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Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected]
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected] Das klassische Bestseller-Album "Brothers And Sisters" der Allman Brothers Band erscheint am 5. Juli 2013 remastert auf CD und Vinyl By the time they released their fifth album Brothers And Sisters in August 1973, the Allman Brothers Band had experienced dizzying highs and soul-crushing lows. The group had spent its first two years developing its formidable collective chemistry into an unprecedented stylistic fusion that established it as the era’s most influential American rock act. But just as the band had achieved a hard-won commercial breakthrough with 1971’s At Fillmore East, it suffered a devastating loss with the death of Duane Allman, its founder, leader and musical visionary, in a motorcycle crash on October 29, 1971. Following Duane’s traumatic passing, the band regained its bearings and soldiered on, with Duane’s brother, singer/organist Gregg Allman, and guitarist/vocalist Dickey Betts—now the lone axeman in an act famous for its dual-guitar fireworks—assuming more prominent roles in its direction. The musicians marshaled their strengths to make Brothers and Sisters—their first album recorded completely without Duane—a decisive creative rebirth as well as their best-selling release to date. Brothers And Sisters bested the sales of At Fillmore East and Eat A Peach, spending five weeks at #1 and becoming the first Allman Brothers Band release to gain Platinum sales status. Configurations Vinyl - Brothers And Sisters original recording remastered. CD - Brothers And Sisters original recording remastered. -
SGA Reforms with the Larger Committee a Chairman Recently an Impetus Towards Reform Haa Begun in S.G.A
Mnttx ^lu$ter ‘‘All The News That’s Fit To Surpress’ VOLUME LV MERCER UNIVERSITY, MACON, GEORGIA INOVEMBER 8, 1974 !\UMBE_R_27 Betts Stages Surprise Concert Richard Betts, guitarist for the Allman by the bluegrass Poindexters. Betts played & Bros. Band, performed at the Chapel, the role of a sideman as the tasty banjo, m Wednesday. October 30. The purpose of mandolin, and dobro of the Poindexters this surprise concert was mainly a sound belted out (when they could be heard) test for the upcoming tour. As was to be "Rolling in my Sweet Baby's Arms", "1 expected the first time, the band en Saw the Light", and "Jambalaya". countered some technical difficulties that Another bright spot in the band is the marred the show. addition of a steel pedal guitarist who Betts opened with "Blue Sky ' off of the traded riffs, with Belts throughout the m Allman's "Eat A Peach" album, and show. follow^ with "Rain" from the Highway Call uKand the Freddie King classic Betts displayed some fine guitar work "Hideaway". For the people who thought and his vocals are nice, also. The am the show was to be 100 percent country, plification problems were unfor: unate, but Betts fooled them by doing songs he wrote the purpose of this rehearsal-concert was for the Allman Bros, such as "Jessica". to find out what problems were to be ex "Southbound", and a rousing version of pected and correct them for the future "In Memory of Elizabeth Reed". The most dates. It is more unforftmate that Mercer impressive thing about the show was couldn't be one of these future dates, because I'm sure we would then see a show BeUi Perfpnni. -
Roundup 145 Songs, 10.2 Hours, 829.9 MB
Page 1 of 5 Roundup 145 songs, 10.2 hours, 829.9 MB Artist Name Album Year Time Allman Brothers Band Whipping Post The Allman Brothers Band 1969 5:17 Allman Brothers Band Ramblin Man Brothers And Sisters 1973 4:48 Allman Brothers Band Come and Go Blues Brothers and Sisters 1973 4:55 Allman Brothers Band Southbound Brothers and Sisters 1973 5:11 Allman Brothers Band Jessica Brothers And Sisters 1973 7:07 Allman Brothers Band Pony Boy Brothers And Sisters 1973 5:52 Allman Brothers Band Ain't Wastin' Time No More Eat a Peach 1972 3:42 Allman Brothers Band Blue Sky Eat a Peach 1971 5:11 Allman Brothers Band One Way Out Live at Ludlow Garage 1970 1970 4:52 Arc Angels Living In A Dream Arc Angels 1992 4:54 Atlanta Rhythm Section Imaginary Lover Champagne Jam 1978 5:07 Atlanta Rhythm Section Champagne Jam Champagne Jam 1978 4:35 Atlanta Rhythm Section So Into You A Rock and Roll Alternative 1976 4:19 Band Rag Mama Rag The Band 1969 3:00 Band The Night They Drove Old Dixie Do… The Band 1969 3:31 Band The Weight Music From Big Pink 1968 4:39 Beatles Rocky Raccoon The Beatles (The White Album) 1968 3:33 Beck Drivin' Nails in My Coffin The Hi-Lo Country 1999 2:49 Beck I Just Started Hating Some People… I Just Started Hating Some People Toda… 2012 5:08 Beck Canceled Check Mutations 1998 3:15 Black Crowes What Is Home Before the Frost... Until the Freeze 2009 5:12 Black Crowes Garden Gate Before the Frost.. -
Melissa Words and Music by Gregg Allman and Steve Alaimo from the Allman Brothers Band —Eat a Peach
Melissa Words and Music by Gregg Allman and Steve Alaimo from The Allman Brothers Band —Eat a Peach E E3sus4 Emaj7 A Bm dim D Ffim Giim Cmaj7 B 231 341 341 111 1342 1342 132 134111 134111 32 1333 Intro Moderately sl ow J= 82 E E3sus4 Emaj7 E8sus4 *Gtr. 2 (elec.) (_;) ***w/clean tone & delay 1/2 *Dicky Belts ***Delay set for dotted sixteenth~note regeneration w/ 1 repeat. **Gtr. 1 (acous.) 7'9’ (cont. inslashes) let ring throughout “Gregg Allman Verse TE E3sus4 Emaj7 Rhy. Fig. 1 em) ) fi7~)77J WWW/WTFWFWFT seem to come and go, TSee top of page for chord diagrams pertaining to rhythm slashes. Copyright © 1968 by Unichappell Music Inc., EMI Longitude Music and Elijah Blue Music Copyright Renewed AHRights for Elijah Blue Music Administered by Songs Of Windswept Pacific International Copyright Secured All Rights Reserved Reprinted by Pennission of Hal Leonard Corporation 90 Guitanepse JULY/AUGUST 2007 §!e§I@§..§§§§fi§ E8sus4 E8sus4 ) ; W; 3'7 mmfiii mmmflm The gyp—sy fli es_ from coast. to coast,_ A Bm CIIm D E FIIm I-r-I3 A u Ii L I; =_ = ‘ v 9 LI {J V \ / __ know-in’ man—y, Iov -in’ none,__._I bear - ing sor - row:having mwwwv ,\ wvwvwwwvwwvwww vvwwwwvwvwv»~ o 9- 9- » Ii 6 -P- g I 5 E : I HLLTIK I I J J I I I 4| 'I"\|! 3 H I I +1 I III I \.V | I I U w/delay I vvvvvv v v vvvvv VVVVVVVVVVI I J fl%VVfiVV9 VQ VVVV % Cmaj7 B EndRhy.Fig.1 Gfiiifiifififl mnfififin 0 — but back home- he’ll I.. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Introduction What Is Southern Rock?
Introduction What Is Southern Rock? It seems essential to define the term “southern rock” before one can write about it. This is necessary in order to plan what goes into the text and what gets left out. So what exactly is southern rock? Trying to define it is tantamount to going down the proverbial rab- bit hole. It’s a slippery, nebulous term that can mean almost anything. On its face it appears to imply rock music from the 1970s that came from the South, but that could include anything from Wet Willie to Marshall Tucker to Lynyrd Skynyrd, acts that have little in common stylistically or sound-wise. Author Scott B. Bomar states that the term “southern rock” was first used in the early 1970s by Mo Slotin, a writer for the Atlanta un- derground paper Great Speckled Bird in a review of an Allman Brothers Band concert.1 But the phrase didn’t come into broad usage until Al Kooper incorporated the concept into the name of his Atlanta-based record label, Sounds of the South, before he signed Lynyrd Skynyrd. Kooper was one of the first—along with Phil Walden of Capricorn Re- cords, founded in 1969—to realize that southern talent was something that might be codified and commodified. It happened that Skynyrd fit nicely into Kooper’s concept. Some people argue that southern rock is an amalgam of rock, blues, and country, dominated by electric guitars. However, applying this · 1 · definition, the early “rockabilly” acts out of Memphis—Elvis, Carl Perkins, Jerry Lee Lewis—along with Chuck Berry, Buddy Knox, and Buddy Holly might also qualify as southern rockers. -
"Allman Brothers Big House," Macon
August 18th, 1996 MACON, Ga. Any ramblin' man who spends a Saturday night at the Allman Brothers Bed & Breakfast certainly doesn't expect to wake up to the sound of church bells on a Sunday morning. The fierce blues-tinged riffs of the Allman Brothers speaks to renegades from every walk of life; brakemen to bikers, suits to boots. The legacy was secured in 1995 when they were inducted into the Rock 'n' Roll Hall of Fame. During the Summer Olympics, I was the first "official" (paying $50 a night) guest at what fans call the Big House, the band's home in 1970-73. Macon, pop. 125,000, is 90 miles south of Atlanta, a straight shot down I-75. The 96-year-old, three-story Grand Tudor house is owned and operated by Kirk and Kirsten West. It is across the street from the First Christian (Disciples of Christ) Church of Macon. On a daily basis - and twice on Sunday - the church tower sings out. Kirk is a former Chicago photographer who is now theAllman Brothers road manager. He also was associate producer of "Dreams," the AllmanBrothers box set released in 1989. Kirsten is a former Chicago insurance executive. In 1991 they met through a Chicago Reader personal ad. By 1993 they were married and living in the warm confines of the Big House. Friends and fans such as country star Leroy Parnell and blues guitarist Tinsely Ellis have been guests, but it wasn't until this summer that the Wests realized a three-year-old dream of an Allman Brothers Bed & Breakfast. -
Gregg Allman Fox Theatre Free Download Allman Brothers Band in Concert at the Fox Theater in Atlanta - April 9, 1979
gregg allman fox theatre free download Allman Brothers Band in Concert at the Fox Theater in Atlanta - April 9, 1979. Your Easy-access (EZA) account allows those in your organization to download content for the following uses: Tests Samples Composites Layouts Rough cuts Preliminary edits. It overrides the standard online composite license for still images and video on the Getty Images website. The EZA account is not a license. In order to finalize your project with the material you downloaded from your EZA account, you need to secure a license. Without a license, no further use can be made, such as: focus group presentations external presentations final materials distributed inside your organization any materials distributed outside your organization any materials distributed to the public (such as advertising, marketing) Because collections are continually updated, Getty Images cannot guarantee that any particular item will be available until time of licensing. Please carefully review any restrictions accompanying the Licensed Material on the Getty Images website, and contact your Getty Images representative if you have a question about them. Your EZA account will remain in place for a year. Your Getty Images representative will discuss a renewal with you. By clicking the Download button, you accept the responsibility for using unreleased content (including obtaining any clearances required for your use) and agree to abide by any restrictions. A review of the Fox Box. A taste of the music on the Fox Box, with “Can’t Lose What You Never Had”: I reviewed the Fox Box for Relix and am sharing here. I just saw that the full set is on sale at Amazon for $77. -
The Allman Brothers Band
P e r f o r m e r s the Allman Brothers Band he ALLMAN BROTHERS BAND ARRIVED at a accepted into the fold, doing R&B sessions in ’68 and ’69 with Aretha point in history when rock, jazz, country and blues Franklin and King Curtis and befriending future band mate Jaimoe. were colliding in a volatile fusion. In 1969, when The But Duane Allman was more interested in forming a band than in Allman Brothers Band was recorded, no major group playing sessions. H e took Jaimoe down to Jacksonville to form a trio marshaled all those musical elements more effective with Oakley, but when they all started jamming at Second Coming ly. Led by the consummate playing skills of guitarists gigs, new possibilities opened up. After Trucks started sitting in, the Duane Allman and Dickey Betts, the singing and songwritingAllman Brothers of sound materialized. Duane then brought Gregg TGregg Allman and the relentless rhythm section of drummers Butch back from Los Angeles to add the final touch, a gritty vocalist with a Trucks and Jaimoe and bassist Berry Oakley (plus Greggs organ), the book of killer songs like "Dreams” and "Whipping Post.” band staked out a uniquely American claim on the rock-music van In September ’69 the Allman Brothers went to New York and in guard at the end of a decade dominated by British innovators. two weeks recorded a debut album that keyed the direction of rock The Allman Brothers Band stamped an indelible mark on rock &C in the 1970s. The band’s musical premise was that the hardest rock in roll, creating an entire genre, Southern rock, and inspiring the careers tensity could work in a setting of intricate rhythmic subtlety and har of countless bands. -
USED VINYL– NEW ARRIVALS – 3Rd July 2021 No Holds Until After the First 24Hrs Has Passed!
USED VINYL– NEW ARRIVALS – 3rd July 2021 No Holds until after the first 24hrs has passed! Refcode Artist Title RRP LP/12 9696 ALLMAN BROTHERS ENLIGHTENED ROGUES - USA 12.95 LP GATEFOLD 389392 ALLMAN BROTHERS EAT A PEACH - 2LP - US 39.95 LP 532277 ARMATRADING, JOAN ME MYSELF I - US 14.95 LP 383449 ASLEEP AT THE WHEEL 10 12.95 LP 253711 ATLANTA RHYTHM SECTION UNDERDOG 9.95 LP 571310 AXTON, HOYT MY GRIFFIN IS GONE 12.95 LP 422761 BABY RAY WHERE SOUL LIVES 17.95 LP 152255 BAEZ, JOAN GULF WINDS 9.95 LP 8348 BE BOP DELUXE SUNBURST FINISH 15.95 LP 128955 BEATLES LIVE AT THE BBC - 2LP 59.95 LP 292519 BEE GEES BEST OF BEE GEES VOL 2 14.95 LP 900 BLASTERS OVER THERE - LIVE AT THE 12.95 LP VENUE LONDON 360910 BLUE OYSTER CULT AGENTS OF FORTUNE - USA 34.95 LP 521758 BOWIE, DAVID RISE AND FALL OF ZIGGY 44.95 LP STARDUST - FRENCH 344866 BOWIE, DAVID SCARY MONSTERS - NZ / AUS 34.95 LP 399127 BROWNE, JACKSON RUNNING ON EMPTY - US 17.95 LP 997 BROWNE, JACKSON LAWYERS IN LOVE - USA 15.95 LP 66748 BRUBECK, DAVE BRUBECK PLAYS BRUBECK 14.95 LP 27712 BRUBECK, DAVE TIME CHANGES 15.95 LP 153091 BRUBECK, DAVE AT STORYVILLE 1954 19.95 LP 468827 BUMBLE BEE SLIM BEES BACK IN TOWN 19.95 LP 555998 CARTER BETTY NOW ITS MY TURN 15.95 LP 434688 CARTER BETTY LOOK WHAT I GOT 12.95 LP 275687 CASH, JOHNNY LEGEND - 2LP PROMO 34.95 LP 537590 CHAMPION CHAMPION 12.95 LP 527402 CHARLES, RAY SEVEN SPANISH ANGELS AND 12.95 LP OTHER HITS 52670 CHARLES, RAY MODERN SOUNDS IN COUNTRY 24.95 LP AND WESTERN MUSIC 204574 CHEECH AND CHONG CHEECH AND CHONG 15.95 LP 428300 CHICAGO CHICAGO -
Dick Wooley by Kiki Lee Russell Gulley, Little G
Three album national release August 7th King Mojo Allstars, Vol.3 TGZ – Living Dangerously Big Shanty – Ride With The Wind Featuring: TGZ, Big Shanty, Liz Melendez, Dick Wooley by Kiki Lee Russell Gulley, Little G. Weevil. “Some of the very Featuring: A Legend of King Mojo best original artists playing today. Their Dan Toler – the legendary The original Allman performances light up guitar player formerly of the Brothers Band. fter watching a new generation of fans packing festivals and clubs the field in contempo- Allman Brothers Band and Photo courtesy of Phillip Rauls A featuring contemporary blues, jazz, roots rock and fusion music, Dick Wooley rary blues, roots, jazz Dickey Betts & Great (www.philliprauls.com). started King Mojo Records in 2004 without major label backing. “It’s always fun and fusion music.” Southern; to be out in front of the big guys,” says Wooley. His history supports this enthu- Ed Zinner – the guitar “Is Big Shanty ‘the white Jimi Hendrix’ with siasm. He has launched several of today’s legendary artists, has been awarded The tracks from power of Southern Legend; a Neil Young grunge aestetics?.. A looping numerous gold and platinum albums and has himself become a legend. Big Shanty, Ron Gary – the piano wiz, drum beat from Scott Robertson, wild guitar Russell Gulley and formerly with Webster by Liz Melendez and Hendrix-like vocals by Little G. Weevil Young and Tom Browne. Big Shanty… In a sense, he’s a Bluesier version n 1968, Dick Wooley was managing bands motion executive for Atlantic Records cov- are all previously “An unrivaled combination of of Beck…This is truly alternative music.” I in Atlanta and promoting records in the ering the Southeast and Midwest. -
Band Title Allman Brothers Enlightened Rogue Allman
Mike's collection: in blue Stan's collection: in black Band Title Allman Brothers Enlightened Rogue Allman Brothers At Fillmore East 25 #1 Hits from 25 Years 38 Special Tour De Force AC/DC Back in Black AC/DC Live at River Plate AC/DC Let There Be Rock AC/DC For Those About to Rock AC/DC High Voltage AC/DC Rock or Bust AC/DC Dirty Deeds Done Dirt Cheap AC/DC Who Made Who AC/DC Dirty Deeds AC/DC If You Want Blood AC/DC Back In Black AC/DC For Those About to Rock AC/DC Flick Of The Swich AC/DC Fly On The Wall Adams, Bryan Reckless Adele 25 Adele 21 Adele Adele 21 Adele Adele 25 Aerosmith Get Your Wings Aerosmith Toys in the Attic Aerosmith Rocks Aerosmith Classics Live II Aerosmith Rocks Al Stewart Year of the Cat Alabama Mountain Music Alabama Shakes Boys & Girls Alan Parsons Project The Turn Of A Friendly Card Alarm The Alarm Alarm Declaration Alarm The Chant Has Just Begun Mike's collection: in blue Stan's collection: in black Alarm The Deceiver Alarm Absolute Reality Alarm Spirit Of 76 Alarm Strength Alarm Presence Of Love Alarm Change Aldean, Jason Old Boots New Dirt Aldo Nova Subject Alice in Chains Black Gives Way to Blue Alice In Chains Black Gives Way To Blue Alice In Chains The Devil Put Dinosaurs Here Allman Brothers Live at Beacon Theatre Allman Brothers Eat a Peach Allman Brothers Beginnings Allman Brothers Brothers and Sisters Allman Brothers The Allman Brothers Band Allman Brothers Live at Fillmore East Allman Brothers Duane Allman Anthology Allman Brothers Eat A Peach Allman Brothers Beginnings Allman Brothers The Greg Allman