2008/04/05 Akwaaba / Osibisa Osibisa∼Woyaya Djama / Les

Total Page:16

File Type:pdf, Size:1020Kb

2008/04/05 Akwaaba / Osibisa Osibisa∼Woyaya Djama / Les 2008/04/05 Akwaaba / Osibisa Osibisa~Woyaya Djama / Les Amazones de Guinee Wamato Ali Farka Toure / Toumani Diabate The Mande Variations Kaounding Cissoko / Toumani Diabate The Mande Variations Prelude and Fugue No 5 in D Major, BWV850 / Glenn Gould The Little Bach Book If I Were An Angel / Marc Cohn Join The Parade Oh Happy Day / The Edwin Hawkins Singers Testify! - The Gospel Box Franklin's Tower / Grateful Dead Road Trips Vol. 1, No.1 : Fall‘79 Love The One You're With / Isley Brothers Givin' It Back Mambo / Cachao Master Sessions Volume 1 El Timbalero Travieso / Cachao Master Sessions Volume 2 In A Silent Way~It's About That Time / Miles Davis In A Silent Way 2008/04/12 Romanian Hora~Black Jack Grove / Mozaik Live from the Powerhouse O'Donoghue's / Mozaik Changing Trains Money's Too Tight / Valentine Brothers First Take What Does It Take (To Win Your Love) / Don Byron Do The Boomerang - the Music of Junior Walker We Can Work It Out / Stevie Wonder Love Songs Rainbow Road / Arthur Alexander Rainbow Road Stand By Your Man / Candi Staton Candi Staton I Can't Do Without You / Doris Duke I'm A Loser Stay With Me / Lorraine Ellison The Best of Loma Records Willie and Laura Mae Jones / Dusty Springfield Dusty In Memphis Willie and Laura Mae Jones / Shelby Lynne Just A Little Lovin' Bring In The Dawn / Roy Young Memphis Hard Times / Crusaders Scratch The Ghetto / Donny Hathaway These Songs For You, Live! Money's Too Tight (instrumental) / Valentine Brothers First Take 2008/04/19 As We Lay / Shirley Murdock Shirley Murdock Democracy / Albino Rhino Tibetan Dance / 坂本龍一 音楽図鑑 The Defector / 大村憲司 春がいっぱい Short Haired Woman / コージー大内 Kakuchi Blues オヤジ ブギ / コージー大内 Kakuchi Blues Simon Smith and the Amazing Dancing Bear / Alan Price Set On Vine Street - The Early Songs of Randy Newman I'll Be Home / Lorraine Ellison On Vine Street - The Early Songs of Randy Newman I Don't Want To Hear It Anymore / Scott Walker On Vine Street - The Early Songs of Randy Newman I Don't Want To Hear It Anymore / Shelby Lynne Just A Little Lovin' Henoko Dugongs / Dreaming Dugongs of Henoko Dreaming Dugongs of Henoko Ring of Cannabis 2008 / Minga Palpitante Roomin' House Boogie / Ben Waters Hurricane Trouble Soon Be Over / Geoff Muldaur Password Topattumi / Dub Ainu Band Live In Japan 2008/04/26 People Say / Jon Cleary Live:Mo Hippa 21 (3x7=21) / The Spiders The Cosimo Matassa Story Jump Children / Fats & Dave The Cosimo Matassa Story Hook & Sling / Eddie Bo and the Soul Finders The Hook and Sling Gandinga, Sandunga Y Mondongo / Los Amigos El Jazz Cubano Sonido Alegre / Derek Trucks Band Live At Georgia Theatre South Of I-10 / Sonny Landreth Jazzfest live 2007 Blue Tarp Blues / Sonny Landreth From The Reach Stuck Inside Of Mobile With the Memphis Blues Again / Cat Power I'm Not There When The Ship Comes In / Marcus Carl Franklin I'm Not There My Girl(mono) / Otis Redding Otis Blue - Otis Redding Sings Soul Change Gonna Come(stereo) / Otis Redding Otis Blue - Otis Redding Sings Soul Respect (1967 version) / Otis Redding Otis Blue - Otis Redding Sings Soul I've Been Loving You Too Long (mono mix of stereo album version) / Otis Redding Otis Blue - Otis Redding Sings Soul Karibu / Lionel Loueke Karibu.
Recommended publications
  • Warner/Reprise Loss Leaders Booklet
    THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases.
    [Show full text]
  • The A-Z of Brent's Black Music History
    THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business.
    [Show full text]
  • Felix Issue 373, 1975
    See OSIBISA in concert tomorrow. Great Hall 3.00pm FOUNDED IN 1949 NEWSPAPER OF IMPERIAL COLLEGE UNION No. 403 Friday 28th November, 1975 FREE! Aston pulls out of NUS AT THEIR UGfl last Tuesday, The University of Aston Students' Union decided by a majority of nearly three to Guilds Exec adopt one to disaffiliate from N'JS, the national student union. The meeting was attended by 1400 students with a total of over 1200 actually voting on the motion before the meeting, which wanted the Union to remain affiliated to Hoyle as presidential NUS. Mr Ian Minnis, President no immediate move to of the Students Union, said disaffiliate from other unions, candidate that this vote was a "kick- the real turning point will be THE UNEXPECTED resign- vice President of the Union. in-pants" for NUS and he at Scarborough when the ation of Keith Ahlers as In order to be eligible for expected to see some moderate motions on the NUS President of City and Guilds election as President, Mr unions such as Newcastle constitution are discussed, Union last week, has left a Hoyle has had to resign as and Liverpool to debate If the motion calling for considerable hole in the VP. His resignation is the question of disaffiliation. direct elections to the NUS Union structure. In addition effective from lst December. He would also like to see executive is defeated then to being President of C&G This has left the post of militant unions debating the there is a real possibility Union, he was also Vice VP open and means that issue, especially places like of a snowballing effect President of Imperial College Guilds Union is now functioning Kent and Essex.
    [Show full text]
  • Songs by Title
    16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A.
    [Show full text]
  • WARNER BROS. / WEA RECORDS 1970 to 1982
    AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.
    [Show full text]
  • Highlife in the Ghanaian Music Scene: a Historical and Socio-Political Perspective Micah Motenko SIT Study Abroad
    SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Fall 2011 Highlife in the Ghanaian Music Scene: A Historical and Socio-Political Perspective Micah Motenko SIT Study Abroad Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the African Studies Commons, Musicology Commons, and the Place and Environment Commons Recommended Citation Motenko, Micah, "Highlife in the Ghanaian Music Scene: A Historical and Socio-Political Perspective" (2011). Independent Study Project (ISP) Collection. 1107. https://digitalcollections.sit.edu/isp_collection/1107 This Unpublished Paper is brought to you for free and open access by the SIT Study Abroad at SIT Digital Collections. It has been accepted for inclusion in Independent Study Project (ISP) Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. School for International Training Study Abroad: Ghana Social Transformation and Cultural Expression Fall 2011 Highlife in the Ghanaian Music Scene: A Historical and Socio-Political Perspective Micah Motenko (College of Wooster) Project Advisor: Dr. Nathan Damptey University of Ghana, Legon, Institute of African Studies Academic Director: Dr. Olayemi Tinuoye Data Collection Date: November 1 st , 2011 – November 30 th , 2011 Abstract 1. Title: Highlife in the Ghanaian Music Scene: A Historical and Socio-political Perspective 2. Author: Micah David Motenko ( [email protected] ; College of Wooster) 3. Objective: The objective of this project was multifaceted: i. To understand the history of Highlife music and its various offshoots in Ghana, with regards its socio-political and cultural significance over time. ii. To examine the current music scene in Ghanaian cities and analyze it with regards to its socio-political and cultural significance.
    [Show full text]
  • Record World Salutes
    DEDICATED TO THE i\IEEDS OF THE MUSIC/RECORD INDUSTRY JANUARY 26, 1974 WHO IN THE WORLD: SEALS & CROFTS Seals & Crofts Fans Eagerly Await The Warner Bros. Duo's Next Album And Single, 'Unborn Child.' Meanwhile, Their 'Diamond Girl' Is In Its 38th Week On The Album Charts. Its Predecessor, 'Summer Breeze,' Is Second In Chart Longevity Only To 'Tapestry' With Its 54 -Week Ride. See Story On Page 70. HITS OF THE WEEK t" ELVISPRESLEY, "I'VE GOT A THINGtr) GENEREDDING, "THIS HEART" (prod. by BOB DYLAN, "PLANET WAVES." Dylan ABOUT YOU BABY" (Swamp w Dennis LambertandBrian and The Band . a perfect match disc - 0 Fox, WhiteHaven, ASCAP).w Potter)(ABC / Dunhill,BMI). wise. In this long-awaited album, ship- z The Kingisback withthisw The first on Lambert and Pot- pinggold,the"NashvilleSkyline" uptempotuneshowinghis ter's label holds untold possi- sound has grown up and Dylan fluctu- ability to get as as the bilities as a charttopper. atesbetweenthisand best of them. Tight and tasty, Redding's voice comes across "gritty" vocalizing. Cuts with particular it should find the number one splendidly; nifty back-up and dazzle are "On A Night Like This," spot waiting with open arms. rhythmworkcompletethe "Forever Young" and "You Angel You." RCA APB0-0196. coup! Haven 7000 (Capitol). Elektra/Asylum 7E-1003 (6.98). THEJ.GEILS BAND, "DID YOU NO JOHNNY WINTER, "STONE COUNTY" JONI MITCHELL, "COURT AND SPARK." WRONG" (prod. by Bill Szym- (prod. by Rick Derringer) Ms. Mitchell's musical dynamics have APC59czyk).(JukeJoint,Walden, (Goshen Road, BMI). From his upsurged to the point where they are - )ASCAP).
    [Show full text]
  • The Bird with Its Head Tilted Backwards
    The Bird With Its Head Tilted Backwards A Call for ‘Sankofa’ in Music Fig. 1: Kofi Ghanaba (aka Guy Warren), inventor of Afro-jazz and ​ star of Sankofa (1993), peeking through a sceptre with the ​ ​ Sankofa symbol atop, 2007. © Nana Kofi Acquah.1 Alexander Lewis-Whitaker 18812187 Digital Music & Sound Arts AG317 Final Essay Supervised by Johanna Bramli 13/01/21 1 N. K. Acquah, ‘The man who gave the world African jazz’, The Power of Culture, 2007, ​ ​ http://www.krachtvancultuur.nl/en/current/2007/september/ghanaba.html, last accessed 11 January 2021. ​ 1 Contents Abstract 3 Introduction 4 1. Scrambled Africa 5 2. Universal Uniforms 8 3. Elder Speech 11 4. Old Rock 'N' Roll, Not What You've Been Told 14 5. Ideal Nonsense 17 6. The 21st Century Plantation 20 Conclusion 22 Bibliography 23 List of Works 29 2 Abstract The colonisation of the Gold Coast by the British in the 19th century set in motion the syncretism of musical forms between this area of West Africa and the Western world that resulted in new genres including highlife, hiplife, Afropop, and gospel. However, it also spurred a psychological change among those colonised in which their supposedly inferior ways of life were suppressed in favour of a Western lifestyle. Despite achieving independence in 1957 under the leadership of Kwame Nkrumah, the newly-renamed Ghana and its diaspora are still victim to Eurocentric hegemony under the guise of globalisation, unfair trade practice, and a failure to restore the ways of the past. The political instability and failing economy that followed Nkrumah’s overthrow in 1966 forced musicians out of the country, birthing new generations with inevitably little knowledge of their roots.
    [Show full text]
  • 1036 Osibisa.Cdr
    International PO Box 935, Byron Bay Tel: 61 2 6687 4441 NSW, 2481 Australia Fax: 61 2 6687 4445 Tel: (02) 6687 4441 Web:http://www.aiminternational.com Fax: (02) 6687 4445 E-Mail:[email protected] TRADING GROUP Pty Ltd ABN 78 093 907 914 AVAILABLE NOW CELEBRATION THE BAEIMST 1O03F6 OCDSIBISA In 1970 a new style of music, known as Afro- rock, burst into international prominence with the launch in London of OSIBISA, formed by three Ghanaians - sax player Teddy Ossei, trumpeter Mac Tontoh and drummer Sol Amarfio. OSIBISA were the original superstars of African Music, their breath taking concerts combined with the sheer virtuosity of their albums propelled them onto the world's concert stages. The band continues to this day playing and creating their unique style of African Music and few bands in the world can follow them on to a stage after one of their incredible performances. The impact of OSIBISA's fusion of African Music 1. MAKING EVERYBODY HAPPY and Rock was felt throughout a generation of 2. HAPPY CHILDREN African Musicians, particularly those who were teenagers during the time of The Beatles and 3. CELEBRATION Rolling Stones. 4. I FEEL (PATA PATA) They were heralded as superstars of the music scene, definitely on a par with bands such as 5. WOYAYA Santana, Sly and The Family Stone, and Cat 6. AYIKO BIA Stevens. 7. WELCOME HOME The sections on CELEBRATION - THE BEST OF OSIBISA are their classic songs from the albums 8. MEETING POINT OSIBISA, WOYAYA, HEADS, WELCOME HOME, OJAH AWAKE, HAPPY CHILDREN, AFRICAN 9.
    [Show full text]
  • Download a PDF of the Inventory B
    PUBLIC COLLECTORS Records Collection Inventory of: Marc Fischer Chicago, IL, USA About PUBLIC COLLECTORS Public Collectors consists of informal agreements where collectors allow the contents of their collection to be published and permit those who are curious to directly experience the objects in person. Participants must be willing to type up an inventory of their collection, provide a means of contact and share their collection with the public. Collectors can be based in any geographic location. Public Collectors is founded upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks individuals that have had the luxury to amass, organize, and inventory these materials to help reverse this lack by making their collections public. The purpose of this project is for large collections of materials to become accessible so that knowledge, ideas and expertise can be freely shared and exchanged. Public Collectors is not intended, nor should it be used for buying and selling objects. There are many preexisting venues for that. Collectors can accommodate viewers at whatever location is most com - fortable or convenient for them. If their collection is portable or can be viewed in a location other than the collector’s home, this would still be an appropriate way to participate in the project. In addition to hosting collection inventories and other information, www.publiccollectors.org includes digital collections that are suitable for web presentation, do not have a physical material analog, or are difficult or impossible to experience otherwise.
    [Show full text]
  • Hiplife Music: a Monograph
    HIPLIFE MUSIC: A MONOGRAPH A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Emmanuel Anim-Koranteng August, 2018 HIPLIFE MUSIC: A MONOGRAPH EMMANUEL ANIM-KORANTENG THESIS Approved: Accepted: _____________________________ __________________________ Advisor School Director Mr. James Slowiak Mr. Neil Sapienza ___________________________ _________________________ Committee Member Dean of the College Dr. Christopher Hariasz Dr. Linda Subich ____________________________ _________________________ Committee Member Dean of the Graduate School Mr. Adel. A. Migid Dr. Chand Midha ______________________________________ Date ii ABSTRACT This thesis examined the hiplife genre in Ghana and explored the various genres that led to the discovery of hiplife. The purpose of this research was to offer an analysis of the hiplife movement in Ghana as a contributor to youth empowerment applying new forms of entertainment strategies, artist management, and technology enhancement that could broaden the awareness of hiplife and create economic opportunities for artists. This thesis also discussed the event management company, The Afro Giants (tAG), which was created to groom, manage, record musicians, and produce shows around the world. Information for this thesis was gathered from personal contact with industry insiders from most of the entertainment houses, entertainment magazines, and record labels in Ghana. iii ACKNOWLEDGEMENTS A special thanks to God for giving me life and my ancestors who passed the touch to me. I would like to express my special appreciation to my thesis committee members, Christopher Hariasz, Adel Migid and, especially, my thesis supervisor, James Slowiak, for his excellent guidance, care, patience, and for providing a good atmosphere for doing this research.
    [Show full text]
  • Partan Daily Serving California Pats Univorsity at San Jose Sinc 1934 Information Into the Computer
    In spring schedules A computer surprise By Kyle Clark "It's a simple, process and it will bring bring it to the registrar's office. "What in the world is this?" may be a the students closer to the elimination of If a student cannot get a class he typical question students ask Wed- the miserable long lines and confusion wants, his alternate's will be con- nesday when they buy their spring we have now," Tuthill said. sidered. The finished schedule will be semester schedule of classes and find a Tuthill hopes students will see their mailed back to him. If he is satisfied, he computer-type registration form in- department advisers or a counselor will mail his fee to SJSU. There will be side. before filling in their class choices on no packet turn-in. What it is is a demand data survey the survey. Then the student hands in If the student is unsatisfied with his form, and if enough students volun- the survey to the registrar's office by schedule, he will get first priority at a tarily fill it out, the administration Dec. 18 "and he forgets about it, he's usual arena-type registration in the fall hopes to have Computer Assisted through with the demand survey, we the day before instruction in the fall. Registration (CAR) at SJSU next fall. take it from there," he said. His fee can be paid then. Freshmen and See related stories on page 3. The forms will be fed through a late-accepted transfer students also The form has room for the student to computer that will optically scan the register at this time.
    [Show full text]