Evelyn Waugh Newsletter And
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ethnicity, Lyricism, and John Berryman's Dream Songs
Imaginary Jews and True Confessions: Ethnicity, Lyricism, and John Berryman’s Dream Songs ANDREW GROSS . Jews, who have changed much in the course of history, are certainly no race, [but] the anti‐Semites in a way are a race, because they always use the same slogans, display the same attitudes, indeed almost look alike. —Max Horkheimer1 John Berryman’s “The Imaginary Jew,” published in the Kenyon Review of 1945, is in some ways a rather programmatic account of one man’s conversion from parlor anti‐ Semitism to a feeling of solidarity with Jews. The climax occurs when a bigot accuses the narrator of being Jewish in order to discredit him in an argument over Roosevelt’s foreign policy prior to the American entry into World War II. The accusation completely unnerves the narrator in ways he does not immediately understand, and he is shocked to see that it discredits him in the eyes of the crowd, which has assembled at Union Square to hear impromptu debates. Later, after leaving the scene of his embarrassment, he decides to lay claim to this mistaken, or imaginary, identity, and comes to the following conclusion about the nature of prejudice: “My persecutors were right: I was a Jew. The imaginary Jew I was was as real as the imaginary Jew hunted down, on other nights and days, in a real Jew. Every murderer strikes the mirror, the lash of the torturer falls on the mirror and cuts the real image, and the real and the imaginary blood flow down together.”2 The story garnered some attention when it appeared in 1945. -
John Lehmann's New Writing: the Duty to Be Tormented
John Lehmann’s New Writing: The Duty to Be Tormented Françoise Bort To cite this version: Françoise Bort. John Lehmann’s New Writing: The Duty to Be Tormented. Synergies Royaume Uni et Irlande, Synergies, 2011, The War in the Interwar, edited by Martyn Cornick, pp.63-73. halshs- 01097893 HAL Id: halshs-01097893 https://halshs.archives-ouvertes.fr/halshs-01097893 Submitted on 7 Jun 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License John Lehmann’s New Writing: the Duty to be Tormented Françoise Bort Université de Bourgogne Synergies Royaume-Uni Royaume-Uni Summary: John Lehmann’s magazine New Writing, launched in 1936, may be said to give literary historians a slow-motion image of the evolution of 63-73 pp. artistic consciousness in one of the most turbulent periods of the twentieth et century. Throughout the fourteen years of its existence, encompassing the Irlande Spanish Civil War and the Second World War, the magazine covers a neglected period of transition in the evolution of modernism. Through his editorial n° 4 policy and a susceptible interpretation of the Zeitgeist, Lehmann voices the particular torments of his generation, too young to have participated in - 2011 the First World War, but deeply affected by it. -
Orwell's Painful Childhood
Orwell's painful childhood JEFFREY MEYERS RWELL was always extremely reticent about his personal affairs, so we know virtually nothing about how his O character was formed in his earliest years. He was born in 1903 in Motihari, situated on the bank of a lake in the state of Bihar, between Patna and Katmandu. His father was a sub-deputy agent in the Opium Department of the Indian Civil Service, and Orwell's family was part of that 'upper-middle class, which had its heyday in the eighties and nineties, with Kipling as its poet laureate, and was a sort of mound of wreckage left behind when the tide of Victorian prosperity receded'.1 Like Thackeray, Kipling, and Durrell, he spent his first years in India before he was sent to England at the age of four to begin school. Kipling's Something of Myself gives a lyrical description of a secure Indian childhood, protected by the gentleness and affection of bearer and ayah; and Fraser writes of Durrell that 'The Indian childhood, the heat, the colour, the Kiplingesque social atmosphere, deeply affected his childish imagination'.2 But both Thackeray and Kipling stress the wrenching trauma of leaving India at five years old. In The Newcombes, Thackeray writes : What a strange pathos seems to me to accompany all our Indian story! . The family must be broken up . In America it is from the breast of a poor slave that a child is taken; in India it is from the wife.3 Kipling's 'Baa Baa Black Sheep' describes his sudden and painful departure from servants and parents ('through no fault of their own, they had lost all their world'), and the horrors of an alien family that engulfs him with meanness and cruelty. -
Evelyn Waugh and FRIENDS
Evelyn Waugh AND FRIENDS JONKERS RARE BOOKS EVELYN WAUGH AND FRIENDS 3 JONKERS RARE BOOKS 4 C A T A L O G U E 7 4 Evelyn Waugh AND FRIENDS JONKERS RARE BOOKS MMXVII CATALOGUE 74 Offered for sale by Jonkers Rare Books 27 Hart Street Henley on Thames RG9 2AR 01491 576427 (within the UK) +44 1491 576427 (from overseas) email: [email protected] website: www.jonkers.co.uk Payment is accepted by cheque or bank transfer in either sterling or US dollars and all major credit cards. All items are unconditionally guaranteed to be authentic and as described. Any unsatisfactory item may be returned within ten days of receipt. All items in this catalogue may be ordered via our secure website. The website also lists over 2000 books, manuscripts and pieces of artwork from our stock, as well as a host of other information. Cover illustration: Mark Gerson’s photo of Evelyn Waugh in the garden at Combe Florey, taken in 1963 Frontispiece: An illustration by Waugh and Derek Hooper (both aged 13) for The Cynic (item 2), Waugh’s prep-school magazine. Pastedown: Waugh’s ‘modernist’ bookplate used in the 1920’s, from item 4. 2 Introduction There has been a more than sufficient amount written about the life and writings of Evelyn Waugh to render any further rehashing of biographical information unneccesary here. However, the scope of the catalogue inevitibly takes the form of a timeline in artifacts. It begins with the proofs of Waugh’s first literary output, aged 7 and his contributions to school and university pub- lications, through to his comprehensive catalogue of published work: non-fiction first followed by his triumphant first novel and the further successes which followed. -
EVELYN WAUGH NEWSLETTER and STUDIES Vol
EVELYN WAUGH NEWSLETTER AND STUDIES Vol EVELYN WAUGH NEWSLETTER AND STUDIES Vol. 33, No. 3 Winter 2003 Wights Errant: Suffixal Sound Symbolism in the Novels of Evelyn Waugh by Simon Whitechapel He who hesitates is lost. Particularly in the novels of Evelyn Waugh, where little serves to damn a character as readily as hesitation and uncertainty. In the prologue to Brideshead Revisited (1945), for example, Charles Ryder accompanies his C.O. on an inspection of the camp: ‘Look at that,’ said the commanding officer. ‘Fine impression that gives to the regiment taking over from us.’ ‘That’s bad,’ I said. ‘It’s a disgrace. See that everything there is burned before you leave camp.’ ‘Very good, sir. Sergeant-major, send over to the carrier-platoon and tell Captain Brown that the C.O. wants this ditch cleared up.’ I wondered whether the colonel would take this rebuff; so did he. He stood irresolutely prodding the muck in the ditch, then he turned on his heel and strode away.1 The C.O. is never named, perhaps because Waugh had already bestowed his favorite suffix of contempt on another character in the prologue, Hooper, who accordingly joins Beaver, Trimmer, Atwater, Dr Messinger, Mulcaster, Corker, Salter, Lord Copper, Peter Pastmaster, Box-Bender, Pennyfeather, and Ryder among what might be called Waugh’s wights errant. The last two characters, who are partly autobiographical, prove that Waugh did not spare himself: Paul Pennyfeather, the hero of Decline and Fall (1928), suffers misfortune after misfortune because he is too trusting and unassertive, and Charles Ryder, the narrator of Brideshead, though perhaps partly shielded by his patrician “y”, is still worthy of serious blame for his behavior. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
Draft Programme the Information in This Programme Is Correct As of 19Th February
The Trollope Society Visit to Florence 1st - 5th April 2020 Draft Programme The information in this programme is correct as of 19th February. For the latest version of the programme visit www.trollopesociety.org/event/trip-florence/ Wednesday 1st April From 5pm Registration and pick up pack Reception, Hotel Ricasoli, Via Delle Mantellate 2, Firenze 6pm – 8pm Welcome to Florence by Dominic Hotel Ricasoli, Via Delle Edwardes, Chair of the Trollope Mantellate 2, Firenze Society Drinks Reception with canapes to include the launch of newly reprinted Fanny Trollope’s The Life and Adventures of Jonathan Jefferson Whitlaw (1836) Thursday 2nd April 10am to 1pm Walking tour of City Centre Meet at the carousel in Piazza della Repubblica, 50123 Firenze 3pm-4pm Talk by Mark Roberts, Consultant to Acton Room, Harold Acton the British Institute on Some 19th- Library, Century Literary Visitors to Florence British Institute, Lungarno Guicciardini, 9, 50125 Firenze See More Information 4.30pm – 6.30pm Visit to the British Institute with The Ferragamo Room, Harold afternoon tea and cake Acton Library, British Institute, Lungarno Guicciardini, 9, 50125 Firenze Friday 3rd April 9.30am Walk to Trollope Villa Trollope Villa, 21 Piazza della Indipendenza 10.15am to 12 Talk by Dominic Edwardes on The noon Life of Fanny Trollope. Talk by Julia Bolton Holloway, Hotel Ricasoli, Via Delle librarian, archivist and custodian of Mantellate 2, Firenze the English Cemetery, on Frances Trollope’s political and social activism The Trollope Society Visit to Florence 2020 – Draft Programme 23rd February 2.00pm Walk to English Cemetery OR English Cemetery, Piazzale 2.30pm Meet at English Cemetery Donatello, 38, 50132 Firenze Followed by refreshments at nearby café 7.00pm Dinner at Gran Caffè San Marco Gran Caffè San Marco, Piazza San Marco, 11/R, 50121 Firenze Included for those who have pre- booked and pre-paid Saturday 4th April 10am - 12 noon Free time or optional visit to the The Stibbert Museum, Via Stibbert Museum. -
John Curtin's War
backroom briefings John Curtin's war CLEM LLOYD & RICHARD HALL backroom briefings John Curtin's WAR edited by CLEM LLOYD & RICHARD HALL from original notes compiled by Frederick T. Smith National Library of Australia Canberra 1997 Front cover: Montage of photographs of John Curtin, Prime Minister of Australia, 1941-45, and of Old Parliament House, Canberra Photographs from the National Library's Pictorial Collection Back cover: Caricature of John Curtin by Dubois Bulletin, 8 October 1941 Published by the National Library of Australia Canberra ACT 2600 © National Library of Australia 1997 Introduction and annotations © Clem Lloyd and Richard Hall Every reasonable endeavour has been made to contact relevant copyright holders of illustrative material. Where this has not proved possible, the copyright holders are invited to contact the publisher. National Library Cataloguing-in-Publication data Backroom briefings: John Curtin's war. Includes index. ISBN 0 642 10688 6. 1. Curtin, John, 1885-1945. 2. World War, 1939-1945— Press coverage—Australia. 3. Journalism—Australia. I. Smith, FT. (Frederick T.). II. Lloyd, C.J. (Clement John), 1939- . III. Hall, Richard, 1937- . 940.5394 Editor: Julie Stokes Designer: Beverly Swifte Picture researcher/proofreader: Tony Twining Printed by Goanna Print, Canberra Published with the assistance of the Lloyd Ross Forum CONTENTS Fred Smith and the secret briefings 1 John Curtin's war 12 Acknowledgements 38 Highly confidential: press briefings, June 1942-January 1945 39 Introduction by F.T. Smith 40 Chronology of events; Briefings 42 Index 242 rederick Thomas Smith was born in Balmain, Sydney, Fon 18 December 1904, one of a family of two brothers and two sisters. -
Members of Parliament Disqualified Since 1900 This Document Provides Information About Members of Parliament Who Have Been Disqu
Members of Parliament Disqualified since 1900 This document provides information about Members of Parliament who have been disqualified since 1900. It is impossible to provide an entirely exhaustive list, as in many cases, the disqualification of a Member is not directly recorded in the Journal. For example, in the case of Members being appointed 5 to an office of profit under the Crown, it has only recently become practice to record the appointment of a Member to such an office in the Journal. Prior to this, disqualification can only be inferred from the writ moved for the resulting by-election. It is possible that in some circumstances, an election could have occurred before the writ was moved, in which case there would be no record from which to infer the disqualification, however this is likely to have been a rare occurrence. This list is based on 10 the writs issued following disqualification and the reason given, such as appointments to an office of profit under the Crown; appointments to judicial office; election court rulings and expulsion. Appointment of a Member to an office of profit under the Crown in the Chiltern Hundreds or the Manor of Northstead is a device used to allow Members to resign their seats, as it is not possible to simply resign as a Member of Parliament, once elected. This is by far the most common means of 15 disqualification. There are a number of Members disqualified in the early part of the twentieth century for taking up Ministerial Office. Until the passage of the Re-Election of Ministers Act 1919, Members appointed to Ministerial Offices were disqualified and had to seek re-election. -
Revival Memories, Identities, Utopias
REVIVAL MEMORIES, IDENTITIES, UTOPIAS EDITED BY AY L A LE PINE MATT LODDER ROSALIND MCKEVER Revival. Memories, Identities, Utopias Edited by Ayla Lepine, Matt Lodder, and Rosalind McKever With contributions by: Deborah Cherry Whitney Davis John Harvey Alison Hokanson Martin Horácek Phil Jacks Michelle Jackson Ayla Lepine Matt Lodder Jonathan Mekinda Alan Powers Nathaniel Walker Alyson Wharton Series Editor: Alixe Bovey Courtauld Books Online is published by the Research Forum of The Courtauld Institute of Art Somerset House, Strand, London WC2R 0RN © 2015, The Courtauld Institute of Art, London. ISBN: 978-1-907485-04-6 Courtauld Books Online Advisory Board: Paul Binski (University of Cambridge) Thomas Crow (Institute of Fine Arts) Michael Ann Holly (Sterling and Francine Clark Art Institute) Courtauld Books Online is a series of scholarly books published by The Courtauld Institute of Art. The series includes research publications that emerge from Courtauld Research Forum events and Courtauld projects involving an array of outstanding scholars from art history and conservation across the world. It is an open-access series, freely available to readers to read online and to download without charge. The series has been developed in the context of research priorities of The Courtauld which emphasise the extension of knowledge in the fields of art history and conservation, and the development of new patterns of explanation. For more information contact [email protected] All chapters of this book are available for download at courtauld.ac.uk/research/courtauld-books-online Every effort has been made to contact the copyright holders of images reproduced in this publication. -
Oxford, 1984); H
Notes Notes to the Introduction I. K. O. Morgan, Labour in Power, 194~1951 (Oxford, 1984); H. Pelling, The Labour Governments, 194~51 (London, 1984); A. Cairncross, Years of Recovery: British Economic Policy, 194~51 (London, 1985); P. Hen nessy, Never Again: Britain, 194~1951 (London, 1992). 2. J. Saville, The Labour Movement in Britain (London, 1988); J. Fyrth (ed.), Labour's High Noon: The Government and the Economy, 194~51 (London, 1993). 3. C. Barnett, The Audit oj War: The Illusion and Reality of Britain as a Great Nation (London, 1986); The Lost Victory: British Dreams, British Realities, 194~1950 (London, 1995). 4. Symposium, 'Britain's Postwar Industrial Decline', Contemporary Record, 1: 2 (1987), pp. 11-19; N. Tiratsoo (ed.), The Altlee Years (London, 1991). 5. J. Tomlinson, 'Welfare and the Economy: The Economic Impact of the Welfare State, 1945-1951', Twentieth-Century British History, 6: 2 (1995), pp. 194--219. 6. Hennessy, Never Again, p. 453. See also M. Francis, 'Economics and Ethics: the Nature of Labour's Socialism, 1945-1951', Twentieth Century British History, 6: 2 (1995), pp. 220--43. 7. S. Fielding, P. Thompson and N. Tiratsoo, 'England Arise!' The Labour Party and Popular Politics in 1940s Britain (Manchester, 1995), pp. 209- 18. 8. P. Kellner, 'It Wasn't All Right,Jack', Sunday Times, 4 April 1993. See also The Guardian, 9 September 1993. 9. For a summary of the claims made by the political parties, see J. Barnes and A. Seldon, '1951-64: 13 W asted Years?', Contemporary Record, 1: 2 (1987). 10. V. Bogdanor and R. -
The Letters of Nancy Mitford and Evelyn Waugh Free Download
THE LETTERS OF NANCY MITFORD AND EVELYN WAUGH FREE DOWNLOAD Evelyn Waugh,Nancy Mitford | 560 pages | 10 Sep 2010 | Penguin Books Ltd | 9780141193922 | English | London, United Kingdom The Letters of Nancy Mitford and Evelyn Waugh The end of Evelyn's suffering marked the beginning of Nancy. Waugh's pessimistic brand of Roman Catholicism clashed with Mitford's cheerful iconoclasms; her francophilia only fueled her friend's dislike of all things French. Hamilton The Letters of Nancy Mitford and Evelyn Waugh. I'm glad that that they left these letters, and all their other writing, for us to remember them by. This book has clearly been well maintained and looked after thus far. It digs mud baths for itself and chases the chickens round the yard laughing openly. And another long list of other books to read gleaned from the letters themselves. Reprinted by Penguin Books in Where he had expected to find discipline and courage he found only confusion and cowardliness. He applied for a job at the Ministry of Information but was turned down and it was not until the end of December that he finally obtained a commission in the Royal Marines. Published by Penguin Classics Some finger marks to closed page edges. Published by Penguin Books LtdLondon Returning Chagford Monday. Pages and cover are clean and intact. Both were unapologetic snobs, steeped in an aristocracy that seems alien to me at least a generation after their deaths. The idea of a happy pansy is inconceivable to them. Was Prod one of the communists shot trying to land in Spain? The Curse of the Cecils -- goodness.