Rship to Ronnie Scotts
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JAZZ in London F E B R U a R Y 2015
JAZZ in London www.jazzinlondon.net F E B R U A R Y 2015 RONNIE SCOTT’S PizzaExpress Jazz Club 47 Frith St. Soho, London W1D 4HT 10 Dean St. London W1 reservations: 020 7439 0747 Reservations: 08456 027 017 www.ronniescotts.co.uk www.PizzaExpresslive.com F E B R U A R Y Sun 1 (lunch) MATTHEW VanKAN with Phil Robson 1 BIG BAND METHENY (eve) JACQUI DANKWORTH 2 - 4 RUBY TURNER - sold out Mon 2 sings Billie Holiday 5 - 7 PEE WEE ELLIS FUNK ASSEMBLY EDANA MINGHELLA with special guest Huey Morgan on 6 & 7 Tue 3/Wed 4 RENATO D’AIELLO plays Horace Silver 8 CHARLIE WOOD BAND Thur 5 TAMMY WEIS with the Tom Cawley Trio with special guest Guy Barker Fri 6 CLARK TRACEY QUINTET 9 AMINA FIGAROVA featuring Chris Maddock & Henry Armburg-Jennings & ISHAR SARABSKI Sat 7 THE MOTOWN REVUE with Patrick Alan 9 Ronnie Scott’s JAZZ ORCHESTRA 10 PETER EDWARDS TRIO/ Sun 8 (lunch) LOUISE BALKWILL (eve) HENRY SPENCER’S JUNCTURE / SOWETO KINCH BAND WORLD SERVICE PROJECT Mon 9 WILDFLOWER SEXTET 11- 13 KENNY GARRETT QUINTET Tue 10 BETH ROWLEY 14 STILGOE/ WILLIAMS - sold out Wed 11 PETE OXLEY/ NICOLAS MEIER 15 - Soul Family NATALIE WILLIAMS Thur 12 ALEX MENDHAM ORCHESTRA 16-17 CHRIS POTTER’S UNDERGROUND Fri 13 18 ZHENYA STRIGALEV’S KANSAS SMITTY’S HOUSE BAND SMILING ORGANIZM Sat 14 Valentine’s special with TINA MAY 19-21 ARTURO SANDOVAL - sold out & GUILLERMO ROZENTHULLER 22 Ronnie Scott’s BLUES EXPLOSION Sun 15 (lunch) DURHAM UNI BIG BAND 23-28 BILLY COBHAM (eve) ROBERTO ANGRISANI Mon 16/ Tue17 ANT LAW BAND Wed 18 JONATHAN KREISBERG Royal College of Music with Will Vinson, Rick Rosato, Colin Stranahan (Britten Theatre) Prince Consort Rd. -
Ronnie Scott's Jazz C
GIVE SOMEONE THE GIFT OF JAZZ THIS CHRISTMAS b u l C 7 z 1 0 z 2 a r J MEMBERSHIP TO e b s ’ m t t e c o e c D / S r e e i GO TO: WWW.RONNIESCOTTS.CO.UK b n OR CALL: 020 74390747 m e n v o Europe’s Premier Jazz Club in the heart of Soho, London o N R Cover artist: Roberto Fonseca (Mon 27th - Wed 29th Nov) Page 36 Page 01 Artists at a Glance Wed 1st - Thurs 2nd: The Yellowjackets N LD OUT Wed 1st: Late Late Show Special - Too Many Zooz SO o Fri 3rd: Jeff Lorber Fusion v Sat 4th: Ben Sidran e m Sun 5th Lunch Jazz: Jitter Kings b Sun 5th: Dean Brown Band e Mon 6th - Tues 7th: Joe Lovano Classic Quartet r Wed 8th: Ronnie Scott’s Gala Charity Night feat. Curtis Stigers + Special Guests Thurs 9th: Marius Neset Quintet Fri 10th - Sat 11th: Manu Dibango & The Soul Makossa Gang Sun 12th Lunch Jazz: Salena Jones “Jazz Doyenne” Sun 12th: Matthew Stevens Preverbal November and December are the busiest times Mon 13th - Tues 14th: Mark Guiliana Jazz Quartet of the year here at the club, although it has to be Wed 15th - Thurs 16th: Becca Stevens Fri 17th - Sat 18th: Mike Stern / Dave Weckl Band feat. Tom Kennedy & Bob Malach UT said there is no time when we seem to slow down. Sun 19th Lunch Jazz: Jivin’ Miss Daisy feat. Liz Fletcher SOLD O November this year brings our Fundraising night Sun 19th: Jazzmeia Horn Sun 19th: Ezra Collective + Kokoroko + Thris Tian (Venue: Islington Assembly Hall) for the Ronnie Scott’s Charitable Foundation on Mon 20th - Tues 21st: Simon Phillips with Protocol IV November 8th featuring the Curtis Stigers Sinatra Wed 22nd: An Evening of Gershwin feat. -
78Th and 3Rd Lee Ritenour Rit of Habeas Music 100%
May 2004 RIT OF HABEAS MUSIC CATALOGUE TITLE COMPOSER(S) PUBLISHER(S) SHARE “78th and 3rd Lee Ritenour Rit of Habeas Music 100% “10th AVENUE” Lee Ritenour Rit of Habeas Music 100% “4 PLAY AND PLEASURE” Lee Ritenour Rit of Habeas Music 100% “AFTER THE RAIN” Lee Ritenour Rit of Habeas Music 100% “A COUNTRY BLUES” Lee Ritenour Rit of Habeas Music 100% "A LITTLE BUMPIN'" Lee Ritenour Rit of Habeas Music 100% “A LITTLE DOLPHIN Lee Ritenour Rit of Habeas Music 100% DREAMIN’” "A SUMMER CHILD" Lee Ritenour Rit of Habeas Music 100% "ALONE WITH YOU" Lee Ritenour Rit of Habeas Music 50% Phil Perry Pepsongs Music Corp. 50% “AND YOU KNOW WHAT.... Lee Ritenour Rit of Habeas Music 100% I LOVE YOU” "AMARETTO" Lee Ritenour Rit of Habeas Music 100% "A NEW DAY" Lee Ritenour Rit of Habeas Music 100% "BACK IN THE CITY" Lee Ritenour Rit of Habeas Music 25% Greg Mathieson Mighty Mathieson Music 37.50% Trevor Veitch Slapshot Music 37.50% "BAHIA FUNK" Lee Ritenour Rit of Habeas Music 100% "BALI RUN" Lee Ritenour Rit of Habeas Music 100% Bob James “BEIJOS (KISSES)” Lee Ritenour Rit of Habeas Music 100% "BITTERSWEET" Lee Ritenour Rit of Habeas Music 100% "BITTERSWEET (A LOVE Lee Ritenour Rit of Habeas Music 100% MORE WONDERFUL)" Roxanne Seeman (LYRIC VERSION) “BLUE LINE (THE)” Lee Ritenour Rit of Habeas Music 100% "BULLET TRAIN" Lee Ritenour Rit of Habeas Music 80% Ernie Watts Sttawe Music 20% “CAN YOU FEEL IT” Lee Ritenour Rit of Habeas Music 100% "CAPTAIN FINGERS" Lee Ritenour Rit of Habeas Music 100% "CAPTAIN'S JOURNEY, Lee Ritenour Rit of Habeas Music 100% THE" (Part 1 - The Calm Part 2 - The Storm) “(THE) CHILD WITHIN” Lee Ritenour Rit of Habeas Music 100% "COLOR RIT" Lee Ritenour Rit of Habeas Music 100% "COUNTDOWN" Lee Ritenour Rit of Habeas Music 100% “COUNTRY BLUES” Lee Ritenour Rit of Habeas Music 100% *Japan Only 2 "CROSS MY HEART" Lee Ritenour Rit of Habeas Music 50% Eric Tagg Captain Fingers Prod. -
Ne W Burysprin G Fe Stival
www.newburyspringfestival.org.uk MAXX-DESIGN.CO.UK We are proud to have sponsored 36th international 2014 may – 24 10 Newbury Spring Festival since 1999 newburyspringfestival Welcome English Chamber Sat Orchestra 10th 2014 marks the centenary of the outbreak of The Great War and our Stephen Barlow conductor opening and closing days are Ruby Hughes soprano dedicated to it. The Festival begins Anna Huntley mezzo soprano with a performance of Mozart’s Thomas Herford tenor Requiem featuring four young Morgan Pearse baritone soloists, the same age as many of Newbury Spring Festival Chorus those who lost their lives, and it ends with three events at the Corn Exchange: a lunchtime recital From Your Ever Elgar Sospiri Loving Son Jack, which mixes songs with letters from Butterworth The Banks of Green Willow a 19 year old soldier killed at the Somme, an afternoon Grieg The Last Spring Handel Eternal Source of Light Divine symposium where four of the country’s leading military Mozart Laudate Dominum historians examine and debate the causes and outcome Mozart Requiem of the conflict, and finally a screening of the classic film All Quiet on the Western Front. A poignant start to the Festival in the year that commemorates the outbreak of the First World War, We remain however, predominantly a music festival, and featuring four young soloists whose ages reflect those of continue to present a world class line up of orchestras, so many who lost their lives. The elegiac first half includes soloists and ensembles of the highest international Butterworth’s The Banks of Green Willow, composed before standards, bringing together young and established artists. -
2008/04/05 Akwaaba / Osibisa Osibisa∼Woyaya Djama / Les
2008/04/05 Akwaaba / Osibisa Osibisa~Woyaya Djama / Les Amazones de Guinee Wamato Ali Farka Toure / Toumani Diabate The Mande Variations Kaounding Cissoko / Toumani Diabate The Mande Variations Prelude and Fugue No 5 in D Major, BWV850 / Glenn Gould The Little Bach Book If I Were An Angel / Marc Cohn Join The Parade Oh Happy Day / The Edwin Hawkins Singers Testify! - The Gospel Box Franklin's Tower / Grateful Dead Road Trips Vol. 1, No.1 : Fall‘79 Love The One You're With / Isley Brothers Givin' It Back Mambo / Cachao Master Sessions Volume 1 El Timbalero Travieso / Cachao Master Sessions Volume 2 In A Silent Way~It's About That Time / Miles Davis In A Silent Way 2008/04/12 Romanian Hora~Black Jack Grove / Mozaik Live from the Powerhouse O'Donoghue's / Mozaik Changing Trains Money's Too Tight / Valentine Brothers First Take What Does It Take (To Win Your Love) / Don Byron Do The Boomerang - the Music of Junior Walker We Can Work It Out / Stevie Wonder Love Songs Rainbow Road / Arthur Alexander Rainbow Road Stand By Your Man / Candi Staton Candi Staton I Can't Do Without You / Doris Duke I'm A Loser Stay With Me / Lorraine Ellison The Best of Loma Records Willie and Laura Mae Jones / Dusty Springfield Dusty In Memphis Willie and Laura Mae Jones / Shelby Lynne Just A Little Lovin' Bring In The Dawn / Roy Young Memphis Hard Times / Crusaders Scratch The Ghetto / Donny Hathaway These Songs For You, Live! Money's Too Tight (instrumental) / Valentine Brothers First Take 2008/04/19 As We Lay / Shirley Murdock Shirley Murdock Democracy / Albino -
June 14-20, 2018
JUNE 14-20, 2018 FACEBOOK.COM/WHATZUPFTWAYNE // WWW.WHATZUP.COM ----------------------- Feature • Al Di Meola --------------------- Master of the Guitar By Deborah Kennedy tar player. In the early 80s, he turned more toward the electric side of things, writing and recording Electric Like Mozart, New Jersey-born guitarist Al Di Rendezvous and Scenario, which included the key- Meola has sometimes been criticized for playing too board work of Jan Hammer, who would go on to com- many notes. The criticism is actually a compliment in pose the theme to the television show Miami Vice. disguise. Di Meola, who will be at the Clyde Theater Guitar in all its forms is Di Meola’s primary pas- Wednesday, June 20 at 7 p.m., is able to blaze through sion. He also loves to collaborate with other artists, and songs so quickly, listeners are often left stunned by his in 1980, he teamed up with flamenco guitarist Paco de passion, technique and precision. Lucia and British fusion guitarist John McLaughlin to Di Meola grew up in Bergenfield, New Jersey and release Friday Night in San Francisco, a beloved and began playing guitar at eight years old. His love of popular live recording of three musicians at the top of Elvis inspired him to pick up the instrument. Later, he their game. became an enthusi- Since then, ast for jazz, country Di Meola has played and bluegrass. Still with basically ev- later, he enrolled eryone, including at the prestigious Paul Simon, Car- Berklee College of los Santana, Steve Music in Boston, Winwood, Herbie and his education Hancock, Stevie continued when, at Wonder, Les Paul, age 19, he was re- Jimmy Page, Frank cruited by keyboard- Zappa and Luciano ing and composing Pavarotti. -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
Warner/Reprise Loss Leaders Booklet
THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases. -
Cash Box Jazz Albums
- 1 i ON JAZZ I CASH BOX JAZZ ALBUMS — at Barrow Street’s Greenwich ON BLUES— The reissue craze as always, Bowie and the Title, Artist, Label, Number, Distributor some sort of fever House — are Lester which is reaching = Available on Compact Disc other Brass Fantasy (9/13), “The Soul Stir- pitch in jazz — has extended to = Platinum (RIAA Certified) rings of Linda Tillery”, with a trio fea- fields. MCA-which has had the good = Gold (RIAA Certified) 20 IT TAKES TWO RODNEY FRANKLIN (Columbia FC reissue pro- turing Michele Rosewoman (10/4), sense to begin an active jazz 40307) with L O up “Bop Connection: Then ai)d Now’ , gram with Impulse! — has just come 21 LIGHT STRUCK Big W C its Kenny Barron, Cecil McBee, DAVE VALENTIN (GRP-A-1028) with ten dandy blues reissues from 1 14 I DOUBLE VISION Eddie Henderson, Sonny 1 SANBORN Chess vaults. The albums are hand- Black, BOB JAMES/DAVID m SAND dance (TBA TB-206) and Freddie Waits (11/8); (Warner Bros. 25393) Frank Potenza somely packaged — they have their Fortune, 2 11 23 INTRODUCING the Hatian band Ayiza, featuring I BREAKOUT notes, as well and 1 original covers and liner SPYRO GYRAIMCA 5753) JONATHAN BUTLER — and the sound Andrew Cyrille (12/13). (Jive/ Arista JL8-8404) as updated liner notes SHADES 3 12 jazz label has been 1 generally, clear and crisp. SWIFT—A new YELLOW JACKETS(MCA 5752) 24 SCHUUR THING on them is, DIANE SCHUURIGRP-1022) born. Gazell Records has revved up by The classic “Muddy Waters At New- 4 LOVE WILL FOLLOW 26 25 LYLE MAYS releasing four LPs from the excellent GEORGE HOWARD (TBATB 210) port”— which includes two definitive (Geffen /Warner Bros. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Earnest Walker Jr
EARNEST WALKER JR. Smooth Groove Artist Earnest Walker Jr. spent the first 15 years of his life traveling the country with his family. The experience taught him an appreciation of different cultures and musical styles. At the age of nine, Walker started playing the guitar, but a year later he picked up the saxophone and it has been his passion ever since. When he was only 14 years old, the established musicians in Pensacola, Florida felt his playing was so essential they would sneak Walker into night clubs to showcase his talents. Walker studied music education at Bethune-Cookman College in Daytona Beach, and later attended Florida State University, quickly establishing himself as one of the most sought-after saxophonists on both campuses and all around the state of Florida. After college, Walker joined the Air Force, where he performed with different groups in each town he was stationed. After the military, Walker toured and performed in most of the central to eastern portions of the country, including Miami, Daytona Beach, Charleston SC, Philadelphia, New Orleans, Atlanta, Tampa, Orlando and Denver. In the late 90’s, he moved to Philadelphia and became a member of the prestigious smooth jazz band “Blind Date”. Returning to Miami in 2003, Earnest Walker Jr is well known in the city of South Beach as a show stopper that is sure to leave the audience breathless. Location: Miami, FL USA Influences: Grover Washington Jr, Cannonball Adderly, Maceo Parker, Earth Wind & Fire, Gerald Albright, Ronnie Laws Booking & Media Contact: HJ Entertainment | 816.945.0288 | www.EarnestWalkerJr.com ON STAGE As solid, compelling and in the pocket as Walker is on disc, he’s best known in the jazz world as a powerhouse performer whose stage presence and creative style guarantees that every crowd is in an uproar. -
January 1992
VOLUME 16, NUMBER 1 FEATURES MEMPHIS DRUMMERS MIAMI SOUND MACHINE'S Though this southern city is ROBERT RODRIGUEZ experiencing a musical renais- MARK sance these days, newcomers & RAFAEL PADILLA might be surprised by some of BRZEZICKI the bands responsible for that Much of the credit for MSM's huge rebirth. In this special report, MD His work as an in-demand ses- success goes to its burning checks in with some local drum- sion player in England, as well Latin/pop rhythms. The messen- mers who are pushing as his landmark performances gers of that hot stuff are drummer the new Memphis with Big Country, Pete Rodriguez and percussionist sounds way past the Townshend, and the Cult, proved 30 Padilla. In this special story, MD city limits. Mark Brzezicki was one of the pokes its nose into the Sound • by Robert Santelli strongest drum voices of the Machine's kitchen and discovers past decade. The '90s look to be some of the secret as busy and exciting: In this recipes of their success. INSIDE exclusive interview, Mark dis- • by Robyn Flans cusses his new work with Procul 26 VIC FIRTH Harum, Big Country, and old crony Simon Townshend. A peek behind the scenes of one 20 of the industry's top drumstick • by Simon Goodwin makers—and at its dynamic namesake. • by Rick Van Horn 34 MD's YAMAHA DRUM RIG GIVEAWAY Your second chance to win a Yamaha Drum Rig worth 64 $12,400! COVER PHOTO BY EDMOND WALLACE COLUMNS Education 52 ROCK CHARTS Neil Peart: "Where's Equipment My Thing?" TRANSCRIBED BY JEFF WALD 40 PRODUCT CLOSE-UP 66 HEAD TALK Drum Workshop Departments