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Objectivity, Interdisciplinary Methodology, and Shared Authority
ABSTRACT HISTORY TATE. RACHANICE CANDY PATRICE B.A. EMORY UNIVERSITY, 1987 M.P.A. GEORGIA STATE UNIVERSITY, 1990 M.A. UNIVERSITY OF WISCONSIN- MILWAUKEE, 1995 “OUR ART ITSELF WAS OUR ACTIVISM”: ATLANTA’S NEIGHBORHOOD ARTS CENTER, 1975-1990 Committee Chair: Richard Allen Morton. Ph.D. Dissertation dated May 2012 This cultural history study examined Atlanta’s Neighborhood Arts Center (NAC), which existed from 1975 to 1990, as an example of black cultural politics in the South. As a Black Arts Movement (BAM) institution, this regional expression has been missing from academic discussions of the period. The study investigated the multidisciplinary programming that was created to fulfill its motto of “Art for People’s Sake.” The five themes developed from the program research included: 1) the NAC represented the juxtaposition between the individual and the community, local and national; 2) the NAC reached out and extended the arts to the masses, rather than just focusing on the black middle class and white supporters; 3) the NAC was distinctive in space and location; 4) the NAC seemed to provide more opportunities for women artists than traditional BAM organizations; and 5) the NAC had a specific mission to elevate the social and political consciousness of black people. In addition to placing the Neighborhood Arts Center among the regional branches of the BAM family tree, using the programmatic findings, this research analyzed three themes found to be present in the black cultural politics of Atlanta which made for the center’s unique grassroots contributions to the movement. The themes centered on a history of politics, racial issues, and class dynamics. -
Notable Photographers Updated 3/12/19
Arthur Fields Photography I Notable Photographers updated 3/12/19 Walker Evans Alec Soth Pieter Hugo Paul Graham Jason Lazarus John Divola Romuald Hazoume Julia Margaret Cameron Bas Jan Ader Diane Arbus Manuel Alvarez Bravo Miroslav Tichy Richard Prince Ansel Adams John Gossage Roger Ballen Lee Friedlander Naoya Hatakeyama Alejandra Laviada Roy deCarava William Greiner Torbjorn Rodland Sally Mann Bertrand Fleuret Roe Etheridge Mitch Epstein Tim Barber David Meisel JH Engstrom Kevin Bewersdorf Cindy Sherman Eikoh Hosoe Les Krims August Sander Richard Billingham Jan Banning Eve Arnold Zoe Strauss Berenice Abbot Eugene Atget James Welling Henri Cartier-Bresson Wolfgang Tillmans Bill Sullivan Weegee Carrie Mae Weems Geoff Winningham Man Ray Daido Moriyama Andre Kertesz Robert Mapplethorpe Dawoud Bey Dorothea Lange uergen Teller Jason Fulford Lorna Simpson Jorg Sasse Hee Jin Kang Doug Dubois Frank Stewart Anna Krachey Collier Schorr Jill Freedman William Christenberry David La Spina Eli Reed Robert Frank Yto Barrada Thomas Roma Thomas Struth Karl Blossfeldt Michael Schmelling Lee Miller Roger Fenton Brent Phelps Ralph Gibson Garry Winnogrand Jerry Uelsmann Luigi Ghirri Todd Hido Robert Doisneau Martin Parr Stephen Shore Jacques Henri Lartigue Simon Norfolk Lewis Baltz Edward Steichen Steven Meisel Candida Hofer Alexander Rodchenko Viviane Sassen Danny Lyon William Klein Dash Snow Stephen Gill Nathan Lyons Afred Stieglitz Brassaï Awol Erizku Robert Adams Taryn Simon Boris Mikhailov Lewis Baltz Susan Meiselas Harry Callahan Katy Grannan Demetrius -
KAPLAN, SID Sid Kaplan Photographs, 1953-2004
KAPLAN, SID Sid Kaplan photographs, 1953-2004 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Kaplan, Sid Title: Sid Kaplan photographs, 1953-2004 Call Number: Manuscript Collection No. 1477 Extent: 24.625 linear feet (24 boxes) Abstract: Papers of American photographer Sid Kaplan, including prints, negatives, contact sheets, and slides primarily documenting life in New York City from the mid-20th century to the present. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Purchased from Sid Kaplan, 2019 Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Sid Kaplan photographs, 1953-2004 Manuscript Collection No. 1477 Custodial History Curator of Modern Political and Historical Collections Randy Gue and Accessioning Archivist Meaghan O'Riordan packed the materials at Kaplan's residence and storage locker in New York City and shipped them to the Rose Library. -
The Value in Visiting Archives Camtasia Studio Puts Users In
Top Shelf Spring 2012 The Newsletter of the Atlanta University Center Robert W. Woodruff Library Volume 8, No. 1 The Value in Visiting Archives Recently The King Center made select Voter Education Project and Atlanta Student papers of Dr. Martin Luther King, Jr. Movement Collections. Since many historical publicly available for viewing online. It is papers like the Voter Education Project are exciting that scholars can conveniently see not accessible for viewing online, discovering Dr. King’s correspondence, manuscripts, the depth and breadth of what is offered and speeches on their personal computer can only be done in person. screens; however, the value of visiting As technology continues to offer scholars archives and libraries holding the primary new paths for access to information, the resources of treasured collections cannot convenience of one method should not be overstated. outweigh the immense benefits of another. Archivists teach scholars how to use a Located on the upper level of the AUC Woodruff Archives represent a people’s collective Library, the Archives Research Center is a place of collection, an educational component that rich history and intellectual discovery. history—a record of their stories, their voices, is somewhat lost in the virtual experience. their identities—and students and scholars Of particular note are trained archivists University King Collection, donated by are fortunate in that they can explore this and the important roles they play in helping Dr. King himself in 1964. The Morehouse history online or by stepping through a on-site visitors navigate a collection. In the College and Boston University collections door of an archival institution. -
Atlanta, Georgia, USA
Biographical Description for The HistoryMakers® Video Oral History with Amalia Amaki PERSON Amaki, Amalia K. Alternative Names: Amalia Amaki; Life Dates: July 8, 1949- Place of Birth: Atlanta, Georgia, USA Residence: Atlanta, GA Work: Tuscaloosa, AL Occupations: Mixed Media Artist; Curator; Art History Professor Biographical Note Amalia Amaki was born Linda Faye Peeks on July 8, 1949 in Atlanta, Georgia to Mary Lee and Norman Peeks, a former musician with the Deep South Boys of Macon, Georgia. Amaki developed a love for script writing, drawing, bold colors and textures at an early age. She instinctively knew that she would change her name. Amaki attended Georgia State University and majored in journalism and psychology. In 1970, she majored in journalism and psychology. In 1970, she won the Sigma Delta Chi Award for Feature Writing and was the first and only African American on campus to join this journalism organization. In 1971, Amaki received her B.A. degree. She also obtained her B.A. degree from the University of New Mexico in photography and art history and worked as a museum assistant at the University Art Museum for two years while she pursued her degree. In 1974, she changed her name to Amalia Amaki. In 1985, Amaki went to France as an Emory University Foreign Study Fellow. She also became a contributing writer to Art Papers and an art critic for Creative Loafing; papers local to the Atlanta area. Amaki earned her M.A. degree in modern European and American art and a Ph.D. in twentieth century American art and culture from Emory University in the Institute of Liberal Arts. -
TPG Exhibition List
Exhibition History 1971 - present The following list is a record of exhibitions held at The Photographers' Gallery, London since its opening in January 1971. Exhibitions and a selection of other activities and events organised by the Print Sales, the Education Department and the Digital Programme (including the Media Wall) are listed. Please note: The archive collection is continually being catalogued and new material is discovered. This list will be updated intermittently to reflect this. It is for this reason that some exhibitions have more detail than others. Exhibitions listed as archival may contain uncredited worKs and artists. With this in mind, please be aware of the following when using the list for research purposes: – Foyer exhibitions were usually mounted last minute, and therefore there are no complete records of these brief exhibitions, where records exist they have been included in this list – The Bookstall Gallery was a small space in the bookshop, it went on to become the Print Room, and is also listed as Print Room Sales – VideoSpin was a brief series of worKs by video artists exhibited in the bookshop beginning in December 1999 – Gaps in exhibitions coincide with building and development worKs – Where beginning and end dates are the same, the exact dates have yet to be confirmed as the information is not currently available For complete accuracy, information should be verified against primary source documents in the Archive at the Photographers' Gallery. For more information, please contact the Archive at [email protected] -
Sanaa Lathan on Co-Editor in Chief Secretary of Finance
Wednesday, February 1. 2006 www.spelmanspotlight.com •n N o . XLIV IGHTSEVEN is a The rules have FEATURES SPORTS changed lucky number dohh Parking policies and com Students from all over the “ r*CUU puter lab procedures help h ”.. AUC organize for a cause. SerVCS it Up: regulate student activity. J| 1 V o lu m e New structure proposed for SSGA mis n’t as effective as our commit tions regarding such a dramat ment level intended for it to ic change to the campus com ISSUE: be. It’s time for a change. munity (see Word on the Street, ARTS The new structure will allow page 6) for more representation, There is speculation that Amalia Amaki’s accountability, and a more other SSGA positions will be Boxes, Buttons, effective student govern paid. Currently, the president ment,” said Cleveland. and vice president are the only and the Blues New exhibit at Cosby Museum Traditional positions such paid positions. uses many mediums to express as secretary, parliamentarian, Official changes were effec blackness and challenge the stan dard of beauty. and treasurer have all been tive Jan. 24, 2006, when the replaced by positions with student body was invited to more comprehensive respon attend the Election General P4 sibilities. New positions Information Session. This SGA Parliamentarian, Julynn Williams-Chandler and SGA Treasurer Erica include Secretary of Academic event introduced students to ENTERTAINMENT Parker discuss the new changes implemented for the SSGA constitution. Affairs, and Secretary of the major changes that have Enrollment Management and Shayla Ball and responsible student gov taken place, and provided Sanaa Lathan on Co-Editor In Chief Secretary of Finance. -
Spelman Students Compete in Japan
Monday, September 19, 2005 [email protected] LIGHT NEWS Hungry, Black actors SPORTS Homeless take control Intramural Need Help of the movie sports come Atlanta Mayor, Shirley Franklin, enforces new industry to Spelman panhandling law. SSGA establishes recre ational sports league. P2 P8 'S- •• Orleans, were evacuated from their schools on Saturday, Aug. 27. Like many of the hurricane survivors, they have migrated to Atlanta. Rae Lundy, a senior psychology / pre med. student from Xavier, has come to Spelman to try and register for the semester so that she can graduate on Commuter Student time. She is among a few others. The Issues week after evacuation, Lundy called Features section explores transportation Spelman, hoping that she would be able problems, financial hardships and staying to attend on a provisional basis. connected with life on campus. "I called Spelman a couple of days ago, but I did not hear back from them until 10:45 p.m. last night, when they told me to come here and [they would] P3 see if they could get me in,” said Lundy. ENTERTAINMENT Spelman helps displaced students like Xavier’s Mlchellee Moss, left, a freshman from St. Louis and friend “I had started to lose hope.” Shannette Cofield from Los Angeles. Lundy is still waiting to hear back Morehouse hosts from Xavier about their plans for stu Katrina’s survivors find dents in the upcoming months. At this Trey Songz point, students like Lundy do not know Audience gives cool reviews to this up and safe haven at Spelman how they are going to pay for Spelman coming artist. -
Fall 2021 Catalog Download
Fall 2021 Contents New Titles 5 Collector’s Editions 29 Toiletpaper 51 Backlist 57 Photography 58 Contemporary Art 70 Fashion & Lifestyle 72 Architecture & Design 74 Antiques & Collectibles 74 Distributors 76 Contacts & Press Office 78 New Titles 6 Photography Mike Mandel Zone Eleven Photographs by Ansel Adams Zone Eleven is a reference to Ansel Adams’ Zone System, a method to control exposure of the negative in order to obtain a full range of tonality in the photographic print from the deepest black of Zone 0 to the brightest highlight in Zone 10. Zone Eleven is a metaphor coined by artist Mike Mandel in his challenge to create a book of Adams’ photographs outside of the bounds of his personal work. Many of these photographs were found in the archives of his commercial and editorial assignments, and from his experimentation with the new Polaroid material of the times. For this book, Mandel has unearthed images that are unexpected for Adams, and created a new context of facing Text by Erin O'Toole page relationships, and sequence. Zone Eleven is the product 28 x 23 cm | 11 x 9 inches of Mike Mandel’s research of over 50,000 Adams images 112 pages, 83 b&w, hardbound located within four different archives to present a body of ISBN 978-88-6208-748-3 Fall 2021 Adams’ work that was unknown until now. $55 | €50 | £45 Mike Mandel is well known for his collaboration with Larry Sultan in the 1970s - 1990s. They published 'Evidence' in 1977, a collection of 59 photographs chosen from more than two million images that the artists viewed at the archives of government agencies and tech-oriented corporations. -
Finding Aid to the Historymakers ® Video Oral History with Carrie Mae Weems
Finding Aid to The HistoryMakers ® Video Oral History with Carrie Mae Weems Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Weems, Carrie Mae, 1953- Title: The HistoryMakers® Video Oral History Interview with Carrie Mae Weems, Dates: September 10, 2014 Bulk Dates: 2014 Physical 6 uncompressed MOV digital video files (2:57:58). Description: Abstract: Visual artist Carrie Mae Weems (1953 - ) was an award-winning folkloric artist represented in public and private collections around the world, including the Metropolitan Museum of Art, the Museum of Modern Art, and The Art Institute of Chicago. Weems was interviewed by The HistoryMakers® on September 10, 2014, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2014_175 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Visual artist Carrie Mae Weems was born on April 20, 1953 in Portland, Oregon to Myrlie and Carrie Weems. Weems graduated from the California Institute of the Arts, Valencia with her B.F.A. degree in 1981, and received her M.F.A. degree in photography from the University of California, San Diego in 1984. From 1984 to 1987, she participated in the graduate program in folklore at the University of California, Berkeley. In 1984, Weems completed her first collection of photographs, text, and spoken word entitled, Family Pictures and Stories. Her next photographic series, Ain't Jokin', was completed in 1988. She went on to produce American Icons in 1989, and Colored People and the Kitchen Table Series in 1990. -
A Guide to Street Photography 1
A Guide To Street Photography By Michael Ernest Sweet A Guide To Street Photography 1 Introduction StreetPhotography.com was founded in 2016 and our mission is a simple one - to inspire, educate, and encourage street photographers, from all levels and backgrounds, to strive for their very best in terms of photographic production. We here at StreetPhotography.com then aim to showcase and promote that work - the very best in street photography today. This guide, a “quick start” guide to street photography, is meant to be a primer for those looking to enter this exciting genre. This guide may also be of interest to those with more experience as well. However, what this guide is not is a comprehensive or objective accounting of the vast world of street photography. It is not meant to be a final word on the subject or a complete reference. Rather, this guide is merely meant to put forth some of the basic considerations in the genre and provide some useful feedback on those points. Put another way, this guide is intended as a starting point - some food for thought as you go forth, camera in hand, and begin (or continue) your journey as a street photographer. The opinions expressed herein are just that, opinions. This guide is based on my decade of experience working in street photography. I’ve aimed to provide accurate reflections based on that experience, but also recognize that opinions vary and not everyone will agree on all points. Fair enough. Also, enough said. Enjoy the read! Michael Ernest Sweet June 1, 2019 A Guide To Street Photography 2 © Gil Rigoulet A Guide To Street Photography 3 Looking At Photography “I find it odd when I read guides about making photography that there is a profound lack of discussion about “looking” at photography.” I find it odd when I read guides about making photography that there is a profound lack of discussion about “looking” at photography. -
1. Carbon Copy: 6/25 – 6/29 1973
The online Adobe Acrobat version of this file does not show sample pages from Coleman’s primary publishing relationships. The complete print version of A. D. Coleman: A Bibliography of His Writings on Photography, Art, and Related Subjects from 1968 to 1995 can be ordered from: Marketing, Center for Creative Photography, The University of Arizona, Tucson, AZ 85721-0103, or phone 520-621-7968. Books presented in chronological order 1. Carbon Copy: 6/25 – 6/29 1973. New York: ADCO interviews” with those five notable figures, serves also as Enterprises, 1973. [Paperback: edition of 50, out of print, “a modest model of critical inquiry.”This booklet, printed unpaginated, 50 pages. 17 monochrome (brown). Coleman’s on the occasion of that opening lecture, was made available first artist’s book. A body-scan suite of Haloid Xerox self- by the PRC to the audiences for the subsequent lectures in portrait images, interspersed with journal/collage pages. the series.] Produced at Visual Studies Workshop Press under an 5. Light Readings: A Photography Critic’s Writings, artist’s residency/bookworks grant from the New York l968–1978. New York: Oxford University Press, 1979. State Council on the Arts.] [Hardback and paperback: Galaxy Books paperback, 2. Confirmation. Staten Island: ADCO Enterprises, 1975. 1982; second edition (Albuquerque: University of New [Paperback: first edition of 300, out of print; second edition Mexico Press, 1998); xviii + 284 pages; index. 34 b&w. of 1000, 1982; unpaginated, 48 pages. 12 b&w. Coleman’s The first book-length collection of Coleman’s essays, this second artist’s book.