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John Dryden and the Late 17Th Century Dramatic Experience Lecture 16 (C) by Asher Ashkar Gohar 1 Credit Hr
JOHN DRYDEN AND THE LATE 17TH CENTURY DRAMATIC EXPERIENCE LECTURE 16 (C) BY ASHER ASHKAR GOHAR 1 CREDIT HR. JOHN DRYDEN (1631 – 1700) HIS LIFE: John Dryden was an English poet, literary critic, translator, and playwright who was made England's first Poet Laureate in 1668. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the “Age of Dryden”. The son of a country gentleman, Dryden grew up in the country. When he was 11 years old the Civil War broke out. Both his father’s and mother’s families sided with Parliament against the king, but Dryden’s own sympathies in his youth are unknown. About 1644 Dryden was admitted to Westminster School, where he received a predominantly classical education under the celebrated Richard Busby. His easy and lifelong familiarity with classical literature begun at Westminster later resulted in idiomatic English translations. In 1650 he entered Trinity College, Cambridge, where he took his B.A. degree in 1654. What Dryden did between leaving the university in 1654 and the Restoration of Charles II in 1660 is not known with certainty. In 1659 his contribution to a memorial volume for Oliver Cromwell marked him as a poet worth watching. His “heroic stanzas” were mature, considered, sonorous, and sprinkled with those classical and scientific allusions that characterized his later verse. This kind of public poetry was always one of the things Dryden did best. On December 1, 1663, he married Elizabeth Howard, the youngest daughter of Thomas Howard, 1st earl of Berkshire. -
An A2 Timeline of the London Stage Between 1660 and 1737
1660-61 1659-60 1661-62 1662-63 1663-64 1664-65 1665-66 1666-67 William Beeston The United Company The Duke’s Company The Duke’s Company The Duke’s Company @ Salisbury Court Sir William Davenant Sir William Davenant Sir William Davenant Sir William Davenant The Duke’s Company The Duke’s Company & Thomas Killigrew @ Salisbury Court @Lincoln’s Inn Fields @ Lincoln’s Inn Fields Sir William Davenant Sir William Davenant Rhodes’s Company @ The Cockpit, Drury Lane @ Red Bull Theatre @ Lincoln’s Inn Fields @ Lincoln’s Inn Fields George Jolly John Rhodes @ Salisbury Court @ The Cockpit, Drury Lane @ The Cockpit, Drury Lane The King’s Company The King’s Company PLAGUE The King’s Company The King’s Company The King’s Company Thomas Killigrew Thomas Killigrew June 1665-October 1666 Anthony Turner Thomas Killigrew Thomas Killigrew Thomas Killigrew @ Vere Street Theatre @ Vere Street Theatre & Edward Shatterell @ Red Bull Theatre @ Bridges Street Theatre @ Bridges Street Theatre @ The Cockpit, Drury Lane @ Bridges Street Theatre, GREAT FIRE @ Red Bull Theatre Drury Lane (from 7/5/1663) The Red Bull Players The Nursery @ The Cockpit, Drury Lane September 1666 @ Red Bull Theatre George Jolly @ Hatton Garden 1676-77 1675-76 1674-75 1673-74 1672-73 1671-72 1670-71 1669-70 1668-69 1667-68 The Duke’s Company The Duke’s Company The Duke’s Company The Duke’s Company Thomas Betterton & William Henry Harrison and Thomas Henry Harrison & Thomas Sir William Davenant Smith for the Davenant Betterton for the Davenant Betterton for the Davenant @ Lincoln’s Inn Fields -
Age of Dryden Summary
AGE OF DRYDEN SUMMARY John Dryden, (born August 9 [August 19, New Style], 1631, Aldwinkle, Northamptonshire, England—died May 1 [May 12], 1700, London), English poet, dramatist, and literary critic who so dominated the literary scene of his day that it came to be known as the Age of Dryden. The son of a country gentleman, Dryden grew up in the country. When he was 11 years old the Civil War broke out. Both his father’s and mother’s families sided with Parliament against the king, but Dryden’s own sympathies in his youth are unknown. About 1644 Dryden was admitted to Westminster School, where he received a predominantly classical education under the celebrated Richard Busby. His easy and lifelong familiarity with classical literature begun at Westminster later resulted in idiomatic English translations. In 1650 he entered Trinity College, Cambridge, where he took his B.A. degree in 1654. What Dryden did between leaving the university in 1654 and the Restoration of Charles II in 1660 is not known with certainty. In 1659 his contribution to a memorial volume for Oliver Cromwell marked him as a poet worth watching. His “heroic stanzas” were mature, considered, sonorous, and sprinkled with those classical and scientific allusions that characterized his later verse. This kind of public poetry was always one of the things Dryden did best. When in May 1660 Charles II was restored to the throne, Dryden joined the poets of the day in welcoming him, publishing in June Astraea Redux, a poem of more than 300 lines in rhymed couplets. -
“A Poor Player That Struts and Frets His Hour Upon the Stage…”
“A POOR PLAYER THAT STRUTS AND FRETS HIS HOUR UPON THE STAGE…” THE ENGLISH THEATRE IN TRANSITION A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Christin N. Gambill May, 2016 “A POOR PLAYER THAT STRUTS AND FRETS HIS HOUR UPON THE STAGE…” THE ENGLISH THEATRE IN TRANSITION Christin N. Gambill Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Dean of the College Mr. James Slowiak Dr. John Green _______________________________ _______________________________ Faculty Reader Dean of the Graduate School Mr. Adel Migid Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Date Dr. Hillary Nunn _______________________________ School Director Dr. J. Thomas Dukes ii TABLE OF CONTENTS Page CHAPTER I. “THIS ROYAL THRONE THIS SCEPTERED ISLE…” THE THEATRE OF THE ENGLISH RENAISSANCE ............................................................................................... 1 II. THE COMING STORM .............................................................................................. 14 III. THE AXE FALLS ...................................................................................................... 29 IV. UNDER THEIR NOSES ............................................................................................ 42 V. THE NEW ORDER ..................................................................................................... 53 VI. FUTURE CONSIDERATIONS -
1 Thus Begins the Prologue to Sir William Killigrew's
BYZANTINE TRAGEDY IN RESTORATION ENGLAND: JOSEPH SIMONS’S ZENO AND SIR WILLIAM KILLIGREW’S THE IMPERIAL TRAGEDY Methinks I hear some travel’d Gallant say, When he was last at Rome, he saw this Play: That Zeno there was Acted; we confess, And hope that here he’l have as good success.1 Thus begins the prologue to Sir William Killigrew’s The Imperial Tragedy (1669), an adaptation of a Latin play written several decades earlier by the English Jesuit dramatist Joseph Simons, Zeno: sive ambitio infelix (1631).2 This tragedy, drawn 1 William Killigrew, The Imperial Tragedy, 1-4. All references to this play and to Simons’s Zeno are taken from the online editions by Dana Sutton on the ‘Philological Museum’ website hosted by the University of Birmingham: for Zeno, see http://www.philological.bham.ac.uk/zeno/ and for The Imperial Tragedy, see http://www.philological.bham.ac.uk/killigrew/ (accessed March 2015). 2 ‘Joseph Simons, vere Emmanuel Lobb’, Oxford Dictionary of National Biography (hereafter ODNB). The fullest consideration of Simons’s work can be found in Sutton’s introductions to his editions of the tragedies on the Philological Museum website. See also William H. McCabe, S.J., An Introduction to the Jesuit Theater, ed. Louis J. Oldani, S.J. (St Louis, MO: Institute of Jesuit Sources, 1983), and Alison Shell, ‘Autodidacticism in English Jesuit Drama: The Writings and Career of Joseph Simons’, Medieval and Renaissance Drama in England, 3 (2000), 34-56. On Killigrew, see J. P. Vander Motten, Sir William Killigrew (1606-1695): His Life and -
Auditions Nell Gwynn Nell Gwynn Is a Bawdy Restoration Romp a Play with Music, Song and Dance
Auditions Nell Gwynn Nell Gwynn is a bawdy restoration romp A play with music, song and dance. Written by Jessica Swale Directed by Syd Mannion Auditions: Saturday August 11th and 18th at Dolphin Theatre, 12 Spring Street, Onehunga Times by appointment. An audition application form is available NOW – see the end of this notice. The Play: It is the 1660s. Charles II has restored the monarchy and the theatres. Whilst selling oranges at The Theatre Royal in Drury Lane, Nell catches the eye of Charles Hart, one of the greatest actors of his day. She becomes an actress – one of the very first in English history. This is her story. Production Dates: 16th Nov – 8th Dec With the possible exception of the ensemble and the musicians practically every character in Nell Gwynn is an actual historical figure, so you will be able to research plenty of information about these individuals. Details contained here are only as they relate to this production. The play begins in the 1660s and covers a 25 year period, so the ages suggested are playing ages only. Where possible there may be some doubling of characters. Two characters speak predominantly in French and Portuguese, other characters to a lesser degree. I am not necessarily looking for fluent speakers in either. You are actors. You aim to convince. Also, those same actors may double up for other characters who are predominantly native English speakers. Some characters will be required to dance and sing so will need to demonstrate this – details below. Audition pieces and audition packs are available upon request from the director. -
A Review of Two Books Judith Roitman
BOOK REVIEW Math Graphics: A Review of Two Books Judith Roitman The Thrilling Adventures of Lovelace and Babbage: The (Mostly) True Story of the First Computer Sydney Padua Pantheon, 2015 US$19.68, 320 pages ISBN-13: 978-0307908278 Gallery of the Infinite Richard Evan Schwartz American Mathematical Society, 2016 US$29.00, 187 pages ISBN-13: 978-1-4704-255-79 Way back in 2010 in these pages I had the pleasure of some time ago and was delighted to hear that it had reviewing the graphic historical novel of early twentieth- turned into a book. The website contains links to things century logic and set theory Logicomix: An Epic Search for like primary sources and animations of Babbage’s analyti- Truth by Apostolos Doxiadis and Christos H. Papadimi- cal engine. The book is replete with extensive and highly triou (writers) and Alexos Papadatos and Annie Di Donna informative footnotes and endnotes (some of which them- (artists).1 Now we have Sydney Padua’s graphic fantasy selves have footnotes). Padua’s writing exuberantly brings The Thrilling Adventures of Lovelace and Babbage and the Victorian age alive. For Richard Evan Schwartz’s graphic exposition of cardinality example, Lovelace’s fam- and uncountability, Gallery of the Infinite. ily background (her father All three of these books escape the overmuscled art that was Lord Byron) is con- Short, somewhat dominates the comic mass market, but their art is other- cisely described: “It’s not wise quite different. Logicomix is quasi-realistic in a highly easy being the daughter steampunk two-dimensional way. -
LITERARY EDITING of SEVENTEENTH-CENTURY ENGLISH DRAMA by MARIKO NAGASE
LITERARY EDITING OF SEVENTEENTH-CENTURY ENGLISH DRAMA by MARIKO NAGASE A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY The Shakespeare Institute School of English, Drama and American & Canadian Studies University of Birmingham January 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. INFORMATION FOR ABSTRACTING AND INDEXING SERVICES The information on this form will be published. Surname: Nagase First names: Mariko Degree: PhD College/Department: The Shakespeare Institute, Department of English Full title of thesis: Literary Editing of Seventeenth-Century English Drama Date of submission: January 31, 2012 Date of award of degree (leave blank): Abstract (not to exceed 200 words - any continuation sheets must contain the author's full name and full title of the thesis): This thesis explores how literary editing for the dramatic publication was developed in seventeenth-century England. Chapter 1 discusses how the humanist scholars embraced the concept of textual editing and put it into practice about a half century after the invention of the press. Chapter 2 addresses the development of the concept of literary editing in seventeenth-century England by investigating the editorial arguments preserved in the paratextual matter. -
Ada's Legacy: Cultures of Computing from the Victorian to the Digital
Ada’s Legacy ACM Books Editor in Chief M. Tamer Ozsu,¨ University of Waterloo ACM Books is a new series of high-quality books for the computer science community, published by ACM in collaboration with Morgan & Claypool Publishers. ACM Books publications are widely distributed in both print and digital formats through booksellers and to libraries (and library consortia) and individual ACM members via the ACM Digital Library platform. The VR Book: Human-Centered Design for Virtual Reality Jason Jerald, NextGen Interactions 2016 Ada’s Legacy Robin Hammerman, Stevens Institute of Technology; Andrew L. Russell, Stevens Institute of Technology 2016 Edmund Berkeley and the Social Responsibility of Computer Professionals Bernadette Longo, New Jersey Institute of Technology 2015 Candidate Multilinear Maps Sanjam Garg, University of California, Berkeley 2015 Smarter than Their Machines: Oral Histories of Pioneers in Interactive Computing John Cullinane, Northeastern University; Mossavar-Rahmani Center for Business and Government, John F. Kennedy School of Government, Harvard University 2015 A Framework for Scientific Discovery through Video Games Seth Cooper, University of Washington 2014 Trust Extension as a Mechanism for Secure Code Execution on Commodity Computers Bryan Jeffrey Parno, Microsoft Research 2014 Embracing Interference in Wireless Systems Shyamnath Gollakota, University of Washington 2014 Ada’s Legacy Robin Hammerman Stevens Institute of Technology Andrew L. Russell Stevens Institute of Technology ACM Books #7 Copyright © 2016 by the Association for Computing Machinery and Morgan & Claypool Publishers All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other except for brief quotations in printed reviews—without the prior permission of the publisher. -
Melanie Bigold, ' “The Theatre of the Book”: Marginalia and Mise En
occasional publications no.1 ‘Theatre of the Book’ Marginalia and Mise en Page in the Cardiff Rare Books Restoration Drama Collection Melanie Bigold Centre for Editorial and Intertextual Research, Cardiff University ‘ “Theatre of the Book”: Marginalia and Mise en Page in the Cardiff Rare Books Restoration Drama Collection’ (CEIR Occasional Publications No. 1). Available online <http://cardiffbookhistory.files.wordpress.com/2013/12/bigold.pdf>. © 2013 Melanie Bigold; (editor: Anthony Mandal). The moral rights of the author have been asserted. Originally published in December 2013, by the Centre for Editorial and Intertextual Research, Cardiff University. Typeset in Adobe Minion Pro 11 / 13, at the Centre for Editorial and Intertextual Research, using Adobe InDesign cc; final output rendered with Adobe Acrobat xi Professional. Summary he value-added aspect of both marginalia and provenance has long Tbeen recognized. Ownership marks and autograph annotations from well-known writers or public figures increase the intellectual interest as well as monetary value of a given book. Handwritten keys, pointers, and marginal glosses can help to reveal unique, historical information unavaila- ble in the printed text; information that, in turn, can be used to reconstruct various reading and interpretive experiences of the past. However, increas- ingly scholars such as Alan Westphall have acknowledged that the ‘study of marginalia and annotations’ results in ‘microhistory, producing narratives that are often idiosyncratic’. While twenty to fifty percent of early modern texts have some sort of marking in them, many of these forays in textual alterity are unsystematic and fail to address, as William Sherman notes, ‘the larger patterns that most literary and historical scholars have as their goal’. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fàce. while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor. Ml 48106-1346 USA 800-521-0600 UMI UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE PREFACING THE POETESS: GENDER AND TEXTUAL PRESENTATION IN SEVENTEENTH-CENTURY ENGLAND A Dissertation SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of Doctor of Philosophy By AMY SCOTT-DOUGLASS Norman, Oklahoma 2000 UMI Number 9972512 _ ____ (r > UMI UMI Microform9972512 Copyright 2000 by Bell & Howell Information and Learning Company. -
Deadline Extended: CFP Ada Lovelace Postgraduate Workshop
H-Sci-Med-Tech Deadline extended: CFP Ada Lovelace Postgraduate Workshop Discussion published by Sean Seyer on Monday, September 14, 2015 Colleagues, please note the impending CFP deadline: Texts and Contexts: The Cultural Legacies of Ada Lovelace Deadline extended to 18 September “That brain of mine is more than merely mortal; as time will show.” A workshop for graduate students and early career researchers Tuesday 8 December 2015 Mathematics Institute and St Anne’s College, Oxford The mathematician Ada Lovelace (1815-1852), daughter of poet Lord Byron, is celebrated as a pioneer of computer science. The notes she added to her translation of Luigi Menabrea’s paper on Charles Babbage’s analytical engine (1843) are considered to contain a prototype computer program. During her short life, Lovelace not only contributed original ideas to the plans for this early computer; she also imagined wider possibilities for the engine, such as its application to music, and meditated on its limitations. Lovelace leaves a legacy not just as a computer scientist, but also as a muse for literary writers, a model to help us understand the role of women in science in the nineteenth century, and an inspiration for neo-Victorian and steampunk traditions. As part of the University of Oxford’s celebrations to mark the 200th anniversary of Lovelace’s birth, this one-day workshop will bring together graduates and early career researchers to discuss the varied cultural legacies of this extraordinary mathematician. The day will feature an expert panel including graphic novelist Sydney Padua and biographer Richard Holmes, as well as a keynote address from Professor Sharon Ruston, Chair in Romanticism in the Department of English and Creative Writing at Lancaster University.