Michaelmas Term 2018
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Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021
2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021 Please Note: due to production considerations, duration for each production is subject to change. Please consult associated cue sheet for final cast list, timings, and more details. Please contact [email protected] for more information. PROGRAM #: OS 21-01 RELEASE: June 12, 2021 OPERA: Handel Double-Bill: Acis and Galatea & Apollo e Dafne COMPOSER: George Frideric Handel LIBRETTO: John Gay (Acis and Galatea) G.F. Handel (Apollo e Dafne) PRESENTING COMPANY: Haymarket Opera Company CAST: Acis and Galatea Acis Michael St. Peter Galatea Kimberly Jones Polyphemus David Govertsen Damon Kaitlin Foley Chorus Kaitlin Foley, Mallory Harding, Ryan Townsend Strand, Jianghai Ho, Dorian McCall CAST: Apollo e Dafne Apollo Ryan de Ryke Dafne Erica Schuller ENSEMBLE: Haymarket Ensemble CONDUCTOR: Craig Trompeter CREATIVE DIRECTOR: Chase Hopkins FILM DIRECTOR: Garry Grasinski LIGHTING DESIGNER: Lindsey Lyddan AUDIO ENGINEER: Mary Mazurek COVID COMPLIANCE OFFICER: Kait Samuels ORIGINAL ART: Zuleyka V. Benitez Approx. Length: 2 hours, 48 minutes PROGRAM #: OS 21-02 RELEASE: June 19, 2021 OPERA: Tosca (in Italian) COMPOSER: Giacomo Puccini LIBRETTO: Luigi Illica & Giuseppe Giacosa VENUE: Royal Opera House PRESENTING COMPANY: Royal Opera CAST: Tosca Angela Gheorghiu Cavaradossi Jonas Kaufmann Scarpia Sir Bryn Terfel Spoletta Hubert Francis Angelotti Lukas Jakobski Sacristan Jeremy White Sciarrone Zheng Zhou Shepherd Boy William Payne ENSEMBLE: Orchestra of the Royal Opera House, -
4998686-Ed9c03-635212041222.Pdf
ST JOHN PASSION INTRODUCTION BY BOB CHILCOTT way. The texts they sing are English poems from the 13th to the early 17th centuries that BOB CHILCOTT (b. 1955) My setting of the Passion is an hour-long work express deeply human responses to death, to telling the story of Christ’s Passion using the life, and to man’s relationship with the world text from St John’s Gospel. It was written specially and with God. Two of these meditations are sung PART I PART III for Matthew Owens and the Choir of Wells by the choir with soprano solo, the last of 1 Sing, my tongue, the glorious battle [2.09] w Jesus is crucified [5.45] Cathedral and first performed on Palm Sunday which expresses most poignantly the human 2 e The Garden [5.25] Hymn: There is a green hill far away [2.37] 24 March, 2013, during an act of worship. response to seeing Christ crucified on the cross. 3 Hymn: It is a thing most wonderful [2.13] r The Crucifixion [5.23] 4 Peter’s denial [5.49] t Jesus, my leman [4.54] As in the great Passion settings by J.S. Bach, I have also set five well-known Passiontide 5 Miserere, my Maker [5.58] y Jesus dies on the cross [2.33] the story is narrated by a tenor Evangelist. I hymn texts (It is a thing most wonderful; Jesus, 6 Hymn: Drop, drop slow tears [1.32] u When I survey the wondrous cross [3.19] have designed the narrative to be sung in an grant me this, I pray; Drop, drop slow tears; There arioso style that gains momentum as the drama is a green hill far away and When I survey the Total timing: [67.46] PART II unfolds. -
Jimmy Somerville Manage the Damage Mp3, Flac, Wma
Jimmy Somerville Manage The Damage mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Manage The Damage Country: Japan Released: 1999 Style: Downtempo, Synth-pop MP3 version RAR size: 1770 mb FLAC version RAR size: 1975 mb WMA version RAR size: 1228 mb Rating: 4.3 Votes: 930 Other Formats: AUD WAV MP3 ADX AC3 DTS MP1 Tracklist 1 Here I Am 2 Lay Down 3 Dark Sky 4 My Life 5 Something To Live For 6 This Must Be Love 7 Girl Falling Down 8 Someday Soon 9 Eve 10 Stone 11 Rolling Bonus Track: 12 Lay Down (Almighty Vocal Mix) Companies, etc. Manufactured By – Rock Records (Japan) Co. Ltd. – RCCY-1081 Credits Producer – Jimmy Somerville, Sally Herbert Written-By – Jimmy Somerville, Sally Herbert Notes Recorded in London at Peg's Study, Mayfair, Battery, Townhouse and RAK. Made in Japan. Barcode and Other Identifiers Barcode: 4 516192 120700 Other versions Title Category Artist Label Category Country Year (Format) Manage The Jimmy GUT CD8 Damage (CD, Gut Records GUT CD8 UK 1999 Somerville Album) Manage The SPV 085-23082 Jimmy Damage (CD, SPV 085-23082 Gut Records Russia 1999 CD Somerville Album, CD Unofficial) Manage The Jimmy Czech ERA 9906-2 Damage (CD, Nextera ERA 9906-2 1999 Somerville Republic Album) Manage The Planetworks, 542 271-2, Jimmy 542 271-2, Damage (CD, Mercury Greece 1999 MERC-542271-2 Somerville MERC-542271-2 Album) Records Blanco Y Manage The MXCD 982, MXCD Jimmy Negro , Blanco MXCD 982, MXCD Damage (CD, Spain 1999 982 (CS) Somerville Y Negro , Gut 982 (CS) Album) Records Related Music albums to Manage The Damage by Jimmy Somerville Jimmy Somerville - Hurt So Good Amanda Somerville - Never Alone Jimmy Somerville - Dark Sky Jimmy Somerville - Why (Almighty Mixes) Jimmy Somerville - Safe Jimmy Somerville - To Love Somebody (Definitive Mix) Communards - The 12" Singles / An Interview With Jimmy Somerville and Richard Coles Jimmy Somerville Featuring Bronski Beat And The Communards - The Singles Collection 1984/1990 Jimmy Somerville - Collection 1984/1990 vol.1 Jimmy Somerville - Best Of '99. -
Tabea D Ebus
Jonathan Rees Alex McCartney Tabea Debus OHRWURM a Ganassi soprano recorder in C by e Ganassi alto recorder in F by Monika Musch h Viola da gamba by Jane Julier OHRWURM Monika Musch f Baroque alto recorder in F by Ernst Meyer (Devon, 1993) after Colichon (1693) b Baroque soprano recorder in C by Ernst after Peter Bressan j ‘French’ theorbo by Lars Jönsson (2011), Tabea Debus recorders Meyer after Jacob Denner g Voice flute in D by Ernst Meyer after with additions by Klaus Jacobsen (2019) Jonathan Rees viola da gamba c Ganassi alto recorder in G by Monika Musch Peter Bressan k Baroque guitar by Klaus Jacobsen (2014) d Baroque alto recorder in G by Luca de Paolis after Stradivarius Alex McCartney theorbo & guitar after Peter Bressan 1 after Antonio Bertali (1605–1669), Ciaconna a c h k [3:59] 12 anon. (16th c.) * La Monica (Une jeune fillette) c h j k [5:31] Tarquinio Merula (1595–1665) and 13 Pierre-Francisque Carroubel Spagnoletta a h k [1:18] † Claudio Monteverdi (1567–1643) * (1556–1611/15) from Terpsichore, Musarum Aoniarum (Michael Praetorius, 1612) 2 George Frideric Handel (1685–1759) Lascia ch’io pianga g h j [4:11] from Rinaldo, HWV 7b 14 anon.* When Daphne did from Phoebus fly e h j [5:53] diminutions by Jacob van Eyck (c.1590–1657) Pietro Castrucci (1679–1752) Sonata in D minor, Op. 1 No. 10 f h j 3 Adagio [1:48] 15 Henry Purcell (1659–1695) Fairest Isle g h j [2:26] 4 Allegro & Adagio [3:20] from King Arthur, Z 628 and Orpheus Britannicus (London, 1698) 5 Alessandro Marcello (1673–1747) † Concerto in D minor: Adagio f h j [3:24] ornaments by J.S. -
Why I'm Not Going to the Church of Magnolia This Christmas on the Last Weekend Before Christmas There Seemed a Lot on TV That
Why I’m not going to the Church of Magnolia this Christmas On the last weekend before Christmas there seemed a lot on TV that made an impact on the Riley household. The legend that is Spit the Dog, who sadly no longer visits our TV screens enough, was on BBC 1’s Pointless. ‘Take That’ danced like The Drifters on Strictly but for me and millions of others Gary, Jason and Mark still shone. A one hour special on the late great Rik Mayall saw moving footage of him sharing his personal ‘mantra’ for life with students from Exeter University but the summit of the weekends viewing was the Fern Britton interview with the Rev Richard Coles. Richard who? The Reverend Coles is one of the former founding members of The Communards (you’ll remember Jimmy Somerville) who after a career of sex, drugs and debauchery gave it all up, went to church, liked it and now is a Parish Priest in middle class rural Northamptonshire. He’s Gay too. Richard said two things of immense clarity that brought together much of the mixed emotions I hold over church, faith and religion. The first was that the ‘blandness of religion’ kept him away from Church for so long. The ‘magnolia message’ we hear at Church when so many people, young and old, seek and desire colour from the world goes a long way to explain for me and for many others why we are not rushing though the local chapel doors on a Sunday morning. Lots of us believe. -
Richard Coles
Reverend Richard Coles Cleric, Broadcaster & Former Communard "Cometh the hour, cometh the overweight Vicar with arthris in his knees" - Rev Richard Coles Reverend Richard Coles is the only Church of England priest that can claim to having had a Brish Number 1 hit single as part of highly successful pop duo The Communards. He is a radio broadcaster and television panellist on shows such as Have I Got News for You and QI. TOPICS: IN DETAIL: After Dinner Speaking - "From Pop Star The Reverend Richard Coles is a Church of England priest in the quintessenally to Parson" English village of Finedon, Northamptonshire. Richard moved to London as a Awards Ceremony Host young man to work as a session musician in theatre. He joined pop group Bronski Conference & Keynote Speaking Beat as a sax player where he met Jimmy Somerville and they formed The - LGBT, Diversity and Inclusion Communards. Aer his pop career Richard studied for a theology degree at King's - Trust College, London. With a parcular interest in housing communies, he is involved - Ethics in providing social and affordable housing. Richard writes regularly for newspapers and magazines. He is co-presenter of BBC Radio 4's Saturday Live. LANGUAGES: Richard was the inspiraon for the main character in the BBC hit comedy Rev and took part in Celebrity Masterchef. He presents in English. WHAT HE OFFERS YOU: PUBLICATIONS: Richard Coles' work in the media and unique posion as the only Vicar to have 2016 Bringing in the Sheaves had a number one hit record, makes him a popular speaker on the aer dinner 2014 Fathomless Riches: Or How I circuit, regaling many extraordinary and humorous tales of his journey from Went From Pop to Pulpit popstar to priest. -
Écosse : Migrations Et Frontières Scotland: Migrations and Borders
Études écossaises 18 | 2016 Écosse : migrations et frontières Scotland: Migrations and Borders Cyril Besson, David Leishman et Véronique Molinari (dir.) Édition électronique URL : http://journals.openedition.org/etudesecossaises/1037 DOI : 10.4000/etudesecossaises.1037 ISSN : 1969-6337 Éditeur UGA Éditions/Université Grenoble Alpes Édition imprimée Date de publication : 25 avril 2016 ISBN : 978-2-84310-324-7 ISSN : 1240-1439 Référence électronique Cyril Besson, David Leishman et Véronique Molinari (dir.), Études écossaises, 18 | 2016, « Écosse : migrations et frontières » [En ligne], mis en ligne le 01 janvier 2017, consulté le 15 mars 2021. URL : http://journals.openedition.org/etudesecossaises/1037 ; DOI : https://doi.org/10.4000/ etudesecossaises.1037 © Études écossaises Numéro 18 Écosse : migrations et frontières Scotland: migrations and borders Sous la direction de Cyril Besson, David Leishman et Véronique Molinari Université Grenoble Alpes 2016 ÉTUDES ÉCOSSAISES RESPONSABLE : Cyril Besson ÉQUIPE DE réDACTION ET COMITÉ DE LECTURE : Cyril Besson, Pierre Carboni, Christian Civardi, Sylvie Kleiman-Lafon, David Leishman, Gilles Leydier, Patrick Menneteau, Gavin Miller, Véronique Molinari, Pierre Morère, Steve Murdoch, Marie Odile Pittin-Hedon, Clotilde Prunier, Bernard Sellin, Roderick Watson, John Young. Numéros disponibles No1 – Écosse, Regards d’Histoire, 1992. No 2 – Littérature écossaise : voix nouvelles, 1993. No 3 – Aspects du XVIIIe siècle ; Recherches en culture écossaise moderne, 1996. No 4 – La poésie écossaise – Lettres de la rébellion jacobite, 1997. No 5 – Une Écosse autonome ?, 1998. No 6 – Arts plastiques et cinéma en Écosse, 1999-2000. No 7 – L’étrange, le mystérieux, le surnaturel, 2001. No 8 – Le roman écossais moderne, 2002. No 9 – L’Écosse au féminin, 2003-2004. No 10 – La réputation, 2005. -
The Royal Opera House Announces Full Details of the 2021/22 Season
Tuesday 1 June 2021 The Royal Opera House announces full details of the 2021/22 Season • 11 new productions, including 5 world premieres, and 20 revivals. • An exciting roster of UK and international talent with many debuts The Royal Opera House today confirms details for its 2021/22 Season, the first full Season since 2019. Opening on Monday 13 September, the Season includes five world premieres from The Royal Ballet and The Royal Opera, classic revivals and an exciting roster of international and UK talent performing across the two stages of the Royal Opera House. In its 90th anniversary year, The Royal Ballet presents a Season that respects the past and heralds the future. Three world premieres, including Wayne McGregor’s The Dante Project, Christopher Wheeldon’s Like Water for Chocolate and a new work by American choreographer Kyle Abraham, are performed alongside much-loved 19th-century classics and heritage ballets by Frederick Ashton and Kenneth MacMillan. The Linbury Theatre hosts a raft of partnerships and co-productions including with Ballet Black, Alessandra Ferri, Yorke Dance Project and a world premiere from Company Wayne McGregor. Creative opportunities for emerging talent will also feature with Draft Works and the Next Generation Festival. The Season culminates in July 2022 with The Royal Ballet 1 making a welcome return to international touring with a three-week tour of Japan where the Company will perform Kenneth MacMillan’s Manon and Peter Wright’s Giselle. The Royal Opera Season will open with a new production of Verdi’s Rigoletto, directed by Oliver Mears – his first production since becoming The Royal Opera’s Director of Opera in 2017. -
Jimmy Somerville - the Official Biography
JIMMY SOMERVILLE - THE OFFICIAL BIOGRAPHY The unmistakable voice of Bronski Beat and The Communards, featured on massive hits such as Smalltown Boy and Don't Leave Me This Way – it can be none other than Jimmy Somerville. Bronski Beat not only introduced the world to Jimmy's unique voice, their debut smash hit Smalltown Boy tackled pertinent social issues with it’s lyric addressing the isolation and rejection felt by a provincial gay youth forced into leaving town. Although not the first pop song to deal with this topic, Bronski Beat’s chart friendly early 80's electronic dance sound and the everyday ordinariness and honesty of the three performers, made Smalltown Boy the biggest record about gay issues there'd ever been. Jimmy’s next band The Communards enjoyed a string of hits from their two hit albums Communards (1986) and Red (1987). One moment the Communards were hurtling to the number one spot - a position they held for weeks in the UK in 1986 - with their energetic, hedonistic cover version of the Philly soul classic Don't Leave Me This Way, the next stunning audiences into silent awe with their touching lament for a loved one lost to AIDS, For A Friend. 1989 saw Jimmy embark on a solo career with 5 more hit singles and two albums; Read My Lips (1989) and The Singles Collection (1990). These included a stirring cover of Sylvester's disco anthem You Make Me Feel (Mighty Real). Jimmy's continued outspokenness on gay issues didn't prevent his records being played and selling in huge quantities. -
Popular Music and Gays, Lesbians, Bisexuals, and Transgender People: an Annotated Bibliography and Discography
Page 1 of 35 Popular Music and Gays, Lesbians, Bisexuals, and Transgender People: An Annotated Bibliography and Discography. Compiled by Walt “Cat” Walker. Approved by the GLBTRT Resources Committee. Last revised January 12, 2017. TABLE OF CONTENTS Introduction 2 I. General Nonfiction 3 II. Memoirs & Biographies 9 III. Fiction 32 IV. Drama 33 V. Children & Teens 34 VI. DVDs 35 Page 2 of 35 Introduction Gays, lesbians, bisexuals, and transgender people have always participated in creating popular music. In recent years, the visibility of LGBTQ people in the music world has increased, and more popular music has been created that openly describes the LGBTQ experience. There has also been an increase in books and films related to LGBTQ visibility in popular music, both in fiction and nonfiction. This bibliography includes resources about gay men, lesbians, bisexuals, and transgender persons involved in the popular music field. The books have all been published in print, and many of them may also be found as e-books. Separate sections contain memoirs, novels, plays, and children’s and teen books. Several LGBT popular music-related DVDs are also listed. Each book and DVD has a link to the OCLC WorldCat record (when available) where you can see which libraries hold the item. Most of this resource is comprised of a discography of popular music recordings by LGBTQ artists. It is not meant to be complete, but many recordings still available in CD format for each artist are listed, and several are annotated. Many of these performers’ songs can now also be found on streaming music services and online digital music websites. -
Jimmy Somerville Hurt So Good Mp3, Flac, Wma
Jimmy Somerville Hurt So Good mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Reggae Album: Hurt So Good Country: Europe Released: 1995 Style: House, Dub, Synth-pop MP3 version RAR size: 1444 mb FLAC version RAR size: 1980 mb WMA version RAR size: 1220 mb Rating: 4.2 Votes: 366 Other Formats: AAC ADX MP1 VOC TTA MP2 AIFF Tracklist Hide Credits Hurt So Good (12" Beatmasters Mix) 1 4:25 Remix – The Beatmasters Hurt So Good (12" Steely And Clevie Dub) 2 4:58 Remix – Steely & Clevie Hurt So Good (12" Sly And Robbie Dub) 3 4:54 Remix – Sly & Robbie Hurt So Good (12" Sly And Robbie Instrumental) 4 4:54 Remix – Sly & Robbie Companies, etc. Phonographic Copyright (p) – London Copyright (c) – London Made By – PMDC, Germany Marketed By – Barclay Marketed By – Metronome GmbH Credits Design [Sleeve Design] – Andrew Biscomb, Peter Barrett Mixed By – Mike "Spike" Drake, Stephen Hague Photography By – Donald Christie Producer – Stephen Hague Notes Dedicated to the Operation Spanner Defendants ℗1995 London. ©1995 London. Barcode and Other Identifiers Barcode: 0 42285 01492 1 Matrix / Runout: 850 149-2 01 + Matrix / Runout (Mould Area): MADE IN GERMANY BY PMDC Mastering SID Code: IFPI L002 Mould SID Code: IFPI 0194 Label Code: LC 7654 Rights Society: BIEM, STEMRA SPARS Code: AAD Distribution Code: PY 940 Other versions Category Artist Title (Format) Label Category Country Year London Hurt So Good LONCD364, 850 Jimmy Records, LONCD364, 850 (CD, Single, UK 1995 147-2 Somerville London 147-2 CD1) Records Jimmy Hurt So Good London LXDJ 364 LXDJ