The BG News April 24, 1970

Total Page:16

File Type:pdf, Size:1020Kb

The BG News April 24, 1970 Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-24-1970 The BG News April 24, 1970 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 24, 1970" (1970). BG News (Student Newspaper). 2451. https://scholarworks.bgsu.edu/bg-news/2451 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. An Bowling Green, Ohio Independent Student April 24, 1970 Voice THe BG news Volume 54 Number 92 President to end draft deferments WASHINGTON (API-President which need not call exactly the same create extreme hardship. Nixon ordered yesterday an end to future numbers at any one time. At present some 1.8 million men hold deferments for occupational or At the same time, Nixon endorsed the student deferments and 431,000 hold agricultural activities and for goal of ending the draft entirely and occupational deferments. fatherhood. replacing it with an all-volunteer Army. Another 23,000 hold agricultural He also asked Congress for authority To achieve this goal he said he will deferments. to end future student deferments. propose additional pay raises and More than four million men are Yesterday's order and the order he benefits for members of the armed deferred in category 3A because of pledged to issue if he is granted authority- forces, and will seek to encourage dependents, but there was no immediate would not affect the deferments now held enlistment and re-enlistment. indication how many of these are by students, fathers, and workers or such He also is ordering a review of deferred for fatherhood. deferments granted under applications military policies to recognize the per- Nixon stror.gly endorsed the con- now pending. sonal needs, aspirations and capabilities clusion of his Commission on an All- Nixon asked Congress to permit the of military personnel. Volunteer Force, headed by former draft to be run on a nationwide basis with Provisions for student deferments at Secretary of Defense Thomas S. Gates, a single national call by lottery numbers. present are written into the draft law. To which reported unanimously on Feb. 21 This would replace the present system of change them Nixon must obtain action by that an all-volunteer Army could serve local calls by individual draft boards Congress giving him discretionary the national interest better than a mixed authority. force of volunteers and draftees. He said that if this authority is Nixon said the draft could not be granted he will immediately issue a stopped short but would have to be Fees increase second executive order ending student phased out, and he said it would probably deferments in the future. be necessary for Congress to extend The White House explained in a fact existing draft authority when it expires for extra hours sheet accompanying the President's on July 1,1971. A stand-by draft system Nawiphoto by Mik« Arloikl message to Congress that as of today would also have to be established for students already attending college, or emergency use, he said. HOW LONG WILL so-nos like this last? With in- the Teach-in Is over. It doesn't mean we can forget junior or community college, or an ap- Nixon said the first step toward an all- creasing air and water pollution, this small but- about our environment like we have before. as of summer proved technical school, continue to be volunteer Army was taken this month terfly may not be living for very long. Just because eligible for student deferment. when military pay was increased by $1.2 By Damon Beck Those planning to enroll in the future, billion a year along with a 6 per cent pay Staff Reporter however, will not be eligible for student raise for civilian government workers. deferment. If called for service after he Nixon said he will propose an ad- Students will pay an extra SIS dollars enters school, a student would be per- ditional 20 per cent pay raise for enlisted for each credit hour taken in a quarter mitted to finish his current semester or men with less than two years of service, Senator raps post office plan over 18 hours starting summer quarter term before starting service. to take effect next Jan. 1. 1970, according to the University's 1970- But college men enrolled in ROTC or He said this would cost an additional 71 schedule of payments. other military programs could postpone $500 million a year. WASHINGTON (AP)-Sen. Gale active duty until completion of their negotiated between government officials also backed a postal corporation plan. The Excess Credit Fee was In the fiscal 1972 budget, Nixon said, McGee, (D-Wyo.) challenged yesterday and postal unions following the first study programs. Rep. Thaddeus J. Dulski, iD-N.Y.I. unanimously approved by the University he will recommend next January ad- key elements of the Nixon ad- postal strike in history. chairman of the House panel, said it will Board of Trustees at their January Nixon's order barring future oc- ditional pay and benefits totaling $2 ministration's plan to revamp the post He declined to say how long that begin next week marking up the plan in cupational and paternity deferments, meeting. billion "especially for those serving their office, saying it would be unwise to give might take. He said he expects a key hopes of putting it on the floor quickly. At one time an excess credit fee was however, takes effect immediately. first two years." policy power to what he called a moon- Those now holding such deferments feature of the Senate bill will be a strong, The legislation is a result of an charged by the University but it was lighting board of directors. presidentially appointed postmaster agreement between government and dropped. can keep them as long as they are Nixon said he has directed the secretary of defense to step up programs He predicted the Senate Post Office general. union negotiators reached after the Akron State University, Cleveland eligible. Open hearings nation's first postal strike spread to large State University, Ohio University, In the case of fatherhood the order to increase enlistments and re- Committee he heads will insist on enlistments in the armed services and to drawing up its own postal reorganization He spoke out of the Senate committee sections of the country last month. Youngstown University and Toledo permits deferments where a local draft opened hearings on the administration board determines that induction would report on progress every three months. plan rather than accepting the one University are the other Ohio state plan with Postmaster General Winton M. supported schools in Ohio which have the Mount defending it. extra fee at this time. Blount contended the negotiated OU official says One of the reasons an excess credit fee package should be followed as it was is needed, according to administrative State court orders release written and said it would make the postal officials, is the action by students of service "an independent establishment drug program registering for more classes than they within the executive branch, granted a intend to take and then dropping course broad measure of authority over all hours. postal operations." "We have a problem of students of Kopechne inquest papers Blound contended that part-time is working well registering for additional hours and then boards of directors with over-all dropping hours after the quarter is under responsibility are the common method of ATHENS, Ohio (API-Ohio Univer- way," said Glenn Van Wormer, assistant sity's drug education and counseling BOSTON (AP)-The Massachusetts professional court stenographer that he running most American business dean of faculty and registration. judge's report "at the earliest possible organizations. program for students has proved suc- "I'm sure it was intended to help in Supreme Court yesterday issued an alone has the right to reproduce and moment." cessful, according to Dr. Richard C. order giving the Suffolk Superior Court distribute the inquest transcript. McGee criticizes Agnew some of the registration problems," a The peition filed yesterday on behalf In advance of the hearing, McGee Dorf, vice president for educational University official said. authority to decide how to release the There were no Supreme Court justices of Kennedy, also noted that the U.S. services. Mary Jo Kopechne inquest papers, which on hand when the petition was filed, but a criticized remarks of Vice President The proposal was suggested by Glen Court of Appeals' ruling on the suit by Spiro T. Agnew in connection with the Instituted last fall with the support of Van Wormer and was presented to the it said "are now public records and date for a hearing was expected to be set stenographer Sidney R. I.ipman, refused civil authorities, the program has in- should promptly be opened to public later today. bill. Board of Trustees by Dr. Stanley Coff- to stay the public release "of the original Agnew last week told a Republican cluded educational sessions on drugs at man, vice president of academic affairs. scrutiny when not impounded." Miss Kopechne was found dead in Sen. transcript." all residence halls and a number of The high court order came less than Kennedy's car last July 19 after it toppled audience congressional Democrats had "A student can still carry 18 hours at Hanify attacked three pages of a stalled final action on the Nixon ad- campus-wide educational projects.
Recommended publications
  • Meet Alek Razdan “Alek Sounds a Lot Better Than I Did at His Age. Hell, He
    Meet Alek Razdan “Alek sounds a lot better than I did at his age. Hell, he sounds better than I do now!” --Sax Gordon, a leading r&b/blues artist in the USA and Europe “The future of r&b and jazz is in good hands. Alek has a depth in his musicianship that is rarely found in someone three times his age.” --Mark Earley, Roomful of Blues Alek Razdan, based on Boston’s North Shore, is no ordinary saxophone and clarinet player. Only in his mid-teens, he’s pulling ahead of the legion of other talented young jazz artists found playing in clubs and studying in music programs around the country. Alek shows impressive technique and surprising expressive power, He has a musical intelligence well beyond his 15 years. These qualities, along with crispness of spirit and firm determination, elevate Alek close to an artistic level frequented by long-established musicians. Want proof? Give a close listen to Alek’s tenor, soprano, and clarinet on his new album, Something Different, and/or hear him in concert with his crackerjack A-Train band—his father, Rikki, plays woodwinds, Dave Vincent mans the drum kit, and John Hyde supplies keyboards. Every day of practice and study he becomes more and more easeful with spontaneous creativity and his tone deepens. Every day, too, Alek continues to explore the artful possibilities offered by not only traditional jazz, swing jazz, bebop, and post-bop, but also blues, r&b, and, not least, Indian classical music. Something Different is the latest important step in a musical odyssey that proceeds on a sure and steady track, without disruption to his school work and his family life.
    [Show full text]
  • In This Issue
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC In This Issue ab baars Charles Gayle woody herman Coleman Hawkins kidd jordan joe lovano john and bucky pizzarelli lou marini Daniel smith 2012 Critic’s poll berlin jazz fest in photos Volume 39 Number 1 Jan Feb March 2013 SEATTLE’S NONPROFIT earshotCREATIVE JAZZ JAZZORGANIZATION Publications Memberships Education Artist Support One-of-a-kind concerts earshot.org | 206.547.6763 All Photos by Daniel Sheehan Cadence The Independent Journal of Creative Improvised Music ABBREVIATIONS USED January, February, March 2013 IN CADENCE Vol. 39 No. 1 (403) acc: accordion Cadence ISSN01626973 as: alto sax is published quarterly online bari s : baritone sax and annually in print by b: bass Cadence Media LLC, b cl: bass clarinet P.O. Box 13071, Portland, OR 97213 bs: bass sax PH 503-975-5176 bsn: bassoon cel: cello Email: [email protected] cl: clarinet cga: conga www.cadencejazzmagazine.com cnt: cornet d: drums Subscriptions: 1 year: el: electric First Class USA: $65 elec: electronics Outside USA : $70 Eng hn: English horn PDF Link and Annual Print Edition: $50, Outside USA $55 euph: euphonium Coordinating Editor: David Haney flgh: flugelhorn Transcriptions: Colin Haney, Paul Rogers, Rogers Word flt: flute Services Fr hn: French horn Art Director: Alex Haney g: guitar Promotion and Publicity: Zim Tarro hca: harmonica Advisory Committee: kybd: keyboards Jeanette Stewart ldr: leader Colin Haney ob: oboe Robert D. Rusch org: organ perc: percussion p: piano ALL FOREIGN PAYMENTS: Visa, Mastercard, Pay Pal, and pic: piccolo Discover accepted. rds: reeds POSTMASTER: Send address change to Cadence Magazine, P.O.
    [Show full text]
  • Great Instrumental
    I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T.
    [Show full text]
  • JAMU 20160418-3 – Lalo Schifrin
    JAMU 20160418-3 – Lalo Schifrin Lalo Schifrin (born June 21, 1932)[1] is an Argentine pianist, composer, arranger and conductor. He is best known for his film and TV scores, such as the "Theme from Mission: Impossible". He has received four Grammy Awards and six Oscar nominations. Schifrin, associated with the jazz music genre, is also noted for work with Clint Eastwood in the late 1960s, 1970s and 1980s, particularly the Dirty Harry films. Schifrin was born Boris Claudio Schifrin in Buenos Aires to Jewish parents.[2] His father, Luis Schifrin, led the second violin section of the orchestra at the Teatro Colón for three decades.[1] At the age of six, Schifrin began a six-year course of study on piano with Enrique Barenboim, the father of the pianist and conductor Daniel Barenboim. At age 16, Schifrin began studying piano with the Greek-Russian expatriate Andreas Karalis, former head of the Kiev Conservatory, and harmony with Argentine composer Juan Carlos Paz. During this time, Schifrin also became interested in jazz. Although Schifrin studied sociology and law at the University of Buenos Aires, it was music that captured his attention.[1] At age 20, he successfully applied for a scholarship to the Paris Conservatoire. At night he played jazz in the Paris clubs. In 1955, Schifrin played piano with Argentinian bandoneon giant Ástor Piazzolla, and represented his country at the International Jazz Festival in Paris. After returning home to Argentina, Schifrin formed a jazz orchestra, a 16-piece band that became part of a popular weekly variety show on Buenos Aires TV.
    [Show full text]
  • The Jazz Corps the Jazz Corps Mp3, Flac, Wma
    The Jazz Corps The Jazz Corps mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Jazz Corps Country: Europe Released: 1994 MP3 version RAR size: 1430 mb FLAC version RAR size: 1147 mb WMA version RAR size: 1572 mb Rating: 4.4 Votes: 694 Other Formats: VQF RA AIFF MOD VOC WMA AA Tracklist 1 Harplyness 4:44 2 Serenity 3:25 3 Peru-T 4:57 4 Liberation 4:24 5 Chalan Pago 3:32 6 Le Blessing 8:13 7 Meanwhile 8:30 8 Another Plum 5:17 Companies, etc. Marketed By – EMI Distributed By – EMI Credits Art Direction – Woody Woodward Bass – Bill Plummer Cornet, Flugelhorn, Arranged By – Tommy Peltier Drums – Maurice Miller Engineer – Lanky Linstrot Flute, Alto Saxophone, Tenor Saxophone – Fred Rodriguez Flute, Tenor Saxophone, Baritone Saxophone, Saxophone [Stritch] – Roland Kirk Photography By [Cover Photo] – Fred Seligo Producer – Jack Tracy Reissue Producer, Liner Notes – Michael Cuscuna Vibraphone – Lynn Blessing Notes Roland Kirk is heard on the right channel. Fred Rodriguez is heard on the left channel. Barcode and Other Identifiers Barcode: 7 24382 91012 1 Label Code: LC 0133 Rights Society: BIEM/STEMRA Other versions Category Artist Title (Format) Label Category Country Year The Jazz Corps Under The Jazz Corps Direction Tommy Under Direction Pacific Peltier Featuring PJ-10116 Tommy Peltier Jazz PJ-10116 US 1967 Roland Kirk - The Featuring Records Jazz Corps (LP, Roland Kirk Album, Mono) The Jazz Corps Under The Jazz Corps Direction Tommy Under Direction Pacific Peltier Featuring LN-10131 Tommy Peltier Jazz LN-10131 US Unknown Roland
    [Show full text]
  • The Pride of New Orleans
    DOWNBEAT 76th Annual Readers Poll Winners! 76TH 76TH A NNUAL REA NNUAL D E R S POLL POLL S W INNE Trombone R S // Tr OM B ONE ONE SHORTY S HO R TY // The Pride of A HMA D JAMAL New Orleans // E S P Poll Winners E R ANZA ANZA Ahmad Jamal Sp HALL OF FaME AL D ING Esperanza Spalding // B R A D Brad Mehldau M EHL D AU Miles Davis Jeff Beck COMPLETE RESULTS INSIDE! Rudresh DECEMBER 2011 U.K. £3.50 Mahanthappa BLINDFOLD TEST D E C EM Holiday B E R 2 011 Gift Guide DOWNBEAT.COM DECEMBER 2011 VOLUME 78 – NuMBER 12 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 | Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • Standards and Originals - a Library Suggestion by Massimo Ciolli "Mc2"
    standards and originals - a library suggestion by massimo ciolli "mc2" musicista album (I LOVE YOU) AND DON'T YOU FORGET IT Kirk, Roland Rahsaan (disc 10) (Just) SQUEEZE ME Armstrong, Louis Louis Armstrong (i Grandi del Jazz) Desmond, Paul Like Someone In Love Desmond, Paul Pure Desmond Peterson, Oscar Great Connection 13 TO GO Martino, Pat Stone Blue 17 WEST Dolphy, Eric Dolphy 20 ANOS BLUES Regina, Elis MPB Especial - 1973 204 Ervin, Booker Tex Bookn Tenor 2300 SKIDOO I.C.P. Orchestra T.Monk/E.Nichols 245 Dolphy, Eric Dolphy Dolphy, Eric Unrealized Tapes 26-2 Coltrane, John The Coltrane Legacy Pagina 1 di 412 musicista album 29 SETTEMBRE Malaguti, L., AA.VV. A Night in Italy 3 EAST Abercrombie, John Night 3/4 IN THE AFTERNOON Wheeler, Kenny Deer Wan 34 SKIDOO Evans, Bill Blue in Green Motian, Paul Bill Evans 37 WILLOUGHBY PLACE Grossman, Steve Terra Firma 3-IN-1 WITHOUT THE OIL Kirk, Roland In Europe 1962-67 Kirk, Roland Rahsaan (disc 3) 415 CENTRAL PARK WEST Grossman, Steve Love Is The Thing 5/4 THING Walton, Cedar Eastern Rebellion 500 MILES HIGH 70s Jazz, Pioneers Live Town Hall Purim, Flora 500 Miles High 52+ I.C.P. Orchestra T.Monk/E.Nichols 64 BARS ON WILSHIRE Pagina 2 di 412 musicista album Kessel, Barney Kessel Plays Standards 9:20 SPECIAL Basie, C. Jumpin'at the Woodside Jackson, Milt Milt Jackson A BEAUTIFUL FRIENDSHIP Terry, Clark Milt Jackson Turrentine, Stanley The Look of Love A BLUE TIME Flanagan, Tommy Elusive A BLUES AIN'T NOTHING BUT A TRIP Foster, Frank A Blues ain't Nothing But A Trip A BLUES FOR MICKEY-O Martino, Pat El Hombre A BREATH IN THE WIND Kirk, Roland Rahsaan (disc 3) A CASA De Moraes, Vinicius A Arca de Noé A CERTAIN SMILE Greene, Ted Solo Guitar A CHILD IS BORN Flanagan, Tommy Elusive Montoliu, Tete Sweet'n Lovely V°2 Montoliu, Tete The Music I Like to Play V°2 A CHILD'S BLUES Pagina 3 di 412 musicista album Woods, Phil P.
    [Show full text]
  • MPK Cascades Nov 2012
    CascadesCascadesThe Monterey Park Volume X, No.XI Citywide News for Business, Community and Education November 2012 City Hall to City Holding Workshop to Close on Fridays Monday through Thursday hours expanded to 7 a.m.-6 p.m. Improve Health and Sustainability Members of the public are invited to a community visioning work- Cities can also promote more sustainable use of natural resources Monterey Park city hall will be closed every shop on Thursday, November 8th to share thoughts and ideas about like energy, land, and water. For instance, they can use policies and Friday effective the week of October 29, 2012. how health and sustainability can be improved in Monterey Park. programs to reduce the amount of trash that goes to landfills, improve New city hall hours will be: the energy efficiency of buildings, and clean up the water that flows The workshop will be held at the following time and location: Monday through Thursday: 7 a.m. – 6 p.m. from streets into local creeks. Friday: Closed. Thursday, November 8, 2012 6:00 – 7:30 pm Langley Senior Center, 400 W. Emerson Ave., Monterey Park Background and Funding The Friday closure was taken in conjunction The City of Monterey Park will use public input from this work- with several city employees groups agreeing to After a presentation about the purpose of the workshop and current shop as it develops a pair of plans to promote health and sustainabili- furloughs through December 2014. To assist the conditions in Monterey Park, workshop participants will be able to ty, in a project funded by a state Sustainable Communities Planning city in addressing a projected budget imbalance, provide input through individual activities and small-group discus- Grant.
    [Show full text]
  • Roland Kirk Here Comes the Whistleman Mp3, Flac, Wma
    Roland Kirk Here Comes The Whistleman mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Here Comes The Whistleman Country: US Released: 2000 Style: Post Bop MP3 version RAR size: 1190 mb FLAC version RAR size: 1118 mb WMA version RAR size: 1825 mb Rating: 4.8 Votes: 481 Other Formats: AHX MOD DMF WAV DXD WMA AUD Tracklist 1 Roots 4:09 2 Here Comes The Whistleman 4:53 3 I Wished On The Moon 4:48 4 Making Love After Hours 4:20 5 Yesterdays 3:54 6 Aluminum Baby 6:06 7 Step Right Up 4:41 Companies, etc. Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Label M Credits Alto Saxophone – Roland Kirk (tracks: 7) Double Bass – Major Holley Drums – Charles Crosby Flute – Roland Kirk (tracks: 5) Flute [Nose Flute] – Roland Kirk (tracks: 2) Mastered By – Gene Paul Piano – Jackie Byard* (tracks: 1, 3, 6), Lonnie Smith (tracks: 2, 4, 5, 7) Producer – Joel Dorn, Roland Kirk Saxophone [Manzello] – Roland Kirk (tracks: 4) Saxophone [Stritch] – Roland Kirk (tracks: 4) Tenor Saxophone – Roland Kirk (tracks: 1 to 4) Written By – Dorothy Parker (tracks: 3), Jerome Kern (tracks: 5), John Byard (tracks: 6), Otto Harbach (tracks: 5), Ralph Rainger (tracks: 3), Roland Kirk (tracks: 1, 2, 4, 7) Notes Recorded live at Atlantic Studios, New York City, before an invited audience, March 14, 1965. Tracks 1 and 2 are introduced by Roland Kirk. Barcode and Other Identifiers Barcode: 6 44949 57202 2 Other versions Category Artist Title (Format) Label Category Country Year Here Comes The Whistleman SD 3007 Roland Kirk Atlantic SD 3007
    [Show full text]
  • Downbeat.Com November 2020 U.K. £4.99
    NOVEMBER 2020 U.K. £4.99 DOWNBEAT.COM november 2020 VOLUME 87 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • Audio Features and Evaluation Collection
    Audio features and evaluation collection Ferdinand Fuhrmann and Perfecto Herrera This is the Supplementary Material for the article entitled “Quantifying the rel- evance of locally extracted information for musical instrument recognition from entire pieces of music”, to appear in the proceedings of the 2011 Conference of the International Society for Music Information Retrieval (ISMIR). It contains the lists of audio features used to train the recognition models (Tables 1 and 2 for the pitched and percussive model, respectively) and a list of the music tracks in the evaluation collection (Table 3). See the main article for more information. 1 Feature Statistic Coefficient Barkbands mean 3 Barkbands var 7, 8, 12, 23 Barkbands dvar 4, 6, 8 MFCC mean 2-6, 9-11 MFCC var 2, 3, 6, 12 MFCC dmean 6, 7 MFCC dvar 1, 2 Spectral contrast mean 0, 2-4 Spectral contrast var 2-5 Spectral contrast dmean 5 Spectral contrast dvar 3, 5 Spectral valleys mean 0 Spectral valleys var 5 Spectral valleys dmean 2, 5 Spectral valleys dvar 3-5 LPC mean 10 Tristimulus mean 0 Tristimulus var 0, 1 Barkbands spread dmean – Barkbands skewness mean – Spectral strongpeak mean – Spectral spread mean – Spectral spread dmean – Spectral rolloff mean – Spectral dissonance dmean – Spectral dissonance dvar – Spectral crest mean – Spectral crest var – Pitch salience mean – Pitch confidence mean – Pitch confidence dmean – Table 1: Selected features for the pitched model. Legend for the statistics: mean (mean), variance (var), mean of difference (dmean), variance of difference (dvar). Feature
    [Show full text]
  • The Vandermark Five Elements of Style, Exercises in Surprise Mp3, Flac, Wma
    The Vandermark Five Elements Of Style, Exercises In Surprise mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Elements Of Style, Exercises In Surprise Country: US Released: 2004 Style: Free Jazz, Free Improvisation MP3 version RAR size: 1525 mb FLAC version RAR size: 1689 mb WMA version RAR size: 1526 mb Rating: 4.1 Votes: 399 Other Formats: AAC MP3 AIFF APE MP4 DTS AU Tracklist 1-1 Outside Ticket (For John Gilmore) 9:23 1-2 Knock Yourself Out (For Jean-Michel Basquiat) 6:03 1-3 Intagliamento (For ZU) 5:31 1-4 Telefon (For Glenn Gould) 7:23 1-5 Gullene (For Lars Gullin) 8:32 1-6 Strata [(For Max Beckmann) 8:26 Six Of One (For Bogdan Benigar, Hans Falb, Mauro Pezzente, Martin 1-7 20:10 Revheim, Mate Skugor, Wolfgang Wasserbauer...) Free Jazz Classics Vol. 4 "Free Kings" The Music Of Roland Kirk 2-1 The Black And Crazy Blues (Blue Rol) 8:18 The Free King's Suite (10:27) 2-2.1 Meeting On Termini's Corner 2-2.2 Three For The Festival 2-2.3 A Handful Of Fives 2-3 The Inflated Tear 6:56 Rip, Rig And Panic (13:42) Suite 2-4.1 From Bechet, Byas And Fats 2-4.2 Rip, Rig And Panic 2-4.3 No Tonic Press 2-5 Silverization/Volunteered Slavery 11:12 Companies, etc. Published By – Rokir Music Corp. Published By – MRC Music Corp. Phonographic Copyright (p) – Atavistic Copyright (c) – Atavistic Recorded At – Semaphore Recording Recorded At – Empty Bottle Recorded At – Green Mill Mastered At – Golden Mastering Made By – Americ Disc – 35PC1 Made By – Americ Disc – 2EC92 Credits Artwork [Images And Processing] – PM Froehle* Bass – Kent Kessler Composed By [All Compositions] – Ken Vandermark (tracks: 1-1 to 1-7) Drums – Tim Daisy Mastered By – John Golden (tracks: 1-1 to 1-7), Malachi Ritscher (tracks: 2-1 to 2-5) Mixed By – Bob Weston* (tracks: 1-1 to 1-7), V5* (tracks: 1-1 to 1-7) Music By – Roland Kirk (tracks: 2-1 to 2-5) Recorded By – Bob Weston* (tracks: 1-1 to 1-7) Reeds – Ken Vandermark Saxophone [Saxophones] – Dave Rempis Trombone – Jeb Bishop Notes Disc one: Recorded Semaphore Recording, Chicago, 9th & 10th of July, 2003.
    [Show full text]