1 LỜI NÓI ĐẦU Kính Thưa Quý Thầy, Cô, Các Bạn Sinh Viên Thân Mến

Total Page:16

File Type:pdf, Size:1020Kb

1 LỜI NÓI ĐẦU Kính Thưa Quý Thầy, Cô, Các Bạn Sinh Viên Thân Mến LỜI NÓI ĐẦU Kính thưa quý Thầy, Cô, Các bạn sinh viên thân mến, Với tinh thần “học tốt để có một nghề nghiệp vững chắc, một tương lai tươi sáng cùng khát vọng vươn xa”, chúng em – sinh viên các dòng lớp HD03 – 10, QTLH 03 – 10 khoa Lữ hành – cùng bắt tay thực hiện quyển sổ tay từ ngữ Việt – Anh – chuyên ngành lữ hành. Quyển sổ tay bao gồm 878 từ liên quan đến các tuyến du lịch đi và về trong ngày: 438 từ - Tuyến nội thành Thành phố Hồ Chí Minh. 180 từ - Tuyến Củ Chi. 260 từ - Tuyến TPHCM – Tiền Giang – Bến Tre. Hơn 6 tháng cùng thu thập tài liệu và biên soạn quyển sổ tay, chúng em đã học được nhiều điều bổ ích. Trong thời gian thực hiện quyển sổ tay, chúng em đã nhận được sự quan tâm và chỉ đạo của Ban Giám hiệu đồng thời là Ban cố vấn. Những bản thảo của chúng em được cô Dương Thị Kim Phụng và cô Đoàn Thị Kiều Nga cẩn thận chỉnh sửa nhiều lần. Thầy Nguyễn Hữu Công đã rất nhiệt tình hỗ trợ chúng em về mặt kỹ thuật. Chúng em trân trọng kính gởi đến quý Thầy, Cô lời chân thành cảm ơn vì tất cả những gì Thầy Cô đã luôn dành cho chúng em và các bạn sinh viên trong trường. Chúng em xin được xem việc biên soạn quyển sổ tay như một trong những hoạt động của sinh viên khoa Lữ hành trong chuổi các hoạt động kỷ niệm 25 năm thành lập trường Cao đẳng Nghề Du lịch Sài Gòn (1991 – 2016). 1 Chúng em hy vọng quyển sổ tay từ ngữ Việt – Anh chuyên ngành lữ hành sẽ là một tư liệu nhỏ góp thêm một phần khiêm tốn vào việc học tập tiếng anh của sinh viên khoa Lữ hành. Dù đã rất cố gắng nhưng chắc chắn chúng em vẫn có những sai sót. Chúng em xin được lắng nghe những lời chỉ dạy của tất cả quý Thầy, Cô trong trường và đón nhận những góp ý của các bạn sinh viên. Nhóm biên soạn Phạm Thị Hồng Thắm – HD03 – nhóm trưởng tuyến Mỹ Tho – Bến Tre và các thành viên. Trần Ngọc Lữ Phong – HD10 – nhóm trưởng tuyến Củ Chi và các thành viên. Đào Đức Duy Khang – LH05 – nhóm trưởng tuyến nội thành TPHCM và các thành viên. 2 LỜI NGỎ Nhân sự kiện kỷ niệm 25 năm thành lập trường Cao đẳng Nghề Du lịch Sài Gòn (1991 – 2016), trong khuôn khổ nội dung sinh hoạt chuyên đề được tổ chức định kỳ hàng quý nhằm bổ sung kiến thức và kỹ năng cho sinh viên, sinh viên khoa Lữ hành đã cùng nhau thực hiện quyển sổ tay từ ngữ Việt – Anh - chuyên ngành lữ hành với mong muốn được cùng trau dồi tiếng Anh, chuẩn bị tốt cho công việc tương lai trong ngành du lịch. Được sự đồng ý và cố vấn của Ban Giám hiệu nhà trường, sinh viên khoa Lữ hành đã bắt đầu biên soạn quyển sổ tay từ ngữ Việt – Anh - chuyên ngành lữ hành từ tháng 06/2016 và hoàn thành vào tháng 02/2017. Tổ bộ môn Nghiệp vụ hướng dẫn khoa Lữ hành trân trọng giới thiệu cùng quý Thầy, Cô, các bạn sinh viên quyển sổ tay từ ngữ Việt – Anh. Cảm ơn sự quan tâm và những ý kiến đóng góp của quý Thầy Cô và các bạn sinh viên để quyển sổ tay từ ngữ Việt – Anh có thể góp một phần nhỏ vào việc học ngoại ngữ của sinh viên khoa Lữ hành. Tháng 03/2017 Tổ bộ môn Nghiệp vụ hướng dẫn – khoa Lữ hành. 3 MỤC LỤC NGUYEN HUE WALKING STREET .................................................................................................................. 5 THE VIETNAM HISTORY MUSEUM ............................................................................................................. 19 THIEN HAU TEMPLE = TUỆ THÀNH ASSEMBLY HALL ........................................................................ 77 INDEPENDENCE PALACE ............................................................................................................................... 94 TOUR OF CU CHI TUNNELS.......................................................................................................................... 124 MY THO – BEN TRE TOUR ............................................................................................................................ 155 4 NGUYEN HUE WALKING STREET ST TIẾNG TIẾNG ANH PHIÊN ÂM QUỐC TẾ GỢI Ý CÁCH DÙNG T VIỆT Bach Dang Wharf is in the centre of District 1, near the Monument of General Tran Hung Dao which was built on Ton Duc Thang Bến Bạch BrE /wɔ ː f/ 1 Bach Dang Wharf Street to commemorate the Đằng AmE /wɔ ː rf/ glorious victory against the Yuanmeng invaders in 1288 on the Bach Dang River. Nguyen Hue walking street is chosen as a place for big events of Ho Chi Minh city Biểu diễn 2 Art performance /ɑː rt/ /pə rˈ fɔː rmə ns/ as parades, meetings, street nghệ thuật festivals, culture exhibitions, art performances, etc. Ban something Cấm/Khôn Ex: There is a campaign 3 Ban (v) /bæn/ g cho phép to ban smoking in public places. 5 ban somebody from something Ex: He was banned from the meeting. ban somebody from doing something Ex: He was banned from driving for six months. As schedule, on week days, vehicles are still allowed to run along Nguyen Hue street, but from 6pm to 1am on Saturday and Sunday, all kinds of vehicles are banned to travel here. The area of President Ho Chi Minh Statue Park has Cây sứ the lotus pond, two lines of 4 White frangipani /waɪ t/ /ˌ frændʒ iˈ pæni/ (trắng) white frangipanis and a lot of colorful flowers and trees. - It is almost 2 meters in 5 Chiều cao Height (n) /haɪ t/ height. 6 - She is the same height as her sister. - The Nguyen Hue walking street includes 2 areas with 670m in total length and 60m in width. 6 Chiều dài Length (n) /leŋθ/ - This room is twice the length of the kitchen. - The river is 300 miles in length. -It's about 10 metres in 7 Chiều rộng Width (n) /wɪ dθ/ width. There are many young Ảnh chụp 8 Selfie (n) /ˈ selfiː / people using their iPhones tự sướng or iPads to take selfies. - We visited the world- famous Hollywood Boulevard. - In 1956, the Charner Boulevard (n) BrE /ˈ buː lə vɑː d/ 9 Đại lộ Boulevard was renamed (abbreviation Blvd.) AmE /ˈ bʊ lə vɑː rd/ Nguyen Hue Boulevard and became the most beautiful street in Sai Gon at that time. Đèn chiếu Modern art lighting system /ˈ mɑː də rn//ɑː rt//ˈ laɪ tɪ ŋ The square is also equipped 10 sáng / with modern art lighting and water music systems. 7 The parade is held every Parade (n) 11 Diễu hành /pə ˈ reɪ d/ year. Meeting Ghế dài/ghế He was found asleep on a 12 Bench (n) /bentʃ / băng dài park bench. - I’m going to spend the weekend just relaxing. 13 Giải trí Relax (v) /rɪ ˈ læks/ - When I get home from work I like to relax with a glass of wine. Idioms: “be Giầy Pa- Roller-skate (n) 14 /ˈ roʊ lə r/ /skeɪ t/ skating/walking on thin tanh (also skate) ice” = to be taking a risk an early morning mist = sương sớm Spraying system is arranged in the tree lines to cool the air, prevent dust and Hệ thống 15 Spraying system(n) /spreɪ -iŋ//ˈ sɪ stə m/ create humidity for phun sương trees. Spraying systems will work in the distance among trees to keep the square cool. 8 Hồ sen Lotus pond /ˈ loʊ tə s/ /pɒ nd/ The area of President Ho Chi Minh Statue Park has a lotus pond, two lines of 16 white frangipanis and a lot of colorful flowers and trees. BrE /ˈ pɪ kpɒ kɪ t/ Watch out for pickpockets, 17 Kẻ móc túi Pickpocket (n) AmE /ˈ pɪ kpɑː kɪ t/ especially in crowded places, please! On occasion of 40th anniversary of Southern Liberation – Vietnam Reunification and 125–year Khánh birthday anniversary of 18 Inaugurate (v) /ɪ ˈ nɔ ː ɡ jə reɪ t/ thành president Ho Chi Minh, Saigon inaugurated Monument of President Ho Chi Minh at Nguyen Hue walking street. a hotel in the heart of downtown Khu thương The Nguyen Hue 19 mại/Khu Downtown (n/adj/adv) /ˌ daʊ nˈ taʊ n/ Pedestrian/walking buôn bán Street is located in downtown Dictrict 1, Ho Chi Minh City. 9 - The Disabled people = người khuyết tật. - Wheelchair Path = lối đi dành riêng cho người Disable (v) /dɪ sˈ eɪ bl/ khuyết tật (ngồi xe lăn) 20 Khuyết tật Disabled (adj) /dɪ sˈ eɪ bld/ Disability (n) /ˌ dɪ sə ˈ bɪ lə ti/ -Pavement parking is dangerous for wheelchair users and other disabled people. Mạng không dây The Nguyen Hue Walking 21 (sử dụng Wi-fi(n) /ˈ waɪ faɪ / Street provides free Wi-Fi sóng vô 24/24 to serve visitors. tuyến) Nhà tạo hình bong Balloon artist Artists are making stunning 22 /bə ˈ luː n//ˈ ɑː rtɪ st/ bóng nghệ toys from balloons. thuật In addition, 160 benches and two Nhà vệ sinh Public underground/public 23 /ˈ pʌ blɪ k//ˈ tɔɪ lə t/ công cộng bathroom/toilet/rest-room restrooms have been put along the square to serve visitors. The square has also 24 Nhạc nước Water music system /ˈ wɔ ː tə r//ˈ mjuː zɪ k/ installed modern art 10 lighting and water music systems. The modern art lighting and water music systems have also been installed in the square. Vietnam in the 1980s through French Nhiếp ảnh BrE /fə ˈ tɒɡrə fə (r)/ photographer’s lens. 25 Photographer (n) gia AmE /fə ˈ tɑ ː ɡ rə fə r/ Photogenic (adj) /ˌ foʊ toʊ ˈ dʒ enɪ k / = ăn ảnh The excitement of seeing a live band.
Recommended publications
  • Who Invented the Bronze Drum? Nationalism, Politics, and a Sino- Vietnamese Archaeological Debate of the 1970S and 1980S
    Who Invented the Bronze Drum? Nationalism, Politics, and a Sino- Vietnamese Archaeological Debate of the 1970s and 1980s XIAORONG HAN EVER SINCE THE BIRTH OF MODERN ARCHAEOLOGY in the nineteenth cen­ tury, nationalism and politics have been important factors in its development, and as such, archaeologists in various parts of the world have been actively in­ volved in the construction of ethnic and/or national origins and identities, the corroboration of national myths, the disputes over territories and cultural inven­ tions, and so on (Diaz-Andreu and Champion 1996; Hudson 1999; Kohl and Fawcett 1995; Meskell 1998; Pai 2000; Silberman 1989; Trigger 1984). Although it is difficult to find a single country in which archaeology is completely free from the influence of nationalism and politics, it is understandable to find that archae­ ologists operating in authoritarian systems generally have a stronger tendency to develop a close relationship with the nation-state and involve themselves in poli­ tics because of a lack of academic freedom and independent sources of financial support. Nazi Germany, early twentieth-century Japan, and pre-World War II Soviet Union are extreme examples of the politicization of archaeology (Arnold and Hassman 1995; Hudson 1999: 35, 44; Shnirelman 1996; Trigger 1989: 178­ 179; Wiwjorra 1996). In post-war Asia, archaeologists in China and Viet Nam were actively engaged in the development of a new wave of nationalist archaeol­ ogy under the encouragement and sponsorship of the state (Glover 1999; Tong 1995). ' This paper intends to study the nationalist archaeology of China and Viet Nam in the 1970s and 1980s.
    [Show full text]
  • Ethnic Groups of Viet – Muong Languages and Dong Son Culture
    Vietnam Social Sciences, No. 4(168) - 2015 Ethnic Groups of Viet – Muong Languages and Dong Son Culture Bui Xuan Dinh * Abstract: The archaeological data have convincingly proved that the Dong Son (Đông Sơn) culture resulted from the indigenous development of the previous pre-Đông Sơn cultural systems in the basins of the Hồng, Mã and Cả rivers, closely associating people and ancient Vietnamese culture. The ethnological and linguistic data demonstrate the close relationship of language and culture between the Việt and Mường peoples, and other ethnic groups of Viet – Muong (Việt – Mường) language. There are a lot of convincing data to confirm that the Việt and Mường peoples once shared an origin and they themselves were the owners of the pre-Đông Sơn and Đông Sơn cultures, closely connected with the ancient Vietnamese civilization. Key words: Ethnic, Việt – Mường languages, Đông Sơn culture. 1. Nativeness and continuity of the - The owners of Phùng Nguyên Culture cultures during the period from Phùng were direct ancestors of Mường people in Nguyên to Đông Sơn culture Vietnam. They inherently were Mon, Man It has been 90 years, since Đông Sơn and Mân Việt people, whose ancient ancestors culture was discovered. Many aspects of were the very ancient Đản people – one of this culture have been decoded, providing the Mongoloid groups that spoke South important materials to elucidate significant Asian languages; they were the very owner issues in the history of Vietnam at the time of the Neolithic culture in Tanshishan, Fujian of national foundation. There are, however, due northeast of Guangdong (China). They still controversies surrounding some issues, came to Vietnam and Thailand by the sea.
    [Show full text]
  • University of California Santa Cruz the Vietnamese Đàn
    UNIVERSITY OF CALIFORNIA SANTA CRUZ THE VIETNAMESE ĐÀN BẦU: A CULTURAL HISTORY OF AN INSTRUMENT IN DIASPORA A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in MUSIC by LISA BEEBE June 2017 The dissertation of Lisa Beebe is approved: _________________________________________________ Professor Tanya Merchant, Chair _________________________________________________ Professor Dard Neuman _________________________________________________ Jason Gibbs, PhD _____________________________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Table of Contents List of Figures .............................................................................................................................................. v Chapter One. Introduction ..................................................................................................................... 1 Geography: Vietnam ............................................................................................................................. 6 Historical and Political Context .................................................................................................... 10 Literature Review .............................................................................................................................. 17 Vietnamese Scholarship .............................................................................................................. 17 English Language Literature on Vietnamese Music
    [Show full text]
  • Vietnamese Ceramics in Asian Maritime Trade Between 14Th and 17Th Centuries
    Vietnamese Ceramics in Asian Maritime Trade between 14th and 17th centuries Ngo The Bach Department of Research and Collections Thang Long - Hanoi Heritage Conservation Centre 19, Hoang Dieu St Hanoi Vietnam Email: [email protected] Abstract Vietnam is one of many Asian countries that have a long-standing and famous tradition of pottery production. Vietnam is also one of three countries including China, Vietnam, and Japan which exported ceramics developed to other countries. The 14th century was marked by the initial penetration of Vietnamese ceramics for foreign markets. The 15th century was considered as a prosperous period for Vietnamese export ceramics with the largest export quantity and the most abundant types thereof. The 16th century marked as a pause in the export of Vietnamese ceramics. The 17th century was the development period of commodity economy and the renaissance period of ports located in the northern and central parts of Vietnam. The article reviewed the findings regarding Vietnamese ceramics in Japan, West Asia, mainland, and insular Southeast Asia in order to partially reconstruct the historical context and the flow of Vietnamese export ceramics for the international maritime trade routes in the Vietnamese history of international trades from 14th to 17th centuries. Given that, the author pointed out the origin, chronology of the Vietnamese ceramics discovered from the relics as well as market context thereof and the destinations of Vietnamese export ceramics. Key words: Vietnamese ceramics, Dai Viet (Great Viet), Northern Vietnam, Southeast Asia, Maritime trade routes, Ceramic export Introduction Vietnam is located in Southeast Asia or Indo-China, with more than 3,000 km of long and beautiful coastline, and is at a crossroads of the exchange routes of the East to the West.
    [Show full text]
  • Mid-Holocene Hunter-Gatherers ‘Gaomiao’ in Hunan, China: the First of the Two-Layer Model in the Population History of East/Southeast Asia
    4 Mid-Holocene Hunter-Gatherers ‘Gaomiao’ in Hunan, China: The First of the Two-layer Model in the Population History of East/Southeast Asia Hirofumi Matsumura, Hsiao-chun Hung, Nguyen Lan Cuong, Ya-feng Zhao, Gang He and Zhang Chi Gaomiao, the eponymous archaeological site of the Gaomiao Culture (ca. 7500–5500 BP) has produced evidence of a unique hunter-gatherer society in Hunan Province, China, that produced fine decorated pottery. The human remains unearthed from this site provided an excellent opportunity to assess phenotypic and biological relationships between the Gaomiao and prehistoric and modern human populations that have inhabited East/Southeast Asia over the past ca. 10,000 years through cranial morphometrics. The assessment of morphometric affinity presented here addresses the peopling of East Asia, particularly in the context of the ‘two-layer’ hypothesis describing the population history of this region. The results suggest that the Gaomiao skeletons inherited genetic signatures from early colonising populations of Late Pleistocene southern Eurasian origin to a certain extent, and might share a common ancestry with present-day Australian Aboriginal and Melanesian people. Introduction The study of the population history of East Asia remains complex due to various migration processes and intermixing of populations throughout prehistory, poor archaeological sample sizes and limited radiometric dating. In general terms, East Asia is thought to have been originally inhabited by (to use the classic term) ‘Mongoloid’ peoples from the Late Pleistocene onwards. In the Late Pleistocene and early Holocene of Southeast Asia, several sets of human remains exhibit Australo-Melanesian characteristics, and it has been argued that an indigenous population possessing this morphological form occupied Southeast Asia.
    [Show full text]
  • Austronesian Vernacular Architecture and the Ise Shrine of Japan: Is There Any Connection?
    Austronesian vernacular architecture and the Ise Shrine of Japan: Is there any connection? Ezrin Arbi Department of Architecture Faculty of Built Environment Universityof Malaya Abst ract In spite of so many varieties of form and detail of construction found in Southeast Asian vernacular buildings, there are some recurring features and shared characteristics that bind them together. The vast territories in which this phenomenon exists, known as the "Austronesian world", does no t include Japan. However, there is an intriguing resemblance between the architectural style of Japanese vernacular heritage of the earlier period with that of Austronesia. This paper is an attempt to explain the relation between the two using the findings of studies by archaeological, linguistic, sociological and anthropological experts based on the link between culture, langu age and ve rnacular architect ure. Introduction the form of (i) ideas, (ii) activities and (iii) In order to see the link between artifacts. The first is abstract in nature; it language and architecture this pap er is not visible and exists only in the mind will necessarily be preceded with a brief of those who subscribe to it. The second discussion on the concept of culture. form is men's complex activities in their One of the earlier meanings was given interaction with each other; they are by Tylor (1871) (in Firth ed.1960:2), who concrete and observable. The third form of defined culture as "tha t complex whole culture, which is the most concrete, is the which includes knowled ge, beliefs, ar t, result of human activit ies in their social morals, laws, customs and all other intercourse that requires the creation capabilities and habits acquired by man and making of new tools, instruments, as a member of a society".
    [Show full text]
  • Out of the Mould: Contemporary Sculptural Ceramics in Vietnam
    Out of The Mould: Contemporary Sculptural Ceramics in Vietnam Volume 2: Appendices Submitted for the award of Doctor of Philosophy by Ann R. Proctor University of Sydney March 2006 Table of Contents List of Figures ...........................................................................................................................1 Introduction............................................................................................................................1 Chapter 1................................................................................................................................2 Chapter 2................................................................................................................................9 Chapter 3..............................................................................................................................11 Chapter 4..............................................................................................................................23 Chapter 5..............................................................................................................................43 Chapter 6..............................................................................................................................54 Bibliography............................................................................................................................62 Exhibition Catalogues And Reviews ...................................................................................62
    [Show full text]
  • Southeast Asian Ceramics Museum Newsletter Volume VII Number 2 Oct 2013-Jan 2014
    Southeast Asian Ceramics Museum Newsletter Volume VII Number 2 Oct 2013-Jan 2014 Editor: Ayutthaya Port Town and Ceramics Trading in Nakhon Si Thammarat Pariwat Thammapreechakorn Between 1350 and 1767, the Ayutthaya re-designated as a city of primary rank Editorial staff: Kingdom became one of the most with a high level of security, and four Burin Singtoaj Atthasit Sukkham important trading centers in Southeast Asia of its dependent cities were transferred Wanaporn Khambut and a magnet for explorers, missionaries, to the direct control of Ayutthaya. John Toomey Walter Kassela ambassadors and merchants from around Interdisciplinary research reveals Nakhon the world, specifically Chinese, Vietnamese, Si Thammarat as an important port town Reporters: Ang Choulean, Ann Proctor, Indian, Persian, as well as the Portuguese, in the southern territory of the Ayutthaya Augustine Vinh, Japanese, Dutch, British and French. Crucial Kingdom. Because its location was close Berenice Bellina, Chang Kuang-Jen, to its success was the location of the capital to the Gulf of Siam, some archaeologists Chhay Rachna, named Ayutthaya on the Chao Phraya believe it was connected to maritime Chhay Visoth, David Rehfuss, River Basin that connected to other river trade routes by the Ta Rua Canal situated Dawn Rooney,Don Hein, ways and to the Gulf of Siam. Including its in the south of Nakhon Si Thammarat. Donald Stadtner, Edward Von der Porten, dependent cities, especially the southern Else Geraets, territory, the kingdom was situated on Eusebio Dizon, Gary Hill, Hab Touch, Heidi Tan, excellent land with rich natural resources Ho Chui Mei, Horst Liebner, and local products, such as agricultural Ian Glover, Jennifer Rodrigo, John Kleinen, produce, fisheries, ore mines and handicraft Leng Rattanak, Li Guo, manufacturing.
    [Show full text]
  • Champa Citadels: an Archaeological and Historical Study
    asian review of world histories 5 (2017) 70–105 Champa Citadels: An Archaeological and Historical Study Đỗ Trường Giang National University of Singapore, Singapore and Institute of Imperial Citadel Studies (IICS) [email protected] Suzuki Tomomi Archaeological Institute of Kashihara, Nara, Japan [email protected] Nguyễn Văn Quảng Hue University of Sciences, Vietnam [email protected] Yamagata Mariko Okayama University of Science, Japan [email protected] Abstract From 2009 to 2012, a joint research team of Japanese and Vietnamese archaeologists led by the late Prof. Nishimura Masanari conducted surveys and excavations at fifteen sites around the Hoa Chau Citadel in Thua Thien Hue Province, built by the Champa people in the ninth century and used by the Viet people until the fifteenth century. This article introduces some findings from recent archaeological excavations undertaken at three Champa citadels: the Hoa Chau Citadel, the Tra Kieu Citadel in Quang Nam Province, and the Cha Ban Citadel in Binh Dinh Province. Combined with historical material and field surveys, the paper describes the scope and structure of the ancient citadels of Champa, and it explores the position, role, and function of these citadels in the context of their own nagaras (small kingdoms) and of mandala Champa as a whole. Through comparative analysis, an attempt is made to identify features characteristic of ancient Champa citadels in general. © koninklijke brill nv, leiden, 2�17 | doi 10.1163/22879811-12340006Downloaded from Brill.com10/09/2021 06:28:08AM via free access Champa Citadels 71 Keywords Cha Ban – Champa – citadel – Hoa Chau – Thanh Cha – Thanh Ho – Thanh Loi – Tra Kieu Tra Kieu Citadel in Quang Nam Among the ancient citadels of Champa located in central Vietnam, the Tra Kieu site in Quang Nam has generally been identified as the early capital, and thus has attracted the interest of many scholars.
    [Show full text]
  • CHINESE CERAMICS and TRADE in 14 CENTURY SOUTHEAST ASIA——A CASE STUDY of SINGAPORE XIN GUANGCAN (BA History, Pekingu;MA Arch
    CHINESE CERAMICS AND TRADE IN 14TH CENTURY SOUTHEAST ASIA——A CASE STUDY OF SINGAPORE XIN GUANGCAN (BA History, PekingU;MA Archaeology, PekingU) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF SOUTHEAST ASIAN STUDIES NATIONAL UNIVERSITY OF SINGAPORE 2015 Acknowledgements Upon accomplishing the entire work of this thesis, it is time for me to acknowledge many people who have helped me. First, I will like to express my utmost gratitude to my supervisor Dr.John N. Miksic from the Department of Southeast Asian Studies, National University of Singapore. He has dedicated a lot of precious time to supervising me, from choosing the thesis topic, organizing the fieldwork plans, to giving much valued comments and advice on the immature thesis drafts. I am the most indebted to him. The committee member Dr. Patric Daly from the Asian Research Institute and Dr. Yang Bin from the History Department, who gave me useful suggestions during the qualifying examination. I also would like to thank the following people who have given me a lot of support during my fieldwork and final stage of writing. For the fieldtrip in Zhejiang Province, with the help of Mr. Shen Yueming, the director of Zhejiang Relics and Archaeology Institute, I was able to be involved in a meaningful excavation of a Song to Yuan Dynasty ceramic kiln site in Longquan County. During the excavation, the deputy team leader Mr. Xu Jun and the local researcher Mr. Zhou Guanggui gave a lot of suggestions on the identification of Longquan celadon. Moreover, Ms. Wu Qiuhua, Mr. Yang Guanfu, and Mr.
    [Show full text]
  • (Khmer Ceramics (Singapore, Oxford
    Khmer Ceramics 2 From the dust jacket: Amongst the wealth of ceramic ware from South-East Asia, the ceramics of the Khmer empire of Angkor are probably the least well- known, just as this aspect of the art and culture of that great civilization is also the least explored. In this important contribution to the growing body of literature on the ceramics of the region, the author presents the first comprehensive study of Khmer ceramics to be published. The study examines the background, influences, characteristics, shapes and uses of this branch of the ceramic industry and provides the reader with a composite picture of the Khmer contribution to the craft. The volume is lavishly illustrated with twenty-five colour plates and more than one hundred black and white pictures and drawings of examples of Khmer ware, providing examples many of which are in private collections and therefore not accessible to the general public. Dr. Dawn Rooney is an art historian and presently lives and works in Bangkok. Jacket illustrations: Front Pot; diam. 6 cm; first half i2th century; brown monochrome. Back Urn ; ht. 60 cm ; 12th century ; The Thompson House, Bangkok Ace. No. 611, brown monochrome. Khmer Ceramics 3 Singapore Oxford University Press Oxford New York 1984 Khmer Ceramics 4 Oxford University Press Oxford London New York Toronto Kuala Lumpur Singapore Hong Kong Tokyo Delhi Bombay Calcutta Madras Karachi Nairobi Dar es Salaam Cape Town Melbourne Auckland and associates in Beirut Berlin Ibadan Mexico City OXFORD is a trademark of Oxford University Press (C) Oxford University Press 1984 All rights reserved.
    [Show full text]
  • Completion Report
    COMPLETION REPORT Geographically, both Vietnam and Japan are located close to China, which accounts for the influences exerted by the latter on the former at the different periods. Therefore, there should be research into the inevitable similarities shared by Vietnam and Japan in this process. At the same time, either of the two nations has had its own path for the development of their indigenous cultures, despite the same impact from China. In addition, naturally, both Vietnam and Japan have exerted their influence, to some extent, on China culture. 1. Influence of Chinese culture on the Dong Son culture. DongSon culture (7 th century BC- 1 th-2nd centuries AD) spread mostly in North Vietnam. Chinese artifacts found in Dong Son sites demonstrated this problem: 1-1. Bronze “qo” (a kind of weapon): A lot of bronze “qo” were discovered in Dong Son culture’s sites: Dong Son, Dong Den, Doi Da, Nui Voi… Recently, in famous Go De site (Lam Thao district, Phu Tho province) in 2003 we excavated one bronze “qo” that is decorated as many bronze “qo” in Shizhaishan site in Yunnan, south China (Qo was discovered in grave H6M1 in Go De site). 1-2. Bronze mirrors those were found in Dong Son culture were predominant among the bronze objects imported from China. There were Chinese mirrors in later Dong Son culture sites when Han dynasty invaded North Vietnam in 111 B.C. 1-3. Bronze ploughshares were found in both Dong Son and Dien cultures. Co Loa site, Dong Anh district, Ha Noi was discovered in 1982.
    [Show full text]