Melissa Words and Music by Gregg Allman and Steve Alaimo from the Allman Brothers Band —Eat a Peach

Total Page:16

File Type:pdf, Size:1020Kb

Melissa Words and Music by Gregg Allman and Steve Alaimo from the Allman Brothers Band —Eat a Peach Melissa Words and Music by Gregg Allman and Steve Alaimo from The Allman Brothers Band —Eat a Peach E E3sus4 Emaj7 A Bm dim D Ffim Giim Cmaj7 B 231 341 341 111 1342 1342 132 134111 134111 32 1333 Intro Moderately sl ow J= 82 E E3sus4 Emaj7 E8sus4 *Gtr. 2 (elec.) (_;) ***w/clean tone & delay 1/2 *Dicky Belts ***Delay set for dotted sixteenth~note regeneration w/ 1 repeat. **Gtr. 1 (acous.) 7'9’ (cont. inslashes) let ring throughout “Gregg Allman Verse TE E3sus4 Emaj7 Rhy. Fig. 1 em) ) fi7~)77J WWW/WTFWFWFT seem to come and go, TSee top of page for chord diagrams pertaining to rhythm slashes. Copyright © 1968 by Unichappell Music Inc., EMI Longitude Music and Elijah Blue Music Copyright Renewed AHRights for Elijah Blue Music Administered by Songs Of Windswept Pacific International Copyright Secured All Rights Reserved Reprinted by Pennission of Hal Leonard Corporation 90 Guitanepse JULY/AUGUST 2007 §!e§I@§..§§§§fi§ E8sus4 E8sus4 ) ; W; 3'7 mmfiii mmmflm The gyp—sy fli es_ from coast. to coast,_ A Bm CIIm D E FIIm I-r-I3 A u Ii L I; =_ = ‘ v 9 LI {J V \ / __ know-in’ man—y, Iov -in’ none,__._I bear - ing sor - row:having mwwwv ,\ wvwvwwwvwwvwww vvwwwwvwvwv»~ o 9- 9- » Ii 6 -P- g I 5 E : I HLLTIK I I J J I I I 4| 'I"\|! 3 H I I +1 I III I \.V | I I U w/delay I vvvvvv v v vvvvv VVVVVVVVVVI I J fl%VVfiVV9 VQ VVVV % Cmaj7 B EndRhy.Fig.1 Gfiiifiifififl mnfififin 0 — but back home- he’ll I... to sweet Me1—is GUIIIBRE-!DEE LESS TALK. MORE TAB, 9| §“\!3§%§W§§E§% Chorus E E3sus4 Emaj7 E3sus4 2 Rhy. Fig. End Rhy. Fig. 2 ) WW) HD5757 )7 )77~i77)7 )7-/77/W /5 *Vo1. swells Verse Gtr. 1: w/ Rhy. Fig. 1 E E3sus4 Emaj7 2.Freight train,___j each car looks the w/ delay E$sus4 E E3sus4 no one knows, the gyp—sy!s name. delay off A Bm CIIm D E FIIm O H»"Ii )< 1 1" . _.__ I?1——'I'jI I 4? I I K I I II I I T I I ' I I . I I7" .I"v .I .I 3'4‘ .I I74! 5’I I I I ’ 7 7 7 ’ 7 u \—v I_:EJ"""—L& I U I one _ — No hears his lone ly sigh. sh There are no blan-kets where he’s “~WVWW“~ wvwwwwwwwww /-T - - ,/\/\"' 9. A-H» It / ‘P’ "P! ya “+5 I = I HIJXIH I I) I I 3I 1! ii E I I I I I II II. N I V I I I ‘ I TV I ' I I I ‘I \_V I I OJ I I 1 ~wwvv\~ww wwvvwwvwvwwsm I IT 14 13 ‘:9 ‘:2 ":4 15 1-‘. 15 u 17; 92 Guitanepss JULY/AUGUST aoo7 1‘77mnJ7 j_77)77)_/W770 T3 Verse Gtr. l: w/ Rhy, Fig. 1 E E3sus4 Emaj7 - ._j.__ 3. Cross roads, will you ev —er let hi m. _ go, E3sus4 E E3sus4 will you hi de_ the dead or will he Lord, 1ie__j bmneathj the , or will his spir—it fall__. V‘ vvv ~s~ww~vww~w»~vw V ' V V V‘ V vvvvvvv 7' d / nA H '9' 4 3 “+5 F +5 A’ “$3 l l +1 ' E' E E I_A\ fl ‘II I l l l I \_y I I I 0) I l ---- “ ‘ 4] 1|: 4! -IE -1-) -IV I‘ In’ “C II] II 14 ‘:6 II 94 Guitanmga JULY/AUGUET 2007 Gfim Cmaj7 '4 ‘H4 4! A A I , , -- 7 -d- Lord, but in the deep-est dreams, the gyp‘Sy flies with sweet Me]—is - /\/\ I\ '11 H V [PM TV dflayofi 1] IV I'll Chorus Gtr. I:w/Rhy. Fig. 2 E E3sus4 Emaj7 E3sus4 Xva-A———**——~---————————————————~| Kfi /\ rx ""Vol.sweHs Bridge E 7/7 777777 77 )77)77 J77 I77) 77) W) 77 Au H F.‘ 5 N0 — A—gain the morn—in’s come... a gain he’son the run. Sun-beams shin—in! through his hair. I HAWH 9. '4. v»/delay .. III Cum ) /AI } 7I )=/ /W) 777/777) 77 Q I HJATVR M. K It H’ “1 % 5 ‘W f \ L J= Bet—ter not to have so pick up your gear and, gyp Sy , roll A IJQAJTIHour 1'9, H454": 1-! GUHSBRE-"D55! LESSTALK. MORE TAB, 93 Gfim A Cmaj7 B with —out _ Outro-Chorus E E8sus4 Cmaj7 em) ) [7/W77f7~F37~)77)77)77) WWW Yes, 1 know. that he won!t *Vol. swells GL1!. 1: w/ Rhy, Fig. 2 (till fade) U3 E E3sus4 with—out Mel —is —sa. “Vol.swells Emaj7 E3sus4 E Li ' just won!t stay. /'\ c-iuitanezaee LESS TALK. MORE TAB. E3sus4 Emaj7 E3sus4 E E3sus4 Emaj7 E3sus4 E E3sus4 Begin fade Emaj7 E3sus4 E NNVW \ /\ I ) Fade out E3sus4 Emaj7 E3sus4 E S6 GUitaR! $G"E" _:uLwAuGus“r200:7.
Recommended publications
  • R&B Legend Natalie Cole Joins Rock Legend Gregg Allman, Merck
    NEWS RELEASE R&B Legend Natalie Cole Joins Rock Legend Gregg Allman, Merck and The American Liver Foundation to Turn Up the Volume Around Hep C 7/26/2011 Cole to Perform with The Allman Brothers Band at the Tune In to Hep C Benet Concert Tomorrow on the Eve of World Hepatitis Day Merck (NYSE: MRK) (known as MSD outside the United States and Canada) today announced that GRAMMY® winner Natalie Cole is adding her voice to the company's public health campaign, Tune In to Hep C, with the American Liver Foundation (ALF) and rock legend Gregg Allman. The goal of the campaign is to raise awareness of chronic hepatitis C virus infection. Cole will join Allman onstage at a benet concert featuring The Allman Brothers Band and other special guests in New York tomorrow, July 27, the eve of World Hepatitis Day. This cause is personal to Cole, who was diagnosed with chronic hepatitis C during a routine blood test in 2008. It was then that she realized she'd been living with the virus for more than 25 years - nearly half of her life. Cole's experience is not uncommon. In fact, chronic hepatitis C is often referred to as the silent disease because – for many people – it can be in the body for decades without any symptoms. Cole is joining the campaign to encourage others with chronic hepatitis C to put aside fear and stigma and take action. "One thing is for sure – there's a stigma surrounding hepatitis C because it's associated with IV drug use.
    [Show full text]
  • 16 Lc 110 0193 S. R
    16 LC 110 0193 Senate Resolution 912 By: Senators Mullis of the 53rd, Miller of the 49th, Tate of the 38th, Cowsert of the 46th and Jackson of the 24th A RESOLUTION 1 Recognizing and commending Gregg Allman for his 2015 Songwriters Award and third 2 induction into the Georgia Music Hall of Fame; and for other purposes. 3 WHEREAS, Gregg Allman is a long-time resident of Macon and Savannah, Georgia; and 4 WHEREAS, he was a member of The Allman Brothers Band and is a solo artist, musician, 5 singer, songwriter, and rock and roll icon; and 6 WHEREAS, as a songwriter, he has written many hits such as "Whipping Post," "Black 7 Hearted Woman," "Midnight Rider," and many other rock classics; and 8 WHEREAS, he has been recognized by the Georgia Music Hall of Fame twice before, as a 9 solo performer and in the group category for The Allman Brothers Band; and 10 WHEREAS, as a member of The Allman Brothers Band, he was inducted into the Rock and 11 Roll Hall of Fame in 1995 and earned the Grammy Lifetime Achievement Award in 2012; 12 and 13 WHEREAS, through his work with The Allman Brothers Band and Gregg Allman Band, he 14 has inspired many musicians, experienced enormous success in his life, and had a lasting 15 impact on the State of Georgia; and 16 WHEREAS, it is abundantly fitting and proper that the accomplishments of this 17 distinguished Georgian be appropriately recognized. 18 NOW, THEREFORE, BE IT RESOLVED BY THE SENATE that the members of this body 19 commend Gregg Allman for his outstanding musical achievements and recognize his 20 acceptance of the 2015 Songwriters Award and third induction into the Georgia Music Hall 21 of Fame.
    [Show full text]
  • Columbuscityscene11 18
    NOVEMBER 2018 [$2.25] www.cityscenecolumbus.com insideON THE COVER 6 on the scene 12 Made in the U.S.A. Shared experiences in providing local handmade products If it Feels Right to the community Derek Trucks grew up amongst the legends but 1 8 Window Wonderland never imagined he would be where he is today Contest focuses on community and collaboration 24 Double the Talent Local author and actor, Gary Braunbeck, shares his stories and insight 14 38 20 Lifting Spirits departments Personal tragedies and hardships result in 6 insight 35 spirits 41 on view valuable community endeavors 10 health 36 travel 44 calendar COVER: Photo courtesy of Tab Winters 14 cuisine 38 visuals 48 critique 2 cityscenecolumbus.com | November 2018 CS INSIGHT If it Feels Right Derek Trucks grew up amongst the legends A but never imagined he would be where he is today By Rocco Falleti The Tedeschi Trucks Band Live from the Palace Theatre Nov. 9. Tickets are available at all Ticketmaster outlets • • • • • 6 cityscenecolumbus.com | November 2018 Mayhem The young prodigy caught the attention of Ace Moreland’s West Side Story, a Jacksonville blues band, was getting ready to take Allman Brothers Band guitarist Col. Bruce the stage at Applejacks, a small bar connected to a hotel in Miami back in the late Hampton. Hampton would serve not only as a ’80s. Moreland had recently enlisted the talents of a young and talented prodigy, mentor, but as a role model to Trucks early on in 9-year-old guitarist Derek Trucks. his career. Trucks is the nephew of drummer and founding member “Bruce’s M.O.
    [Show full text]
  • Gregg Allman Now Makes the News for His Music by KARLA TIPTON Now, Many Years Arer a Sen- Yet the Album Trails His Last
    Gregg Allman now makes the news for his music By KARLA TIPTON Now, many years aRer a sen- Yet the album trails his last. kind of like, there'll be no wine just keep with it. I've thought Assistant Shownrse Editor sationalized mmanm with Cher album, Brothers of the Road, by before its time. You canSjust put about trying to p-mibly do a pic- In many ways, Gregg All- and a bout with drug addiction .more than six years. together a bunch of contrived ture - it's just a thought." has come full circle. for which the tabloid set remem- During that time, Allman was erap, you know, and put it on But he's worked with at least After a simple start playing ber him best, Allman has again busy overmming a few demons. your record, beesuse you've got one person who's very mmfort- music with his late brother made rock 'n' mll news with a "I was going into a bit of a tolivewiththatstuff." able in fmnt of a earnera: 'Miami Duane in Florida garage bands, musical contribution worthy of writing slump - quite e big one, The album also enabled him Vice" star and musician, Don Allman became the primary vo- attention. 'actually," said Allman in a the opportunity to go before the Johnson. ealist - and contributed a major On his Latest Epic LP, I'm No phone interview. "And I was just video camera - something of Their friendship goes baek to p$ of the sound - of the pre- Angel, Allman re-recorded his getting my life together, trying which he'd previously been reti- 1973, and some of their songwrit- mler Southern rock band, the song, "It's Not My Cross to to conquer certain chemical pmb- mnt.
    [Show full text]
  • Skydog: the Duane Allman Story PDF Book
    SKYDOG: THE DUANE ALLMAN STORY PDF, EPUB, EBOOK Randy Poe,Billy F. Gibbons | 316 pages | 01 Oct 2008 | BACKBEAT BOOKS | 9780879309398 | English | San Francisco, United States Skydog: The Duane Allman Story PDF Book Allman was killed in a motorcycle crash shortly after the release and initial success of At Fillmore East. A great book that should be included in any library of musical history. Retrieved April 1, Scott Schinder contributed comprehensive historical liner notes, complemented by additional notes by Galadrielle Allman. If the reader is interested in Duane Allman or his legendary "Band of Brothers," this is the definitive volume - and a pleasure to read! Celebrate 50 years of by looking back at the iconic movies, Bond Girls and more. More Details Archived from the original on July 26, Duane Allman brought white-hot intensity to his life, onstage, in the studio, and beyond. Studio owner Rick Hall told Duane he had plenty of hotshot guitarists on the payroll, but that he could hang out and see what transpired. By continuing to use this website, you agree to their use. Allman, Galadrielle Their music hinted at jazz, but could rock like the English Invasion groups Duane and Gregg emulated with their first band, while staying rooted in blues traditions. The Allman Brothers Band was booked to play 2 shows at NY's Carnegie Hall over the Thanksgiving holiday in November , which would have been my first chance to see Duane in the flesh, but I couldn't attend since my folks wouldn't let me miss the holiday. He had one gadget—a Fuzz Face—and that was it.
    [Show full text]
  • “Statesboro Blues”—Blind Willie Mctell (1928) Added to the National Registry: 2015 Essay by Brian Bader
    “Statesboro Blues”—Blind Willie McTell (1928) Added to the National Registry: 2015 Essay by Brian Bader Blind Willie McTell Blind Willie McTell was born May 5, 1901 in Thomson, Georgia. Though there is some uncertainty about his birth year, his comparatively long life (he died on Aug. 19, 1959, in Milledgeville, Georgia), his prolific recording career, the memories of numerous acquaintances, and McTell’s own recorded reminiscences, allow for a full picture of his life. His skillful fingerpicking guitar style ranks high with the playing of other acoustic blues artists, both blind (Blind Boy Fuller, Blind Blake, Reverend Gary Davis) and sighted (Josh White, Brownie McGhee). Hard to categorize, McTell embodied Piedmont blues, as well as ragtime, and gospel/spiritual/religious music, and may best be described as a mid-twentieth century American songster. One of his tunes--“covered,” or more accurately freely adapted, in a powerful electric blues rendition by the Allman Brothers Band-- is his legacy. This number most familiar to modern blues and rock fans: “Statesboro Blues.” Recorded by McTell and self-accompanied on twelve- string guitar in 1928 for Victor records, it showcases his distinctive voice and his talented guitar playing. The Allman Brothers later credited their cover of the song to “Will McTell” on their live two-record album “At Filmore East” released in 1971 on Capricorn Records. Guitarists Duane Allman (using a slide) and Dickey Betts cut loose with their trademark twin lead guitar line up in a memorable reading as a jumping blues shuffle. In an analysis of the history of “Statesboro Blues,” however, it is important to note that between the McTell recording and the Allman Brothers, there is a version from 1968 by Taj Mahal on his debut album.
    [Show full text]
  • Blend Phonics
    Blend Phonics Lessons and Story Books Storybooks Copyright © 2010 by Elizabeth Brown Comprehension Questions © 2011 by Donald Potter Revised by Mr. Potter on February 9, 2019. Permission for copying and distribution is granted for non-profit educational purposes. Sam, a cat Book 1, Unit 1 băt bag bad can cap cab cat dad fan fat gas hat ham had jam lap lad map man mat nap pan Book 1, page 1 pad pat quack rat ran rag rap sap sad Sam tan tap tag van wag yak ax tax wax am an at Ann lass mass pass zag [a] Book 1, page 2 Sam, a cat Sam sat. Sam and Nan sat. Nan can pat Sam. Book 1, page 3 Sam, a cat Answer these questions. 1. Is Nan a cat? 2. What did Sam do? 3. What can Nan do to Sam? 4. Do you have a cat? Spell these words: bat, bag, can, cap, fan, fat, map, pan, pad, am, at, rag, quack, van Book 1, page 4 A Tin Can Book 2, Unit 2 bĭb bin bit bill big dim dip fib fit fin hit hip him hill hid jig kiss kid kill lip lid miss mill mix nip pit Book 2, page 1 in pig pill quick rib rim rid sit sip sin tip tin Tim vim win wig will yip zig fig rip it if rig fix zig-zag his is did six Book 2, page 2 A Tin Can Fill a tin can. Dip a lid. Mix a fig in a tin can. Win a tin can.
    [Show full text]
  • The Allman Betts Band at Pikes Peak Center on Friday, September 13, 2019
    For Immediate Release Media Contact: Denise M. Abbott The Broadmoor World Arena/Pikes Peak Center (719) 477-2117 (o) [email protected] The Allman Betts Band at Pikes Peak Center on Friday, September 13, 2019 Coming to Pikes Peak Center and announcing today is The Allman Betts Band which will visit Colorado Springs on Friday, September 13. After a successful year touring as The Devon Allman Project with special guest Duane Betts, the sons of Gregg Allman and Dickey Betts have joined forces to form The Allman Betts Band. The new band includes Devon Allman, Duane Betts, Berry Oakley Jr. (son of original Allman Brothers Band bassist Berry Oakley), Johnny Stachela (slide guitar) and Devon Allman Project percussionists R. Scott Bryan and John Lum. Tickets for the September show will go on sale Friday, February 8 at 10 a.m. and range from $34 - $47 plus applicable fees. They can be purchased online at PikesPeakCenter.com, BroadmoorWorldArena.com, or AXS.com; at the Pikes Peak Center or The Broadmoor World Arena box offices; or via phone at (719) 520-SHOW. The band kicks off 2019 with a new Allman Betts Band album and a worldwide tour that will feature new music, songs from their solo projects, and classic Allman Brothers and Gregg Allman tunes in honor of the 50th Anniversary of The Allman Brothers Band. The new album, slated for release in the spring of 2019, will include guest appearances from former Allman Brothers Band keyboardist and current Rolling Stones keyboardist, Chuck Leveall. .
    [Show full text]
  • Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected]
    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected] Das klassische Bestseller-Album "Brothers And Sisters" der Allman Brothers Band erscheint am 5. Juli 2013 remastert auf CD und Vinyl By the time they released their fifth album Brothers And Sisters in August 1973, the Allman Brothers Band had experienced dizzying highs and soul-crushing lows. The group had spent its first two years developing its formidable collective chemistry into an unprecedented stylistic fusion that established it as the era’s most influential American rock act. But just as the band had achieved a hard-won commercial breakthrough with 1971’s At Fillmore East, it suffered a devastating loss with the death of Duane Allman, its founder, leader and musical visionary, in a motorcycle crash on October 29, 1971. Following Duane’s traumatic passing, the band regained its bearings and soldiered on, with Duane’s brother, singer/organist Gregg Allman, and guitarist/vocalist Dickey Betts—now the lone axeman in an act famous for its dual-guitar fireworks—assuming more prominent roles in its direction. The musicians marshaled their strengths to make Brothers and Sisters—their first album recorded completely without Duane—a decisive creative rebirth as well as their best-selling release to date. Brothers And Sisters bested the sales of At Fillmore East and Eat A Peach, spending five weeks at #1 and becoming the first Allman Brothers Band release to gain Platinum sales status. Configurations Vinyl - Brothers And Sisters original recording remastered. CD - Brothers And Sisters original recording remastered.
    [Show full text]
  • SGA Reforms with the Larger Committee a Chairman Recently an Impetus Towards Reform Haa Begun in S.G.A
    Mnttx ^lu$ter ‘‘All The News That’s Fit To Surpress’ VOLUME LV MERCER UNIVERSITY, MACON, GEORGIA INOVEMBER 8, 1974 !\UMBE_R_27 Betts Stages Surprise Concert Richard Betts, guitarist for the Allman by the bluegrass Poindexters. Betts played & Bros. Band, performed at the Chapel, the role of a sideman as the tasty banjo, m Wednesday. October 30. The purpose of mandolin, and dobro of the Poindexters this surprise concert was mainly a sound belted out (when they could be heard) test for the upcoming tour. As was to be "Rolling in my Sweet Baby's Arms", "1 expected the first time, the band en­ Saw the Light", and "Jambalaya". countered some technical difficulties that Another bright spot in the band is the marred the show. addition of a steel pedal guitarist who Betts opened with "Blue Sky ' off of the traded riffs, with Belts throughout the m Allman's "Eat A Peach" album, and show. follow^ with "Rain" from the Highway Call uKand the Freddie King classic Betts displayed some fine guitar work "Hideaway". For the people who thought and his vocals are nice, also. The am­ the show was to be 100 percent country, plification problems were unfor: unate, but Betts fooled them by doing songs he wrote the purpose of this rehearsal-concert was for the Allman Bros, such as "Jessica". to find out what problems were to be ex­ "Southbound", and a rousing version of pected and correct them for the future "In Memory of Elizabeth Reed". The most dates. It is more unforftmate that Mercer impressive thing about the show was couldn't be one of these future dates, because I'm sure we would then see a show BeUi Perfpnni.
    [Show full text]
  • Roundup 145 Songs, 10.2 Hours, 829.9 MB
    Page 1 of 5 Roundup 145 songs, 10.2 hours, 829.9 MB Artist Name Album Year Time Allman Brothers Band Whipping Post The Allman Brothers Band 1969 5:17 Allman Brothers Band Ramblin Man Brothers And Sisters 1973 4:48 Allman Brothers Band Come and Go Blues Brothers and Sisters 1973 4:55 Allman Brothers Band Southbound Brothers and Sisters 1973 5:11 Allman Brothers Band Jessica Brothers And Sisters 1973 7:07 Allman Brothers Band Pony Boy Brothers And Sisters 1973 5:52 Allman Brothers Band Ain't Wastin' Time No More Eat a Peach 1972 3:42 Allman Brothers Band Blue Sky Eat a Peach 1971 5:11 Allman Brothers Band One Way Out Live at Ludlow Garage 1970 1970 4:52 Arc Angels Living In A Dream Arc Angels 1992 4:54 Atlanta Rhythm Section Imaginary Lover Champagne Jam 1978 5:07 Atlanta Rhythm Section Champagne Jam Champagne Jam 1978 4:35 Atlanta Rhythm Section So Into You A Rock and Roll Alternative 1976 4:19 Band Rag Mama Rag The Band 1969 3:00 Band The Night They Drove Old Dixie Do… The Band 1969 3:31 Band The Weight Music From Big Pink 1968 4:39 Beatles Rocky Raccoon The Beatles (The White Album) 1968 3:33 Beck Drivin' Nails in My Coffin The Hi-Lo Country 1999 2:49 Beck I Just Started Hating Some People… I Just Started Hating Some People Toda… 2012 5:08 Beck Canceled Check Mutations 1998 3:15 Black Crowes What Is Home Before the Frost... Until the Freeze 2009 5:12 Black Crowes Garden Gate Before the Frost..
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]