Ronnie Scott's Jazz Club MEMBERSHIP
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Allen Lane Particular Books Pelican Books Penguin Classics Penguin Modern Classics Penguin Paperbacks 3 31 41 49 55 75
CONTENTS Allen Lane 3 Particular Books 31 Pelican Books 41 Penguin Classics 49 Penguin Modern Classics 55 Penguin Paperbacks 75 Penguin Press 80 Strand London 1 1 2 3 3 3 The Secret World Money and Government A History of Intelligence Unsettled Issues in Macroeconomics Christopher Andrew Robert Skidelsky A stupendous history of intelligence, its uses and its neglect A major challenge to economic orthodoxy, by one of - by the world's leading historian of intelligence Britain's leading historians and economists The history of espionage is far older than any of today's The dominant view in economics is that money and intelligence agencies, yet the long history of intelligence government should play only a minor role in economic life. operations has been largely forgotten. The first mention of Money, it is claimed, is nothing more than a medium of espionage in world literature is in the Book of Exodus.'God exchange; and economic outcomes are best left to the sent out spies into the land of Canaan'. From there, 'invisible hand' of the market. The view taken in this important Christopher Andrew traces the shift in the ancient world from new book is that the omnipresence of uncertainty make money divination to what we would recognize as attempts to gather and government essential features of any market economy. real intelligence in the conduct of military operations, and One reason we need money is because we don't know what considers how far ahead of the West - at that time - China and the future will bring. Government - good government - makes India were. -
ALEXANDER HAWKINS TRIO 'Sounds Like All the Future Jazz You
ALEXANDER HAWKINS TRIO 'Sounds like all the future jazz you might imagine without ever being able to conceive of the details' (The Guardian) Alexander Hawkins is a pianist, organist, composer and bandleader who is ‘unlike anything else in modern creative music’ (Ni Kantu) and whose recent work has reached a ‘dazzling new apex’ (Downbeat). Self-taught, he works in a vast array of creative contexts. His own highly distinctive soundworld is forged through the search to reconcile both his love of free improvisation and profound fascination with composition and structure. In 2012, he featured on the official ballot for the 75th Annual Downbeat Reader’s Poll in the organ category (as he had in 2010). The journal El Intruso voted him #1 in the keyboard category, and #5 in the piano category, in its 2010 poll; he also placed #4 in the keyboard category in 2011, and at #2 in 2012. His albums have for several years regularly featured in critics’ ‘end of year’ lists. Alongside his work as a bandleader, he regularly appears live and on record with many iconic figures of the music, including Louis Moholo-Moholo, Mulatu Astatke, and Joe McPhee. Other credits include Evan Parker, Wadada Leo Smith, Sonny Simmons, and Marshall Allen. He is also a collaborator in the Convergence Quartet with two important peers from the North American creative music scene – Taylor Ho Bynum and Harris Eisenstadt. He is increasingly also known for his writing, and in 2012 was chosen as a member of the first edition of the London Symphony Orchestra’s ‘Soundhub’ scheme for young composers. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON School of Humanities: Music Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Thesis for the degree of Doctor of Philosophy October 2012 i UNIVERSITY OF SOUTHAMPTON ABSTRACT Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Josef Zawinul (1932-2007) holds a rare place in the world of jazz in view of the fact that as a European he forged a long and distinguished musical career in America. Indeed, from a position of relative obscurity when he arrived in New York in 1959, he went on to become one of contemporary jazz’s most prolific and commercially successful composers. The main focus of this dissertation will be Zawinul’s rise to prominence in American jazz during the 1960s and 1970s. -
May • June 2013 Jazz Issue 348
may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Wono Magazine 16.1
WoNo Magazine 16.1 WoNo Magazine 16.1 1 © Foto Jan de Bloois WoNo Magazine 16.1 Geachte lezer, We vallen maar gelijk met de deur in huis: dit is de laatste WoNo Magazine. Het is mooi geweest. De laatste jaren kostte het steeds meer moeite er in een jaar nog een WoNo Magazine uit te persen. WoNo Magazine dreigde het blad te worden dat helemaal niet verschijnt omdat het niet meer uitkomt. Niet dat het niet leuk was, beste lezer, want dat was het wel. We hebben 15 jaar lang met ontzettend veel plezier dit blad gemaakt. We hebben vele illustere gastauteurs en redacteuren gehad. Denk aan Martin Bril zaliger, Layla, Drentix, Hé, HareD, BY, BenY, WoNoVice, Gustaaf Hortense Ledoux, Ko., Jeroen, Lourens, Marcel van der Kwaak enzovoort enzoverder. En wat hebben we gelachen! Het was altijd lachen om een WoNo te maken. Het ging vanzelf. Dat is allemaal verleden tijd. Ja we lachen nog steeds wat af op de redactie, bijvoorbeeld over die storende herrie op het Malieveld die dan later een bejubeld concert van niemand minder dan Bruce Springsteen blijkt te zijn. Brrrr! Of met interviews met beroemdheden, waar dan alleen ja/nee antwoorden komen op toch tamelijk open vragen… Maar toch, beste lezer, WoNo Magazine is geen grap meer. Kijkt u eens hoe professioneel het blog is geworden. Dat is geen grap meer, dat is serious business! Afgezien van die business, dan , want geld verdienen we er niet mee. Maar het WoNoBlog wordt serieus genomen in de muziekscene. Dat was ooit niet de bedoeling. En OPTA bestaat niet meer en de band met ACM is minder hecht. -
Jazz at the Lobero Presents Dorado Schmitt & Django
FOR IMMEDIATE RELEASE Media: Angie Bertucci 805.679.6010 / [email protected] Tickets: Lobero Box Office 805.963.0761 / lobero.org Back by Popular Demand! Jazz at the Lobero presents Dorado Schmitt & Django Festival All-Stars featuring Samson Schmitt, Amati Schmitt, Ludovic Beier, Pierre Blanchard Monday, November 4 at 8 PM “The hardest swinging band at the Newport Jazz Festival.” – Downbeat Magazine Santa Barbara, CA, October 21, 2019 – Jazz at the Lobero welcomes perennial favorites, Dorado Schmitt and the Django Festival All-Stars backto the Lobero Theatre on November 4. Gypsy Jazz genius Dorado Schmitt and his all-star ensemble follow in the footsteps of Django Reinhardt and Stephane Grappelli, taking hot-swing jazz beyond with their virtuosity, original compositions and hip improvisations. Hot Jazz harkens back to the 30's and 40's in Europe where Django Reinhardt teamed with top jazz violinist Stephane Grappelli to create The Hot Club Quintette of France–the greatest musical partnership in European history Jazz history. This hot-swing form of jazz has its roots in American popular music in the reverence for Duke Ellington, Louis Armstrong, and other top American jazz figures of the time. The Django Festival All-Stars are the best players to come out of the Django Reinhardt Festival, led by legendary gypsy guitarist/violinist Dorado Schmitt. These world class musicians hail mostly from France, and frequently headline The Django Reinhardt Festival at the legendary music club Birdland in New York City, and tour prestigious halls across the country such as Rose Hall/Jazz at Lincoln Center, Disney Hall, The Kennedy Center, Lincoln Center, The San Francisco Festival, and many more. -
3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (Guest Post)*
“3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (guest post)* De La Soul For hip-hop, the late 1980’s was a tinderbox of possibility. The music had already raised its voice over tensions stemming from the “crack epidemic,” from Reagan-era politics, and an inner city community hit hard by failing policies of policing and an underfunded education system--a general energy rife with tension and desperation. From coast to coast, groundbreaking albums from Public Enemy’s “It Takes a Nation of Millions to Hold Us Back” to N.W.A.’s “Straight Outta Compton” were expressing an unprecedented line of fire into American musical and political norms. The line was drawn and now the stage was set for an unparalleled time of creativity, righteousness and possibility in hip-hop. Enter De La Soul. De La Soul didn’t just open the door to the possibility of being different. They kicked it in. If the preceding generation took hip-hop from the park jams and revolutionary commentary to lay the foundation of a burgeoning hip-hop music industry, De La Soul was going to take that foundation and flip it. The kids on the outside who were a little different, dressed different and had a sense of humor and experimentation for days. In 1987, a trio from Long Island, NY--Kelvin “Posdnous” Mercer, Dave “Trugoy the Dove” Jolicoeur, and Vincent “Maseo, P.A. Pasemaster Mase and Plug Three” Mason—were classmates at Amityville Memorial High in the “black belt” enclave of Long Island were dusting off their parents’ record collections and digging into the possibilities of rhyming over breaks like the Honey Drippers’ “Impeach the President” all the while immersing themselves in the imperfections and dust-laden loops and interludes of early funk and soul albums. -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
10700990.Pdf
The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date. -
“Cannonball” Adderley
Journal of Jazz Studies vol. 9, no. 1, pp. 101-106 (Summer 2013) Portrait of Cannonball: Cary Ginell's Walk Tall Dustin Mallory Walk Tall: The Music and Life of Julian “Cannonball” Adderley. By Cary Ginell. Milwaukee: Hal Leonard Books, 2013. 190 pp. $18.99. Very few jazz musicians can say that their band had a Top 20 single and a Top 20 album. Within that elite group of artists, only two men can state in the same breath that they also performed on jazz’s best-selling album of all time, Kind of Blue. One is Miles Davis and the other is Julian “Cannonball” Adderley. Cannonball’s success in album sales is just one measure of his achievements, albeit a tangible one. However, a casual stroll through the practice rooms of any jazz school in the country or jazz club in a city will aurally reveal the sheer volume of musicians that practice, perform, and revere the vocabulary that poured from Cannonball’s saxophone. Yet, despite the respect that Cannonball has been accorded over the years, both measureable and immeasurable, there is relatively little in the way of published biographical information. With the exception of the occasional feature in a periodical, an entry in The Encyclopedia of Jazz, a handful of scholarly works, and a few publications geared toward theory or discography,1 Mr. Adderley’s biography has gone largely unwritten. Furthermore, it can be said definitively that there is nothing in the marketplace that even closely resembles a comprehensive biography. Cary Ginell’s Walk Tall is one of the first publications that sets theory, analysis, and discography on the back burner in favor of history/biography.