DOCSLIB.ORG

Gregg Allman Fox Theatre Free Download Allman Brothers Band in Concert at the Fox Theater in Atlanta - April 9, 1979

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gregg Allman Fox Theatre Free Download Allman Brothers Band in Concert at the Fox Theater in Atlanta - April 9, 1979 gregg allman fox theatre free download Allman Brothers Band in Concert at the Fox Theater in Atlanta - April 9, 1979. Your Easy-access (EZA) account allows those in your organization to download content for the following uses: Tests Samples Composites Layouts Rough cuts Preliminary edits. It overrides the standard online composite license for still images and video on the Getty Images website. The EZA account is not a license. In order to finalize your project with the material you downloaded from your EZA account, you need to secure a license. Without a license, no further use can be made, such as: focus group presentations external presentations final materials distributed inside your organization any materials distributed outside your organization any materials distributed to the public (such as advertising, marketing) Because collections are continually updated, Getty Images cannot guarantee that any particular item will be available until time of licensing. Please carefully review any restrictions accompanying the Licensed Material on the Getty Images website, and contact your Getty Images representative if you have a question about them. Your EZA account will remain in place for a year. Your Getty Images representative will discuss a renewal with you. By clicking the Download button, you accept the responsibility for using unreleased content (including obtaining any clearances required for your use) and agree to abide by any restrictions. A review of the Fox Box. A taste of the music on the Fox Box, with “Can’t Lose What You Never Had”: I reviewed the Fox Box for Relix and am sharing here. I just saw that the full set is on sale at Amazon for $77. The Allman Brothers Band Fox Box (Peach Records) Hardcore fans were excited to hear about the remastering and re-release of the Allman Brothers Band’s entire September 24-26, 2004 run at Atlanta’s Fox Theatre. It’s one of the most revered stands in the band’s final stage, from Warren Haynes’ March, 2001 return until their final show on October 24, 2014, both at New York’s Beacon Theater. The band was in consistently excellent form throughout 2004’s 35th anniversary tour, still energized by the fresh material on 2003’s Hittin’ The Note. Everyone was in good shape, the vibes seemed peaceful and the band settled into the Fox, which had all the advantages of the Beacon but with a more laidback feel and without the clutter that the parade of New York guests sometimes brought to the stage. The shows were released by the then-nascent Instant Live program without much packaging or fanfare. The new releases feature a remastered audio mix as well as tightening up of the song spacing. All three shows are available for download individually or together as an 8-CD set. If you already have the shows, you’ll want to consider getting the new version. The sound improvement is significant and the packing includes essays and a collection of Kirk West photos. Photo – Derek McCabe. These three shows also have a unique feature: of the 53 songs performed, there is only one repeat, “Dreams,” played each night, with a different soloist: Derek Trucks, Warren Haynes and Jack Pearson, whose version is mind-bending. Pearson was an Allman Brother from 1997-1999, a brilliant guitarist who sadly never recorded with the band, making his appearances here very welcome. The only other guests are Susan Tedeschi, guitarist Vaylor Trucks (Butch’s son) and keyboardist Rob Baracco. They all slide in and enhance without distracting, which is as it should be when a band is flying this high. Gregg Allman. Gregg Allman is undoubtedly among rock and roll’s greatest and most influential artists, his soul-fired and still utterly distinctive voice one of the defining sounds in all of American music. From his founding role in the one and only Allman Brothers Band to his long and storied solo career, Allman has proven himself an iconic singer/songwriter and exceptional practitioner of the American blues tradition. The survivor of unimaginable loss, alcohol and drug addictions as well as a successful 2010 liver transplant, Allman has also accrued a remarkable list of honors over his five decade career, including the ABB’s 1995 induction into the Rock and Roll Hall of Fame and 2012 Lifetime Achievement Award at the 54th Annual GRAMMY® Awards as well as his own 2006 induction to the Georgia Music Hall of Fame. Allman was born December 8th, 1947 in Nashville, TN, a little more than a year after his older brother Duane. Raised by single mom Geraldine, the family moved to Daytona Beach in 1959, though the brothers would spend considerable time back in Nashville. Music City was an inspiration to Allman. He attended his first concert – starring Jackie Wilson, Otis Redding, B.B. King, and Patti LaBelle – and with the guidance of a neighbor named Jimmy Banes, fell in thrall to the power of a guitar. Nashville’s pull continued long after the family moved, with the brothers both hooked on local radio station WLAC’s legendary late night R&B broadcasts. Allman earned enough delivering newspapers to afford a Silvertone guitar, which he and his older brother then proceeded to fight over for years. They made their on-stage debut as part of a YMCA youth group in Daytona Beach, uniting their first band – The Misfits – while attending Castle Heights Military Academy in Lebanon, TN. In 1963, the brothers returned to Florida, rocking Seabreeze High School with their next beat combo, The Shufflers. The Allman brothers were less interested in school than they were in pursuing their own musical education, spending all their cash on records or sitting in with local R&B outfit The Houserockers. They put together what Allman calls his first “real” band, The Escorts, and began gigging around the Daytona Beach area, proving so busy that Gregg skipped his Seabreeze graduation to perform with his band. Having won over Daytona Beach, the band – now known as The Allman Joys – headed out into the world, beginning with a 22 week run at Mobile, AL’s Stork Club. An extended booking at Pensacola’s Sahara Club proved a milestone for Gregg, his first true lesson in stagecraft as well as where he bought his first keyboard. 1966 saw The Allman Joys travel to Nashville for their first true session, with songwriter John D. Loudermilk producing. The band’s version of “Spoonful” proved enough of a local hit that they returned to the studio with producer/songwriter John Hurley, this time recording a number of Gregg’s increasingly sharp originals. The Allman Joys eventually made their way west, sponsored in part by Nitty Gritty Dirt Band manager Bill McEuen. Reinventing themselves as Hour Glass, the band signed to Liberty Records and began making a name around L.A. by supporting such stars as Buffalo Springfield and The Doors. Two albums followed, 1967’s HOUR GLASS and 1968’s POWER OF LOVE, the latter highlighted by seven Gregg originals and liner notes by Neil Young, who also sat in on the album’s sessions. Hour Glass then traveled to Rick Hall’s FAME Studios in Muscle Shoals, AL, hoping to finally capture their evolving blues rock sound. Unfortunately Liberty Records did not appreciate the band’s new direction and Hour Glass split soon after the sessions. The brothers returned to Florida where they began collaborating with The 31st of February, a Jacksonville trio whose ranks included drummer Butch Trucks. Gregg soon headed back to Los Angeles, recording a solo album to fulfill both his and Duane’s remaining Liberty contract. Though the sessions ultimately proved fruitless, Gregg spent considerable studio time writing songs and working with his new favorite instrument, the Hammond organ. Meanwhile, Brother Duane had returned to Muscle Shoals where he became FAME Studios’ lead session guitarist, recording legendary tracks with such giants as King Curtis, Arthur Conley, Clarence Carter, and Wilson Pickett. Soon signed to a deal of his own, Duane began enlisting musicians including drummer/percussionist Jai Johanny Johanson and fellow Floridian, bassist Berry Oakley. They returned to Jacksonville, their extended jams luring in additional members including Trucks and Oakley’s former bandmate, guitarist Dickey Betts. Gregg finally returned to Florida and on March 26, 1969, Duane suggested he join the group for a run through Muddy Waters’ “Trouble No More,” encouraging his younger brother to “sing his guts out.” The Allman Brothers Band was born. Signed to Phil Walden’s new Capricorn Records label, the Allman Brothers Band virtually invented Southern Rock, blending blues, boogie, country, psychedelia, R&B, jazz, and rock ‘n’ roll into their own idiosyncratic musical stew. The band relocated to Macon, GA where they began forging the intuitive musical bond that came to define them, spending infinite hours rehearsing and jamming while also growing a local following for their improvisational ingenuity and creative interplay. Elongated covers were paired with Gregg’s original songs, his songwriting voice fast proving as unique and inspired as his growing vocal power. Songs like “It’s Not My Cross To Bear,” “Dreams,” and “Whipping Post” exposed a gifted and evocative tunesmith, remarkably adept at reconstructing traditional forms into modern classics. Released in November 1969, THE ALLMAN BROTHERS BAND was immediately acclaimed if not an immediate commercial success. The band spent the next year on the road nearly non-stop, performing over 300 gigs across the country while also visiting studios in New York, Miami, and Macon to record what would be their second studio album. IDLEWILD SOUTH arrived in September 1970, less than a year after the band’s debut.
Load more

Recommended publications
  • Tim Carter, and Dave Hagerman on “Keep on Smilin’” by Wet Willie
    1 Rockin’ Songs of the South: Freebird Night By Deroy Murdock Bohemian Club January 28, 2009 January 29, 2009 (Ladies’ Night) Draft I (Separate Thursday, Head Table and Friday scripts to follow) [The Jinks Theater’s curtain rises as we hear…] [Song: “South’s Gonna Do It Again”] Sire: Thank you very much, Michael Lee Firkins and Carlos Reyes with the Charlie Daniels Band’s hit, “The South’s Gonna Do it Again.” [Applause.] I’m Haley Barbour, and I’m your Sire tonight. This is my first time to be a Sire, but with my accent, Rich Garlinghouse, the Imperial Potentate around here, thought I’d be perfect . 2 . and, Rich, thanks for letting me do it without an interpreter. Rich says I’m the only member of the Club who pronounces his first name with three syllables. [For Thursday continue with head-table remarks, then end; Resume remarks after first musical number in Jinks Theater Thursday night. Downstairs script begins with thank yous after “South’s Gonna Do It Again.] [For Friday Night, continue straight through.] -- 3 We are here tonight to honor and appreciate Southern Rock. One of this genre’s pioneers, Greg Allman, believes the term “Southern Rock” is redundant. “Sort of like ‘rock rock.’” After all, rock & roll began as southern music. There’d be no rock without the blues, created in the Mississippi Delta by the original bluesmen, like Charlie Patton of Dockery Farms, and Hazlehurst’s Robert Johnson, who, legend has it, sold his soul to the devil to learn to play the blues guitar, down where Highway 49 intersects with US 61.
    [Show full text]
  • Devon Allman, Son of Gregg Allman of the Allman Brothers Band, Leads His Band Called Honey Tribe and He Is a Member of Royal Southern Brotherhood As Well
    Singer/guitarist Devon Allman, son of Gregg Allman of the Allman Brothers Band, leads his band called Honey Tribe and he is a member of Royal Southern Brotherhood as well. Now Devon has recorded his first solo album that is made up songs that are written about his personal life along with one Tom Petty cover song. The 2013 International Blues Challenge was held in Memphis from January 29 – February 2. Ghost Town Blues Band from Memphis did not win, but they did make it to the top ten. They have released two excellent albums and can be seen performing at many local venues. Former Memphian Little G. Weevil won the solo/duo category and best guitarist in that category at the IBC. His excellent album The Teaser is a great example of why he won. Boz Scaggs came to Memphis to record his new album titled, surprisingly enough, Memphis. Most surprising is how well he handles the soul and blues songs on Memphis. Devon Allman – Turquoise Devon Allman is Gregg Allman’s son, but he grew up with his mom in Corpus Christi, Texas, away from the rock & roll lifestyle. He didn’t even meet his dad until he was a teenager, but they are now very close. While Devon was influenced by The Allman Brothers, he was also influenced by a myriad of other musicians and styles of music, so he really doesn’t sound much like The Allman Brothers. Devon has his own unique sound, both in his guitar playing and his singing. Some have tried to compare him to his uncle Duane, but aside from both having blonde hair and favoring Les Paul guitars, there aren’t a lot of similarities.
    [Show full text]
  • The Monthly Magazine of the Saint Louis Blues Society
    THE MONTHLY MAGAZINE OF THE SAINT LOUIS BLUES SOCIETY January 2013 Number 55 Charles Hunt The St. Louis BluesLetter Blues Society The Monthly Magazine of the St. Louis Blues Society Officers Chairman Number 55 John May The St. Louis Blues Society is dedicated to preserving and perpetuating Vice President blues music in and from St. Louis, while fostering its growth and Open appreciation. The St. Louis Blues Society provides blues artists the opportunity for public performance and individual improvement in their Treasurer field, all for the educational and artistic benefit of the general public. Jerry Minchey The St. Louis Blues Society is a 501(c)(3) Legal Counsel not-for-profit Missouri corporation. R Charley Taylor Memberships to the Blues Society are tax E Secretary deductible to the extent allowed by law. Lynn Barlar jETT Board of Directors TO MEMBERS Bernie Hayes Glenn Howard L Rich Hughes Contents Greg Hunt Letter to Members 3 Eric McSpadden On The Cover Jeremy Segel-Moss Mary Kaye Tönnies Charles Hunt 4 Johnny Willis cover photo by Madison Thorn National Blues Museum Update 8 BluesLetter CD Review 10 Editor Mary Kaye Tönnies From the Crowd 10 Creative Direction Jeremy Segel-Moss Staff Photographer and From the Crowd Sourcer Madison Thorn Contact Us St. Louis Blues Society Staff Writer P. O. Box 78894 Bruce Olson St. Louis MO 63178 www.stlouisbluessociety.org [email protected] us at facebook.com/pages/St-Louis-Blues-Society 2 Happy New Year! We hope you and your friends and families have enjoyed your holidays and got out to see a few local shows during the season.
    [Show full text]
  • R&B Legend Natalie Cole Joins Rock Legend Gregg Allman, Merck
    NEWS RELEASE R&B Legend Natalie Cole Joins Rock Legend Gregg Allman, Merck and The American Liver Foundation to Turn Up the Volume Around Hep C 7/26/2011 Cole to Perform with The Allman Brothers Band at the Tune In to Hep C Benet Concert Tomorrow on the Eve of World Hepatitis Day Merck (NYSE: MRK) (known as MSD outside the United States and Canada) today announced that GRAMMY® winner Natalie Cole is adding her voice to the company's public health campaign, Tune In to Hep C, with the American Liver Foundation (ALF) and rock legend Gregg Allman. The goal of the campaign is to raise awareness of chronic hepatitis C virus infection. Cole will join Allman onstage at a benet concert featuring The Allman Brothers Band and other special guests in New York tomorrow, July 27, the eve of World Hepatitis Day. This cause is personal to Cole, who was diagnosed with chronic hepatitis C during a routine blood test in 2008. It was then that she realized she'd been living with the virus for more than 25 years - nearly half of her life. Cole's experience is not uncommon. In fact, chronic hepatitis C is often referred to as the silent disease because – for many people – it can be in the body for decades without any symptoms. Cole is joining the campaign to encourage others with chronic hepatitis C to put aside fear and stigma and take action. "One thing is for sure – there's a stigma surrounding hepatitis C because it's associated with IV drug use.
    [Show full text]
  • The Atlanta Preservation Center's
    THE ATLANTA PRESERVATION CENTER’S Phoenix2017 Flies A CELEBRATION OF ATLANTA’S HISTORIC SITES FREE CITY-WIDE EVENTS PRESERVEATLANTA.COM Welcome to Phoenix Flies ust as the Grant Mansion, the home of the Atlanta Preservation Center, was being constructed in the mid-1850s, the idea of historic preservation in America was being formulated. It was the invention of women, specifically, the ladies who came J together to preserve George Washington’s Mount Vernon. The motives behind their efforts were rich and complicated and they sought nothing less than to exemplify American character and to illustrate a national identity. In the ensuing decades examples of historic preservation emerged along with the expanding roles for women in American life: The Ladies Hermitage Association in Nashville, Stratford in Virginia, the D.A.R., and the Colonial Dames all promoted preservation as a mission and as vehicles for teaching contributive citizenship. The 1895 Cotton States and International Exposition held in Piedmont Park here in Atlanta featured not only the first Pavilion in an international fair to be designed by a woman architect, but also a Colonial Kitchen and exhibits of historic artifacts as well as the promotion of education and the arts. Women were leaders in the nurture of the arts to enrich American culture. Here in Atlanta they were a force in the establishment of the Opera, Ballet, and Visual arts. Early efforts to preserve old Atlanta, such as the Leyden Columns and the Wren’s Nest were the initiatives of women. The Atlanta Preservation Center, founded in 1979, was championed by the Junior League and headed by Eileen Rhea Brown.
    [Show full text]
  • 16 Lc 110 0193 S. R
    16 LC 110 0193 Senate Resolution 912 By: Senators Mullis of the 53rd, Miller of the 49th, Tate of the 38th, Cowsert of the 46th and Jackson of the 24th A RESOLUTION 1 Recognizing and commending Gregg Allman for his 2015 Songwriters Award and third 2 induction into the Georgia Music Hall of Fame; and for other purposes. 3 WHEREAS, Gregg Allman is a long-time resident of Macon and Savannah, Georgia; and 4 WHEREAS, he was a member of The Allman Brothers Band and is a solo artist, musician, 5 singer, songwriter, and rock and roll icon; and 6 WHEREAS, as a songwriter, he has written many hits such as "Whipping Post," "Black 7 Hearted Woman," "Midnight Rider," and many other rock classics; and 8 WHEREAS, he has been recognized by the Georgia Music Hall of Fame twice before, as a 9 solo performer and in the group category for The Allman Brothers Band; and 10 WHEREAS, as a member of The Allman Brothers Band, he was inducted into the Rock and 11 Roll Hall of Fame in 1995 and earned the Grammy Lifetime Achievement Award in 2012; 12 and 13 WHEREAS, through his work with The Allman Brothers Band and Gregg Allman Band, he 14 has inspired many musicians, experienced enormous success in his life, and had a lasting 15 impact on the State of Georgia; and 16 WHEREAS, it is abundantly fitting and proper that the accomplishments of this 17 distinguished Georgian be appropriately recognized. 18 NOW, THEREFORE, BE IT RESOLVED BY THE SENATE that the members of this body 19 commend Gregg Allman for his outstanding musical achievements and recognize his 20 acceptance of the 2015 Songwriters Award and third induction into the Georgia Music Hall 21 of Fame.
    [Show full text]
  • REGIONAL RESOURCE PLAN Contents Executive Summary
    REGIONAL RESOURCE PLAN Contents Executive Summary ................................................................5 Summary of Resources ...........................................................6 Regionally Important Resources Map ................................12 Introduction ...........................................................................13 Areas of Conservation and Recreational Value .................21 Areas of Historic and Cultural Value ..................................48 Areas of Scenic and Agricultural Value ..............................79 Appendix Cover Photo: Sope Creek Ruins - Chattahoochee River National Recreation Area/ Credit: ARC Tables Table 1: Regionally Important Resources Value Matrix ..19 Table 2: Regionally Important Resources Vulnerability Matrix ......................................................................................20 Table 3: Guidance for Appropriate Development Practices for Areas of Conservation and Recreational Value ...........46 Table 4: General Policies and Protection Measures for Areas of Conservation and Recreational Value ................47 Table 5: National Register of Historic Places Districts Listed by County ....................................................................54 Table 6: National Register of Historic Places Individually Listed by County ....................................................................57 Table 7: Guidance for Appropriate Development Practices for Areas of Historic and Cultural Value ............................77 Table 8: General Policies
    [Show full text]
  • 1982-12 and 1983-01
    AIRWAVES . A Service of Continuing Education and Extension l5i1 University of Minnesota, Duluth Vol. 3 Number 7 December 1982 January 1983 Dick Paske and Leif Brush rehearse Leif Brush Work . to be Broadcast on KUMD 1 I\UMU §taff Station Managtt ... .... Tum Livingston Program Ditt<;tor .......•. John Zi~gltr ,\Ht. Progr~m Dirtt~or .. ... Paul Schmnz •:nginttring .. •. ... .• .•.. Kirk Kint~n fo the LiJener Producn/Outruch ..••.• . Jran Johnson AIRWAVES is the bi-month! y program guide of KUMD, which is the 100,000 watt public radio station at the ..., By Tom. Uvlngeton, Station Manager University of Minnesota-Duluth, broadcasting at 103.3 fm. KUMD is part of University Media Resources, a· Marathon Holly Near Jottings: department of Continuing Education Our fall fundraiser drive fell short of 'The November I 0th concert in Superior Our satellite dish installation will be and Extension at the University of other fall efforts as 350 people pledged by womens musician Holly Near was a complete some time this month, and we Minnesota. KUMD's program philosophy is to provide the highest just under $13,000. Thanks to everyone tremendous success. A near-sellout, the will be adding Jazz Allve and NPR who called! Why did we do less than we concert was a great energy generator for Playhouse at that time. Thanks to quality non-commercial program- hoped? Was it the economy, our new everyone involved, and received rave C.S. Zidek, whose generouse challenge ming, including music, news and programming, or something else? reviews in both Rag Times Magazine match helped the Folk Migrations public affairs, and information Please share your thoughts with us, and and The Duluth News Tribune & program to a total of $1,200 for one programs, K UMD encourages if you didn't renew during the Herald.
    [Show full text]
  • Gregg Allman - Low Country Blues (2011)
    Gregg Allman - Low Country Blues (2011) Written by bluesever Sunday, 19 August 2012 16:19 - Last Updated Tuesday, 02 February 2021 18:08 Gregg Allman - Low Country Blues (2011) 1.Floating Bridge 2.Little by Little 3.Devil Got My Woman 4.I Can't Be Satisfied 5.Blind Man 6.Just Another Rider 7.Please Accept My Love 8.I Believe I'll Go Back Home 9.Tears, Tears, Tears 10.My Love Is Your Love 11.Checking on My Baby 12.Rolling Stone Gregg Allman – Guitar (Acoustic), Hammond B3, Vocals Jay Bellerose – Drums, Percussion Doyle Bramhall II – Guitar T-Bone Burnett – Guitar, Producer Mike Compton – Mandolin, Vocals (Background) Dennis Crouch – Bass (Acoustic) Vincent Esquer – Guitar Daniel Fornero – Trumpet Hadley Hawkensmith – Guitar Judith Hill- Vocals (Background) Darrell Leonard – Conductor, Horn Arrangements, Trumpet, Trumpet (Bass) Colin Linden – Dobro Lester Lovitt - Trumpet Thomas Peterson – Sax (Baritone) Tom Peterson – Sax (Baritone) Mac Rebennack – Arranger, Piano Joseph Sublett – Sax (Tenor) Jim Thompson – Sax (Tenor) Tata Vega – Vocals (Background) Jean Witherspoon – Vocals (Background) With his long hair, beard and battered features, Gregg Allman is the archetypical survivor, a hero with the Allman Brothers Band in the 70s, and a man whose famously wild career has involved induction into the Rock and Roll Hall of Fame, six marriages and a liver transplant. Amazingly, both his distinctive voice and his Hammond keyboard work have remained intact, as shown on his first solo album in 14 years, in which he's helped by an impressive backing band that includes the album's producer T-Bone Burnett on guitar, and Dr John on piano.
    [Show full text]
  • The Allman Betts Band
    May 2020 May WashingtonBluesletter Blues Society www.wablues.org Remembering Wade Hickam COVID-19 Resources for Musicians Special Feature: Th e Allman Betts Band LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans, Proud Recipient of a 2009 You will find lots ofKeeping the Blues Alive Award information in this Bluesletter if you are a musician. Our 2020 OFFICERS editor, Eric Steiner, has kept President, Tony Frederickson [email protected] his eyes open and his ears Vice President, Rick Bowen [email protected] tuned for opportunities that Secretary, Marisue Thomas [email protected] musicians can explore to Treasurer, Ray Kurth [email protected] help them in this challenging Editor, Eric Steiner [email protected] time. He has a real knack for this as he’s worked in public and private sector grant programs. We will continue to print these 2020 DIRECTORS opportunities in both the Bluesletter and post them on our website Music Director, Amy Sassenberg [email protected] (www.wablues.org), and our Facebook page. Please explore these Membership, Chad Creamer [email protected] opportunities and share with your bandmates. Education, Open [email protected] For our members, please continue to practice social distancing, Volunteers, Rhea Rolfe [email protected] wear face masks and stay safe. As we overcome this first wave of Merchandise, Tony Frederickson [email protected] infections and our state reopens, be patient and stay informed as I Advertising, Open [email protected] hope to see all of you out and about once we can go see live music. We will overcome this and be back enjoying all of our favorite THANKS TO THE WASHINGTON BLUES SOCIETY 2020 STREET TEAM playing live music.
    [Show full text]
  • Columbuscityscene11 18
    NOVEMBER 2018 [$2.25] www.cityscenecolumbus.com insideON THE COVER 6 on the scene 12 Made in the U.S.A. Shared experiences in providing local handmade products If it Feels Right to the community Derek Trucks grew up amongst the legends but 1 8 Window Wonderland never imagined he would be where he is today Contest focuses on community and collaboration 24 Double the Talent Local author and actor, Gary Braunbeck, shares his stories and insight 14 38 20 Lifting Spirits departments Personal tragedies and hardships result in 6 insight 35 spirits 41 on view valuable community endeavors 10 health 36 travel 44 calendar COVER: Photo courtesy of Tab Winters 14 cuisine 38 visuals 48 critique 2 cityscenecolumbus.com | November 2018 CS INSIGHT If it Feels Right Derek Trucks grew up amongst the legends A but never imagined he would be where he is today By Rocco Falleti The Tedeschi Trucks Band Live from the Palace Theatre Nov. 9. Tickets are available at all Ticketmaster outlets • • • • • 6 cityscenecolumbus.com | November 2018 Mayhem The young prodigy caught the attention of Ace Moreland’s West Side Story, a Jacksonville blues band, was getting ready to take Allman Brothers Band guitarist Col. Bruce the stage at Applejacks, a small bar connected to a hotel in Miami back in the late Hampton. Hampton would serve not only as a ’80s. Moreland had recently enlisted the talents of a young and talented prodigy, mentor, but as a role model to Trucks early on in 9-year-old guitarist Derek Trucks. his career. Trucks is the nephew of drummer and founding member “Bruce’s M.O.
    [Show full text]
  • Celebrating Gregg Allman: Storytelling and Special Performances, Featuring Eric Church
    FOR IMMEDIATE RELEASE: July 27, 2015 Media Contacts: Laura B. Cohen, LC Media PR for Skirball Cultural Center, (310) 867-3897, [email protected] Hannah Berryman, GRAMMY Foundation, (310) 392-3777, [email protected] Christina Cassidy, GRAMMY Foundation, (310) 392-3777, [email protected] Christian T. Potts, Iron Mountain Incorporated, (617) 535-8721, [email protected] Skirball Cultural Center and GRAMMY Foundation® announce CELEBRATING GREGG ALLMAN: STORYTELLING AND SPECIAL PERFORMANCES, FEATURING ERIC CHURCH Two musical superstars take the stage at the Skirball in celebration of the popular exhibition Bill Graham and the Rock & Roll Revolution Presented as part of the GRAMMY Foundation’s Living Histories program Thursday, September 24, 2015, 8:00 p.m. $35 General | $30 Skirball Members Dress code: business casual This program will take place at the Skirball Cultural Center 2701 N. Sepulveda Blvd., Los Angeles, CA 90049 FREE parking Tickets available on site, online at skirball.org/allman-church, or by phone at (877) SCC-4TIX LOS ANGELES, CA—The Skirball Cultural Center and the GRAMMY Foundation® announce GRAMMY®-winning legend Gregg Allman, renowned founding member of the Allman Brothers Band, in conversation with GRAMMY-nominated country star Eric Church on Thursday, September 24, 2015, at 8:00 p.m. The program will take place at the Skirball Cultural Center. Moderated by Scott Goldman, Vice President of the GRAMMY Foundation and MusiCares®, the evening will conclude with live acoustic performances by both Allman and Church, which will be recorded and archived as part of the GRAMMY Foundation Living Histories program. The Living Histories program preserves on visual media the life stories of key recording industry professionals and visionaries who helped create the history of recorded sound.
    [Show full text]