May 2011, Vol. 37 No. 2
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A Replica of the Stretch Clock Recently Reinstated at the West End of Independence Hall
A replica of the Stretch clock recently reinstated at the west end of Independence Hall. (Photograph taken by the author in summer of 197J.) THE Pennsylvania Magazine OF HISTORY AND BIOGRAPHY The Stretch Qlock and its "Bell at the State House URING the spring of 1973, workmen completed the construc- tion of a replica of a large clock dial and masonry clock D case at the west end of Independence Hall in Philadelphia, the original of which had been installed there in 1753 by a local clockmaker, Thomas Stretch. That equipment, which resembled a giant grandfather's clock, had been removed in about 1830, with no other subsequent effort having been made to reconstruct it. It therefore seems an opportune time to assemble the scattered in- formation regarding the history of that clock and its bell and to present their stories. The acquisition of the original clock and bell by the Pennsylvania colonial Assembly is closely related to the acquisition of the Liberty Bell. Because of this, most historians have tended to focus their writings on that more famous bell, and to pay but little attention to the hard-working, more durable, and equally large clock bell. They have also had a tendency either to claim or imply that the Liberty Bell and the clock bell had been procured in connection with a plan to celebrate the fiftieth anniversary, or "Jubilee Year," of the granting of the Charter of Privileges to the colony by William Penn. But, with one exception, nothing has been found among the surviving records which would support such a contention. -
Transactions of the Nebraska Academy of Sciences Index to Volumes I-XX (1972-1993)
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Transactions of the Nebraska Academy of Sciences and Affiliated Societies Nebraska Academy of Sciences 1993 Transactions of the Nebraska Academy of Sciences Index to Volumes I-XX (1972-1993) Follow this and additional works at: https://digitalcommons.unl.edu/tnas Part of the Life Sciences Commons "Transactions of the Nebraska Academy of Sciences Index to Volumes I-XX (1972-1993)" (1993). Transactions of the Nebraska Academy of Sciences and Affiliated Societies. 127. https://digitalcommons.unl.edu/tnas/127 This Article is brought to you for free and open access by the Nebraska Academy of Sciences at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Transactions of the Nebraska Academy of Sciences and Affiliated Societiesy b an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. INDEX TO VOLUMES I-xx, 1972-1993 TRANSACTIONS OF THE NEBRASKA ACADEMY OF SCIENCES Publication year of volumes: 1, 1972; 2, 1973,' 3, 1976,' 4, 1977' 5 1978' 6 1978' 7 1979' 8 1980' 9 1981' 10 " 1982; 11, 1983; llSpecial Issue, 1983; 12, 1984; 13, 1985; 14, 1986; "15, 1987;" 16, 1988; 17, 1989;" 18, 1991;" 19, 1992;" 20,1993. In this index to subjects, authors, and taxa, authors' names are presented in small capitals. Only the most significant taxa are indicated; thousands of others are given in the papers. Place names refer to Nebraska unless otherwise noted. An index to maps follows on page 111. .9L (Amphibians, Nebraska) Aphodius gordoni, new species ............ AllER, J. S ................................ 10: 25-29 Ranapipiens, brain ........... 20: 73-80 ........................................... -
THE ORCHESTRA in BILBAO by Victor Barba Gomez
THE ORCHESTRA IN BILBAO by Victor Barba Gomez Last August 27th, the band played in Bilbao City situated in the North of Spain. It was the Festivities of the city, called ASTE NAGUSIA, and every day of the week were concerts in the city, in different stages and THE ORCHESTRA played in the main stage, in front of almost 8.000 people. This show was the main of the week, closing the Festivities. After the Fireworks, people were arriving to enjoy the wonderful sound of the guys that began at 12.00 in the night in a big stage with two screens. In charge of the sound was Dennis with the local crew. It was the first time that the band was playing in Bilbao, but not for Mik, who played in 1975 with ELO in his first tour in Spain. Before the sound check, the three vocalists Eric, Hux and Glen, were rehearsing together. While the band was in the rehearsals, some fans and public were approaching the stage to see the band, as a prelude of the massive attendance that later came to the show. There were press, TV cameras photographs, waiting the magic moment Opening the show with the intro and Twilight, soon the audience was handed over to the band’s songs. Glen, in Basque language, said hello to the attendance. The audience thanked this gesture. After Twilight, came All Over the World, R&R is King, Evil Woman, Sweet Talking Woman, Hold on Tight, Mama Belle, Showdown and Rockaria. Then was moment for the Intros, and Hux presented the members of the band. -
Joseph Saxton
MEMOIR OP JOSEPH SAXTON. 1799-1873. BY JOSEPH HENRY. HEAD BEFOEB THB NATIONAL ACADEMY, OCT. 4,1874. 28T BIOGRAPHICAL MEMOIR OF JOSEPH SAXTON. MR. PRESIDENT AND GENTLEMEN OF THE ACADEMY :— AT the last session of the National Academy of Sciences I was appointed to prepare an account of the life and labors of our lamented associate, Joseph Saxton, whose death we have been called to mourn. From long acquaintance and friendly relations with the deceased, the discharge of the duty thus devolved upon me has been a labor of love, but had he been personally unknown to me, the preparation of the eulogy would have been none the less a sacred duty, which I was not at liberty on any account to neglect. It is an obligation we owe to the Academy and the world to cherish the memory of our departed associates; their reputation is a precious inheritance to the Academy which exalts its character and extends its usefulness. Man is a sympathetic and imitative being, and through these characteristics of his nature the memories of good men produce an important influence on posterity, and therefore should be cherished and perpetuated. Moreover, the certainty of having a just tribute paid to our memory after our departure is one of the most powerful inducements to purity of life and propriety of deportment. The object of the National Academy is the advancement of science, and no one is considered eligible for membership who has not made positive additions to the sum of human knowledge, or in other words, has not done something to entitle him to the appellation of scientific. -
Superintendent's Annual Narrative Report, Independence National
Note the following: Page 15: Partnerships - “A challenge INDE faced in 2007 was finalizing long-term agreements with both the Independence Visitor Center Corporation (IVCC) and the National Constitution Center (NCC). Because of the complexity of these agreements, they are still under review in the Departments Office of the Solicitor. The IVCC and NCC continue to operate under Special Use Permits.” Page 16: Cooperating Agreement - “In 2007, INDE managed 12 Commercial Use Permits…The park successfully worked with the IVCC to respond to complaints from tour operators, who are competing for prime locations within the building to advertise their tours. While this problem will likely persist until the space within the Independence Visitor Center has been reorganized a project that will take place during 2008 through a series of meetings with the tour operators the park is continuing to address their concerns.” INDEPENDENCE NATIONAL HISTORICAL PARK SUPERINTENDENT’S ANNUAL NARRATIVE REPORT October 1, 2006 – September 30, 2007 Introduction The Superintendent and staff of Independence National Historical Park (INDE) share the stewardship of some of the most important symbols of our nation’s heritage: the Liberty Bell, Independence Hall, Congress Hall and Franklin Court. They also share responsibility for Edgar Allan Poe National Historic Site (EDAL), Thaddeus Kosciuszko National Memorial (THKO) and Gloria Dei (Old Swedes’) Church National Historic Site (GLDE). Independence National Historical Park continued to work on several multi-year, multi-faceted projects including the commemoration of the President’s House Site, the security plan for the Liberty Bell Center and Independence Square, the Long Range Interpretive Plan, the rehabilitation of Franklin Court and finalizing partnership agreements. -
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A Proud Past - A Bright Future The Omaha Nation Visits Bellevue April 11, 2007 The ceremony on Wednesday, April 11, 2007, commemorated the restoration of the graves of Omaha Chief Big Elk, Susan Fontenelle Neals, Lucien and Meumbane Fontenelle, and over 1,000 military graves. It was a celebration of a chapter in history that unites us. In the spring, 2006, Logan Fontenelle, Dr. John Deegan, and Phil Kaldahl began working together to develop a further understanding of the history of the Bellevue/Offutt Community. Mr. Fontenelle, great, great, great grandson of Chief Big Elk, visited Bellevue’s secondary schools and began speaking to the Bellevue Board of Education and students about the role Chief Big Elk and the Omaha Nation played in the development of the community. Bellevue students decided to raise funds to help restore the gravestone of Chief Big Elk, add a gravestone for Susan Fontenelle Neals, granddaughter to Chief Big Elk, add a bench with the abbreviated history, and add a stone for Chief Logan Fontenelle at Fontenelle Forest. Mission and Logan Fontenelle Middle School students and Bellevue East and Bellevue West High Schools FBLA students raised $3,000 for the project. There are over 1,000 military veterans buried in the Bellevue Cemetery. The Bellevue Public Schools and City of Bellevue worked together to clean up and reset the stones. The Bellevue East and Bellevue West High Schools AFJROTC worked with Todd Addison and members of the City of Bellevue in the clean up project. The History that Unites Us Omaha Chief Big Elk, U. -
Program June 4–14, 2018 UNMC/UNO Campuses Omaha, Nebraska
2018 Aseto’ne Institute Program June 4–14, 2018 UNMC/UNO Campuses Omaha, Nebraska Coordinated and hosted by AIHEC, UNMC, and UNO Photo courtesy of Diné College. 1 2 Welcome Dear Aseto’ne Institute Participants, On behalf of the American Indian Higher Education Consortium (AIHEC), which is the nation’s 38 Tribal Colleges and Universities, welcome to the 2018 Aseto’ne Institute! We are thrilled that you are spending part of your summer with us; and we are confident that you will find the next two weeks interesting, informative, and rewarding. The Aseto’ne Institute is designed specifically for tribal college students like you— engaged students who might be interested in biomedical and health research and who wish to learn more about the academic programs, professional careers, and opportunities available in these important fields. We are proud that the University of Nebraska Medical Center (UNMC) is collaborating with us on this initiative. UNMC staff, along with our own Aseto’ne Network Project staff, have developed an enriching 2-week program for you. You will have the opportunity to meet and interact with faculty and staff from UNMC, the University of Nebraska Omaha (UNO), and various tribal colleges, along with members of our Aseto’ne Network Project Advisory Committee. We encourage you to take advantage of the mentoring opportunities—now and in the future—that these highly skilled and committed experts have to offer. Be sure to get contact information and stay in touch. Across Indian Country, American Indian and Alaska Native researchers are needed to help our tribes address the health challenges that many of our people face. -
A Fig for Your Philosophy and Great Knowledge in the Sciences
Nagle 1 jeff Nagle Professors Dorsey & Minkin History 91 December 17,2011 A Fig For Your Philosophy and Great Knowledge in the Sciences: Observation, Deception, Scientific Fraud and Social Authority in the Antebellum Museum Abstract: There is an increasingly sophisticated literature on the role played by museums in reaffirming social norms of examination in the antebellum United States. This literature has largely focused on the way museums presented this knowledge to the public, not how audiences reacted to claims of scientific authority. Popular reaction to pseudoscientific claims demonstrated to the public in the scientific context of museums, in this case Charles Redheffer's 1812 perpetual motion device and P. T. Barnum's Fejee Mermaid, shed light on the close relationship between early popular scientific observation and ways of judging authenticity and deception in the commercial and social realms of the antebellum period. Have you travelled thro' the pages afthe Natural Historian? come and satisfyyour mind) that he has not deceived you. Come and look nature in the face, andyou will be more highly delighted and satisfied than by historic description. Have you) at any time) read ofbeings whose existence you doubted? call at this repository. Your doubts will vanish) and before you depart your mind may receive impressions emanently conductive to morality and virtue. Those who have no leisure to read) may) at a trifling expence, furnish themselves with a considerable portion ofknowledge--a species ofknowledge that may be found necessary -
Jeff Lynne’S Elo Signs with Columbia...”
Jeff Lynne Jeffrey “Jeff” Lynne (born 30 December 1947) is an 1.2 1970–86: ELO English songwriter, composer, arranger, singer, multi- instrumentalist and record producer who gained fame in the 1970s as the leader and sole constant member of Main article: Electric Light Orchestra Electric Light Orchestra. In 1988, under the pseudonyms Otis Wilbury and Clayton Wilbury, he co-founded the Lynne contributed many songs to the Move's last two al- supergroup Traveling Wilburys with George Harrison, bums while formulating, with Roy Wood and Bev Be- Bob Dylan, Roy Orbison and Tom Petty. van, a band built around a fusion of rock and classi- After ELO’s original disbandment in 1986, Lynne re- cal music, with the original idea of both bands existing [5] leased two solo albums: Armchair Theatre (1990) and in tandem. This project would eventually become the Long Wave (2012). In addition, he began producing var- highly successful Electric Light Orchestra (ELO). Prob- ious artists, with his songwriting and production collab- lems led to Wood’s departure in 1972, after the band’s orations with ex-Beatles leading him to co-produce their eponymous first album, leaving Lynne as the band’s domi- [5] mid 1990s reunion singles "Free as a Bird" (1995) and nant creative force. Thereafter followed a succession of "Real Love" (1996). band personnel changes and increasingly popular albums: 1973’s ELO 2 and On the Third Day, 1974’s Eldorado and 1975’s Face the Music. By 1976’s A New World Record, Lynne had almost developed the roots of the group into 1 Musical career a more complex and unique pop-rock sound mixed with studio strings, layered vocals, and tight, catchy pop sin- gles. -
Bellevue: the First Twenty Years, 1822-1842
Nebraska History posts materials online for your personal use. Please remember that the contents of Nebraska History are copyrighted by the Nebraska State Historical Society (except for materials credited to other institutions). The NSHS retains its copyrights even to materials it posts on the web. For permission to re-use materials or for photo ordering information, please see: http://www.nebraskahistory.org/magazine/permission.htm Nebraska State Historical Society members receive four issues of Nebraska History and four issues of Nebraska History News annually. For membership information, see: http://nebraskahistory.org/admin/members/index.htm Article Title: Bellevue: The First Twenty Years Full Citation: Richard E Jensen, “Bellevue: The First Twenty Years,” Nebraska History 56 (1975): 339-374. URL of article: http://www.nebraskahistory.org/publish/publicat/history/full-text/NH1975Bellevue.pdf Date: 2/10/2016 Article Summary: This article explores the founding and early growth of Bellevue, Nebraska, based on some new data and, to a degree, upon a reinterpretation of some older material. Pages 369 through 370 provide an excellent, abbreviated summary of the early history Bellevue. Cataloging Information: Names: Joshua Pilcher, Manuel Lisa, John Sunder, Pedro de Villasur, Thomas Hempstead, John P Cabanne, Andrew Woods, John C Calhoun, Stephen H Long, David Meriweather, Mr Robidoux, Paul Wilhelm, Henry Atkinson, John R Bell, Edwin James, Michael E Immel, Robert Jones, William H Ashley, Andrew Henry, Henry Leavenworth, James Kennerly, James -
Electric Light Orchestra Eldorado - a Symphony by the Electric Light Orchestra Mp3, Flac, Wma
Electric Light Orchestra Eldorado - A Symphony By The Electric Light Orchestra mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop / Classical Album: Eldorado - A Symphony By The Electric Light Orchestra Country: US Released: 1974 Style: Symphonic Rock MP3 version RAR size: 1665 mb FLAC version RAR size: 1287 mb WMA version RAR size: 1791 mb Rating: 4.6 Votes: 754 Other Formats: AHX APE TTA MP3 MP2 RA MMF Tracklist A1 Eldorado Overture 2:12 A2 Can't Get It Out Of My Head 4:26 A3 Boy Blue 5:17 A4 Laredo Tornado 5:26 A5 Poorboy (The Greenwood) 2:56 B1 Mister Kingdom 5:50 B2 Nobody's Child 3:40 B3 Illusions In G Major 2:36 B4 Eldorado 5:20 B5 Eldorado - Finale 1:20 Companies, etc. Phonographic Copyright (p) – United Artists Records, Inc. Mastered At – The Mastering Lab Pressed By – Columbia Records Pressing Plant, Terre Haute Manufactured By – United Artists Records, Inc. Published By – Yellow Dog Music, Inc. Copyright (c) – Jeff Lynne Music Ltd. Copyright (c) – Carlin Music Corp. Recorded At – De Lane Lea Studios Credits Arranged By, Conductor [Orchestra] – Louis Clark Arranged By, Piano, Synthesizer [Moog], Guitar, Backing Vocals – Richard Tandy Art Direction – John Williams Bass – Michael de Albuquerque* Cello – Hugh McDowall*, Michael Edwards* Design [Album Design] – John Kehe Drums, Percussion – Bev Bevan Engineer [Assistant Engineer] – Mike Pela Engineer [Recording Engineer] – Dick Plant Guitar, Vocals, Synthesizer [Moog], Backing Vocals, Arranged By, Words By, Music By, Producer – Jeff Lynne Photography By [Photograph] – Norman Seeff Violin – Mik Kaminski Voice [Prologue Spoken By] – Peter Ford-Robertson Notes Columbia, Terre Haute pressing denoted by "T" and "T2" etches in runouts. -
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance