Tom Vincent Song List
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Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
A Course in Spoken English for Navajos: Second Year Program
DOCUMENT RESUME ED 074 802 FL-003 72.5 AUTHOR DeNunzic, Vincent TITLE A Course in Spoken English for Navajos: Second Year Program. Language Laboratory No. II. INSTITUTION Bureau of Indian Affairs (Dept. of Interior), Washington, D.C. PUB GATE 67 NOTE 429p. EDRS PRICE MF-$0.65 HC-$16.45 DESCRIPTORS Cultural Enrichment; English; *English (Second Language); *Instructional Materials; Language Development; Language Enrichment; *Language Instruction; *Language Laboratory Use; Lesson Plans; Navaho; Oral English; Pattern Drills '(Language);, Phonetics; *Phonics; Second Language Learning; Speech Skills ABSTRACT This manual rresents lesson plans for a secondyear course in spoken English for Navahos, based upon one hour of instruction five days a week. It contains a review of troublesome sounds, conversational dialogues, and work with the grammatical structure of spoken English. Actual conversational situations are used to teach the speaking patterns necessary to function ina given situation. Automatic two- and three-way exchanges are also used. The manual concentrates on phonics, cultural enrichment through the presentation of prose and poetry, and exercises to increase skills in spoken English. Included are plans for work in the language laboratory.(Author/SK) U.S. DEPARTMENT Of HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY. UNITED STATES DEPARTMENT OF THE INTERIOR STEWART L. UDALL, SECRETARY BUREAU OF INDIAN AFFAIRS ROBERT L. BENNETT, COMMISSIONER DIVISION OF EDUCATION CHARLES N. ZELLERS ASSISTANT COMMISSIONER (EDUCATION) LANGUAGE LABORATORY NO. H for A COURSE IN SPOKEN ENGLISH FOR NAVAJOS Designed for Navajos with 3rd to 7th grade reading achievement who are learning to speak English as a second language. -
Jazz, Gospel, and Rap
INTERNATIONAL/MULTI-CULTURAL 349 AFRICAN AMERICAN INDIAN GERMAN AFRICAN-AMERICAN MUSIC OF THE 266 VOLK SPIRITUALS AMERICAN INDIAN KOMMERS UND The Phillip Keveren Series A collection of American VATERLANDLIEDER 20 Keveren easy piano arrange- Indian songs composed by 266 folk songs and songs of ments of popular spirituals, Charles Wakefield Cadman. the fatherland in German. including: Deep River • Every Nine titles accompanied by Time I Feel the Spirit • Go illustrations by George Catlin. Down, Moses • Joshua (Fit the Biography included. Battle of Jericho) • Rock-A-My Soul • Swing Low, Sweet Chariot • Wayfaring Stranger • and more. ______00384265 P/V/G ....................................$5.95 ______00008620 P/V/G ..................................$10.95 ______00310610 Easy Piano Solo.....................$9.95 CAJUN/ZYDECO GERMANIA ALBUM ALBUM OF NEGRO SPIRITUALS A collection of 35 old and new German folk songs with Newly adapted and arranged by J. Rosamond Johnson. CAJUN & ZYDECO CLASSICS both English and German lyrics. 26 favorite examples of America’s great contribution to 25 favorites from the musical bayou arranged ______00008625 P/V/G ....................................$7.95 the world of music. for piano/vocal/guitar, including: Amos Moses • Bayou Pon Pon • Big Mamou • Colinda • Iko Iko • Jambalaya ______00008634 P/V/G ....................................$7.95 HAWAIIAN (On the Bayou) • Louisiana Man • When the Saints Go BE A FRIEND – Marching In • Ya Ya. FAVORITE HAWAIIAN THE STORY OF ______00310806 P/V/G...................................$12.95 -
Results by Session
SALE RESULTS LIST BY SESSION 2010 Winter Mixed Sale 1/14/2010 - 1/16/2010 SESSION ONE /Quarter Horse Session Hip # Horse (Sex) / Sire-Dam / [Covering Sire] Buyer State Price 1 BB Stone (G) Earl Houston UT $900 SC Chiseled In Stone-Baby B Bold 2 Mr Bohica (G) Jason & Leslie Willis SC $1,700 Apollo (TB)-Bac By Design 3 Bada Bugs (M) Repurchase $1,000 One Rare Bug-Bada Bing 4 Miss Blushing Barbi (M) Damon Hodges TX $2,000 Blushing Bug-Barbi Bugs 5 Chakote (M) Martin Perez NM $1,800 Brimmerton-Barbs Bug Dash 6 Von Can Run (C) Anton Kudacak TX $2,200 Conner Can-Baroness Von Run 7 BCR Really A Lou Lou (M) Repurchase $7,500 For Really (TB)-BCR Cindy Lou [Wave Carver] 8 Catch This Dash (M) James W. Pruitt TX $15,000 First Down Dash-Beat Your Pants OFF [Heza Motor Scooter] 9 Thatbeatsall (M) Mike C. Abraham NM $20,000 Check Him Out-Beat Your Pants OFF [Walk Thru Fire] 10 Miss Beau Windy (M) Withdrawn LA Gros Oreille-Beau Windy [Panther Mountain] 11 Red River Moonshine (G) Earl Houston UT $1,200 First To Shine-BeautiFul Bag 12 A Dash OF Beauty (M) Greg Morrison MI $2,000 A Classic Dash-BeautiFul Beduino [Simply Macho] 13 An Ocean Rocket (G) Withdrawn LA Ocean Runaway-Bebes Ronas Rocket 14 Magical Mambo (F) Bob or Marie Broadstock CAN $5,500 Check Him Out-Beduino Dancer 15 Miss Beduino Cash (M) Claude Roles AR $6,000 Mr Eye Opener-Begum Bedunio [Scrutinizer] 16 Bonito Soy (G) Aurelia Valencia OK $3,000 Make It Anywhere-Bellasera 17 Back To Our Feature (M) Withdrawn CA Feature Mr Jess-Best To Be First [Carters Cartel] 18 Let Me Upgrade (M) Colin -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Growing Scientific Support for the Effectiveness And/Or Authors Other Than the Editors of This Publication
T H E Latham Letter VOLUME XXXVIII, NUMBER 1 WINTER 2017 PROMOTING RESPECT FOR ALL LIFE THROUGH EDUCATION Single Issue Price: $5.00 See page 6 Help for End-of-Life Decisions pg 8 Research News pgs 13 & 19 Animal-Assisted Activities pgs 12, 14, 17-18 Edith Latham’s MANDATE: “To promote, foster, encourage and further the principles of humaneness, kindness and benevolence to all living creatures.” The Latham Letter Balanced perspectives on humane issues and activities Subscriptions: $15 One year US; $25 Two years US. Canadian or Mexican subscribers, please add $5 per year for postage. All other countries, please add $12 per year. All amounts US Dollars. Subscribe at www.latham.org. Associate Memberships: Support our work and receive exclusive online distribution of © 2017 The Latham Foundation for the each Latham Letter plus 20% discounts on videos, DVDs, and publications. Promotion of Humane Education $30 One year; $57 Two years (save $3); $84 Three years (save $6). Join online at www.latham.org. Search the Latham Letter archives by topic and learn more about all our products and services at www.Latham.org or call 510-521-0920. The Latham Foundation, 1320 Harbor Bay Pkwy, Suite 200, Alameda, CA 94502-6581 Volume XXXVIII, Number 1, Winter 2017 Balanced perspectives on humane issues and activities EDITORIAL: Starting a Tradition . 4 By Hugh H. Tebault, III Of Note . 5 COVER STORY: The Latham Letter is published quarterly by The Latham Foundation, Milwaukee’s Door County Sled Dogs Provide 1320 Harbor Bay Pkwy, Suite 200, Alameda, CA 94502-6581. Year-Round Fun and Education . -
Transforming Trauma: Resilience and Healing Through Our Connections with Animals Philip Tedeschi University of Denver
Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Summer 7-15-2019 Transforming Trauma: Resilience and Healing Through Our Connections With Animals Philip Tedeschi University of Denver Molly Anne Jenkins University of Denver Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the Health Psychology Commons, and the Veterinary Medicine Commons Recommended Citation Tedeschi, Philip, and Jenkins, Molly Anne, Transforming Trauma: Resilience and Healing Through Our Connections With Animals. (2019). Purdue University Press. (Knowledge Unlatched Open Access Edition.) This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. NEW DIRECTIONS IN THE HUMAN-ANIMAL BOND Series editors: Alan M. Beck and Marguerite E. O’Haire, Purdue University A dynamic relationship has always existed between people and animals. Each influences the psychological and physiological state of the other. This series of scholarly publications, in collaboration with Purdue University’s College of Veterinary Medicine, expands our knowledge of the interrelationships between people, animals, and their environment. Manuscripts are welcomed on all aspects of human-animal interaction and welfare, including therapy applications, public policy, and the application of humane ethics in managing our living resources. Other titles in this series: A Reason to Live: HIV and Animal Companions Vicki Hutton That Sheep May Safely Graze: Rebuilding Animal Health Care in War-Torn Afghanistan David M. Sherman Animal-Assisted Interventions in Health Care Settings: A Best Practices Manual for Establishing New Programs Sandra B. Barker, Rebcca A. Vokes, and Randolph T. -
Table of Contents
29488 Addendum 09:Layout 1 6/11/09 5:00 PM Page 1 TABLE OF CONTENTS Sheet Music..................................................................................................2 E-Z Play® Today Series ...............................................................................49 Fake Books..................................................................................................3 Instrumental ..............................................................................................50 Paperback Songs .................................................................................4 Accordion..........................................................................................56 Piano Chord Songbooks.......................................................................4 Big Band Play-Along...........................................................................52 Lyric Collections...................................................................................4 Brass .................................................................................................56 Personality Folios.........................................................................................5 Flute ..................................................................................................55 Songwriter Collections ...............................................................................18 Instrumental Solos.............................................................................52 Mixed Folios ..............................................................................................25 -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
Jazz Collection: Kenny Barron
Jazz Collection: Kenny Barron Dienstag, 04. Juni 2013, 21.00 - 23.00 Uhr Samstag, 08. Juni 2013, 22.00 - 24.00 Uhr (Zweitsendung) Geboren am 9.Juni 1943 in Philadelphia, genoss Barron eine klassische Klavier-Ausbildung und spielte zunächst in der gleichen Band wie sein älterer Bruder, der Saxophonist Bill Baron (1927-1989). Nach seinem Umzug nach New York etablierte sich Kenny Barron Anfang der 1960er Jahre als hochbegehrter Sideman in der Szene. Durch James Moody kam er in Kontakt mit Dizzy Gillespie, in dessen Band er für 3 Jahre spielte. Aus der fast unüberschaubaren Auswahl an Aufnahmen mit Kenny Barron stechen die Duos mit Stan Getz hervor, die kurz vor dem Tod des grossen Tenorsaxophonisten in Kopenhagen entstanden. Mit dem Quartett «Sphere» widmete sich Barron seit 1982 zudem lange Zeit intensiv dem Erbe des Bebop-Komponisten Thelonious Monk. Der Pianist und Barron-Kenner Stewy von Wattenwyl, zu Gast in Jazz Collection, hat Kenny Barron wiederholt getroffen und gesprochen.. Bill Barron: The Tenor Stylings of Kenny Barron (1961) CD Savoy, SV-0212 Track 5: Back Lash Kenny Barron: Peruvian Blue (1974) CD 32 Jazz, 32083 Track 3: The Procession Kenny Barron Trio: Green Chimneys (1983) CD Criss Cross, 1008CD Track 1: Softly As In A Morning Sunrise Kevin Mahogany: Double Rainbow (1993) CD Enja, ENJ-7097 2 Track 4: Save That Time Kenny Barron: The Only One (1990) CD Reservoir Track 3: The Courtship Thelonius Monk: Live at Mybeck Vol.10 (1990) CD Concord, CCD-4466 Track 5: Well You Needn’t Stan Getz – Kenny Barron: People Time (1992) CD -
Confronting Nihilism and the Sublime
2 WHAT DOES IT MEAN? CONFRONTING NIHILISM AND THE SUBLIME From: Moonwalking Into the Future: Confronting Nihilism and the Sublime Space Narratives — From Apollo and Hubble to 2001, Star Trek and Interstellar By Barry Vacker © 2016, Center for Media and Destiny 1. Trajectories of the Space Age — Faster, Forward, Upward Common history generally credits the Cold War with initiating space exploration and the space age, including the launch of the Sputnik satellite by the Soviet Union in 1955, the formation of NASA in 1958, the launch of Yuri Gagarin into space in 1961, and President Kennedy’s “moon speech” in 1962. But this is only partially correct. While the Cold War did indeed drive the “space race” to moon, the trajectories of the space age reach much deeper and further back. Things to Come. The potential for space travel was explored via the arts and sciences beginning in the late 19th century and continuing into the 20th. Pioneering science-fiction writers such as Jules Verne, Konstantin Tsiolkovsky, and H. G. Wells first popularized the notion of space travel in their novels and short stories. By 1926, Robert Goddard had invented the first liquid-fueled rocket, showing that space travel might be possible. At the end of the classic science-fiction film Things to Come (1936), which was written by Wells and produced in Britain, space travel is representative of the next phase of humanity’s technological and cultural evolution. The film posits that space travel is the logical continuation of industrial and aerial civilization, where planes fly around the world and humans inhabit industrial metropolises, communicate via powerful media technologies, and explore space. -
Ella Fitzgerald Collection of Sheet Music, 1897-1991
http://oac.cdlib.org/findaid/ark:/13030/tf2p300477 No online items Ella Fitzgerald collection of sheet music, 1897-1991 Finding aid prepared by Rebecca Bucher, Melissa Haley, Doug Johnson, 2015; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2002 The Regents of the University of California. All rights reserved. Ella Fitzgerald collection of sheet PASC-M 135 1 music, 1897-1991 Title: Ella Fitzgerald collection of sheet music Collection number: PASC-M 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 13.0 linear ft.(32 flat boxes and 1 1/2 document boxes) Date (inclusive): 1897-1991 Abstract: This collection consists of primarily of published sheet music collected by singer Ella Fitzgerald. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. creator: Fitzgerald, Ella Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.