Jimmy Somerville Hurt So Good Mp3, Flac, Wma

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Jimmy Somerville Hurt So Good mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Reggae Album: Hurt So Good Country: Europe Released: 1995 Style: House, Dub, Synth-pop MP3 version RAR size: 1444 mb FLAC version RAR size: 1980 mb WMA version RAR size: 1220 mb Rating: 4.2 Votes: 366 Other Formats: AAC ADX MP1 VOC TTA MP2 AIFF Tracklist Hide Credits Hurt So Good (12" Beatmasters Mix) 1 4:25 Remix – The Beatmasters Hurt So Good (12" Steely And Clevie Dub) 2 4:58 Remix – Steely & Clevie Hurt So Good (12" Sly And Robbie Dub) 3 4:54 Remix – Sly & Robbie Hurt So Good (12" Sly And Robbie Instrumental) 4 4:54 Remix – Sly & Robbie Companies, etc. Phonographic Copyright (p) – London Copyright (c) – London Made By – PMDC, Germany Marketed By – Barclay Marketed By – Metronome GmbH Credits Design [Sleeve Design] – Andrew Biscomb, Peter Barrett Mixed By – Mike "Spike" Drake, Stephen Hague Photography By – Donald Christie Producer – Stephen Hague Notes Dedicated to the Operation Spanner Defendants ℗1995 London. ©1995 London. Barcode and Other Identifiers Barcode: 0 42285 01492 1 Matrix / Runout: 850 149-2 01 + Matrix / Runout (Mould Area): MADE IN GERMANY BY PMDC Mastering SID Code: IFPI L002 Mould SID Code: IFPI 0194 Label Code: LC 7654 Rights Society: BIEM, STEMRA SPARS Code: AAD Distribution Code: PY 940 Other versions Category Artist Title (Format) Label Category Country Year London Hurt So Good LONCD364, 850 Jimmy Records, LONCD364, 850 (CD, Single, UK 1995 147-2 Somerville London 147-2 CD1) Records Jimmy Hurt So Good London LXDJ 364 LXDJ 364 UK 1995 Somerville (12", Promo) Records London Records, LONCD364, Hurt So Good LONCD364, Jimmy London LONCD 364, (CD, Single, LONCD 364, Europe 1995 Somerville Records, 850 147-2 CD1) 850 147-2 London Records Jimmy Hurt So Good London 850 149-1 850 149-1 Italy 1995 Somerville (12") Records Hurt So Good Jimmy London LCDJ364 (CD, Single, LCDJ364 UK 1995 Somerville Records Promo) Related Music albums to Hurt So Good by Jimmy Somerville Steely & Clevie - WHY Orphan Fam - Hurt Me B/W In The Summer Louchie Lou & Michie One - Secret Fantasy Susan Cadogan / The Upsetters - Hurt So Good / Hurt So Good (Instrumental) Jimmy Somerville Featuring Bronski Beat And The Communards - The Singles Collection 1984/1990 Robbie York - Robbie York EP Steely & Clevie - Sondboy Clash Snow - Girl, I've Been Hurt Samantha Rose - Hurt So Good Susan Cadogan / Upsetters - Hurt So Good / Loving Is Good.

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Jimmy Somerville Manage the Damage Mp3, Flac, Wma
Jimmy Somerville Manage The Damage mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Manage The Damage Country: Japan Released: 1999 Style: Downtempo, Synth-pop MP3 version RAR size: 1770 mb FLAC version RAR size: 1975 mb WMA version RAR size: 1228 mb Rating: 4.3 Votes: 930 Other Formats: AUD WAV MP3 ADX AC3 DTS MP1 Tracklist 1 Here I Am 2 Lay Down 3 Dark Sky 4 My Life 5 Something To Live For 6 This Must Be Love 7 Girl Falling Down 8 Someday Soon 9 Eve 10 Stone 11 Rolling Bonus Track: 12 Lay Down (Almighty Vocal Mix) Companies, etc. Manufactured By – Rock Records (Japan) Co. Ltd. – RCCY-1081 Credits Producer – Jimmy Somerville, Sally Herbert Written-By – Jimmy Somerville, Sally Herbert Notes Recorded in London at Peg's Study, Mayfair, Battery, Townhouse and RAK. Made in Japan. Barcode and Other Identifiers Barcode: 4 516192 120700 Other versions Title Category Artist Label Category Country Year (Format) Manage The Jimmy GUT CD8 Damage (CD, Gut Records GUT CD8 UK 1999 Somerville Album) Manage The SPV 085-23082 Jimmy Damage (CD, SPV 085-23082 Gut Records Russia 1999 CD Somerville Album, CD Unofficial) Manage The Jimmy Czech ERA 9906-2 Damage (CD, Nextera ERA 9906-2 1999 Somerville Republic Album) Manage The Planetworks, 542 271-2, Jimmy 542 271-2, Damage (CD, Mercury Greece 1999 MERC-542271-2 Somerville MERC-542271-2 Album) Records Blanco Y Manage The MXCD 982, MXCD Jimmy Negro , Blanco MXCD 982, MXCD Damage (CD, Spain 1999 982 (CS) Somerville Y Negro , Gut 982 (CS) Album) Records Related Music albums to Manage The Damage by Jimmy Somerville Jimmy Somerville - Hurt So Good Amanda Somerville - Never Alone Jimmy Somerville - Dark Sky Jimmy Somerville - Why (Almighty Mixes) Jimmy Somerville - Safe Jimmy Somerville - To Love Somebody (Definitive Mix) Communards - The 12" Singles / An Interview With Jimmy Somerville and Richard Coles Jimmy Somerville Featuring Bronski Beat And The Communards - The Singles Collection 1984/1990 Jimmy Somerville - Collection 1984/1990 vol.1 Jimmy Somerville - Best Of '99.
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Why I'm Not Going to the Church of Magnolia This Christmas on the Last Weekend Before Christmas There Seemed a Lot on TV That
Why I’m not going to the Church of Magnolia this Christmas On the last weekend before Christmas there seemed a lot on TV that made an impact on the Riley household. The legend that is Spit the Dog, who sadly no longer visits our TV screens enough, was on BBC 1’s Pointless. ‘Take That’ danced like The Drifters on Strictly but for me and millions of others Gary, Jason and Mark still shone. A one hour special on the late great Rik Mayall saw moving footage of him sharing his personal ‘mantra’ for life with students from Exeter University but the summit of the weekends viewing was the Fern Britton interview with the Rev Richard Coles. Richard who? The Reverend Coles is one of the former founding members of The Communards (you’ll remember Jimmy Somerville) who after a career of sex, drugs and debauchery gave it all up, went to church, liked it and now is a Parish Priest in middle class rural Northamptonshire. He’s Gay too. Richard said two things of immense clarity that brought together much of the mixed emotions I hold over church, faith and religion. The first was that the ‘blandness of religion’ kept him away from Church for so long. The ‘magnolia message’ we hear at Church when so many people, young and old, seek and desire colour from the world goes a long way to explain for me and for many others why we are not rushing though the local chapel doors on a Sunday morning. Lots of us believe.
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Richard Coles
Reverend Richard Coles Cleric, Broadcaster & Former Communard "Cometh the hour, cometh the overweight Vicar with arthris in his knees" - Rev Richard Coles Reverend Richard Coles is the only Church of England priest that can claim to having had a Brish Number 1 hit single as part of highly successful pop duo The Communards. He is a radio broadcaster and television panellist on shows such as Have I Got News for You and QI. TOPICS: IN DETAIL: After Dinner Speaking - "From Pop Star The Reverend Richard Coles is a Church of England priest in the quintessenally to Parson" English village of Finedon, Northamptonshire. Richard moved to London as a Awards Ceremony Host young man to work as a session musician in theatre. He joined pop group Bronski Conference & Keynote Speaking Beat as a sax player where he met Jimmy Somerville and they formed The - LGBT, Diversity and Inclusion Communards. Aer his pop career Richard studied for a theology degree at King's - Trust College, London. With a parcular interest in housing communies, he is involved - Ethics in providing social and aﬀordable housing. Richard writes regularly for newspapers and magazines. He is co-presenter of BBC Radio 4's Saturday Live. LANGUAGES: Richard was the inspiraon for the main character in the BBC hit comedy Rev and took part in Celebrity Masterchef. He presents in English. WHAT HE OFFERS YOU: PUBLICATIONS: Richard Coles' work in the media and unique posion as the only Vicar to have 2016 Bringing in the Sheaves had a number one hit record, makes him a popular speaker on the aer dinner 2014 Fathomless Riches: Or How I circuit, regaling many extraordinary and humorous tales of his journey from Went From Pop to Pulpit popstar to priest.
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Écosse : Migrations Et Frontières Scotland: Migrations and Borders
Études écossaises 18 | 2016 Écosse : migrations et frontières Scotland: Migrations and Borders Cyril Besson, David Leishman et Véronique Molinari (dir.) Édition électronique URL : http://journals.openedition.org/etudesecossaises/1037 DOI : 10.4000/etudesecossaises.1037 ISSN : 1969-6337 Éditeur UGA Éditions/Université Grenoble Alpes Édition imprimée Date de publication : 25 avril 2016 ISBN : 978-2-84310-324-7 ISSN : 1240-1439 Référence électronique Cyril Besson, David Leishman et Véronique Molinari (dir.), Études écossaises, 18 | 2016, « Écosse : migrations et frontières » [En ligne], mis en ligne le 01 janvier 2017, consulté le 15 mars 2021. URL : http://journals.openedition.org/etudesecossaises/1037 ; DOI : https://doi.org/10.4000/ etudesecossaises.1037 © Études écossaises Numéro 18 Écosse : migrations et frontières Scotland: migrations and borders Sous la direction de Cyril Besson, David Leishman et Véronique Molinari Université Grenoble Alpes 2016 ÉTUDES ÉCOSSAISES RESPONSABLE : Cyril Besson ÉQUIPE DE réDACTION ET COMITÉ DE LECTURE : Cyril Besson, Pierre Carboni, Christian Civardi, Sylvie Kleiman-Lafon, David Leishman, Gilles Leydier, Patrick Menneteau, Gavin Miller, Véronique Molinari, Pierre Morère, Steve Murdoch, Marie Odile Pittin-Hedon, Clotilde Prunier, Bernard Sellin, Roderick Watson, John Young. Numéros disponibles No1 – Écosse, Regards d’Histoire, 1992. No 2 – Littérature écossaise : voix nouvelles, 1993. No 3 – Aspects du XVIIIe siècle ; Recherches en culture écossaise moderne, 1996. No 4 – La poésie écossaise – Lettres de la rébellion jacobite, 1997. No 5 – Une Écosse autonome ?, 1998. No 6 – Arts plastiques et cinéma en Écosse, 1999-2000. No 7 – L’étrange, le mystérieux, le surnaturel, 2001. No 8 – Le roman écossais moderne, 2002. No 9 – L’Écosse au féminin, 2003-2004. No 10 – La réputation, 2005.
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Jimmy Somerville - the Official Biography
JIMMY SOMERVILLE - THE OFFICIAL BIOGRAPHY The unmistakable voice of Bronski Beat and The Communards, featured on massive hits such as Smalltown Boy and Don't Leave Me This Way – it can be none other than Jimmy Somerville. Bronski Beat not only introduced the world to Jimmy's unique voice, their debut smash hit Smalltown Boy tackled pertinent social issues with it’s lyric addressing the isolation and rejection felt by a provincial gay youth forced into leaving town. Although not the first pop song to deal with this topic, Bronski Beat’s chart friendly early 80's electronic dance sound and the everyday ordinariness and honesty of the three performers, made Smalltown Boy the biggest record about gay issues there'd ever been. Jimmy’s next band The Communards enjoyed a string of hits from their two hit albums Communards (1986) and Red (1987). One moment the Communards were hurtling to the number one spot - a position they held for weeks in the UK in 1986 - with their energetic, hedonistic cover version of the Philly soul classic Don't Leave Me This Way, the next stunning audiences into silent awe with their touching lament for a loved one lost to AIDS, For A Friend. 1989 saw Jimmy embark on a solo career with 5 more hit singles and two albums; Read My Lips (1989) and The Singles Collection (1990). These included a stirring cover of Sylvester's disco anthem You Make Me Feel (Mighty Real). Jimmy's continued outspokenness on gay issues didn't prevent his records being played and selling in huge quantities.
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Michaelmas Term 2018
CLARE COLLEGE, CAMBRIDGE CHAPEL SERVICES MICHAELMAS TERM 2018 SERMONS AND ADDRESSES 7 October The Dean 14 October The Revd Canon Professor Nicholas Sagovsky Whitelands Professorial Fellow, Roehampton University; Dean of Clare 1986–97 21 October The Reverend Richard Coles Vicar of Finedon, and former Strictly Come Dancing contestant 28 October The Venerable Liz Adekunle Archdeacon of Hackney 4 November The Revd Canon Dr James Walters Chaplain and Director of the Faith Centre, London School of Economics 11 November The Dean (10.45 a.m.) 18 November The Revd Dr Earl Collins Vice Principal, Westcott House, Cambridge 25 November The Dean At Evensong on Sunday evenings an address is given by someone whose diverse insights on a wide- range of topics deserve to be heard, considered and discussed. Nick Sagovsky has been Dean of Clare, Canon Theologian of Westminster Abbey and William Leech Professorial Research Fellow in Applied Christian Theology at Newcastle University. He holds professorial posts at two ecumenical universities: Liverpool Hope and Roehampton. He is a member of the Anglican/Roman Catholic International Commission, and has a longstanding commitment to refugee work. Richard Coles is Vicar of Finedon in Northamptonshire, and formerly the multi-instrumentalist who partnered Jimmy Somerville in the 1980s band The Communards, which achieved three Top Ten hits, including the Number 1 record and best-selling single of 1986, a dance version of Don’t Leave Me This Way. He also appears frequently on radio and television as well as in newspapers. In March 2011 he became the regular host of BBC Radio 4’s Saturday Live programme, and he was a contestant on Strictly Come Dancing in 2017.
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Popular Music and Gays, Lesbians, Bisexuals, and Transgender People: an Annotated Bibliography and Discography
Page 1 of 35 Popular Music and Gays, Lesbians, Bisexuals, and Transgender People: An Annotated Bibliography and Discography. Compiled by Walt “Cat” Walker. Approved by the GLBTRT Resources Committee. Last revised January 12, 2017. TABLE OF CONTENTS Introduction 2 I. General Nonfiction 3 II. Memoirs & Biographies 9 III. Fiction 32 IV. Drama 33 V. Children & Teens 34 VI. DVDs 35 Page 2 of 35 Introduction Gays, lesbians, bisexuals, and transgender people have always participated in creating popular music. In recent years, the visibility of LGBTQ people in the music world has increased, and more popular music has been created that openly describes the LGBTQ experience. There has also been an increase in books and films related to LGBTQ visibility in popular music, both in fiction and nonfiction. This bibliography includes resources about gay men, lesbians, bisexuals, and transgender persons involved in the popular music field. The books have all been published in print, and many of them may also be found as e-books. Separate sections contain memoirs, novels, plays, and children’s and teen books. Several LGBT popular music-related DVDs are also listed. Each book and DVD has a link to the OCLC WorldCat record (when available) where you can see which libraries hold the item. Most of this resource is comprised of a discography of popular music recordings by LGBTQ artists. It is not meant to be complete, but many recordings still available in CD format for each artist are listed, and several are annotated. Many of these performers’ songs can now also be found on streaming music services and online digital music websites.
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Jimmy Somerville.Pdf
" SMALLTOWN BOY STORY Il Y a vingt ans, on chantait «Smalltown Boy» et on découvrait, dans un clip dénonçant l'homophobie, un petit mec craquant: Jimmy Somerville. C'était le début d'une love story entre ce militant des premières heures et les gays. Retour sur cette rencontre indélébile. TEXTES DIDIER LESTRADE PHOTOS DR 'ai rencontré Jimmy Somerville le 29 juin 1984. chez Erwin.J'ai mis la télé et, pour la première fois, Bronski Beat jouait à Amsterdam, avec la troupe la vidéo de Smalltown Boy est passée. Je me suis mis de travelos agitateurs les Blulips. La même se- à pleurer. J'étais amoureux. Pourtant, je m'en suis Jmaine, le groupe faisait la couverture de Smash Hits, toujours tenu à une idée : ne pas coucher avec les la bible de la pop à l'époque (un certain Neil Tennant, artistes et les journalistes. Mais, là, c'était impossible. des Pet Shop Boys, en avait été le rédacteur en chef). À 26 ans, je me trouvais dans une situation inédite: Smalltown Boy était numéro 3 dans les charts anglais. je voyais à la télé un garçon avec qui j'avais passé la J'ai compris que j'allais vivre une relation spéciale nuit (plutôt agréablement,! might say). Bronski Beat avec Jimmy quand, au concert, pendant l'entracte, son n'était pas révolutionnaire uniquement parce qu'il manager est venu me chercher alors que j'avalais ner- était ouvertement gay et enchaînait les tubes avec veusement une immense pinte de bière. Jimmy vou- une déconcertante facilité. Le groupe symbolisait à lait me voir.
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BLIND STUDENT CRITICISES LMU for B J OK EN PROMISES Blind Student at Leeds Disabled Students
9 November 199 3 11LJ,100 LIP IN CI BLIND STUDENT CRITICISES LMU FOR B J OK EN PROMISES blind student at Leeds disabled students. discussed it all with me, and This is not the first time that By Alan Gardener people face. Even though the Metropolitan University Paul Davis, who is blind, then did nothing. They are the staff have come under fire from number of disabled students is Aclaimed this week that arrived in Leeds in October & Matthew Roper ones who told me that I could disabled students. Last year, increasing, there aren't any staff had gone hack on their confidently expecting to have study computing . They Leeds Student revealed that extra officials to help them. promises, by failing to make access to a Braille printer and receive the hardware until week didn't even tell me there was another blind student. Alan Staff need to he more vital computer equipment speech box to plug into the five weeks into term. As a result, going to he a delay. I was given Parker, bad complained of a supportive. available to him. computer network. Both are he has fallen so far behind in his the wrong impression lack of basic equipment and "The Disablities Officer The student was unable to essential to keep up with his course that he believes it will be completely." support at Beckett Park. In the should have acted. She should pursue his course - in Computer course and both were promised difficult for him to carry on at Despite LMU boasts that light of that case, LMU officials cope with these problems - She Studies - and may now be to him in a meeting with LMU university.
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Somerville, Jimmy (B
Somerville, Jimmy (b. 1961) by Shaun Cole Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Jimmy Somerville. Reprinted from http://www.glbtq.com Courtesy Solar Management Ltd. Noted for his diminutive size and amazing voice, Jimmy Somerville first shot to fame in the mid-1980s as the lead singer with the openly gay pop group of the time, Bronski Beat. Bronski Beat's first single, "Smalltown Boy," which, along with its video, dealt with the problems of being gay in provincial Britain, was an instant success (reaching number three in the UK pop charts) and quickly established the group's reputation. Born in Glasgow on June 22, 1961, Somerville was twenty-three when he formed Bronski Beat in 1984 as a collaboration with Steve Bronski and Larry Stenbachek. The three musicians met while they were working on a video by young gay men and lesbians entitled Famed Youth. It was during this project that Somerville realized that he could sing. Bronski Beat's debut album Age of Consent (1984) included a pink triangle on the cover and listed the age of consent for gay sex in European countries on the inside sleeve as a means of calling attention to the disparity between British and Continental laws at that time. Consisting of a series of songs dealing with various aspects of gay life, the album sold more than a million copies. In 1985 Bronski Beat teamed up with another gay singer, Marc Almond, to record a version of Donna Summer's "I Feel Love," which was also a hit.
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Salisbury, Challenging Macho Values
Challenging Macho Values Challenging Macho Values Practical Ways of Working with Adolescent Boys Jonathan Salisbury David Jackson The Falmer Press (A member of the Taylor & Francis Group) London • Washington, D.C. UK The Falmer Press, 1 Gunpowder Square, London EC4A 3DE USA The Falmer Press, Taylor & Francis Inc., 1900 Frost Road, Suite 101, Bristol, PA 19007 This edition published in the Taylor & Francis e-Library, 2004. © J.Salisbury, and D.Jackson, 1996 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without permission in writing from the Publisher. First published in 1996 A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data are available on request ISBN 0-203-39742-8 Master e-book ISBN ISBN 0-203-39772-X (Adobe eReader format) ISBN 0 7507 0483 7 cased ISBN 0 7507 0484 5 paper Jacket design by Caroline Archer Contents Acknowledgments vi Acting Hard—A poem by David Jackson viii Preface by Jeff Hearn ix 1 Introduction: Why Should Schools Take Working with Adolescent Boys Seriously? 1 2 The Secondary School as a Gendered Institution 18 3 Boys’ Sexualities 40 4 Sexual Harassment 86 5 Violence and Bullying 104 6 Media Education, Boys and Masculinities 139 7 Language as a Weapon 166 8 The Ideal Manly Body 189 9 School Sport and the Making of Boys and Men 204 10 Boys’ Well-being: Learning to Take Care of Themselves and Others 216 11 How Boys Become Real Lads: Life Stories about the Making of Boys 232 12 Playing War 250 13 Fathers and Sons 274 Bibliography 292 Index 298 v Acknowledgments The authors and publishers would like to thank the following for permission to reproduce materials used in this publication: ‘Smalltown Boy’: Words and Music by Jimmy Somerville, Larry Steinbachek and Steve Bronski © 1994.
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Jimmy Somerville by Your Side Mp3, Flac, Wma
Jimmy Somerville By Your Side mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: By Your Side Country: UK & Europe Released: 1995 Style: Progressive Trance MP3 version RAR size: 1942 mb FLAC version RAR size: 1300 mb WMA version RAR size: 1704 mb Rating: 4.2 Votes: 774 Other Formats: MP1 AC3 MOD XM MIDI VQF DXD Tracklist Hide Credits By Your Side (The Shining Mix) A Remix – Rowe*, Stannard* By Your Side (Miss You Like Crazy Mix) B Remix – Space Kittens Companies, etc. Phonographic Copyright (p) – London Records 90 Ltd. Copyright (c) – London Records 90 Ltd. Published By – Porky Publishing Published By – Polygram Music Publishing Ltd. Published By – Copyright Control Marketed By – Barclay Marketed By – Metronome Musik GmbH Credits Design [Sleeve] – Andrew Biscomb, Peter Barrett Photography By – Donald Christie Producer [Additional] – Mike "Spike" Drake, Stephen Hague Written-By, Producer – Somerville*, Rowe*, Stannard* Notes Warning : A side remixers : Richard Stannard and Matt Rowe are Biff & Memphis (this project name is no mentioned on this product). Polygram Music Publishing Ltd. company is mentioned as Polygram Publishing. London Records 90 Ltd. company is mentioned in C + P as London. Metronome Musik GmbH company is mentioned on back Cover / Sleeve as Metronome GmbH. Printed on back Cover / Sleeve : "Marketed in France by Barclay and in Germany by Metronome GmbH" Barcode and Other Identifiers Barcode (Printed): 0 42285 03571 1 Barcode (Scanned): 042285035711 Rights Society: BIEM / STEMRA Label Code: LC 7654 Other (Distribution
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