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The Enduring Power of Musical Theatre Curated by Thom Allison
THE ENDURING POWER OF MUSICAL THEATRE CURATED BY THOM ALLISON PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED AND DIRECTED BY THOM ALLISON THE SINGERS ALANA HIBBERT GABRIELLE JONES EVANGELIA KAMBITES MARK UHRE THE BAND CONDUCTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS, LAURA BURTON ORCHESTRA SUPERVISOR MICHAEL McCLENNAN CELLO, ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT GEORGE MEANWELL DAVID CAMPION The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
Repertoire Performed Or Recorded Sorted by Composer Birth Year
Robbie Padilla: Repertoire Performed or Recorded Sorted by composer birth year. This list is current as of February 27, 2021. Orlando Gibbons (1583-1625) b. 1580s Voice The Silver Swan (1612) Henry Purcell (1659-1695) b. 1650s Alto Saxophone Two Boureés (trans. Sigurd Rascher) Georg Philipp Telemann (1681-1767) b. 1680s Bassoon Sonata in E-flat Major, TWV 41:EsA1 (1728, ed. Közreadja) Bassoon/Trombone Sonata in F Minor, TWV 41:f1 (1728, ed. Robert Veyron-Lacroix) Johann Sebastian Bach (1685-1750) Solo Prelude and Fugue in C Major, BWV 846 (1722) Prelude and Fugue in C# Major, BWV 848 (1722) Prelude and Fugue in C# Minor, BWV 849 (1722) Prelude and Fugue in D Major, BWV 850 (1722) Prelude and Fugue in E Major, BWV 854 (1722) Prelude and Fugue in F Minor, BWV 881 (1742) Viola Sonata in B Minor, BWV 1014 (1723, ed. Eric Gustafson) George Frideric Handel (1685-1759) Voice Sì, tra i ceppi from Berenice, HWV 38 (1737) Flute Sonata in E Minor, Op. 1, No. 1b, HWV 359b (1724) Benedetto Marcello (1686-1739) Oboe Concerto in D Minor, S D935 (1715, ed. Richard Lauschmann) (I. Allegro…) Euphonium/Tuba Sonata No. 2 in E Minor, Op. 1, No. 2 (1732, arr. Michael D. Blostein) Padilla Repertoire List, page 1 Johann Ernst Galliard (1687-1747) Trombone Sonata No. 1 (1733, ed. Keith Brown) Tuba Galliard Suite (arr. Michael J. Coldren) Franz Joseph Haydn (1732-1809) b. 1730s Solo Sonata in C Major, Hob.XVI:50 (1795) Jean-Paul-Égide Martini (1741-1816) b. 1740s Voice Plaisir d’amour (1784) Wolfgang Amadeus Mozart (1756-1791) b. -
Passporttothearts
Cedar Falls, Iowa Falls, Cedar ___________________________________ Email ___________________________________ Phone ___________________________________ Name This passport belongs to: belongs passport This PASSPORT Enjoy a summer vacation without even leaving Cedar Falls! RULES? Numerous arts organizations are offering a variety of Yes, rules. Sorry. They’re pretty easy though… events—most of which are free—for your enjoyment. Get this passport stamped at a minimum 1 A minimum of six stamps from three organizations are of six events and become eligible to receive required—two for month—this means two in June, July a prize package valued at $260! and August. No repeated organizations are allowed in the same month. For example two Movies Under the Moon in June would not be allowed, however you can use one in PARTICIPATING PARTNERS: June and one in July. 2 It’s your responsibility to get your passport stamped at the events. Signage with the Passport to the Arts logo will direct you to the “stamping” station. 3 Turn your completed passport in to the Hearst Center for the Arts, Community Main Street office, or Cedar Falls Tourism and Visitors Bureau office. You may also bring your completed passport to Artapalooza. This is, however, not a Cedar Falls MUNICIPAL stampable event. A drawing from completed passports will BAND take place at the Hearst Center kids tent located near the corner of 2nd and Main Streets at 10am. Participants are invited to attend, however you need not be present to win. COMMUNICATION PARTNERS: QUESTIONS? Additional information can be found at CedarFallsTourism.org/PassportToTheArts. Or contact Sheri Huber-Otting at the Hearst Center for the Arts, [email protected], or 319-268-5502. -
A Course in Spoken English for Navajos: Second Year Program
DOCUMENT RESUME ED 074 802 FL-003 72.5 AUTHOR DeNunzic, Vincent TITLE A Course in Spoken English for Navajos: Second Year Program. Language Laboratory No. II. INSTITUTION Bureau of Indian Affairs (Dept. of Interior), Washington, D.C. PUB GATE 67 NOTE 429p. EDRS PRICE MF-$0.65 HC-$16.45 DESCRIPTORS Cultural Enrichment; English; *English (Second Language); *Instructional Materials; Language Development; Language Enrichment; *Language Instruction; *Language Laboratory Use; Lesson Plans; Navaho; Oral English; Pattern Drills '(Language);, Phonetics; *Phonics; Second Language Learning; Speech Skills ABSTRACT This manual rresents lesson plans for a secondyear course in spoken English for Navahos, based upon one hour of instruction five days a week. It contains a review of troublesome sounds, conversational dialogues, and work with the grammatical structure of spoken English. Actual conversational situations are used to teach the speaking patterns necessary to function ina given situation. Automatic two- and three-way exchanges are also used. The manual concentrates on phonics, cultural enrichment through the presentation of prose and poetry, and exercises to increase skills in spoken English. Included are plans for work in the language laboratory.(Author/SK) U.S. DEPARTMENT Of HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY. UNITED STATES DEPARTMENT OF THE INTERIOR STEWART L. UDALL, SECRETARY BUREAU OF INDIAN AFFAIRS ROBERT L. BENNETT, COMMISSIONER DIVISION OF EDUCATION CHARLES N. ZELLERS ASSISTANT COMMISSIONER (EDUCATION) LANGUAGE LABORATORY NO. H for A COURSE IN SPOKEN ENGLISH FOR NAVAJOS Designed for Navajos with 3rd to 7th grade reading achievement who are learning to speak English as a second language. -
Jazz, Gospel, and Rap
INTERNATIONAL/MULTI-CULTURAL 349 AFRICAN AMERICAN INDIAN GERMAN AFRICAN-AMERICAN MUSIC OF THE 266 VOLK SPIRITUALS AMERICAN INDIAN KOMMERS UND The Phillip Keveren Series A collection of American VATERLANDLIEDER 20 Keveren easy piano arrange- Indian songs composed by 266 folk songs and songs of ments of popular spirituals, Charles Wakefield Cadman. the fatherland in German. including: Deep River • Every Nine titles accompanied by Time I Feel the Spirit • Go illustrations by George Catlin. Down, Moses • Joshua (Fit the Biography included. Battle of Jericho) • Rock-A-My Soul • Swing Low, Sweet Chariot • Wayfaring Stranger • and more. ______00384265 P/V/G ....................................$5.95 ______00008620 P/V/G ..................................$10.95 ______00310610 Easy Piano Solo.....................$9.95 CAJUN/ZYDECO GERMANIA ALBUM ALBUM OF NEGRO SPIRITUALS A collection of 35 old and new German folk songs with Newly adapted and arranged by J. Rosamond Johnson. CAJUN & ZYDECO CLASSICS both English and German lyrics. 26 favorite examples of America’s great contribution to 25 favorites from the musical bayou arranged ______00008625 P/V/G ....................................$7.95 the world of music. for piano/vocal/guitar, including: Amos Moses • Bayou Pon Pon • Big Mamou • Colinda • Iko Iko • Jambalaya ______00008634 P/V/G ....................................$7.95 HAWAIIAN (On the Bayou) • Louisiana Man • When the Saints Go BE A FRIEND – Marching In • Ya Ya. FAVORITE HAWAIIAN THE STORY OF ______00310806 P/V/G...................................$12.95 -
Duncan Stewart, CSA and Benton Whitley, CSA, Casting Directors
Duncan Stewart, CSA and Benton Whitley, CSA, Casting Directors/Partners Paul Hardt, Christine McKenna-Tirella, CSA Casting Director Ian Subsara, Emily Ludwig Casting Assistant Resume as of 3.15.2019 _________________________________________________________________ CURRENT & ONGOING: HADESTOWN Theater, Broadway – Walter Kerr Theater March 2019 – Open Ended Mara Isaacs, Hunter Arnold, Dale Franzen (Prod.) Rachel Chavkin (Dir.), David Newmann (Choreo.) By: Anais Mitchell CHICAGO THE MUSICAL Theater, Broadway – Ambassador Theater May 2008 – Open Ended Barry and Fran Weissler (Prod.) Walter Bobbie (Dir.), Ann Reinking (Choreo.) By: John Kander & Fred Ebb CHICAGO THE MUSICAL Theater, West End – Phoenix Theater March 2018 – Open Ended Barry and Fran Weissler (Prod.) Walter Bobbie (Dir.), Ann Reinking (Choreo.) By: John Kander & Fred Ebb ZOEY’S EXTRAORDINARY PLAYLIST NBC Lionsgate TV Pilot March 2019 Richard Shepard (Dir.), Austin Winsberg (Writer) NY Casting AUGUST RUSH Theater, Regional – Paramount Theater January 2019 – June 2019 Paramount Theater (Prod.) John Doyle (Dir.), JoAnn Hunter (Choreo.) By: Mark Mancina, Glen Berger, David Metzger PARADISE SQUARE: An American Musical Theater, Regional – Berkeley Repertory Theatre December 2018 – March 2019 Garth Drabinsky (Prod.) ________________________________________________________________________ 1 Stewart/Whitley 213 West 35th Street Suite 804 New York, NY 10001 212.635.2153 Moisés Kaufman (Dir.), Bill T. Jones (Choreo.) By: Marcus Gardley, Jason Howland, Larry Kirwan, Craig Lucas, Nathan -
THE DROWSY CHAPERONE Music & Lyrics by Book by LISA LAMBERT and BOB MARTIN and GREG MORRISON DON MCKELLAR
Friday, August 13, 2021 | 7:30 PM Saturday, August 14, 2021 | 7:30 PM Livestreamed MANHATTAN SCHOOL OF MUSIC MUSICAL THEATRE Liza Gennaro, Associate Dean and Director THE DROWSY CHAPERONE Music & Lyrics by Book by LISA LAMBERT and BOB MARTIN and GREG MORRISON DON MCKELLAR Original Broadway production of The Drowsy Chaperone produced by Kevin McCollum, Roy Miller, Bob Boyett, Stephanie McClelland, Barbara Freitag, and Jill Furman Friday, August 13, 2021 | 7:30 PM Saturday, August 14, 2021 | 7:30 PM Livestreamed MANHATTAN SCHOOL OF MUSIC MUSICAL THEATRE Liza Gennaro, Associate Dean and Director THE DROWSY CHAPERONE Music & Lyrics by Book by LISA LAMBERT and BOB MARTIN and GREG MORRISON DON MCKELLAR Original Broadway production of The Drowsy Chaperone produced by Kevin McCollum, Roy Miller, Bob Boyett, Stephanie McClelland, Barbara Freitag and Jill Furman Evan Pappas, Director Liza Gennaro, Choreographer David Loud, Music Director Dominique Fawn Hill, Costume Designer Nikiya Mathis, Wig, Hair, and Makeup Designer Kelley Shih, Lighting Designer Scott Stauffer, Sound Designer Megan P. G. Kolpin, Props Coordinator Angela F. Kiessel, Production Stage Manager Super Awesome Friends, Video Production Jim Glaub, Scott Lupi, Rebecca Prowler, Jensen Chambers, Johnny Milani The Drowsy Chaperone is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com STREAMING IS PRESENTED BY SPECIAL ARRANGEMENT WITH MUSIC THEATRE INTERNATIONAL (MTI) NEW YORK, NY. All authorized performance materials are also supplied by MTI. www.mtishows.com WELCOME FROM LIZA GENNARO, ASSOCIATE DEAN AND DIRECTOR OF MSM MUSICAL THEATRE I’m excited to welcome you to The Drowsy Chaperone, MSM Musical Theatre’s fourth virtual musical and our third collaboration with the video production team at Super Awesome Friends—Jim Glaub, Scott Lupi and Rebecca Prowler. -
Edition 5 | 2018-2019
2 GOODSPEED MUSICALS | 2018 SEASON 4 GOODSPEED MUSICALS | 2018 SEASON The Drowsy Chaperone | 15 Cast of Characters | 16 Synopsis of Scenes and Musical Numbers | 17 Who’s Who | 18 About the Authors | 25 Program Notes | 26 About Goodspeed Musicals | 27 History of The Goodspeed | 28 Our Mission | 28 The Goodspeed Opera House Foundation | 29 Corporate Support | 30 Foundation & Government Support | 30 Looking to the Future | 31 Memorial and Tribute Gifts | 33 Goodspeed Members | 35 Footlights Fund | 42 Goodspeed Musicals Staff | 45 For Your Information | 57 Editor: Lori A. Cartwright ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or inpart without written permission from the publisher. JBI Publishing is a division of Onstage Publications, Inc. Contents © 2018. All rights reserved. Printed in the U.S.A. GOODSPEED MUSICALS | 2018 SEASON 7 12 GOODSPEED MUSICALS | 2018 SEASON GOODSPEED MUSICALS | 2018 SEASON 13 A Non-Profit Arts Organization MICHAEL GENNARO Executive Director presents Music & Lyrics by LISA LAMBERT and GREG MORRISON Book by BOB MARTIN and DON McKELLAR With JENNIFER ALLEN CLYDE ALVES HALLIE BREVETTI ABBY CHURCH JAMES SPENCER DEAN TIM FALTER RUTH GOTTSCHALL DANIELLE LEE GREAVES BRYAN THOMAS HUNT JAY AUBREY JONES JAMES JUDY EVAN MAYER RUTH PFERDEHIRT JOHN RAPSON STEPHANIE ROTHENBERG JOHN SCHERER BLAKELY SLAYBAUGH PARKER SLAYBAUGH GABI STAPULA Scenic Design by Costume Design by Lighting Design by Sound Design by HOWARD JONES GREGG BARNES KIRK BOOKMAN JAY HILTON Wig & Hair Design by Assistant Music Director Orchestrations Production Manager MARK ADAM WILLIAM J. -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
Confronting Nihilism and the Sublime
2 WHAT DOES IT MEAN? CONFRONTING NIHILISM AND THE SUBLIME From: Moonwalking Into the Future: Confronting Nihilism and the Sublime Space Narratives — From Apollo and Hubble to 2001, Star Trek and Interstellar By Barry Vacker © 2016, Center for Media and Destiny 1. Trajectories of the Space Age — Faster, Forward, Upward Common history generally credits the Cold War with initiating space exploration and the space age, including the launch of the Sputnik satellite by the Soviet Union in 1955, the formation of NASA in 1958, the launch of Yuri Gagarin into space in 1961, and President Kennedy’s “moon speech” in 1962. But this is only partially correct. While the Cold War did indeed drive the “space race” to moon, the trajectories of the space age reach much deeper and further back. Things to Come. The potential for space travel was explored via the arts and sciences beginning in the late 19th century and continuing into the 20th. Pioneering science-fiction writers such as Jules Verne, Konstantin Tsiolkovsky, and H. G. Wells first popularized the notion of space travel in their novels and short stories. By 1926, Robert Goddard had invented the first liquid-fueled rocket, showing that space travel might be possible. At the end of the classic science-fiction film Things to Come (1936), which was written by Wells and produced in Britain, space travel is representative of the next phase of humanity’s technological and cultural evolution. The film posits that space travel is the logical continuation of industrial and aerial civilization, where planes fly around the world and humans inhabit industrial metropolises, communicate via powerful media technologies, and explore space. -
Ella Fitzgerald Collection of Sheet Music, 1897-1991
http://oac.cdlib.org/findaid/ark:/13030/tf2p300477 No online items Ella Fitzgerald collection of sheet music, 1897-1991 Finding aid prepared by Rebecca Bucher, Melissa Haley, Doug Johnson, 2015; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2002 The Regents of the University of California. All rights reserved. Ella Fitzgerald collection of sheet PASC-M 135 1 music, 1897-1991 Title: Ella Fitzgerald collection of sheet music Collection number: PASC-M 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 13.0 linear ft.(32 flat boxes and 1 1/2 document boxes) Date (inclusive): 1897-1991 Abstract: This collection consists of primarily of published sheet music collected by singer Ella Fitzgerald. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. creator: Fitzgerald, Ella Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Tom Vincent Song List
Tom Vincent Song List A Train Blues for Philly Joe to miss New Orleans How High the Moon Round Midnight Blues in the Night Don’t be that Way How Insensitive Tis Autumn Blues March Don’t Explain How Little We Know A Felicidade Bluesette Don’t Fence me in How long has this Been A Foggy Day Blueberry Hill Don’t get around much . going on A Gal in Calico Body and Soul Donna Lee I Can’t Get Started A Night in Tunisia Bolivar Blues Doxy I Can’t give you anything A Weaver of Dreams Bolivia Drop me off in Harlem but Love After You’ve Gone Bongo Beep Duke’s Place I Concentrate on You Aint Misbehaving Boogie Stomp Shuffle Early Autumn I Cover the Waterfront All Blues Boplicity East of the Sun I Didn’t know what time All of Me Bright Missassippi Easy Living I Fall in love too Easily All or Nothing at All Broadway Easy to Love I Got it Bad All the Things You Are But Beautiful Embraceable You I Got Plenty of Nuthin’ All the Way But Not for Me Emily I Got Rhythm Along Came Betty Button up your Overcoat Epistrophy I Have The Feeling I’ve Been Angel Eyes Bye Bye Blackbird Erronel . Here Before Another You Bye Bye Blues Evrytime We Say Goodbye I Hear a Rhapsody Anthropology Bye Ya Evidence I Hear Music Anything Goes Caravan Exactly Like You I Let a song go out of my Heart Anything You Can do I can do Central Park West Falling in love w love I Love You April in Paris Centrepiece Fascinatin’ Rhythm I Loves you Porgy As Time Goes By Cheek to Cheek Fever I Mean You Au Privave Chelsea Bridge Favela I Remember Clifford Autumn in New York Cheokee Flithy McNasty