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Hasse KAHNS: Egon KAISER: Ernö KAISZ: Kitty KALLEN: Max

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This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hasse KAHNS: Hasse Kahn -v; Göte Wilhelmsson -p; Lasse Karlsson -g; Ingvar Berggren -b; Sten Sköld -d; recorded March 16, 1949 in Stockholm 69335 MEAN TO ME 2.19 Aircheck ------------------------------------------ Egon KAISER: Egon Kaiser und sein Orchester; Refrain: Paul Erdtmann; recorded April 1932 in Berlin 105155 DEINE BEINE 2.45 C1945 Kristall 3284 Egon Kaiser Tanzorchester mit deutschem Refraingesang: Paul Dorn; recorded August 1933 in Berlin 105196 WENN ICH SO KÖNNTE WIE ICH MÖCHTE 3.09 5531 BR Grammophon 10159 105200 MACH' DIE AUGEN ZU UND TRÄUM' MIT MIR VON LIEBE 3.04 5532 BR --- Tanzorchester Egon Kaiser; Paul Dorn -Refraingesang; recorded January 1934 in Berlin 106053 NUR DU BRINGST MIR DAS GLÜCK INS HAUS 3.04 2305 Grammophon 10163 Egon Kaiser Tanzorchester mit Refraingesang; recorded December 1935 in Berlin 105250 DIE KLEINE BANK AM "GROSSEN STERN" 3.17 6352 1/2GR Grammophon 2208 ------------------------------------------ Ernö KAISZ: Ernö Kaisz mit seinem Tanzorchester; Gesang: Heinz Wernicke; recorded October 1937 in Berlin 105329 ICH HAB' EIN HERZ VOLL LIEBE ZU VERSCHENKEN 2.54 Bi3081 Gloria G.O.41146 ------------------------------------------ Kitty KALLEN: Kitty Kallen -vo; with Harry Geller and his Orchestra; 104354 CHOO'N GUM 2.12 3256 Merc 5417 104355 JUKE BOX ANNIE 2.56 3257 --- ------------------------------------------ Max KAMINSKY: "The Complete Commodore Jazz Recordings Vol 2 (Mosaic MR128)" Max Kaminsky -tp; Frank Orchard -tb; Rod Cless -cl; James P. Johnson -p; Eddie Condon -g; Bob Casey -b; George Wettling -d; recorded June 22, 1944 in New York 43151 LOVE NEST 2.58 A4786-1 Com C595 43152 LOVE NEST #2 3.04 A4786 Com XFL14940 43153 LOVE NEST #3 3.00 A4786-2 prev. unissued 43154 LOVE NEST #4 3.02 A4786-3 --- 43155 EVERYBODY LOVES MY BABY 2.26 A4787-1 Com C595 43156 EVERYBODY LOVES MY BABY #2 2.37 A4787-2 Com XFL14940 43157 ECCENTRIC 3.02 A4788-2 Com C560 43158 ECCENTRIC #2 2.57 A4788-1 Com XFL14940 43159 GUESS WHO'S IN TOWN 2.41 A4789-1 Com C560 43160 GUESS WHO'S IN TOWN #2 2.44 A4789 Com XFL14940 "Chicago Jazz" Max Kaminsky and his Windy City Six: Max Kaminsky -tp; Miff Mole -tb; Pee Wee Russell -cl; Joe Sullivan -p; Jack Lesberg -b; George Wettling -d; recorded 1954 in New York 95406 HOT TIME IN THE OLD TOWN 4.03 Jazztone J1009 Max Kaminsky and his Windy City Six: Max Kaminski -co; Miff Mole -tb; Pee Wee Russell -cl; Joe Sullivan -p; Jack Lesberg -b; George Wettling -d; recorded 1954 in New York 95538 FIDGETY FEET 4.40 --- ------------------------------------------ Richie KAMUCA: "Solo Flight" Richie Kamuca -ts; Pete Jolly -p; Leroy Vinnegar -b; Stan Levey -d; recorded July 03, 1956 in Los Angeles 27999 IF I SHOULD LOSE YOU 4.26 JWC 505 Richie Kamuca -ts; Carl Perkins -p; Leroy Vinnegar -b; Stan Levey -d; recorded June 1957 in Hollywood 63752 RAIN DRAIN 3.34 Mode MOLP102 "West Coast Jazz In Hifi (OJCCD1760-02)" Ed Leddy, Conte Candoli -tp; Frank Rosolino -tb; Richie Kamuca -ts; Bill Holman -bs,arr; Vince Guaraldi -p; Monte Budwig -b; Stan Levey -d; recorded 1958 in Los Angeles 37540 WAY DOWN UNDER 3.32 Hifi Record R604 37541 BLUE JAZZ 4.20 --- 37542 ANGEL EYES 3.55 --- 37543 STELLA BY STARLIGHT 3.19 --- 37544 STAR EYES 4.34 --- 37545 I HADN'T ANYONE TILL YOU 4.23 --- 37546 LINGER AWHILE 3.42 --- 37547 THE THINGS WE DID LAST SUMMER 4.37 --- 37548 IF YOU WERE NO ONE 4.02 --- 37549 INDIANA 4.33 --- "Drop Me Off At Harlem" Richie Kamuca -ts; Dave Frishberg -p; recorded 1977 in San Francisco 32513 I DIDN'T KNOW ABOUT YOU 4.30 Concord CJ 39 32514 ALL ALONE 3.14 --- 32515 THREE LITTLE WORDS 3.32 --- 32516 WITH THE WIND AND THE RAIN IN YOUR HAIR 3.06 --- 32517 HARLEM BUTTERFLY 3.42 --- Richie Kamuca -ts; Herb Ellis -g; Ray Brown -b; recorded February 02, 1977 in San Francisco 32510 DROP ME OFF AT HARLEM 3.54 --- 32511 DEAR BIX (rk -vo) 4.42 --- 32512 IT MUST BE TRUE 5.02 --- ------------------------------------------ KANSAS CITY FIVE: "Complete Commodore Recordings Vol.1 (Mosaic MR 123)" Buck Clayton -tp; Eddie Durham -el g; Freddie Green -g; Walter Page -b; Jo Jones -d; recorded March 18, 1938 in New York 35412 LAUGHING AT LIFE 3.04 P22580-1 Com C-510 35413 GOOD MORNIN' BLUES 2.52 P22581-1 Com C-511 35414 I KNOW THAT YOU KNOW 3.05 P22582-1 Com C-510 35415 LOVE ME OR LEAVE ME 2.42 P22583-1 Com XFL 14937 Kansas City Five: Buck Clayton -tp; Lester Young -cl; Count Basie -p; Walter Page -b; Jo Jones -d; recorded December 24, 1938 in New York Studio Recording 102452 LADY BE GOOD 3.19 ------------------------------------------ KANSAS CITY SEVEN: Buck Clayton -tp; Dicky Wells -tb; Lester Young -ts; Count Basie -p; Freddie Green -g; Rodney Richardson -b; Jo Jones -d; recorded March 22, 1944 in New York 7570 AFTER THEATRE JUMP 4.54 HL21-2 Keynote K1302 7571 SIX CATS AND A PRINCE 4.10 HL22-3 Keynote K1303 7573 DESTINATION K.C. 3.52 HL24-1 --- 7574 --- 4.51 HL24-2 EmArcy MG26010 55515 LESTER LEAPS AGAIN 4.26 HL23-1 Keynote K1302 60039 AFTER THEATRE JUMP 4.49 HL21-1 Nippon Fonogram 18PJ1504 60040 SIX CATS AND A PRINCE 5.17 HL22-1 --- 60041 --- 4.10 HL22-2 Met B517 ------------------------------------------ KANSAS CITY SIX: "Complete Commodore Recordings Vol.1 (Mosaic MR 123)" Buck Clayton -tp; Lester Young -cl,ts; Eddie Durham -el g; Freddie Green -g; Walter Page -b; Jo Jones -d; recorded September 27, 1938 in New York 12505 PAGIN' THE DEVIL #2 2.55 P23425-2 Com XFL 14937 14084 THEM THERE EYES #2 2.55 P23423-1 --- 14085 I WANT A LITTLE GIRL #2 2.54 P23424-2 --- 25228 COUNTLESS BLUES #2 2.58 P23422-2 --- 35465 WAY DOWN YONDER IN NEW ORLEANS 2.57 P23421-2 Com C-512 35466 WAY DOWN YONDER IN NEW ORLEANS #2 2.58 P23421-1 Com XFL 14937 35467 COUNTLESS BLUES 2.59 P23422-1 Com C-509 35468 THEM THERE EYES 2.57 P23423-2 Com C-511 35469 I WANT A LITTLE GIRL 2.52 P23424-1 Com C-509 35470 PAGIN' THE DEVIL 2.53 P23425-1 Com C-512 "Spirituals to Swing Concert" Buck Clayton -tp; Lester Young -ts; Count Basie -p; Freddie Green -g; Walter Page -b; Jo Jones -d; recorded December 24, 1938 in New York, Carnegie Hall 48060 GOOD MORNING BLUES 3.48 Vox VST26.340 Buck Clayton -tp; Lester Young -ts; Charlie Christian, Freddie Green -g; Walter Page -b; Jo Jones - d; recorded December 24, 1938 in New York, Carnegie Hall 48084 WAY DOWN YONDER IN NEW ORLEANS 2.26 Vox VST26.350 48085 PAGIN' THE DEVIL 3.50 --- "The Complete Commodore Jazz Recordings Vol 2 (Mosaic MR128)" Bill Coleman -tp; Dicky Wells -tb; Lester Young -ts; Joe Bushkin -p; John Simmons -b; Jo Jones -d; recorded March 28, 1944 in New York 43059 THREE LITTLE WORDS 2.52 A4746-3 Com C573 43060 THREE LITTLE WORDS #2 3.19 A4746 Com XFL15352 43061 THREE LITTLE WORDS #3 3.24 A4746-1 --- 43062 THREE LITTLE WORDS #4 2.54 A4746-2 --- 43063 JO JO 3.17 A4747-1 Com C555 43064 JO JO #2 PARTIAL 3.14 A4747-3 prev. unissued 43065 JO JO #2 COMPOSITE 3.47 A4747-1/3 Com XFL15352 43066 JO JO #3 3.11 A4747-2 --- 43067 JO JO #4 3.20 A4747-4 --- 43068 I GOT RHYTHM 3.15 A4748-1 Com C555 43069 I GOT RHYTHM #2 3.13 A4748-2 Com XFL15352 43070 I GOT RHYTHM #3 3.13 A4748 --- 43071 FOUR O'CLOCK DRAG 2.49 A4749-2 Com C573 43072 FOUR O'CLOCK DRAG #2 4.07 A4749-2/1 Com XFL15352 43073 FOUR O'CLOCK DRAG #3 2.48 A4749-1 --- ------------------------------------------ KAPELLE MERTON: Kapelle Merton: (Dajos Béla); recorded November 1926 in Berlin 104915 I NEVER SEE MAGGIE ALONE 2.45 33516 Beka B.6029 ------------------------------------------ Art KARLE: Art Karle and his Boys: Frankie Newton -tp; Mezz Mezzrow -cl; Art Karle -ts; Joe Bushkin -p; Ted Tonisen -g; Louis Thompson -b; George Stafford -d; Chick Bullock -vo; recorded January 13, 1936 in New York 101162 MOON OVER MIAMI 3.15 18496-1 Voc 3146 101163 I FEEL LIKE A FEATHER IN THE BREEZE 2.42 18497-1 --- 101164 SUZANNAH 2.55 18498-1 Voc 3147 101165 LIGHTS OUT 3.15 18499-1 --- ------------------------------------------ Wojciech KAROLAK: "I hear Music" Wojciech Karolak -o; Jan 'Ptaszyn' Wroblewski -ts; Marek Blizinski -g; Czeslaw Bartkowski -d; recorded 1973 in Warsaw 16833 I HEAR MUSIC 7.23 Muza SX1139 16834 MY FAVORITE THINGS 5.52 --- 16835 DOOKOLA WOJTEK 5.47 --- 16836 WALKIN' 6.14 --- 16837 I GOT IT BAD 6.04 --- 16838 IT COULD HAPPEN TO YOU 8.42 --- ------------------------------------------ Macky KASPER: "Macky Kasper und seine Starband" Macky Kasper -tp; Rolf Kühn, Heinz Kamberg -as; Gerhard Lehmann, Günter Grunwaldt -ts; Heinz Deschan -bs; Joe Dixie -p; Heinz Cramer -g; Alex Machowiak -b; Gunter Hampel -d; recorded March 23, 1953 in Berlin 74320 DRUM BOOGIE 2.53 ------------------------------------------ Sylvain KASSAP: "Senecio" Jean-François Canape -tp; Jacques Veille -tb; Michel Godard -tu; Sylvain Kassap -cl,sax; Philip Déschepper -g; Vincent Bruley -kbd,synt; Claude Tchamitchian -b; Jacques Mahieux -d; Pablo Cueco -perc; recorded September 1990 in Paris 44290 GAZELLES BRAGARDES 7.42 Evidence EVCD09 44291 KATCHINAS 3.58 --- ------------------------------------------ Kimiko KASSEI: Kimiko Kassei -vo; Mal Waldron -p; Yoshio Suguki -b; Hiroshi Murakami -d; recorded February 13, 1971 in Tokyo 12144 LOVERMAN 5.30 Catalyst 7900 Kimiko Kasai -vo; Marvin Peterson -tp; Hiroshi Fukumara, Kiyoshiro So -tb; Kosuke Mine -as; Billy Harper -ts; Gil Evans -p,arr; Masayuki Takayanagi -g; Yoshio Suzuki -b; Yohsiyuki Nakamura -d; recorded June 26 and 29, 1972 in Tokyo 13362 DAY BY DAY 5.02 CBS-Sony SOPL108XJ Kimiko Kassei -vo; Marvin Peterson -tp; Hiroshi Fukumara, Kiyohiro So -tb; Kosuke Mine -as; Billy Harper
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    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
  • Prestige Label Discography

    Prestige Label Discography

    Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
  • Holt Atherton Special Collections Ms4: Brubeck Collection

    Holt Atherton Special Collections Ms4: Brubeck Collection

    HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 1: PAPERS SUBSERIES E: CLIPPINGS BOX 3a : REVIEWS, 1940s-1961 1.E.3.1: REVIEWS, 1940s a- “Jazz Does Campus Comeback but in new Guise it’s a ‘Combo,’” Oakland Tribune, 3-24-47 b- Jack Egan. “Egan finds jury…,” Down Beat, 9-10-47 c- “Local boys draw comment,” <n.s.> [Chicago], 12-1-48 d- Edward Arnow. “Brubeck recital is well-received,” Stockton Record, 1-18-49 e- Don Roessner. “Jazz meets J.S. Bach in the Bay Region,” SF Chronicle, 2- 13-49 f- Robert McCary. “Jazz ensemble in first SF appearance,” SF Chronicle, 3-6- 49 g- Clifford Gessler. “Snap, skill mark UC jazz concert,” <n.s.> [Berkeley CA], n.d. [4-49] h- “Record Reviews---DB Trio on Coronet,” Metronome, 9-49, pg. 31 i- Keith Jones. “Exciting and competent, says this critic,” Daily Californian, 12- 6-49 j- Kenneth Wastell. “Letters to the editor,” Daily Californian, 12-8-49 k- Dick Stewart. “Letters to the editor,” Daily Californian, 12-9-49 l- Ken Wales. “Letters to the editor,” Daily Californian, 12-14-49 m- “Record Reviews: The Month’s best [DB Trio on Coronet],” Metronome, Dec. 1949 n- “Brubeck Sounds Good” - 1949 o- Ralph J. Gleason, “Local Units Give Frisco Plenty to Shout About,” Down Beat, [1949?] 1.E.3.2: REVIEWS, 1950 a- “Record Reviews: Dave Brubeck Trio,” Down Beat, 1-27-50 b- Bill Greer, "A Farewell to Measure from Bach to Bop," The Crossroads, January 1950, Pg. 13 c- Keith Jones. “Dave Brubeck,” Bay Bop, [San Francisco] 2-15-50 d- “Poetic License in Jazz: Brubeck drops in on symphony forum, demonstrates style with Bach-flavored bop,” The Daily Californian, 2-27-50 e- Barry Ulanov.
  • The Late Choral Works of Igor Stravinsky

    The Late Choral Works of Igor Stravinsky

    THE LATE CHORAL WORKS OF IGOR STRAVINSKY: A RECEPTION HISTORY _________________________________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia ________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts ____________________________ by RUSTY DALE ELDER Dr. Michael Budds, Thesis Supervisor DECEMBER 2008 The undersigned, as appointed by the dean of the Graduate School, have examined the thesis entitled THE LATE CHORAL WORKS OF IGOR STRAVINSKY: A RECEPTION HISTORY presented by Rusty Dale Elder, a candidate for the degree of Master of Arts, and hereby certify that, in their opinion, it is worthy of acceptance. _________________________________________ Professor Michael Budds ________________________________________ Professor Judith Mabary _______________________________________ Professor Timothy Langen ACKNOWLEDGEMENTS I would like to express my deepest gratitude to each member of the faculty who participated in the creation of this thesis. First and foremost, I wish to recognize the ex- traordinary contribution of Dr. Michael Budds: without his expertise, patience, and en- couragement this study would not have been possible. Also critical to this thesis was Dr. Judith Mabary, whose insightful questions and keen editorial skills greatly improved my text. I also wish to thank Professor Timothy Langen for his thoughtful observations and support. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS……………………………………………………………...ii ABSTRACT……………………………………………………………………………...v CHAPTER 1. INTRODUCTION: THE PROBLEM OF STRAVINSKY’S LATE WORKS…....1 Methodology The Nature of Relevant Literature 2. “A BAD BOY ALL THE WAY”: STRAVINSKY’S SECOND COMPOSITIONAL CRISIS……………………………………………………....31 3. AFTER THE BOMB: IN MEMORIAM DYLAN THOMAS………………………45 4. “MURDER IN THE CATHEDRAL”: CANTICUM SACRUM AD HONOREM SANCTI MARCI NOMINIS………………………………………………………...60 5.