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(Estd. U/S 3 of UGC Act 1956) Coimbatore-64

(Estd. U/S 3 of UGC Act 1956) Coimbatore-64

Avinashilingam Institute for Home Science and Higher Education for Women University (Estd. u/s 3 of UGC Act 1956) Coimbatore-641043, Tamilnadu, India MA. (Two year program with Practicals) Scheme of Instruction and Examination For the students admitted from 2018-2019 & onwards Part Subject Name of the Hrs of Scheme of Examination code paper/ instruction/week Duration CIA CE Component of Exam Total Credit Theory Practic al FIRST SEMESTER I Theory of 5 - 3 40 60 100 3 17MMUC01 Indian Music –I I 17MMUC02 Biography-I 4 - 3 40 60 100 3 I History of 4 - 3 40 60 100 3 17MMUC03 Indian Music-I I Concert Forms- 5 - 3 40 60 100 4 17MMUC04 Theory I Kalpitha - 5 3 40 60 100 4 17MMUC05 Sangeetha - Practical-I I Compositions of - 5 3 40 60 100 4 Tamil 17MMUC06 Composers - Practical-II II 17MSXCS1 CSS - 2 - 25 25 - SECOND SEMESTER I History of - 3 40 60 100 3 17MMUC07 Indian Music-II 4 I Research - 3 40 60 100 3 Methodology 5 17MMUC08 in Music (Theory) I 4 - 3 40 60 100 4 17MMUC09 Operas and Dance dramas

I Nadopasana - 5 3 40 60 100 4 of 17MMUC10 Tyagaraja- Practical-III I Musical - 5 3 40 60 100 4 17MMUC11 Compositions - Practical- IV I 1 - - - - 100 2 17MMUC12 Mini Project II 17MMUM01 MOOC ------2

I 17MMUI01 Inter 2 2 3 40 60 100 4 disciplinary Course II 17MSXCS1 CSS - 2 3 25 50 75 1

Part Subject code Name of the paper/ Hrs of Scheme of Examination Component instruction/week Theory Practical Duration CIA CE Total Credit of Exam Internship during summer vacation for one month THIRD SEMESTER I 17MMUC13 Musicology 4 - 3 40 60 100 3 I 17MMUC14 Ragalakshanam 4 - 3 40 60 100 3 I Lakshanagranda 4 - 3 40 60 100 3 17MMUC15 (open book course) I Theory of Indian 5 - 3 40 60 100 3 17MMUC16 Music - II I Manodharma - 5 3 40 60 100 4 17MMUC17 Sangeetha- Practical-V I Tamil - 1 3 40 60 100 4 Composition (Self 17MMUC18 study) Practical - VI 17MMUI019 Musical - 5 3 40 60 100 4 Compositions- Practical -VII

17MMUM01 Multi disciplinary 2 - 3 40 60 100 2 Course II 17MMUC20 Internship - - - - - 2 II Professional - - - 40 60 - 2 certification FOURTH SEMESTER I Hindusthani 5 3 40 60 100 2 17MMUC21 Music and its Musical Forms 6 - - 6 - 17MMUC22 Thesis 1 - - - -

TOTAL 87

 Professional Certification Course (any semester except 1st or out of Class hours)  MOOC (any semester except 4th semester)

 Other courses offered by the Department

17MMUP01 -Professional Certification Course – Digital Audio Editing 17MMUI01 -Inter Disciplinary Course – Sacred and Patriotic songs in different languages 17MMUM01-Multi Disciplinary Course – Life history of eminent musicians MOOC-Appreciating

Theory of Indian Music –I

Paper-1

SEMESTER – 1 Hours of Instructions / week: 5 17MMUC01 No.of credits: 3

Unit I Rare handled by Musical Trinities

Unit II Analysis of live Concerts of prominent artists (self study)

Unit III 72

Unit IV Mela,Mela paddahathi,Mela nomenclature

Unit V Musical references in Ancient Music-, , , Mahabharatha

Biography –I

Paper-2

SEMESTER-1 Hours of Instructions / week: 4 17MMUC02 No.of credits: 3

Unit I Bharadrachala Ramadas, Subbarama Dikishitar.

Unit II Pallavi Seshaiyar,Pattnam Subramaniyer.

Unit III Poochi Srinivasaiyangar, Mysore Vasudevacharya.

Unit IV Thirukkodikaval Krishnaiyar, Sadasiva Brahmendiral.

Unit V Veenai Seshanna,Maha Vaidhya Nadhaiyar. (Self Study).

History of Indian Music Paper-3

SEMESTER-1 Hours of Instructions / week: 4 17MMUC03 No.of credits: 3 .

Unit I Musical Inscriptions of Pallava and Chola period

Unit II A study of Kudamuzha

Unit III Music in Temples

Unit IV Origin and development of Yazh and its varieties

Unit V A detailed study of Melattur and Tirukkutralak Kuravanji Natakam (Self Study) Concert Forms- Theory

Paper-4 SEMESTER-1 Hours of Instruction / week: 5 17MMUC04 No.of.credits:4

Unit I Study of and its varieties.

Unit II Detailed study of and Kirtana

Unit III Study of Padam, Javali, ,Ragamalika

Unit IV Concert Paddhathi

Unit V Katcheri Dharma Kalpitha Sangeetha – Practical-1

Paper-5

SEMESTER-1 Hours of Instructions / week: 5 17MMUC05 No.of.credits: 4

UnitI Ata tala Varnam-1 Unit II Group Kriti (Swathi Tirunal)-1 Unit III Utsava Sampradaya Kritis-4 Unit IV Gopala Bharathi -2 Unit V Tiruppugazh -4(Self Study)

Compositions of Tamil Composers- Practical-II

Paper-6

SEMESTER-1 Hours of Instruction / week: 5 17MMUC06 No.of.credits:4

Unit I Any two Composition of Muthu Thandavar

Unit II Any two Composition of Marimutha Pillai

Unit III Any two Composition of Aruachalakavirayar

Unit IV Any two Composition of (Self Study)

Unit V Any two Composition of Oothukadu Venkata Subbaiyar

History of Indian Music-II Paper-7

SEMESTER –2 Hours of Instructions / week: 4 17MMUC07 No.of.credits:3

Unit: Contents:

1 Sources for the Musical History of India 2 Time Theory of Ragas (self study) 3 Musical Mnemonics

4 Evolution of Musical forms

5 Forms in Sacred Music: Their Evolution

Research Methodology in Music- Theory

Paper-8

SEMESTER –2 Hours of Instructions / week: 5 17MMUC08 No.of.credits:3 Unit: Contents:

1. Definition of Research problem 2. Synopsis – Definition and its Importance

3. Methods of Data Collection, Observation , Questionnaire , Schedule , Interview

4. Manuscripts and Books , Journals and Magazines

5. Primary and Secondary Sources and their Importance in research

Operas and Dance Dramas Paper-9

SEMESTER –2 Hours of Instructions / week: 4 17MMUC09 No.of.credits:4

Unit Contents

1 Rama Nataka Kirthanas of ArunachalaKavirayar (self study)

2. Prahalada Bhakthi Vijayam of Tyagarajar

3. Nandanar Charitram of

GopalaKrishnaBharathiyar 4. Azhaagar Kuravangi of kavikunjarabharathiyar 5. Music and Drama of Sankaradas Swamigal

Nadopasana kiritis of Tyagaraja - Practical -III

Paper-10

SEMESTER –2 Hours of Instructions / week: 5 17MMUC10 No.of.credits:4

Unit: Contents:

1. Nada Suda Rasa in the – composed by Saint Thyagaraja (self study)

2. Sobillu in the raga JaganMohini, composed by Saint Thyagaraja

3. Sogasuga in the raga Sriranjani, composed by Saint Thyagaraja

4. Svararagasudha in the raga Sankarabhranam, composed by Saint Thyagara

5. Mokshamugalada in the raga Saramathi, composed by Saint Thyagaraja

Musical compositions- practical-IV

Paper-11

SEMESTER –2 Hours of Instructions / week: 5 17MMUC11 No.of.credits:4

Unit: Contents:

1. Any one Ata Tala varnas in the following ragas (a) Shankarabharanam (b) (c) Kanada (d) Reetigowla

2. Any one Swarajathi in the following ragas

(a) (b) (c) Yadukula kamboji

3. Any one Ghana raga pancharatna in the following ragas (a) Gowla (b) Arabhi (c)

4. Any one of Tiruvottriyour PanchaRatnam in the following ragas

(a) (b)Begada (c) Sudha saveri (d) Kalyani

5. Any one krithis of modern composer(20th century)

(a) Papanasam Sivan (b)G. N. Balasubramaniam (c) Ambujam Krishna (d) M. D. Ramanadhan

Mini project

Paper-12

SEMESTER –2 Hours of Instructions / week:1 17MMUC12 No.of.credits:2

Inter Disciplinary Course

Sacred and Patriotic songs in different languages (Theory)

SEMESTER –2 Hours of Instructions / week: 4(2T+2P) 17MMUI01 No.of.credits:4

Unit: Contents:

1. Introduction to sacred music. 2. Introduction to patriotic music. 3. Study of sacred musical forms like Tevaram, Thiruvachagam and Ashtapathi. 4. Biography of significant sacred music composers. 5. Biography of significant composers of patriotic songs. (Practical )

Unit: Contents: 1. a)Any two Patriotic Songs in Tamil b)Any two Patriotic Songs in Malayalam 2. a) Any four patriotic songs in b) Any one Patriotic song in Kannada and Telugu 3. Any two Patriotic songs of Bharathiyar 4. Any one songs of Tevaram Moovar 5. Any one Sacred songs of Tyagaraja Swami /

Musicology

Paper -13 4hrs/week No.of.credits:3 SEMESTER-3 17MMUC13

Unit Contents:

1 Music and physiology- Ear

2 Music and physiology- Larynx

3 Biography and Contribution of Tanjore Quartette to Carnatic music

4 Classical dances of India –Kuchupudi,Bharathanatyam,

5 Study of typical art forms of Kerala like Kathakali and Mohiniyattam

Ragalakshanam

Paper-14

4hrs/week

No.of.credits:3 SEMESTER-3

17MMUC14

Unit: Contents:

1. Todi, Purvikalyani, Chakravaham, Shanmuga Priya(self study)

2. Saveri, , lathangi

3. Hameerkalyani, Anandha Bhairavi ,

4. Gowri Manohari, Hamsanandi, Sindubhairavi, Karaharapriya

5. ,, , Saranga, kaapi 12 hrs Lakshanagranda (open book course )

Paper - 15 SEMESTER-3 4 Hrs/Week No.of.credits:3 17MMUC15

Unit: Contents:

1 Natya Sastra of Bharatha (self study) 2 Bruhaddesi of Mathanga 3 Swarmelakalanidhi of Ramamathya 4 Sangeetha Ratnakara of Saranga 5 Chaturdandi Prakasika of Venkatamakhi Theory of Indian Music –II

Paper-16

SEMESTER-3 5 Hrs/Week

No.of.credits:3 17MMUC16

Unit I

Advanced Knowledge of Musical Prosody, Padachcheda,Varieties of prasa, yamaka,yathi and swarakshara

Unit II

Tala and its place in Indian Music

a)Study of Margi and Desi Talas

b)Knowledge of 108 Talas

c)Navasandhi Talas in Temple Rituals.

d)Tala Dasa Pranas

Unit III Study of Lakshana Grandhas

a)Sangraha Choodamani

b)Sangeetha sapradaya

Unit IV Group Krithis of Tyagaraja, Dikshitar,Syamasastri and Swathi Tirunal

Unit Vs Folk Music and Prominent Folk Musical

Manodharma Sangeetha-Practical-V

Paper-17

SEMESTER-3 17MMUC17 5hrs/week

Unit: Contents:

1 Todi

2 Bhairavi

3 (self study)

4 Sankara bharanam

5

Tamil Compositions-Practical-VI (Self Study)

Paper-18

SEMESTER-3 17MMUC18 1hrs/week No.of credits Unit: Contents:

1 Appar,Sundarar,Sambandar- any 1 of each composer

2 Nalayira Divya Prabhandam- any 2 3 Arunachala Kavirayar- any 2

4 Gopala Krishna Bharathi- any 2(self study)

5 Tiruppugazh- any 2

Musical compositions-practical-VII

Paper-19

SEMESTER –3 Hours of Instructions / week: 5 17MMUC19 No.of.credits:4

Unit: Contents:

1. Any one Chouka kala kritis of any composer in the following major ragas (a) Kamboji (b) Saveri (c) Bhairavi (d) kalyani

2. Any one compositions of any composer in the following melakartha ragas

(a) Karaharapriya (b) Kalyani (c) Simhendra Madyamam (d) Lathangi

3. Any two compositions in the following minor ragas: (a) Sudha (b) Saama (c) (d) Hamsadwani

4. Any one composition in the following audava ragas (a) Valachi (b) (c) Madhyamavathi (d)

5. Any onecomposition in the vakra ragas

(a) Begada (b) Ritigowla (c) Nattakurunji (d)

Multi Disciplinary Course

SEMESTER –3 Hours of Instructions : 30 (1 hrs/ week) 17MMUM01 No.of.credits:2

Unit: Contents:

1 MS Subbulakshmi

2 Pandit Ravishankar

3 Billie Hollday

4 Bhimsen Joshi

5 Palghat Mani Iyer

Internship

During Summer Vacation for one month Paper 20

SEMESTER-3 Hindustani music and its musical forms

Paper-21

SEMESTER-4 17MMUC21 5hrs/week

Unit: Contents:

1 Study of musical form like Dhrupad, Khayal and Tap 2 , and Gazal 3 Comparative study of significant Hindustani and Carnatic ragas 4 A short history of Hindustani music 5 Important Thats of Hindustani music

THESIS

17MMU22 SEMESTER-4

Paper-22

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