Trinity Tripod, 1973-01-30
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
HISTORY of the TOIYABE NATIONAL FOREST a Compilation
HISTORY OF THE TOIYABE NATIONAL FOREST A Compilation Posting the Toiyabe National Forest Boundary, 1924 Table of Contents Introduction ..................................................................................................................................... 3 Chronology ..................................................................................................................................... 4 Bridgeport and Carson Ranger District Centennial .................................................................... 126 Forest Histories ........................................................................................................................... 127 Toiyabe National Reserve: March 1, 1907 to Present ............................................................ 127 Toquima National Forest: April 15, 1907 – July 2, 1908 ....................................................... 128 Monitor National Forest: April 15, 1907 – July 2, 1908 ........................................................ 128 Vegas National Forest: December 12, 1907 – July 2, 1908 .................................................... 128 Mount Charleston Forest Reserve: November 5, 1906 – July 2, 1908 ................................... 128 Moapa National Forest: July 2, 1908 – 1915 .......................................................................... 128 Nevada National Forest: February 10, 1909 – August 9, 1957 .............................................. 128 Ruby Mountain Forest Reserve: March 3, 1908 – June 19, 1916 .......................................... -
GSA TODAY • 1998 Medals and Awards, P
Vol. 8, No. 8 August 1998 INSIDE • Penrose Conferences, p. 7, 19 GSA TODAY • 1998 Medals and Awards, p. 8 • New Members Fellows, and A Publication of the Geological Society of America Student Associates, p. 20, 21 Slope Failure and Shoreline Retreat During Northern California’s Latest El Niño El Niño Response Group* S. H. Cannon, S. D. Ellen, S. E. Graham, R. W. Graymer, M. A. Hampton, J. W. Hillhouse, D. G. Howell, A. S. Jayko, R. L. LaHusen, K. R. Lajoie, R. J. Pike (lead compiler/editor), D. W. Ramsey, M. E. Reid, B. M. Richmond, W. Z. Savage, C. M. Wentworth, and R. C. Wilson U.S. Geological Survey ABSTRACT Surface processes accelerated by severe storms during the 1997–1998 El Niño event scoured hillsides and damaged property across coastal Cali- fornia. Technological advances such as digital mapping, exemplified here for the San Francisco Bay area but applicable elsewhere, have enabled government agencies to better describe, monitor, and predict the effects of shoreline erosion and slope failure. INTRODUCTION Major storms struck California in 1997–1998, ravaging the coast and spawn- ing floods and landslides (Fig. 1). By late spring, property losses statewide had exceeded $550 million, and 35 counties were declared Federal Disaster Areas. Mindful of severe winters past (Ellen, 1988) and the predicted El Niño anomaly, the U.S. Geological Survey (USGS) joined other agencies to anticipate new areas of hazard while sustaining monitoring efforts already in place across the state (http:// www.usgs.gov/elnino.html). Here, we illustrate some of the winter’s destructive geomorphic effects in the San Francisco Bay area (Fig. -
1 CRONOLOGÍA LICEÍSTA Se Incluye Un Listado Con Las
CRONOLOGÍA LICEÍSTA Se incluye un listado con las representaciones de Aida, de Giuseppe Verdi, en la historia del Gran Teatre del Liceu. Estreno absoluto: Ópera del Cairo, 24 de diciembre de 1871. Estreno en Barcelona: Teatro Principal, 16 abril 1876. Estreno en el Gran Teatre del Liceu: 25 febrero 1877 Última representación en el Gran Teatre del Liceu: 30 julio 2012 Número total de representaciones: 454 TEMPORADA 1876-1877 Número de representaciones: 21 Número histórico: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21. Fechas: 25 febrero / 3, 4, 7, 10, 15, 18, 19, 22, 25 marzo / 1, 2, 5, 10, 13, 18, 22, 27 abril / 2, 10, 15 mayo 1877. Il re: Pietro Milesi Amneris: Rosa Vercolini-Tay Aida: Carolina de Cepeda (febrero, marzo) Teresina Singer (abril, mayo) Radamès: Francesco Tamagno Ramfis: Francesc Uetam (febrero y 3, 4, 7, 10, 15 marzo) Agustí Rodas (a partir del 18 de marzo) Amonasro: Jules Roudil Un messaggiero: Argimiro Bertocchi Director: Eusebi Dalmau TEMPORADA 1877-1878 Número de representaciones: 15 Número histórico: 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36. Fechas: 29 diciembre 1877 / 1, 3, 6, 10, 13, 23, 25, 27, 31 enero / 2, 20, 24 febrero / 6, 25 marzo 1878. Il re: Raffaele D’Ottavi Amneris: Rosa Vercolini-Tay Aida: Adele Bianchi-Montaldo Radamès: Carlo Bulterini Ramfis: Antoine Vidal Amonasro: Jules Roudil Un messaggiero: Antoni Majjà Director: Eusebi Dalmau 1 7-IV-1878 Cancelación de ”Aida” por indisposición de Carlo Bulterini. -
La Fondazione Università Popolare Di Torino “CONCERTO DI PRIMAVERA”
EUROPEAN BUREAU OF ADULT EDUCATION TENORE GIOVANNI RIBICHESU nato a “Traviata” a Monza, “Carmen” a Padova, “Il Trovatore” a Milano, Torino nel 1975, compie gli studi di “La vedova allegra” a Milano e Mantova, “Aida” a Milano, “Luisa pianoforte presso il conservatorio G. Miller” e “Boheme” nel Trentino Opera Festival, “Turandot” (Liù) a Verdi di Torino e all'Ecole Alfred Cortot a Milano. Parigi sotto la guida di Maria Golia e Nella sua attività concertistica interpreta Mozart “Requiem” e “Exsul- Germaine Mounier, inizia gli studi di tate jubilate”, Fauré “Requiem”, Vivaldi “Gloria”, Beethoven “Nona canto con il papà Rolando (allievo del sinfonia”, Gounod “Messa solenne di Santa Cecilia”. Esegue con grande successo Concerto Verdiano a San Pietroburgo con Maestro Marcello del Monaco e di Mario l’Orchestra Klassica Statale sotto la direzione del Maestro Giuseppe del Monaco) successivamente con i Dellavalle. Ha inciso per la “Ricordi” in “Cantolopera” cinque CD con maestri: Pier Miranda Ferraro, Franco le arie di soprano: “Rarities I e II, Belle Epoque, Arie sacre, Le pazzie”. Corelli, Gianfranco Cecchele, Antonio Marcenò, Nicola Martinuc- ci. Debutta in Aida nel ruolo di Radames al teatro Arca di Milano e successivamente al Festival di Aspendos in Turchia. Vince il concorso Renata Tebaldi a Milano e parte la tournèe in Korea dove si presenta nel ruolo di Manrico ne Il Trovatore. Debutta Via Principe Amedeo, 12 - 10123 Torino - tel. e fax 011.812.78.79 successivamente nei Pagliacci come Canio e in Turiddu nella Il grande BARITONO ENZO www.unipoptorino.it Cavalleria Rusticana nella medesima serata al Teatro Reale di SORDELLO conseguita la maturità ha Ankara in Turchia con la Regia di Vincenzo Grisostomi. -
El Camino De Verdi Al Verismo: La Gioconda De Ponchielli the Road of Verdi to Verism: La Gioconda De Ponchielli
Revista AV Notas, Nº8 ISSN: 2529-8577 Diciembre, 2019 EL CAMINO DE VERDI AL VERISMO: LA GIOCONDA DE PONCHIELLI THE ROAD OF VERDI TO VERISM: LA GIOCONDA DE PONCHIELLI Joaquín Piñeiro Blanca Universidad de Cádiz RESUMEN Con Giuseppe Verdi se amplificaron y superaron los límites del Bel Canto representado, fundamentalmente, por Rossini, Bellini y Donizetti. Se abrieron nuevos caminos para la lírica italiana y en la evolución que terminaría derivando en la eclosión del Verismo que se articuló en torno a una nutrida generación de autores como Leoncavallo, Mascagni o Puccini. Entre Verdi y la Giovane Scuola se situaron algunos compositores que constituyeron un puente entre ambos momentos creativos. Entre ellos destacó Amilcare Ponchielli (1834-1886), profesor de algunos de los músicos más destacados del Verismo y autor de una de las óperas más influyentes del momento: La Gioconda (1876-1880), estudiada en este artículo en sus singularidades formales y de contenido que, en varios aspectos, hacen que se adelante al modelo teórico verista. Por otra parte, se estudian también cuáles son los elementos que conserva de los compositores italianos precedentes y las influencias del modelo estético francés, lo que determina que la obra y su compositor sean de complicada clasificación, aunque habitualmente se le identifique incorrectamente con el Verismo. Palabras clave: Ponchielli; Verismo; Giovane Scuola; ópera; La Gioconda; Italia ABSTRACT With Giuseppe Verdi, the boundaries of Bel Canto were amplified and exceeded, mainly represented by Rossini, Bellini and Donizetti. New paths were opened for the Italian lyric and in the evolution that would end up leading to the emergence of Verismo that was articulated around a large generation of authors such as Leoncavallo, Mascagni or Puccini. -
Nye County Comprehensive Plan 5.2.2 Competition for Water Rights
DRAFT - Nye County Comprehensive Plan 5.2.2 Competition for Water Rights In October of 1989, the Las Vegas Valley Water District (LVVWD) filed applications with the State Engineer’s office for over 860,000 acre-feet of water rights in rural Nevada for virtually all the unallocated perennial yield water in northeastern Nye County. Since the initial filing, LVVWD informed the public that it has revised the amount of water that is needed, but LVVWD has not amended the applications that were filed to reflect this revision. In addition to the water resource commitments, there are large water right filings in some basins that are ready for action by the NDWR. In all, applications are outstanding for more than 333,000 acre feet in the basins that are located wholly or partially in Nye County (as of March 1999). Foremost are those associated with the Southern Nevada Water Authority’s (SNWA) plans to export water from Nye County and other rural Nevada counties to metropolitan Las Vegas. In 1989, LVVWD filed 32 groundwater permit applications with points of diversion in Nye County. Six of these applications have been withdrawn, but the remaining 26 applications, totaling more than 140,000 acre feet in Railroad Valley (North and South), Garden Valley, and Coal Valley, are ready for protest (NCWRP, 2004). The locations of these water rights are in the north and south Raifroad Valley basins, the Coal Valley basin, the Garden Valley basin, and the White River Valley basin. These basins are located in areas that are currently undeveloped or only partially developed. -
Otello Di Giuseppe Verdi Prima Rappresentazione Milano, Teatro Alla Scala, 5 Febbraio 1887
STAGIONE LIRICA E DI BALLETTO 2013 L’OPERA NELLA MEMORIA: LE EDIZIONI CAGLIARITANE DEL PASSATO Otello di Giuseppe Verdi prima rappresentazione Milano, Teatro alla Scala, 5 febbraio 1887 Teatro Civico Stagione di Carnevale 1898 25 dicembre interpreti Pietro Nobilini (Otello), Michele De Padova (Jago), Michele Olivieri (Cassio), Giacinto Pinna (Roderigo), Ettore Conti (Lodovico), Giuseppe Sorgi (Montano), Augusta Crux (Desdemona), Maria Galliano (Emilia) maestro concertatore e direttore d’orchestra Lorenzo Malajoli maestro del coro Virginia Mariani Politeama Regina Margherita Stagione lirica 1914 Politeama Regina Margherita Stagione lirica 1928-1929 Politeama Regina Margherita Stagione lirica 1941 interpreti Francesco Merli (Otello), Luigi Montesanto (Jago), Fernanda Ciani (Desdemona) maestro concertatore e direttore d’orchestra Giuseppe Podestà maestro del coro Gennaro D’Angelo Teatro Giardino Stagione lirica estiva 1951 18 agosto - 5 settembre (13 recite) interpreti Emilio Marinescu (Otello), Antonio Manca Serra (Jago), Salvatore Di Tommaso (Cassio), Ezio Achilli (Roderigo), Umberto Frisaldi (Lodovico), Silvio Loddo (Montano), Rosetta Noli (Desdemona), Fernanda Cadoni (Emilia) maestro concertatore e direttore d’orchestra Oliviero De Fabritiis regia Carlo Acly Azzolini Ufficio Stampa via Sant’Alenixedda, 09128 Cagliari - Italia telefono +39 0704082 232-261-209 - fax +39 0704082216 [email protected] www.teatroliricodicagliari.it Teatro Massimo Stagione lirica 1956 18, 20, 22, 25 marzo interpreti Charles Guichandut (Otello), -
Baylor University Commencement May Seventh and Eighth, Two Thousand Twenty-One
B AYLOR U NIVERSITY C OMMEN C EMENT May Seventh and Eighth, Two Thousand Twenty-one McLane Stadium . Waco, Texas Baylor University Commencement May Seventh and Eighth, Two Thousand Twenty-one Table of Contents 2 Program for Friday Morning The School of Engineering and Computer Science The School of Education The College of Arts & Sciences The Graduate School 3 List of Degrees Presented in Friday Morning Ceremony 8 Program for Friday Afternoon The School of Music The College of Arts & Sciences The Graduate School 9 List of Degrees Presented in Friday Afternoon Ceremony 14 Program for Saturday Morning The Robbins College of Health and Human Sciences The Diana R. Garland School of Social Work The Louise Herrington School of Nursing The Graduate School 15 List of Degrees Presented in Saturday Morning Ceremony 20 Program for Saturday Afternoon The Hankamer School of Business The Graduate School 21 List of Degrees Presented in Saturday Afternoon Ceremony 26 Commencement Traditions A History of Baylor Commencement Academic Regalia The Diploma Graduating with Latin Honors Baylor Interdisciplinary Core Official Baylor Ring Senior Class Gift 28 Faculty Ushers for Commencement Faculty Marshals for Commencement Ceremony Musicians 29 General Information The National Anthem Back Cover “That Good Old Baylor Line” 1 The School of Engineering and Computer Science, The School of Education, The College of Arts & Sciences, and The Graduate School Friday, May 7, 2021, Nine o’clock in the Morning – McLane Stadium Prelude Presentation of Degree Candidates Ceremonial Piece on CWM Rhondda by William Mac Davis President Livingstone The Earle of Oxford’s March by William Byrd, arranged by Assisted by Dr. -
Lps-Vocal Recitals All Just About 1-2 Unless Otherwise Described
LPs-Vocal Recitals All just about 1-2 unless otherwise described. Single LPs unless otherwise indicated. Original printed matter with sets should be included. 4208. LUCINE AMARA [s]. RECITAL. With David Benedict [pno]. Music of Donaudy, De- bussy, de Falla, Szulc, Turina, Schu- mann, Brahms, etc. Cambridge Stereo CRS 1704. $8.00. 4229. AGNES BALTSA [ms]. OPERA RECITAL. From Cenerentola, Il Barbiere di Siviglia, La Favorita, La Clemenza di Tito , etc. Digital stereo 067-64-563 . Cover signed by Baltza . $10.00. 4209. ROLF BJÖRLING [t]. SONGS [In Swedish]. Music of Widéem, Peterson-Berger, Nord- qvist, Sjögren, etc. The vocal timbre is quite similar to that of Papa. Odeon PMES 552. $7.00. 3727. GRACE BUMBRY [ms]. OPERA ARIAS. From Camen, Sappho, Samson et Dalila, Dr. Frieder Weissmann and Don Carlos, Cavalleria Rustican a, etc. Sylvia Willink-Quiel, 1981 Deut. Gram. Stereo SLPM 138 826. Sealed . $7.00. 4213. MONTSERAAT CABALLÉ [s]. ROSSINI RARITIES. Orch. dir. Carlo Felice Cillario. From Armida, Tancredi, Otello, Stabat Mater, etc. Rear cover signed by Caballé . RCA Victor LSC-3015. $12.00. 4211. FRANCO CORELLI [t] SINGS “GRANADA” AND OTHER ROMANTIC SONGS. Orch. dir Raffaele Mingardo. Capitol Stereo SP 8661. Cover signed by Corelli . $15.00. 4212. PHYLLLIS CURTIN [s]. CANTIGAS Y CANCIONES OF LATIN AMERICA. With Ryan Edwards [pno]. Music of Villa-Lobos, Tavares, Ginastera, etc. Rear cover signed by Curtin. Vanguard Stereolab VSD-71125. $10.00. 4222. EILEEN FARRELL [s]. SINGS FRENCH AND ITALIAN SONGS. Music of Respighi, Castelnuovo-Tedesco, Debussy. Piano acc. George Trovillo. Columbia Stereo MS- 6524. Factory sealed. $6.00. -
Montana Kaimin, February 23, 1968 Associated Students of University of Montana
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 2-23-1968 Montana Kaimin, February 23, 1968 Associated Students of University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of University of Montana, "Montana Kaimin, February 23, 1968" (1968). Montana Kaimin, 1898-present. 4473. https://scholarworks.umt.edu/studentnewspaper/4473 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. vi mumrtlirt FEB 23 1968 Lunar Rocks Seen as Source of Water Jack Green, a theorist on lunar or water-containing, rock. ter for astronauts could be pro volcanity theory with the follow is probably not hit by more me geology, suggested last night that Mr. Green said if such rock duced. ing arguments: teors. The extra craters could be volcanic rocks on the moon could were heated by focusing solar rays Support of Lunar Theory • The moon bears many more of volcanic origin. be a source of water for space on them an ample supply of wa The theorist supported his lunar craters than the earth although it • The moon travels a lopsided travelers. orbit with a variation of 30,000 Mr. -
Stagione 2018-2019 Aida Compositore: Giuseppe Verdi
Progetto5_v 18/12/15 18:51 Pagina 1 La Griffe Roma Hotel Papadopoli Venezia A COLLECTION OF MEMORABLE BOUTIQUE HOTELS sofitel.com - accorhotels.com Progetto5_v 18/12/15 18:51 Pagina 1 La Griffe Roma Hotel Papadopoli Venezia A COLLECTION OF MEMORABLE BOUTIQUE HOTELS sofitel.com - accorhotels.com Progetto5_v 18/12/15 18:51 Pagina 2 Eau de Parfum pour Homme et pour Femme Merging of olfactory notes with musical harmonies. themerchantofvenice.com Fondazione Teatro La Fenice di venezia Radio3 per la Fenice Opere della Stagione Lirica 2018-2019 trasmesse in diretta o in differita dal Teatro La Fenice o dal Teatro Malibran venerdì 23 novembre 2018 ore 19.00 Macbeth venerdì 8 febbraio 2019 ore 19.00 Il sogno di Scipione venerdì 15 febbraio 2019 ore 19.00 Il re pastore domenica 24 febbraio 2019 ore 15.30 L’italiana in Algeri martedì 23 aprile 2019 ore 19.00 Dorilla in Tempe venerdì 10 maggio 2019 ore 19.00 Turandot sabato 18 maggio 2019 ore 15.30 Aida Concerti della Stagione Sinfonica 2018-2019 trasmessi in differita dal Teatro La Fenice o dal Teatro Malibran Myung-Whun Chung (sabato 3 novembre 2018) Kerem Hasan (sabato 10 novembre 2018) Jérémie Rhorer (venerdì 11 gennaio 2019) Juraj Valčuha (venerdì 12 aprile 2019) Diego Fasolis (venerdì 19 aprile 2019) Jonathan Webb (venerdì 7 giugno 2019) www.radio3.rai.it – per le frequenze: numero verde 800 111 555 FONDAZIONE AMICI DELLA FENICE STAGIONE 2018-2019 Incontri con l’opera giovedì 15 novembre 2018 GIORGIO PESTELLI Macbeth martedì 11 dicembre 2018 SILVIA POLETTI Romeo e Giulietta lunedì 21 gennaio -
BORIS TRAJANOV Baritone
BORIS TRAJANOV Baritone The UNESCO Artist for Peace studied lyrics with his father Goga Trajanov, Biserka Cvejic (Belgrade) and Pier Miranda Ferraro (Milan). After his debut on the stage of Skopje opera in 1986 till 1991, the Macedonian baritone became a member of State Theatre in Karlsruhe until September 1996. From 1996 he is a free lance. He is a winner of several international singing awards. During the 20 years of international career he has performed in more than 100 renown opera companies in Europe (Italy, France, Holland, Germany, Austria, Norway, U.K. and others), as well as in USA, Brazil, South Africa and South Korea. He performed 45 principal roles in more than 700 opera performances. In the new millennium he is performing as a Principal the most in Italy 20 Productions: (Rome, Bologna, Palermo, Parma, Trieste, Cagliari, Bergamo, Pisa, Messina, Ravenna, Modena, Bari...) but also in Germany (Deutsche Oper Berlin, Staatsoper Hamburg, Oper Frankfurt..), Austria (Vienna, Graz...), Monte Carlo, Moscow, Seoul/ South Korea, Israeli opera, Marseille and Pacific Opera in the USA. In February 2005 he was awarded the "UNESCO Artist for Peace" title because ”…of outstanding career as a renowned opera singer and for his support of humanist values...”. He participated on Gala Concert 60 Years of UNESCO in Paris‐France on 16th of November 2005, also in the UNESCO Gala Evenings Dec. 2007 in Paris and New York (Lincoln Center‐ Avery Fisher Hall) He sang MORE THAN 45 ROLES from them: Scarpia/Tosca: Teatro dell’Opera Rom‐Italy (2002, Tournee in Moscow), Teatro Massimo Palermo‐Italy with Maurizio Arena (2001) and Pinchas Steinberg (2007), Teatro Regio Parma‐Italy (2002) with Raina Kabaiwanska for his Farwell from the Role, Teatro Vittorio Emanuele Messina‐Italy (2006), Tournee Italy (Dez.