” It is a lovely sentiment but one with which we agree only partially. So with that introduction, we are pleased to announce that as of this issue, the gazette formerly known as AllAboutJazz-New York will now be called The New York City Jazz Record. It is a change that comes on the heels of our separation New York@Night last summer from the AllAboutJazz.com website. To emphasize that split, we felt 4 it was time to come out, as it were, with our own unique identity. So in that sense, a name is very important. But, echoing Shakespeare’s idea, the change in name Interview: Johnny Mandel will have no impact whatsoever on our continuing mission to explore new worlds 6 by Marcia Hillman and new civilizations...oh wait, wrong mission...to support the New York City and international jazz communities. If anything, the new name will afford us new Artist Feature: Elliott Sharp opportunities to accomplish that goal, whether it be in print or in a soon-to-be- 7 by Martin Longley expanded online presence. We are very excited for our next chapter and appreciate your continued interest and support. On The Cover: James Blood Ulmer But back to the business of jazz. -
June 2010 Issue
NEW YORK June 2010 | No. 98 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com HERBIE HANCOCKSEVEN DECADES OF IMAGINATION Mark Feldman • David S. Ware • Kadima Collective • Event Calendar NEW YORK Despite the burgeoning reputations of other cities, New York still remains the jazz capital of the world, if only for sheer volume. A night in NYC is a month, if not more, anywhere else - an astonishing amount of music packed in its 305 square miles (Manhattan only 34 of those!). This is normal for the city but this month, there’s even more, seams bursting with amazing concerts. New York@Night Summer is traditionally festival season but never in recent memory have 4 there been so many happening all at once. We welcome back impresario George Interview: Mark Feldman Wein (Megaphone) and his annual celebration after a year’s absence, now (and by Sean Fitzell hopefully for a long time to come) sponsored by CareFusion and featuring the 6 70th Birthday Celebration of Herbie Hancock (On The Cover). Then there’s the Artist Feature: David S. Ware always-compelling Vision Festival, its 15th edition expanded this year to 11 days 7 by Martin Longley at 7 venues, including the groups of saxophonist David S. Ware (Artist Profile), drummer Muhammad Ali (Encore) and roster members of Kadima Collective On The Cover: Herbie Hancock (Label Spotlight). And based on the success of the WinterJazz Fest, a warmer 9 by Andrey Henkin edition, eerily titled the Undead Jazz Festival, invades the West Village for two days with dozens of bands June. -
Al Di Meola 22:00 Sala Suggia ‑ Plays Beatles & More CICLO JAZZ
4 Mar 2015 Al Di Meola 22:00 Sala Suggia - plays Beatles & More CICLO JAZZ Al Di Meola guitarra Mario Parmisano piano Peter Kaszas percussão Peo Alfonsi guitarra Tal como milhões de outros jovens americanos que cresceram canções no que respeita à melodia. Muitos músicos de jazz fize‑ nos anos 60, Al Di Meola nunca mais foi o mesmo depois de ver ram já as suas interpretações deste repertório, habitualmente a actuação dos Beatles no Ed Sullivan Show, no tempo da tele‑ com tantas re ‑harmonizações e alterações melódicas que os visão a preto e branco. “Se não tivessem existido, eu hoje pro‑ temas ficam irreconhecíveis. Não era isso que eu queria. A minha vavelmente seria, quem sabe… um bombeiro, ou qualquer outra intenção era introduzir uma sofisticação rítmica sem alterar a coisa”, diz o célebre guitarrista. “E mais do que a mim próprio, eles harmonia, para preservar a beleza das canções.” Enquanto temas mudaram o mundo. Nenhuma música teve no nosso tempo maior como “She’s Leaving Home” e “I Am The Walrus” lhe foram mais impacto do que a dos Beatles. O que eles fizeram no contexto da imediatos de abordar, outros como “Penny Lane” e “Michelle” exi‑ música pop moderna nos anos 60 mudou tudo.” giram bastante trabalho até Al Di Meola obter um resultado que o Quase 50 anos após a primeira febre beatlemaníaca, Meola satisfizesse. O disco foi editado em Setembro de 2013 e deu ori‑ regressa às suas raízes prestando um tributo pessoal a essa gem à digressão “Beatles & More” em que se inclui este concerto. -
Washington Named to CSU Board by Faye IA Gov
1 PAREAN DAILY a Vol. 97, No. 40 Publish& for San lose State University since 1934 Friday, October 25, 1991 Washington named to CSU board By Faye IA degree in communications at SJSU. Duly stall st., Gov. Wilson lauds former A.S. 'Washington's He already holds associate of arts degrees in pharmacy and business and is experience as A.S. Gov. Pete Wilson has appointed president as effective student rep currently working as a pharmaceutical AMYX Washington, former president of technician for the president Air Force. will help SJSU's Associated Students, to the "That's great," she said of the appoint- Trustees." An Air Force reservist, he was called him to represent California State University Board of ment "I think it's a really neat oppmuni- "He's the only 1.ident trustee," she for military duty in Desert Storm last Trustees. ty foi SJSU to have a student representa- said. "There have already been three January. all 38,000 The appointment gives Washington a tive sit on the Mud of Trustees." board meetings without a student." Washington left the university at that voice in who SJSU's next will The CSU board needs student students in the president input, Wilson predicted that Washington time to train at Travis Air Force Base in be. lie will be able to vote, will serve on she said. would be a "diligent and effective advo- Fairfield. CSU well.' the board for two years, but will not be "Washington's experience as A.S. cate for the students of the California paid. -
BY DAVE Stryker
OOL H Gerry Tales Tales of Wessell Wessell Transcribed R SC Anderson Master Class “Warmdaddy” ta Blindfold Test Hemingway Dave Stryker GUI eid R John Abercrombie John Abercrombie Vernon Vernon | @ 30 £3.50 £3.50 U.K. Yellowjackets DOWNBEAT.COM DOWNBEAT.COM JULY 2011 JULY D O W N B E AT MARC RIBOT & NELS ClINE // YELLOWJACKETSXXX // XXXWESSE // XXXll A //N XXXDERSON // GERRY HEMINGWAY // VERNON REID JULY 2011 JULY 2011 VOLUme 78 – NUMBER 7 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
London Symphony Orchestra Marin Alsop Conductor/Presenter Tickets £10–15 (£5 Under 18S) Plus Booking Fee* Recommended by Classic FM
1 Barbican Events Nov 2017 barbican.org.uk News 2–14 Rome MMXVII 2–4 25th London Jazz Festival 5–7 Stockhausen: Stimmung & Cosmic Pulses 7–9 The Fairlop Oak 10–12 Oh so dangereuse... 12–14 Listings 15–58 Art 15–19 Film 20–29 Classical Music 29–41 Contemporary Music 41–47 Theatre & Dance 48–52 Learning 53–58 Information 58–72 Explore 58 Booking 60 Calendar 63–72 2 News Rome MMXVII Angus Jackson tells us about the Royal Shakespeare Company’s forthcoming season at the Barbican. What are your thoughts on bringing the Rome season to London? I am thrilled to be bringing the decadence of Shakespeare’s Rome to the Barbican. We are going to present these plays not in the order that they were written but in the order that the stories happen, beginning with Coriolanus – the tale of a semi-fictional character from 500BC – through to Julius Caesar and Antony & Cleopatra, legendary characters who lived just before the birth of Christ. We end with Titus Andronicus, in which we see an entirely imagined Rome at the end of its dominance. In this order we track the ascendance and the decline of a civilisation: the establishment of a republic in the aftermath of the abolition of a monarchy, the republic becoming an empire and ultimately destroying itself. How does Coriolanus fit into the Rome season and your vision as a whole? Coriolanus was the last of the plays to be written and the last in the Stratford season. All four plays were designed by Robert Innes Hopkins and each set built on the one before: the Rome of Antony & Cleopatra is the Rome of Julius Caesar grown bigger, and in Titus Andronicus the same pillars are glassed in, to complement the modern 3 dress production. -
Ronnie Scott's Jazz Club MEMBERSHIP
Ronnie Scott’s Jazz Club MEMBERSHIP Benefits include: b Priority Booking u l Discount Tickets Complimentary Tickets C The perfect jazz gift Upstairs @ Ronnie’s Access z Treat a jazz lover to The Late Late Show Access z membership to the best Special Events jazz club in the world a (even if it’s not you!). Complimentary drinks tastings J Membership opens up a and much more whole host of benefits s and offers superb value. ’ t t 8 o 1 c 0 2 S e e n i u J n / n y a o For further information: Telephone 020 7439 0747 and select option 1 Email [email protected] . Online ronniescotts.co.uk/membership R M Cover artist: Jon Cleary plays Monday 14th - Saturday 19th May 2018 Page 36 Page 01 Artists at a Glance Tues 1st - Wed 2nd: Bill Evans Band 25th Anniversary Tour M a of Petite Blonde II feat. Dennis Chambers y Thurs 3rd - Sat 5th: Dee Dee Bridgewater in Concert ‘Memphis... Yes, I’m Ready’ Sun 6th Jazz Lunch: Judy Carmichael Sun 6th: Beady Belle Mon 7th: Kansas Smitty’s House Band Tues 8th: Kokoroko & Kevin Haynes Grupo Elegua Wed 9th - Thurs 10th: Tom Harrell ‘Moving Picture’ Quartet Now here’s a thing: you know how the world Fri 11th: Human Element feat. Scott Kinsey, Matt Garrison, Arto Tuncboyaciyan and Gary Novak of industry has trade fairs for things like the Sat 12th: Joe Lovano & Dave Douglas Sound Prints Quintet homebuilding supplies industry, or bridal Sun 13th Jazz Lunch: Benoit Viellefon & His Orchestra wear, or in fact just about anything you can Sun 13th: Natalie Williams Soul Family think of buying? Mon 14th - Sat 19th: Jon Cleary Sun 20th Jazz Lunch: Richard Shelton with The Renato D’Aiello Quartet Well so does jazz, sort of.